Tech
WIRED Tested Dozens of Espresso Machines. These Are the 9 Best
Compare the Top 8 Espresso Machines
Other Machines We Like
Breville Oracle Dual Boiler for $3,000: This update to the previous Breville Dual Boiler espresso machine is a powerful, truly impressive machine in many regards. It combines the easy touchscreen operation and automatic dosing and tamping of WIRED’s top-pick Oracle Jet with a welcome “manual” mode that lets you play with pre-infusion and bloom while monitoring a digital pressure gauge on the touchscreen. I kinda love this as an exercise in future-retro design—or whatever the inverse of steampunk is—but also as a means of really controlling my shot, and getting a lot more crema and body out of it. The dual-boiler heats up very fast—like four minutes fast—and gives you the wonderful temperature stability and consistency you expect from a dual boiler, plus the ability to steam milk and make espresso simultaneously. The early-production model I received had a very tight portafilter fit, which loosened up after the first 30 shots or so but initially required some muscle. I also haven’t been able to get good results with lighter-roast beans, which led to the occasional under-filled portafilter that had to be retamped manually. We’ll update as we resolve those quirks, but can attest that for medium to dark beans, this Dual Boiler is an absolute beast.
Photograph: Matthew Korfhage
Meraki Espresso Machine for $1,999: Meraki is a young Hong Kong–based company. Last year it was still Kickstarting funds for its debut Meraki Espresso Machine. But the company started off with a bang, with a premium semiautomatic double-boiler machine offering features you don’t find even in machines that cost hundreds more. This means a Timemore grinder that’ll grind by weight within two-tenths of a gram precision. PID temperature control. Easy pre-infusion. A quiet rotary pump. Another scale under the brewer that lets you control output. A powerful steam wand that regulates the temperature of froth within about 3 degrees for whatever milk drinks strike your fancy. A tamper with satisfying heft, and a tamping station that feels like luxury. Frankly, despite having to overrotate the portafilter for proper fit, its wondrous aesthetics and ease made it a contender for our top picks. But service is always a worry among newer, direct-to-consumer entrants, and the wackily complicated descaling procedure makes maintenance a concern.
Ninja Luxe Cafe Premier for $600: Ninja has already released an upgraded Ninja Luxe Cafe Pro version ($750) after its espresso machine debut. But its first device, the Luxe Cafe Premier, is already a corker, a low-priced all-in-one with cold brew, coffee, espresso, excellent milk frothing, and unexpected luxury features like a built-in scale so the grinder can dose by weight. The device can feel either overstuffed or generous, depending on who you are. Either way this damn near unseated the Breville Barista Express as WIRED’s mid-tier top pick, aside from a few leaks and sensible caution about its durability.
De’Longhi La Specialista Opera for $900: Speaking of espresso makers that came running at Breville, this Opera is a beautifully forgiving semiautomatic machine that makes excellent espresso in the medium- to dark-roast range, with non-pressurized portafilter baskets that make for a nice and surprisingly subtle cup. It’s the best De’Longhi espresso machine I’ve tested, in many ways, among the semiautomatic camp. The Opera sports a lot of options—including dose and temperature control—while remaining refreshingly analog with its satisfying metal frame, metal buttons, and prominent pressure gauge. Cold brew is a perk for those who like milk. The grinder is decent, though its 15 settings might not offer enough sensitivity to pull the best from each roast. One could wish for a removable hopper and a sturdier tamping lever. But if you or your partner love cold coffee drinks or espresso martinis, this gives comparable Brevilles a strong run for the money.
Photograph: Matthew Korfhage
De’Longhi La Specialista Touch for $1,000: De’Longhi’s new Touch, released this year, isn’t merely a touchscreen version of the very analog Opera—though it is just as handsome as the Opera. Instead, it offers a very specific set of trade-offs. Like De’Longhi’s Rivelia, there’s a bean-assist function that you can save for each bean you like. It’s also got a better steam wand, with the ability to read the temperature of the milk you’re steaming, as you steam it. In fact, it’s maybe more intuitive overall. But it doesn’t quite offer the easy customization on temperature, shot time, or ratios. The cold brew is not quite as well-dialed as the Opera. The Touch is an Italian machine on training wheels, designed for Italian-style medium to dark shots. This should work for most people, but minus a pressure bar or a shot timer, it can also feel like a bit of a black box.
Photograph: Julian Chokkattu
La Marzocco Linea Mini for $6,600: WIRED reviewer Julian Chokkattu spent two weeks with the La Marzocco’s Linea Mini, a home version of the fancy espresso machines you’ll see in coffee shops around the world. The price may be eye-searing, but Chokkattu did find the resulting elixir to be absolutely fantastic—and the same went for La Marzocco’s customer service while Chokkattu was dialing in his machine. It offers a lot of room for experimentation, and sports a killer cool-touch steam wand that froths milk in seconds.
Courtesy of Delonghi
De’Longhi Stilosa for $150: The Stilosa was our top budget pick for years. It’s still a good budget pick, and it often goes on sale for less than $100. You’re not going to get high-end features like a pressure gauge or built-in grinder, and it’s a little plasticky. But what the Stilosa does provide is everything you need to make great espresso at home: a solid portafilter, a reliable steam pump, and a steaming wand. It is a little light, so you’ll want to brace it when you mount and dismount the portafilter (or it might slide around on you). After brewing cup after cup of espresso, the Stilosa never showed signs of slowing or breaking down the way many inexpensive machines can. In fact, we’re now revisiting the Stilosa as our budget pick, after catching a few tips on how to use the Stilosa for light roast espresso.
Courtesy of Breville
Breville Barista Express Impress for $800: This espresso machine is the more tricked-out sibling of the Breville Barista Express. It includes more grind and dosing settings and automates some of the more complicated parts of brewing consistently good espresso, like getting just the right amount of beans ground per shot.
Courtesy of Amazon
Breville Dual Boiler for $1,600: The previous-generation Breville Dual Boiler is an absolute tank of an espresso machine. It’s huge. It’s heavy. It makes amazing espresso. But while its size makes brewing espresso feel luxurious, it does eat up a lot of space and needs a little time to heat up, versus newer Brevilles like the Oracle Jet that favor thermoblock-style heaters. But a dual boiler does mean you can brew shot after shot, with steamed milk and hot water at the same time, without having to wait in between shots. The new Breville Oracle Dual Boiler ($3,000) is already on the market, but you can still pick up the previous generation for half the price.
Cuisinart EM-160 Slim for $250: The lowest-cost espresso maker from Cuisinart’s new espresso line is among the slimmer espresso machines out there, less than 7 inches across. This makes it a treasure for certain kitchens. The espresso quality is about what you’d expect from a pressurized portafilter: smoother, less nuanced, but also pretty forgiving for beginners trying to dial in a bean. This’ll be best for those who mix milk with their espresso. Same goes for the fast-dripped “cold espresso” option, which takes a couple minutes to complete and comes out a bit tannic, but mixes well with cold milk or a lot of ice. You’ll need a grinder if you don’t want sad supermarket beans.
Courtesy of Superkop
Superkop Manual Espresso for $600: This manual espresso machine is technically not a Jackie Chan movie. The Superkop is instead a quite finely engineered espresso device. It looks pretty, and unlike other manual espresso machines you don’t need a strong arm to use it. So if you want to pull espresso, but not pull it hard, the Superkop is your huckleberry. That said, $800 is a lot of money for a manual device. Buy it if you know you’ll love it.
Also Tried
Cuisinart EM-640 Espresso Bar for $650: Cuisinart rolled in with some ambition on this semiautomatic espresso machine, with a built-in grinder and a non-pressurized, bottomless portafilter meant to play in the same sandbox as Breville’s top devices. Alas, I really couldn’t get consistency on either dosing or grinding from the device’s built-in grinder—and the system for customizing the dose in particular was mostly wild guesswork. This all added up to botched shots, wild spray from the portafilter, and none of the ease one wants from a semiautomatic.
Courtesy of Delonghi
De’Longhi La Specialista Arte Evo for $675: This semiautomatic De’Longhi La Specialista Arte Evo comes with a built-in burr grinder makes great espresso right out of the box, and is slimmer than other espresso machines in its category, It does have quirks: It includes a little plastic adapter needed to attach the portafilter to the grinder spout, and a little stepstool for your espresso cup to keep the coffee from splashing. It’s a good machine, but I’d upgrade to the Opera any day of the week.
Frequently Asked Questions
How Do We Test and Evaluate Espresso Machines?
Over the past decade, WIRED has tested dozens of espresso makers to find our favorites. The process, in part, is simple. We brew a whole lot of coffee. I’ve written about coffee for more than a decade on both the East and West Coasts, including my hometown coffee mecca of Portland, Oregon. Other current and past WIRED espresso testers—who include former baristas and longtime coffee writers—include Jaina Grey, Jeffrey Van Camp, Kat Merck, Tyler Shane, Pete Cottell, and Scott Gilbertson.
On each machine that’s capable, I make and assess at least four drinks, on multiple roasts and beans: a basic 2:1 espresso, an Americano, a latte, and a cappuccino. On machines that advertise a wacky array of drinks, I test each one. This includes any newfangled coldspresso and head-scratching variations on a “long.” It also includes, if science dictates, espresso martinis. And I test to see whether a machine can be dialed to both dark roasts and lighter roasts.
I might make many dozens of coffees to dial in a machine and truly understand it. (Sometimes, alas, you understand a machine’s shortcomings far sooner.)
What I’m looking for is nuance, aromatics, beauty, sensitivity to the characteristics of each bean, and the satisfying texture of fully integrated milk. But also, I’m looking for ease, the thoughtful touches that make an espresso maker something you can fall in love with.
I test whether the hot water spout splatters, whether descaling requires a degree in hydrology, whether the brewing temperature is consistent, and whether the latte milk gets silked. I’m truly terrible at latte art, but whether it’s possible is a straightforward test of the body of the frothed milk. I test the airier foam of cappuccinos and compare manual and automatic milk frothing on machines that try to froth milk for you. I test how fast the wand steams and whether it’s easy to fully integrate milk before the dang thing starts to burn your milk.
On machines with built-in grinders, I both assess the grind and weigh the dose—and then weigh it again. And then again. Consistency is the hobgoblin of little cups. I also test multiple grind settings to make sure the grind is consistent.
On any semiautomatic machine that decides the shot size for you, I test this to see whether you’re getting a ristretto or a lungo by default. Then I resolve never to say the word “lungo” again.
I don’t generally take apart the machines I’m sent, but I do quite often look up videos of people who do—and look at how the thing’s constructed under the hood.
How We Select Espresso Machines to Test
In part, we select machines to test by looking at the espresso makers with long track records of making good espresso machines—people with long tails in the industry and good track records of customer support. Names like Breville, De’Longhi, La Marzocco, and Rancilio. But also, I listen. I read. I ask every coffee-obsessive in my life. I pay attention to the newest releases, follow trade shows, watch Youtube videos, and spend a lot of time tracking down not just the obious big names but the unexpected recommendations.
I often also look at how accessible each machine will be to most users. Espresso isn’t just a finicky process: It’s finicky by design. The most sensitive and sophisticated traditional machines are responsive to every tiny variation in the coffee grind and every fluctuation in the water temperature. The deepest bean geeks want this: They want the control, the frustration, the vision quest.
But I also know that most of you out there aren’t looking to be in an abusive relationship with your coffee machine. Few want to wake up to feelings of inadequacy, brought on by a machine that costs as much as a used car. And so what I look for is the espresso machines that can pull lovely character from each bean, but also make this easy on you.
This means that our top picks, the ones I recommend to most people, tend to fall in the semiautomatic camp: They’re the ones that offer the best coffee with the least effort. Finding this balance is delicate and often rewarding. It used to be that a built-in grinder was a recipe for blown shots, sadness, or pressurized portafilters with less character. But year by year, espresso machine makers get better at this goal.
The lowest-cost machines I recommend tend to offer more forgiving pressurized filter baskets as options, even though these sacrifice a bit of nuance for forgiveness, because I don’t want to assume you’re pairing a $200 espresso machine with a $2,000 coffee grinder. Although I know some of you do this, especially with our beloved Breville Bambino.
But hey, if you’re a tinkerer for life, and want to join modding groups? We recommend a machine for you, too. Mostly so you can disagree on Reddit, and explain why your favorite is better.
What Beans Are Best for Espresso?
First off, there’s no such thing as “espresso beans,” whatever it says on the bag you buy. Espresso beans are coffee beans, ground finely enough to be pressed into service as espresso.
But traditionally, espresso is made with darker-roast beans that best elicit the deep, chocolatey notes of classic Italian espresso. In fact, most machines you use are probably designed with dark-roast beans in mind: Darker beans grind easier, extract easier, and are a bit more homogeneous across the market. And so when someone writes “espresso roast” or “espresso blend” on their grind, that’s often what they mean.
Does that mean dark roast is the only espresso? Of course not. Modern craft and premium coffee roasters in the United States have begun trending toward medium and medium-dark roasts that offer a bit more balance, character, and even a little acidity—beans that have more aromatics, and more individuality. Some, including me, love experimenting with truly light roasts, including the lightest of natural-processed beans that let me brew up espresso that tastes like strawberries.
It’s up to you. But note that the lighter the roast, the more you’ll need to adjust grind and temperature to accommodate—and sometimes even go off-script entirely. (See here for an explainer on light-roast espresso.) But the classic recommendations for espresso? Pulling a 25- to 30-second shot, at a steady 9 bars of pressure, at a 2:1 ratio for a standard shot? These were all designed for traditional dark-roast beans.
One thing that’s true, however, is that you should use fresh beans. They’ll taste better and more aromatic, sure. But stale beans exposed to oxygen also make it technically difficult to make good espresso: they’ve begun to break down, often allow channeling, and are more likely to lead to a less evenly extracted shot with funny off-flavors.
Obviously, fresh beans are easiest to obtain from a local roaster, and on the plus side you’ll be able to ask the baristas there how best to make espresso from their beans. But when in doubt in a supermarket, look for a roast date on the bag. If you can’t find it, or if your beans were roasted in Italy and sent on a ship? Chances are they’re not fresh. And your espresso will be worse. For fresh beans delivered to your house, check out WIRED’s guide to the best coffee subscriptions.
Espresso Accessories That Make for Great Cups
If you’re spending this much on an espresso machine, you’ll want to invest in a good grinder and even a scale, as well as a few other devices that make your shots better, and your life a little easier.
An espresso-capable grinder: If your espresso machine doesn’t come with a grinder, you’ll need one. Preground bag beans are especially difficult to use when making espresso, and will likely lead to off-flavors or channeling. But not just any grinder will do. You’ll need a good grinder that can grind consistent beans finely enough for espresso. WIRED’s top-pick Baratza Encore ESP is always a good choice—positioned squarely at the fulcrum where more expensive grinders begin to offer diminishing returns.
An accurate scale with a timer: Most grinders, and a goodly portion of espresso machines, do not offer a precise scale. But a precise scale is what you need to get espresso ratios right. WIRED reviewer Julian Chokkattu loved the Acaia brew-by-weight scale ($400) that automatically connects to the La Marzocco Linea Mini and a few other devices via its companion app. But a far less sophisticated scale can still help you measure your shot size and control the dose you want on each espresso shot. If you’re not precious about beauty, there’s always this low-cost, little no-name scale. It’s accurate to a 10th of a gram, and has a timer to boot.
The best knockbox: When you’re done with that portafilter filled with coffee grounds, what do you do with it? Beat it against the side of a trashcan? Dig out those grounds into the sink? Nah. You need a good knock box. And somehow this jobby-job from Breville is the best one I’ve ever found. It’s sturdy, the cross bar is in the right spot so that the grinds dump cleanly into the bin, and the bottom has enough grip that the box doesn’t scoot around on the counter. Simplicity is competence.
Not all steaming pitchers are created equal, notes WIRED contributing reviewer (and former barista) Pete Cottell. As opposed to the sad piece of aluminum that probably came with your espresso maker, this Brewista offers thick walls for heat retention, a precision tip for expert latte pours, and a thermometer sticker on its side so you can get a rough gauge of milk temperature without hunting down an actual thermometer. It can also take a beating. This is your new frothing pitcher.
Tech
The Smart Home Gadgets to Amp Up Your Curb Appeal
I tried the battery version, which does require you recharge it every couple of weeks, but the wired-in version is the top recommendation on our guide to the Best Video Doorbells.
A Better Birdhouse
I had a new-to-me problem this spring: bird invasion. A little bird made a nest in my front-door wreath without us noticing. One evening, my sister opened the door, and the bird flew out of the nest and straight into our house. After a 30-minute battle to get it outside again (and keep my cat from eating it), it wasn’t until we saw the bird fly off the door again the next day that we realized it was calling our home its home, too.
If this is a common problem at your house, our resident bird-gear tester Kat Merck has a solution: a smart nesting box. Birdfy makes a few different smart bird feeders we like for bird-watching, and the Nest Duo is a birdhouse that lets you watch the birds while they nest inside of it. It’s a slim, attractive box that will add to your front yard’s style while also packing two solar-powered cameras (one facing the entrance, one focused inside) so you can bird-watch from multiple angles. It comes with different hole sizes to appeal to different species, metal predator guards to prevent chewing around the hole, and a remote control to reset or recharge the camera without disturbing your feathered neighbors.
Stylish Smart Lights
I’ve liked Govee’s smart outdoor string lights before, usually for my holiday decor, and have previously recommended something similar with a bistro-light-like look that happened to be smart. These clear bulb string lights are part of Govee’s current lineup and have a contemporary twist with a triangle in the center instead of the wire filament. These are a fun option for outdoor lights you can enjoy on warm nights, and they can do every color and shade of white without looking as bulky as permanent outdoor lights. (Added bonus, these lights are also Matter compatible!)
Fresh Bulbs
If you have light fixtures you want to remote-control, add an outdoor smart bulb. There are tons to choose from, and you can usually find one from any brand you already have at home. The only downside is that outdoor-rated smart bulbs are usually 4.75-inch-diameter PAR38-style bulbs, so they’re best for downward-facing floodlights on your porch or balcony. They’ll likely be too big to fit in a wall fixture as a replacement for a normal-sized bulb. Don’t just grab any smart bulb—not all are outdoor-rated. Check for mentions of outdoor use and waterproof ratings to make sure they’re safe to use. I’m a big fan of Cync bulbs, and the brand has an outdoor version of the Cync Full Color bulbs I like to use indoors. You’ll be able to add fun colors as well as shades of white, so you can turn the porch a spooky orange or red for Halloween, pink for Valentine’s Day, or the colors of your favorite sports team on game day.
Remote-Controlled Garage
If your garage is the centerpiece of your home’s curb appeal, you can control it as easily as a smart door by adding a smart controller. You can do two different styles: I have the Chamberlain MyQ professionally installed smart garage opener, which means the device that controls my garage has these smarts built into it (plus a camera, but I find it doesn’t work great with how far the device is from my Wi-Fi router), or you can get a smart garage controller that can add smart features onto an existing garage door. Both let you check whether the garage is open or closed and operate it remotely, and you can add a video keypad that doubles as a video doorbell and can let you open or close the garage without your phone.
Smart Shades
The front of my home faces west, so it’s absolutely baking at the end of the day. What I need to add are some of our favorite smart shades to automate closing the shades on that side of the house at the right time of day. These also give your home a nice, cohesive look and immediate, controllable privacy from the outside world. WIRED reviewer Simon Hill recommends the SmartWings shades as his top picks, and Lutron’s Caseta shades if you’re looking for a more upgraded look.
Invisible Swaps
Looking to add some smarts without touching your existing setup? These switch-ups can make your front door and yard smart without being visible.
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Tech
The Best Movies to Stream This Month
April might be springtime in the northern hemisphere, but some of the best streaming services seem to think it’s the perfect time for a dry run of spooky season. How else to explain the arrival of some exquisitely dark slices of horror, like 28 Days Later: The Bone Temple arriving on Netflix, Weapons coming to Prime Video, or Shelby Oaks landing on Hulu? If you prefer your off-season Halloween viewing to be in the vein of campy B movies rather than serious scares though, horror specialist Shudder has you covered with Deathstalker, a gloriously cheesy reboot of a near-forgotten ’80s series.
Reality is often scarier than fiction though, as shown by Louis Theroux’s Inside the Manosphere—his first documentary film with Netflix, exploring the dark side of social media and the world of toxic male influencers. (Be sure to read our interview with the filmmaker.) And if the thought of that leaves you wanting something a bit more wholesome to watch, thankfully Zootopia 2 has popped up on Disney+—and there’s even a rabbit in that, for some appropriately springtime imagery.
Here are WIRED’s picks of the best movies to watch right now.
28 Years Later: The Bone Temple
The fourth film in the long-running postapocalyptic horror series switches focus from rampaging rage zombies to a more dangerous threat: humans. OK, OK, “people are the real monsters” isn’t a hot take for the genre, but The Bone Temple offers a unique twist, with 28 Years Later survivor Spike (Alfie Williams) trapped in the company of a murderous gang led by deranged satanist “Sir Lord” Jimmy Crystal (Sinners’ Jack O’Connell). The villain is modeled on disgraced British TV presenter Jimmy Savile, whose sexual abuse crimes hadn’t been revealed by the time of the initial outbreak in 28 Days Later, adding a dash of real-world terror.
As the group stalks what remains of the English countryside, Spike’s only hope might be Dr. Ian Kelson (Ralph Fiennes), whose experiments on curing alpha zombie Samson (Chi Lewis-Parry) might hold humanity’s last hope. Although best watched back to back with its predecessor for the full, horrifying picture, director Nia DaCosta’s chapter stands on its own—and earns bonus points for one of the best uses of Iron Maiden’s “Number of the Beast” in film history.
Louis Theroux: Inside the Manosphere
It’s the silence that does the trick; British documentarian Louis Theroux always knows when not to speak and instead let his subject expose themselves for the world to see. It’s a masterful technique whether Theroux is investigating the Westboro Baptist Church or UFO conspiracy theorists, but it is rarely put to better use than in his latest outing: exploring the online “manosphere” subculture of self-appointed “alphas” offering toxic advice on how to be a “real man.” Speaking with key figures in the loosely defined movement, Theroux’s mild-mannered approach often leaves them to do most of the talking, exposing shockingly misogynistic and extremist views. Even more distressing? The quiet revelation that for many of them their performative masculinity is all just one big grift, and how they rationalize the harm they cause in pursuit of a payout. Depressing but compelling viewing—not all men, but definitely all of these men.
Crime 101
Jewel thief Mike (Chris Hemsworth) is the best in the business, a meticulous planner who pulls off his heists without leaving a shred of evidence—much to the consternation of LAPD detective Lou Lubesnick (Mark Ruffalo), who doesn’t even know exactly who he’s hunting for a string of thefts. Elsewhere in the City of Angels, Sharon (Halle Berry) is an underappreciated VP at an insurance firm, frustrated at being passed over for promotion for years. She’s the perfect insider to help Mike orchestrate an elaborate $11 million diamond heist. But as Lou uncovers evidence connecting to Mike’s past, and the chaotic, violent biker Ormon (Barry Keoghan) aims to take the score for himself, even the most masterful planning can’t prevent everything spiraling dangerously out of control.
Tech
OpenAI Executive Kevin Weil Is Leaving the Company
Kevin Weil, OpenAI’s former chief product officer who was recently tapped to build a new AI workspace for scientists, Prism, is leaving the company, WIRED has confirmed. Weil was previously an early executive leading product at Instagram.
OpenAI is also sunsetting Prism, which the company launched as a web app in January this year to give scientists a better way to work with AI. The company is folding the roughly 10-person team behind it into Thibault Sottiaux’s Codex team. An OpenAI spokesperson confirmed the changes, and tells WIRED this is part of the company’s effort to unify its business and product strategy. OpenAI has broader ambitions to turn Codex, its AI coding application, into an “everything app.”
Weil, who joined OpenAI in June 2024, announced last September that he would be starting a new initiative inside of the company called “OpenAI for Science.” Now, OpenAI is dispersing those employees throughout the company’s product, research, and infrastructure teams. An OpenAI spokesperson reiterated the company’s commitment to accelerating scientific discovery, and says it’s one of the clearest ways AI can benefit humanity.
OpenAI is currently trying to refocus the company around a few key areas, such as enterprise offerings and coding. Last month, OpenAI’s CEO of AGI deployment Fidji Simo told staff that the company needs to simplify its product offerings. The push to divert resources to more consequential efforts resulted in OpenAI discontinuing its Sora video-generation app.
This is a developing story. Please check back for updates.
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