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Acne Studios expands in France with redesigned historic HQ

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Acne Studios expands in France with redesigned historic HQ


Translated by

Nazia BIBI KEENOO

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September 12, 2025

Acne Studios acquires a major new showcase in Paris. Following the opening of its Stockholm headquarters dedicated to design in 2019, the Swedish brand, known for its avant-garde creations, is relocating to Paris, into a beautiful turn-of-the-century townhouse that once housed a pharmaceutical laboratory. The space, tucked away at the end of a courtyard at 48 rue des Petites-Écuries in the 10th arrondissement, brings together all the label’s departments, including part of the women’s and accessories design studios, in a décor blending traces of the past with contemporary works of art.

The showroom is housed in the former Gomenol laboratory. – Acne Studios

The design project was conceived by Jonny Johansson, co-founder and artistic director of Acne Studios, in collaboration with the Swedish architecture and design firm Halleroed, which has been collaborating with the brand for over ten years. “The space retains the raw grandeur of the laboratory and mansion built in the 1930s, enriched by a selection of contemporary artworks and furniture from Jonny Johansson’s close circle of collaborators,” the house said in a statement.

The mansion was built in 1926 by the Prevet family, the original owners of Gomenol. The laboratory, which occupied the premises until the 1980s, was renowned for its production of tinctures and plant-based oils, particularly an essential oil extracted from niaouli, Goménol. The former laboratory now features a spacious showroom on the ground floor, complete with raw concrete columns, an original vaulted glass ceiling, and white-painted walls, as well as a fitting room for VIP customers.

The idea was to harmoniously integrate these historic elements into the new layout. As Jonny Johansson explains: “Our main objective was to respect the history of the place while infusing it with a fresh, modern energy. The building itself has an incredible architectural presence. It’s steeped in history, and you can feel that when you walk through its rooms. We didn’t want to erase this effect.”

“On the contrary, we wanted to create a kind of dialogue between past and present, guided by the original structure. It’s important to preserve these traces of the past, not only out of respect, but also because it shapes the atmosphere and energy of the building and creates a basis for the kind of creative work we do,” he continued.

The entrance to the building, which serves as a reception area, retains meticulously restored gilded moldings, friezes, woodwork, and parquet flooring. Similarly, the canteen on the mezzanine floor features its original tiled floor. It features large, light-wood communal tables, which can also be used for meetings or work sessions. It adjoins a kitchen and leads to a sunken outdoor garden. The offices and design studio are on the first floor.

The entire building, which will accommodate around 80 employees, is adorned with designer furniture, including the garden seating and showroom sofas designed by British designer Max Lamb, a long-time collaborator of Acne Studios. The same goes for lighting artist Benoît Lalloz, who created a bespoke light installation. In addition, the courtyard features works of art, including Daniel Silver’s marble sculpture and candelabras by Sylvie Macmillan.

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India may impose up to $2/kg anti-dumping duty on spandex yarn

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India may impose up to /kg anti-dumping duty on spandex yarn



The investigation, initiated in March ****, covered the period from October **** to September **** and was based on a petition filed by Indorama India Private Limited. The authority found that dumped imports from the subject countries had caused material injury to the domestic industry, as per notification issued in this regard by the DGTR.

The product under consideration includes elastomeric filament yarn of all deniers, commonly known as spandex or elastane, widely used in stretch garments such as hosiery, activewear and innerwear. However, certain categories have been excluded, including coloured yarn (except black), elastomeric yarn on beam, LYCRA branded products, and yarn used in diapers.



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10-yr strategy launched for Australian fashion & textile manufacturing

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The Australian Fashion Council (AFC) and R.M.Williams have launched the National Manufacturing Strategy for Australian Fashion and Textiles 2026-2036 at Parliament House in Canberra, the first co-ordinated national roadmap to rebuild targeted domestic manufacturing capability across Australia’s textile, clothing and footwear (TCF) sector.

The ten-year strategy is the result of almost a year of industry consultation led by the AFC and R.M.Williams, including 14 national consultations with manufacturers, brands, educators and policymakers across the country. More than 300 stakeholders contributed to the process, generating over 1,000 proposed initiatives and nearly 900 votes on strategic priorities to shape the sector’s long-term manufacturing future.

The Australian Fashion Council and R.M.Williams have launched the National Manufacturing Strategy for Australian Fashion and Textiles 2026–2036, a ten-year roadmap to rebuild Australia’s textile, clothing and footwear manufacturing.
Developed through national industry consultations, it aims to strengthen domestic capability, advanced manufacturing and fibre value chains.

The strategy comes at a critical time for the industry. With 97 per cent of Australia’s clothing and textile products manufactured offshore, the sector remains vulnerable to ongoing global supply disruptions and trade volatility. Rather than compete against high-volume offshore manufacturing markets, the strategy is focussed on closing structural gaps and accelerating advanced manufacturing to scale the sector’s comparative advantage, aiming to position Australia to compete globally in premium, technology-enabled and traceable production, built on the country’s natural fibre strengths, AFC said in a press release.

Independent modelling by RMIT University and RPS projects that full implementation of the Strategy’s co-ordinated policy platform will grow TCF manufacturing value added from $2.6 billion to $2.9 billion by 2030/31, delivering a cumulative $1.4 billion economic dividend over five years. The Strategy is also projected to create more than 1,000 new skilled jobs and $864 million in additional wages, with approximately half of those jobs are projected to be filled by women.

“This Strategy sets out a clear roadmap for rebuilding a globally competitive Australian fashion and textile manufacturing sector. Australia already has exceptional design talent, advanced manufacturing capability and globally recognised brands. With the right coordination across industry, skills and procurement policy, we have a real opportunity to strengthen sovereign capability, create skilled jobs and position Australia as a leader in premium manufacturing,” said Marianne Perkovic, executive chair, Australian Fashion Council.

“Australia is the world’s largest exporter of greasy wool and a globally significant cotton producer. Yet we export raw fibre and import finished goods at multiples of the original value. Re-establishing fibre processing and spinning capability restores the missing link in our value chain,” Samantha Delgos, general manager, Australian Fashion Council said.

“R.M.Williams has manufactured in Adelaide for more than 90 years. We employ skilled craftspeople, invest in apprentices and continue to modernise production while competing globally. What’s needed now is to activate a flywheel: demand enables investment in skills, skills enable advanced manufacturing, and technology allows Australian manufacturers to scale while maintaining quality,” Tara Moses, chief operating officer, R.M.Williams.

The strategy will be led by the Australian Fashion Council and its progress will be evaluated through a two-stage assessment framework.

The first stage, the Implementation Review (to 2029), will assess progress in establishing the key foundations of the strategy, including procurement reform, national capability mapping, skills recognition pilots, shared manufacturing infrastructure, and governance arrangements to co-ordinate delivery. The second stage, the Strategic Outcomes Review (to 2036), will evaluate long-term progress toward the strategy’s goal of building a competitive, technology-enabled, and domestically anchored manufacturing sector supported by a sustainable workforce pipeline and a globally recognised market position.

Fibre2Fashion News Desk (RR)



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Australian wool prices decline this week as buyer caution ends rally

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Australian wool prices decline this week as buyer caution ends rally



The Australian wool market recorded a broad-based decline this week, snapping a recent run of gains, as softer buyer sentiment and margin pressures weighed on prices across all three selling centres: Melbourne, Sydney and Fremantle.

According to Australian Wool Innovation (AWI) commentary for week 38 (March 2026), the Eastern Market Indicator (EMI) fell by 32 Australian cents/kg, while the Western Market Indicator (WMI) dropped more sharply by 69 cents, signalling comparatively weaker conditions in Fremantle.

Australia’s wool market declined this week, ending a recent rally as weaker buyer sentiment and margin pressures weighed on prices.
The EMI fell 32 cents and WMI dropped 69 cents, led by losses in Merino wools.
Softer demand, higher supply, and a stronger Australian dollar pressured the market, though selective buying for quality lots persisted.

“Losses were led by medium Merino wools, which fell 70–75 cents in the eastern centres and 85–90 cents in the west. Finer Merino types also declined by 45–60 cents across all regions. Crossbred wool prices eased by 25–30 cents. In the carding segment, eastern markets remained steady to 5 cents higher, while Fremantle saw a sharper fall of around 45 cents,” the AWI Limited said in its Commentary.

The uniform decline across Merino fleece categories points to a broader pullback in buyer demand rather than isolated weakness. This follows several weeks of strong gains after the Chinese New Year period, with much of the earlier purchases still moving through processing and manufacturing stages.

Market sentiment this week reflected growing caution among exporters and processors facing tighter margins due to rising input costs. Increased wool offerings further reduced buyer urgency, while a firmer Australian dollar added pressure on export competitiveness, the AWI commentary noted.

Despite the overall softer trend, demand remained relatively firm for well-prepared, lower-risk lots, indicating that buyers are becoming more selective rather than exiting the market entirely.

Industry observers view the current downturn as a phase of consolidation, with the market testing resistance levels after recent gains, rather than signalling a fundamental shift in demand.

Looking ahead, all three auction centres will operate on a Tuesday-Wednesday schedule next week, with 40,909 bales expected to be offered.

Market direction will depend on the trade’s ability to absorb current supply levels and navigate prevailing cost pressures.

Fibre2Fashion News Desk (CG)



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