Fashion
Apparel retailers Destination XL and FullBeauty agree to merger of equals
Published
December 12, 2025
Retailers Destination XL Group and FullBeauty Brands agreed to merge, creating a bigger player in the size-inclusive apparel market, the companies announced on Thursday.
The combined company generates approximately $1.2 billion of annual net sales, and expects cost synergies of $25 million by 2027.
FullBeauty shareholders are set to own 55% of the combined company while Destination XL (DXL) shareholders will own 45%.
The plus-size clothing market broadly has grown amid a drive for more body positivity and even users of GLP-1 weight loss drugs like Ozempic are ready to spend on apparel as they drop clothing sizes, industry analysts have said. However, the risk to DXL and FullBeauty is that customers will lose enough weight that they have to shop elsewhere.
DXL operates over 250 stores across the DXL and Casual Male XL banners, which sell clothes for big and tall men. FullBeauty has a portfolio of over a dozen plus-size brands including Cuup, Woman Within and Roaman’s.
DXL shares had fallen around 45% year-to-date as its total revenue has also declined year-over-year. Its shares closed at $1.56 on Thursday for an $84 million market capitalization. FullBeauty emerged from bankruptcy in 2019 and Oaktree Capital Management is its largest investor.
The combined company will be better positioned to meet customers, including those using GLP-1 medications, at every stage of their weight-fluctuation journey through offerings such as DXL’s FiTMAP and FullBeauty’s free exchange program, the companies said.
The transaction is expected to close in the first half of 2026, subject to customary closing conditions and approval by DXL shareholders.
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Fashion
ITMA ASIA + CITME Singapore draws 26,600 visitors from 109 countries
The exhibition saw particularly high turnout from South and Southeast Asia—together accounting for 63 per cent of visitors—with India, China, Indonesia, Singapore and Bangladesh topping the attendee list. Industry leaders praised Singapore as a strategic, efficient venue offering strong regional access and quality buyer engagement.
ITMA ASIA + CITME Singapore 2025 drew 26,600 visitors from 109 countries and 840+ exhibitors, with strong turnout from South and Southeast Asia.
Exhibitors praised Singapore’s strategic location, high-quality buyers, and strong focus on sustainability, automation and modernisation, with high satisfaction and strong sales intent.
“We are very pleased with the overall quality of the visitors at the exhibition. Despite the current market challenges, the event exceeded our expectations. The main objective of holding this show in Singapore was to attract people from Southeast Asia and Middle East markets, and the results were truly impressive,” said Stephane Picard, sales & marketing manager at Pierret Industries.
The edition opened with Singapore’s Minister of State for Trade and Industry and for National Development, Alvin Tan, and was attended by more than 150 foreign dignitaries. A sold-out ITMA Sustainability Forum helped manufacturers navigate upcoming EU sustainability regulations and understand opportunities in green financing. Multiple workshops and delegation meetings further enriched the programme.
Survey data showed high satisfaction: 96 per cent of exhibitors viewed the show as offering a competitive advantage over other events, while 70 per cent achieved sales objectives. Visitor surveys revealed 90 per cent satisfaction in discovering new machinery and technologies, and 62 per cent expressed intent to make purchases at the show.
Technologies were arranged across the end-to-end textile manufacturing chain, with the five largest sectors being finishing, spinning, knitting, weaving, and printing and inks. Strong interest was also observed in automation, software, composites, recycling and plant operations equipment—reflecting the region’s accelerating shift towards innovation and resource-efficient production.
Officials from India, Vietnam and several global machinery manufacturers highlighted the exhibition’s relevance for modernisation and sustainability, underscoring the growing investment appetite across Asia’s textile hubs. Planning for the next edition is already under way, with exhibitors indicating they will return with larger booths due to robust demand.
“ITMA ASIA + CITME, Singapore 2025 offered a highly relevant platform for Vietnam’s textile industry. The end-to-end technologies and strong focus on automation and resource-efficient processing provided clear directions for our next stage of modernisation,” said Cao Huu Hieu, CEO, Vinatex Group.
Fibre2Fashion News Desk (HU)
Fashion
Karl Lagerfeld to open haute gamme apartment building in Lisbon, followed by residences in the Gulf
Published
December 12, 2025
Karl Lagerfeld has revealed plans to open a haute gamme apartment building in Lisbon and new residences in the Gulf, the latest expansion of the designer brand’s growing real estate realm.
Entitled “Karl Lagerfeld Residences Lisboa”, it will consist of 10 luxurious apartments in central Lisbon, a brand-new building expressing many of the late designer’s ideas on the art of living.
“We insisted on calling it Karl Lagerfeld Residences Lisboa, not Lisbon, to stay true the natural name of the city. This architectural project is from the inside out, not outside in,” insisted Pier Paolo Righi, CEO of Karl Lagerfeld.
Located at 48-50 Rua Braamcamp, it is quipped with a Bauhaus-style garage; clean modernist entrance; and wellness that features spa, sauna and treatment room – all designed to capture Karl’s famous polymath style. There is even an underwater sound system in the pool, like the one Karl installed in his Biarritz hose.
“Our goal is to take the Karl Lagerfeld legacy into the future. What he stood for and still stands for – the personality of a polymath, fashion designer, photographer, and expert of architectural space,” added Righi, in an exclusive interview inside the brand’s Paris HQ in Saint Germain.

In parallel, the house announced that it had signed a deal with AARK Developers to develop Karl Lagerefld Residences, a beachfront residential project in Ras Al Khaimah (RAK), ideally located on Al Marjan Island.
Valued at over $1.4 billion, this iconic ultra-luxury waterfront development is set to redefine beachfront living in the UAE and is scheduled for completion in 2028, delivering a collection of 663 sea view residences. The residences range from one to four bedrooms, with select residences offering private pools.
The new building in Portugal also bears the imprint of Caroline Lebar, Karl’s right-hand woman for some 40 years at his own house. These residences also incorporate brand new sustainable technology, something Karl would have loved,” noted Lebar, holding up a square of photovoltaic glass from Saint Gobain. It will be used on the exterior walls of balconies on every floor, which each feature splash pools.
“The photovoltaic glass will create energy to light up each apartment. That’s beauty and sustainability amplifying each other. Karl would have loved that. Nothing he liked more than finding new solutions for everything,” smiled Lebar, noting that staff will also be attired by Karl Lagerfeld.
The project is a licensing agreement with Overseas, a local developer, and with The One Atelier, an architectural project that has been working so closely with the fashion house. The 10 apartments vary in size from 230 to 380 square-meters.

“We suspect buyers will be from an international audience, as Lisbon is an attractive place for real estate right now,” added Righi, who declined to provide a price estimate. But considering that high-end real estate is selling from €20,000 up per square meter in that district, this is a €60 million-plus project. The building, which is scheduled to open in January 2028, carefully dovetails with the local vernacular and buildings beside it.
On one side a landmark 1972 department store, on the other a ’60s structure with hints of Bauhaus. Their difference in heights is bridged with staggered columns, while the residences are finished in the shade of red Karl used to finish off his brilliant sketches. The façade is completed in ceramic tiles – another link to Portugal. And to Iberia, since the same tiles we will used in a KL project Marbella.
Elsewhere on planet earth, construction work is advanced on Lagerfeld residence in Dubai, due to open in 2027, while a third project is well advanced in Marbella, with the first of five luxe villas due for occupancy in summer 2026.
The whole roll into real estate began with the The Karl Lagerfeld in Macao, a pure hotel with no dual use residential element that blends rock chic and Chinoiserie.
“It has a very high occupancy rate since it opened three years ago. We love that the consumer loves us. It has been first ranked on Trip Advisor this year out of 120 hotels in Macao!” enthused the CEO.

All a great testament to the pulling power of Karl’s name and what he stood for; and an expression of his wide-ranging DNA which few brands can tap into and translate it into cool spaces.
In terms of fashion, Karl Lagerfeld overall has been, “growing decently in single digits” in 2025, said Righi, cautioning that growth is “harder earned than ever.”
The house has been skilfully riding out the currently bearish international fashion market, aided by investment in
KL Jeans. With a local partner, the brand opened 12 new stores this year, particularly in Latin America, in places like Chile, Panama and Ecuador.
“There is a big Lagerfeld family in Latin America. All these stores are working very, very well. We plan to open the same number next year in the region,” he noted.
“I think there is a very good halo effect on the brand; as it can tap into his different points of interests. And that makes people realize Karl was so much more than a fashion designer. He could touch so many different socioeconomic groups – from KL to Chanel, from Fendi to H&M. Plus, the unexpected choice of working with Paris Hilton in our campaigns has worked very well. It’s very Karl. He would have picked the unexpected candidate,” noted Righi.
The sharply shot black-and-white fall 2025 ads riff on the house’s neo-expressionist codes, the mood aided by the fact that unbeknownst to the house, Paris has been a major Lagerfeld fan for many years.
“We visited her new her place three weeks ago in Beverly Hills. She has just bought her neighbor Mark Wahlberg’s house and moved her furniture right next door. Anyway, she showed us photos of her dad and kids in Karl Lagerfeld. She has been buying the brand for years, which feels special and genuine,” mused Righi, looking dapper in a pale gray chalk-stripe gangster/banker suit.
Copyright © 2025 FashionNetwork.com All rights reserved.
Fashion
Alainpaul and its costumes take to the stage with Drift Wood at the Paris Opera
Published
December 11, 2025
On the occasion of the Contrastes programme, presented from December 1 to 31, 2025 at the Opéra national de Paris, Alainpaul unveils its first collaboration with choreographers Imre and Marne van Opstal. Their new piece, Drift Wood, offers an ideal canvas for exploring the relationship between body, material, and narrative, a space where costumes become integral to movement.
Inspired by the image of driftwood, shaped by time and carried by the currents, Alainpaul’s costumes give physical form to the tension at the heart of the piece: that which both opposes and binds conscious humanity to instinctive nature. Poised between fragility and resistance, the silhouettes move like a second skin, moulding to the dancers’ movements. This focus on texture and construction renders, in visual terms, the contradictions that course through Drift Wood, where bodies oscillate between self-control and impulse.
“A moment of fulfilment”
Conceived as a poetic diorama, the piece unfolds within a landscape shaped by the elements: sound, image, and movement interweave to explore vulnerability, connection, and ambiguity. In this floating world, the costumes play a central role. Rooted in Alainpaul’s signature sculptural clarity and fluidity, they amplify the emotional language imagined by the Van Opstal duo. For the house, this collaboration marks a powerful return to the stage, where clothing reconnects with its primary origin: gesture.

“Collaborating with Imre and Marne, as well as with the Opéra national de Paris’s exceptional atelier, was an immense honour,” said Alain Paul, the house’s founder. “These are the first Alainpaul costumes created for a contemporary ballet, and we are deeply grateful for the trust placed in us for Drift Wood. We have forged a genuine dialogue between movement and the construction of the costumes. Having grown up in the world of dance, this project represents a moment of fulfilment and a profound way of uniting my two worlds.”
Alainpaul, a brand inspired by choreography
This creation forms part of Contrastes, a programme that brings together three choreographic worlds: two major works by Trisha Brown, the entry into the repertoire of David Dawson’s Anima Animus, and Drift Wood, the Van Opstals’ first piece for the Paris Opera. Together, these works explore the tensions and oppositions running through dance today, from minimalist radicalism to sculptural power.

Founded on a choreographic approach to clothing, the house Alainpaul has, from the outset, drawn on the vocabulary of choreographers such as Pina Bausch and Merce Cunningham. Its pieces, with their experimental lines and sculptural silhouettes, reinterpret the dancer’s wardrobe within a timeless, urban aesthetic. With Drift Wood, this ambition takes on a new dimension: that of a garment fully animated by movement.
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