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Bad Bunny’s Super Bowl halftime show role breaks barriers and sparks debate

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Bad Bunny’s Super Bowl halftime show role breaks barriers and sparks debate


A week after his “ICE out” declaration dominated Grammy headlines, anticipation is building over whether Bad Bunny will turn the biggest performance of his career — the 2026 Super Bowl halftime show — into a political call to action. 

“One thing about Bad Bunny is that he is a master at the art of surprise,” Petra Rivera-Rideau, an associate professor of American studies at Wellesley College who specializes in Latin music and U.S.-Latinx pop cultures, told CBS News. 

But some believe Bad Bunny, whose real name is Benito Antonio Martínez Ocasio, doesn’t need theatrics to send a message.

“I think a lot of people are expecting him to have a political message in there,” Mike Alfaro, the creator of Millennial Lotería who has gone viral for translating Bad Bunny lyrics into English ahead of the big game, added. “I think just him being there is the political message.”

Bad Bunny won big at the 68th Grammy Awards on Feb. 1, 2026 in Los Angeles.

Matt Winkelmeyer


Reactions poured in when it was announced that the Super Bowl’s halftime headliner would be the popular Puerto Rican artist who performs mainly in Spanish, with some hailing the historic choice and others criticizing it.

President Trump blasted the decision to give Bad Bunny and Green Day — who are set to open the Super Bowl LX pregame festivities — a global stage, calling the lineup a “terrible choice.”

“I’m anti-them,” Mr. Trump told The New York Post, adding that he won’t be attending Sunday’s game.

NFL commissioner Roger Goodell called Bad Bunny “one of the greatest artists in the world” and said he doesn’t expect the halftime show to spark major controversy.

“Listen, Bad Bunny is — and I think that was demonstrated last night — one of the great artists in the world, and that’s one of the reasons we chose him,” said Goodell, referring to Bad Bunny’s Grammys speech. “But the other reason is he understood the platform he was on, and that this platform is used to unite people, and to be able to bring people together with their creativity, with their talents, and to be able to use this moment to do that. And I think artists in the past have done that. I think Bad Bunny understands that, and I think he’ll have a great performance.”

Bad Bunny’s political voice

Bad Bunny hasn’t shied away from decrying America’s politics. 

When he took his new album on tour, he chose a residency in Puerto Rico and skipped the U.S. mainland entirely for fear that his fans would be targeted by federal agents.

Bad Bunny:

Bad Bunny performs onstage during his residency at Coliseo de Puerto Rico on July 11, 2025 in San Juan.

Kevin Mazur/Getty Images


In 2018, during Bad Bunny’s first appearance on American mainstream television, he kicked off his rendition of “Estamos Bien” on Jimmy Fallon’s “The Tonight Show” by reminding the mainland that Puerto Ricans were still coping from one of the deadliest disasters in U.S. history.

“After one year of the hurricane, there’s still people without electricity in their homes, more than 3,000 people died,” said Bad Bunny, adding, “and Trump is still in denial.”

Beyond pioneering on the Super Bowl stage in a different language, Bad Bunny has already made political history through his music and cultural advocacy.

Mobilizing Puerto Rico

“We talk about stuff like Hurricane Maria, the protests in 2019, his involvement in the Puerto Rican elections in 2024. But really the point of [my] book is to talk about how his music functions as an act of resistance in this bigger political and social context of colonialism in Puerto Rico,” explained Rivera-Rideau, whose book focuses on Boricua history over the past three decades. 

Rivera-Rideau said “Benito,” as Latinos lovingly call him, continues to channel messages of pride and calls for political accountability for Puerto Rico in his latest album.

“It is in many ways his most overtly political album,” Rivera-Rideau said. 

In “LO QUE LE PASÓ A HAWAii,” for example, Bad Bunny calls out gentrification in the island, an ongoing trend fueled by financial incentives that have catapulted property taxes.

“There’s so many things that make life here difficult and yet, at the same time, there’s so much pride and joy,” Rivera-Rideau said.

In his latest album, “Debí Tirar Más Fotos,” Bad Bunny draws from Bomba, an Afro-Puerto Rican music genre that is rooted in the island’s connection to enslaved Africans. Bomba dancers often join drummers to merge their rhythms into a musical dialogue. 

People take a selfie in front of a mural in San Juan, Puerto Rico

People take a selfie in front of a mural in San Juan, Puerto Rico, on July 12, 2025, the day before Bad Bunny kicked off his blockbuster residency.

RICARDO ARDUENGO/AFP via Getty Images


During the 2019 protests calling for Gov. Ricardo Rosselló’s resignation, Bomba, and other Caribbean music genres, were as prominent as chants and signs. Puerto Ricans used art and music — bomba dances, slam poetry, queer balls and more — to gather people together and call for change. Bad Bunny joined the movement, taking time off his concert tour that summer to march in San Juan and collaborate on what became the protest anthem, “Afilando los Cuchillos,” or “Sharpening The Knives.”

In 2020, Bad Bunny used his appearance on “The Tonight Show” to raise awareness about the murder of a homeless transgender woman in Puerto Rico. He wore a T-shirt that read, “They killed Alexa, not a man in a skirt,” to shed light on the tragedy and advocate for justice.

The broader impact of Bad Bunny’s halftime show

Bad Bunny’s Super Bowl halftime performance — the first to be headlined by a predominantly Spanish‑language artist — will be a landmark moment for the Latino community.

“I think there’s so many layers to how meaningful this halftime show is, and it hasn’t even happened yet,” Rivera-Rideau said.

“To have a Spanish language artist headlining this stage, which is although not a national holiday, kind of functions like one in the context where Spanish speakers, including Puerto Ricans, are getting racially profiled, are being harassed, to have someone like that on the stage is important.”

Spanish is the most common non-English language in the U.S., with about 13% of the population speaking it at home.

“There are more people that speak Spanish here in the United States than in my home country of Guatemala,” Alfaro said. “I think it’s important to understand that music is a universal language, even if you don’t quite understand what they’re saying.” 

For some fans, Bad Bunny is the main draw of this year’s Super Bowl.

“It’s about time to recognize our culture, our passion, our people,” Miriam Velez, co-owner of the Puerto Rican-themed social club Pe Erre Domino in Chicago, told CBS News Chicago.

“To not only have an impact in the United States, but a global impact is amazing,” Puerto Rican DJ Emmanuel Ríos Colón added.

“I think it doesn’t matter that it’s Bad Bunny, but that any Latino that goes and represents us in the Super Bowl, we’re good,” Yazmin Auli, owner of the Philadelphia bakery El Coquí, told CBS News Philadelphia. “It doesn’t matter who it is, but since it is Bad Bunny, that’s even better.”

The excitement over Bad Bunny’s halftime show is also sparking interest in more than just Latin music — it’s inspiring people to learn Spanish.

Duolingo, the language learning tool, reported that almost 49 million people worldwide are learning Spanish on the app. When the NFL announced the Super Bowl line-up, they shared a “Bad Bunny 101” crash course to get more Spanish learners on board. Duolingo told CBS News that 60% of those learners are still active today and points to the data as proof that people are motivated to be in the know.



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Taylor Swift wins seven awards at iHeartRadio Music Awards 2026

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Taylor Swift wins seven awards at iHeartRadio Music Awards 2026


Taylor Swift wins seven awards at iHeartRadio Music Awards 2026

Taylor Swift has extended her own record as iHeartRadio’s most decorated artist of all time, walking away from Thursday night’s ceremony at the Dolby Theatre in Los Angeles with seven wins from nine nominations, bringing her all-time total to 41 iHeartRadio Music Award wins.

Swift, who attended with fiancé Travis Kelce, kicked off her winning streak by accepting best pop album of the year for The Life of a Showgirl, presented by Raye. 

She used the moment to credit Kelce directly. 

“I think that this album feels very happy and confident and free because that’s the way that I get to feel every single day of my life, because of my fiancé who’s here tonight,” she said. 

“Thank you to iHeart and thank you to anyone who cared about The Fate of Ophelia, because you made that into the biggest hit of my career, which is crazy at this point.”

The night shifted up a gear when figure skater Alysa Liu presented her with six further awards in one go, including artist of the year and album of the year. 

Swift used the platform to deliver a message that clearly meant a great deal to her, about creativity, patience and protecting your dreams from the internet. 

“We live in this world where there’s so much immediate feedback, constantly,” she said. 

“Anything you feed your mind, it will internalize. Anything you feed the internet, it will attempt to kill, and I don’t want that for your dreams. So just thank you for allowing me to turn my hobby into a love, into a passion, into a dream, into a career.”

The show, hosted by Ludacris, also featured performances from Lainey Wilson, Alex Warren, who took home breakthrough artist of the year, Kehlani, Raye and a joint set from TLC, Salt-N-Pepa and En Vogue previewing their upcoming summer tour. 

Ludacris closed out the evening with a run of his own hits.





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Miley Cyrus reveals secret behind Jonas Brothers opening her tour in 2006

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Miley Cyrus reveals secret behind Jonas Brothers opening her tour in 2006


Miley Cyrus reveals secret behind Jonas Brothers opening her tour in 2006

Miley Cyrus has let slip the real reason the Jonas Brothers ended up on her 2006 Best of Both Worlds Tour, and it had nothing to do with business strategy.

Speaking on the Hannah Montana 20th Anniversary Special, the 33-year-old admitted the booking came down to one simple fact: she was dating Nick Jonas and didn’t want to leave him behind. 

“Literally, the reason that the Jonas Brothers were on tour with me was because Nick was my boyfriend, and I wanted to not leave my boyfriend,” she said. 

“So I’d be like, ‘OK, well, I’ll go on tour if my boyfriend can come.’ And they’re like, ‘Cute, have your boyfriend open for the show.’ Boom.”

The special was packed with candid revelations. 

Cyrus also shared that she had childhood crushes on both Zac Efron and her Hannah Montana co-star Mitchel Musso, and shed light on how Taylor Swift ended up in the 2009 film Hannah Montana: The Movie

Swift, 36, appeared in a barn dance scene, performing her original song Crazier

“This was kind of the beginning of her career, and they were looking for someone that would authentically, no shade, I guess, be performing in a barn. We both performed in the barn,” Cyrus said. 

She also spoke warmly about the song she and Swift co-wrote together, You’ll Always Find Your Way Back Home, calling it a “banger” that “stands the test of time.”

Perhaps the most unexpected revelation of the night, though, involved Panda Express. 

Cyrus admitted that she and co-star Emily Osment used to make a habit of visiting the fast food chain after work, where she would order white rice and pour Diet Coke over it instead of soy sauce. 

“I did something really gnarly,” she said, before immediately defending herself. “I am from the south in a way that it’s really hard to describe.”





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Ryan Gosling signs up with recent Oscar winning directors for new movie

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Ryan Gosling signs up with recent Oscar winning directors for new movie


Ryan Gosling signs up with recent Oscar winning directors for new movie

Ryan Gosling is wasting no time lining up his next major project. 

Days after Project Hail Mary shattered box office records, the actor has signed on to star in the next film from Everything Everywhere All at Once directors Daniel Kwan and Daniel Scheinert, the filmmaking duo known as the Daniels.

The untitled Universal Pictures project is currently set for release on 19 November 2027, with the news confirmed by multiple outlets on Thursday, 26 March.

The timing is striking. 

Project Hail Mary, Gosling’s new science fiction adventure, opened to $80.6 million at the domestic box office in its first weekend, with a further $60.4 million collected internationally. 

That makes it the biggest opening ever for an Amazon MGM Studios release, surpassing 2023’s Creed III, and the largest domestic debut of the year so far, ahead of February’s Scream 7.

Kwan and Scheinert, both 38, became one of Hollywood’s most sought-after creative forces after Everything Everywhere All at Once swept the 2023 Academy Awards, winning seven Oscars including Best Picture, Best Director, Best Actress for Michelle Yeoh and Best Supporting Actor for Ke Huy Quan. 

Gosling has been vocal about his belief in the theatrical experience. 

At a surprise appearance at a New York City screening of Project Hail Mary earlier this week, he told the audience it was the film industry’s “job to make things that make it worth you coming out” to cinemas.

His schedule for the next few years is formidable. 

Alongside the Daniels project, he is set to star in the next Star Wars film, Starfighter, due in May 2027, and an action comedy with Will Ferrell titled Tough Guys.





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