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Galerie Dior and the Azzedine Alaïa Foundation unveil plans for a rare double exhibition

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Galerie Dior and the Azzedine Alaïa Foundation unveil plans for a rare double exhibition


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September 8, 2025

Talk about a very rare tag team in fashion. This fall, La Galerie Dior and the Azzedine Alaïa Foundation are joining forces to present an exceptional double exhibition in Paris, highlighting the figure of Azzedine Alaïa, collector and admirer of Christian Dior.

Christian Dior, Carmen evening gown – © Laziz Hamani

As has become increasingly apparent since his passing in 2017, Alaïa had built, during his eventful life, a significant heritage collection of the very greatest couturiers — among which Dior occupies a special place, with some 600 pieces now carefully preserved by the Azzedine Alaïa Foundation.

More than a hundred of these will be unveiled for the first time at La Galerie Dior, emphasizing the designer’s admiration for Christian Dior and for his successors, from Yves Saint Laurent to John Galliano.

In parallel, the Azzedine Alaïa Foundation is presenting a unique exhibition of works by these two “masters of couture” at its Paris venue in the edgy Marais district of Paris.

Alaïa, who was actually hired by Dior for just a few days in 1956, had retained memories of the demanding workshops on Avenue Montaigne, at whose intersection La Galerie Dior is located.

Around thirty Christian Dior designs collected by Azzedine Alaïa will be displayed alongside a similar number of his own creations.

“Demonstrating how the influence of the inventor of the New Look was expressed in the work of the French couturier of Tunisian origin,” said Dior in a release with the Alaïa Foundation.

Curated by the highly respected fashion curator Olivier Saillard, in collaboration with Gaël Mamine, this dual exhibition offers a new interpretation of the history of the House of Dior through the eyes of a discerning collector, while also revealing a series of captivating correspondences between Christian Dior and Azzedine Alaïa.

Two monumentally talented designers from very different provincial milieus and social backgrounds, who marched to glory in la mode parisienne — even if, ironically, there was a link in their fathers’ professions: Azzedine’s was a wheat farmer, and Christian’s a wealthy fertilizer manufacturer.

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Dior marks 10 years of the Lady Dior Art Project with retrospective book

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Dior marks 10 years of the Lady Dior Art Project with retrospective book


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October 25, 2025

Dior is paying tribute to the Lady Dior handbag with a new retrospective book commemorating the tenth anniversary of the Dior Lady Art project.

Dior marks 10 years of the Lady Dior Art Project with a retrospective book. – Dior

Originally introduced in 1995 and named in honor of Lady Diana, Princess of Wales, the Lady Dior has come to embody the timeless elegance of the Dior universe.

Launched in 2016, the Dior Lady Art project invites artists from around the world to reinterpret the Lady Dior. To date, 99 artists have reimagined the bag in their own vision, from conceptual reinterpretations to material experiments that blur the line between fashion and fine art.

Among the international roster of creators are Judy Chicago, Jeffrey Gibson, Gilbert & George, Zhang Huan, Eva Jospin, Marc Quinn, Faith Ringgold, Raqib Shaw, Mickalene Thomas, and Joana Vasconcelos, among others.

The new volume, published by Rizzoli, features texts by Hervé Mikaeloff, Jérôme Hanover, and Anne Malherbe, with photography by Adrien Dirand. Presented in a 25.5 x 29.5 cm format and spanning 452 pages, the book captures over 270 original creations, specially staged and photographed to highlight the extraordinary craftsmanship of Dior’s ateliers and the diverse artistic languages of its collaborators.

The publication will be released on October 29, 2025, in France, and February 17, 2026, worldwide, retailing for $95.

Copyright © 2025 FashionNetwork.com All rights reserved.



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CFDA changes New York Fashion Week dates for February edition

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CFDA changes New York Fashion Week dates for February edition


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October 25, 2025

The Council of Fashion Designers of America (CFDA) has announced updated dates for New York Fashion Week Autumn-Winter 2026, now set to take place from Wednesday, February 11 through Monday, February 16, 2026.

Coach Spring 2026 Runway Show – NYFW

The adjustment, shared in a message from Joseph Maglieri, director of fashion week initiatives, follows a careful review of the global fashion calendar to better align New York’s schedule with London, Milan, and Paris Fashion Weeks while accommodating major holidays and cultural events in the United States.

“This change allows us to remain close to the fashion weeks following us while keeping NYFW a week later in February 2026 to provide teams the time needed to prepare,” Maglieri explained. 

“Since NYFW September 2025 began a week later this past season, if we kept the dates early in February – as traditionally done for the autumn-winter season – this would have resulted in over a week of lost time for brands and their teams to prepare while creating an unnecessarily large distance of time between New York and London, Milan, and Paris.” 

The updated timeline ensures a more cohesive global schedule and supports designers and production teams as they transition between seasons.

Applications for placement on the official NYFW schedule will open in early November, 2025, with the final calendar expected to be released in January, 2026.

Copyright © 2025 FashionNetwork.com All rights reserved.



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Austria’s apparel imports fall 11.9%; basics show resilience

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Austria’s apparel imports fall 11.9%; basics show resilience



The trousers and shorts category contributed $***.** million (**.** per cent) to total imports, marginally down from $*,***.** million (**.** per cent) in January–July ****, showing resilience as consumers continue to favour essential wardrobe staples despite the overall downturn, according to *fashion.com/market-intelligence/texpro-textile-and-apparel/” target=”_blank”>sourcing intelligence tool TexPro.

Trousers and shorts remain Austria’s leading apparel import category, maintaining roughly one-fourth of total imports despite value declines. This stability suggests consumers are prioritising practical, trans-seasonal garments that offer longevity and value for money, while categories such as dresses and jerseys saw sharper contractions. Retailers appear to be shifting towards versatile, all-season assortments to manage stock risks in a slower fashion cycle.



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