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Galeries Lafayette unveils its 2026 cultural programme

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Galeries Lafayette unveils its 2026 cultural programme


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November 25, 2025

At 9 am, the doors of Galeries Lafayette Haussmann are closed, the lights are off, and the shop-in-shops lie shrouded in darkness. Yet teams are already at work preparing the shop floor. In fact, they have been taking turns since the previous day, without a pause.

Galeries Lafayette has announced its cultural programme for 2026 – Samuel Gut

This ceaseless ballet, scarcely noticed by visitors, is among the first things the Galeries Lafayette group shares with the artists it collaborates with. It casts the department store in a different light from the one customers know- an image the group hopes to weave into the capital’s art scene.

One grant, three support programmes

For the past 20 years, Galeries Lafayette has dedicated a 300-square-metre space in its Paris flagship on Boulevard Haussmann to artistic creation, under the name “Galerie des Galeries.” Since 2021, art installations have dotted the entire store, and the group as a whole is deepening its presence in the art world, with plans to expand into the performing arts after 2026.

The Bourse des regards is divided into three support programmes
The Bourse des regards is divided into three support programmes – Site web de la Galerie des Galeries

Galeries Lafayette’s “cultural commitments,” led by Cécile Larrigaldie, rest on three pillars: the heritage division (past creations), the artistic actions division (programming and artistic commissions), and patronage (support for institutions and synergies with them within Galeries Lafayette spaces). These three pillars are reflected within the Bourse des regards, itself structured around the By Night audiovisual programme, the Savoir Faire Savoir support programme (support for the applied arts), and Open Archives (support for publishing and research, whose call for projects closes on December 8, 2025).

Artists on show and film sets

The group’s cultural programme opens on February 5 at 6 pm, with the launch of its By Night 2026 call for projects, in partnership with the Clermont-Ferrand International Short Film Festival. On this occasion, guests will be invited to screenings of the winning films from the 2025 edition, shot on the group’s premises (stores, warehouses, etc.). To date, ten films have already been shot behind the doors of Galeries Lafayette and are available online on the Galerie des Galeries website. The most recent, “Deux personnes échangeant de la salive”, by Alexandre Singh and Natalie Musteata, has received numerous awards.

The short film 'Deux personnes échangeant de la salive' (Two people exchanging saliva) has received numerous awards.
The short film “Deux personnes échangeant de la salive” (Two people exchanging saliva) has received numerous awards. – Alexandre Singh et Natalie Musteata

From March 10 to April 27, the group will present the “Pour Toujours” project under the banner of its Carte Blanche programme, echoing the “Dimanche sans fin” exhibition at the Centre Pompidou-Metz, of which Galeries Lafayette Haussmann is a patron. The store is planning a route across its floors centred on four artists, three of whom have already been revealed. Under the dome, a work by German sculptor Gloria Friedmann, titled Mammalia, will be on display, exploring the relationship between humankind and nature. This installation will be complemented by photographs by Austrian artist Birgit Jürgenssen. The main dome will host Cypriot artist Christodoulos Panayiotou, and the terrace will be given over to a work by American artist Lawrence Weiner.

Stores as performance spaces

In June, Galeries Lafayette will reprise its after-hours behind-the-scenes tours, with By Night Live. During last year’s European Heritage Days, the group welcomed the public into its stores from 9 pm to 12:30 am for a trail combining projections, light shows, and performance, including that of Jonathan Fitoussi at the Champs-Élysées store.

The Galeries Lafayette Haussmann store plays an important role in the group's cultural programme.
The Galeries Lafayette Haussmann store plays an important role in the group’s cultural programme. – Caroline Richard / Galeries Lafayette

To close the year, alongside partnerships with the European Heritage Days and the Lyon Contemporary Art Biennale, Galeries Lafayette will organise the third edition of its artist support programme, Savoir Faire Savoir, from September 3 to 17. It will launch a call for projects inviting reflection on Galeries Lafayette’s private collection (450 pieces of ready-to-wear, furniture, etc.), and present the laureates of the 2025 edition, Camille Mouchet and Camille Gasser, from Atelier Les Moires. The duo will be in residence at Galeries Lafayette Haussmann for around 10 months to develop their artistic project. In partnership with Paris Design Week, the event will also present the guest artists for the 2025 edition, Studio Döpel and Stéphanie d’Heygere.

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UK GDP expected to grow 1.4% in 2026: Goldman Sachs Research

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UK GDP expected to grow 1.4% in 2026: Goldman Sachs Research



Goldman Sachs Research expects ‘another mixed year’ for the UK economy, which is expected to grow at 1.4 per cent this year—up from around 1 per cent in 2025, according to a report by the company’s senior UK economist James Moberly and chief European economist Jari Stehn.

They predict that the labour market will keep weakening, but also anticipate a boost to the economy from a significant cooling of inflation and further rate cuts from the Bank of England (BoE).

Goldman Sachs Research expects ‘another mixed year’ for the UK economy, which is expected to grow at 1.4 per cent in 2026—up from around 1 per cent in 2025.
It expects the unemployment rate to rise to 5.3 per cent by March, and then stabilising.
Consumption is expected to grow at 1.3 per cent in 2026 versus 0.7 per cent in 2025.
The fiscal position looks less vulnerable than some other European nations.

The UK labour market weakened significantly in 2025 as slow economic growth and the increase in national insurance contributions weighed on employment. A recent rise in layoffs points to ‘further labour market softening ahead’, according to Moberly and Stehn.

Goldman Sachs Research expects the unemployment rate to rise to 5.3 per cent by March. But as growth picks up towards potential, it sees the unemployment rate stabilising for the remainder of this year, the report says.

Given rising slack in the job market, lower headline inflation, and a smaller increase in the national living wage, the company’s economists expect wage growth to normalise this year. Private sector regular pay growth slowed to 3.8 per cent from around 6 per cent over the last 12 months, and the team forecasts further cooling to 3.1 per cent by the end of 2026.

Consumer spending in the UK is low, and the household savings rate is elevated. “Real disposable income growth is likely to remain weak in coming quarters given wage growth moderation, elevated mortgage rates, and a larger fiscal drag on household incomes,” Moberly and Stehn write.

The team’s models suggest that the savings rate will likely decline this year as interest rates fall and consumption catches up with recent increases in real inflation-adjusted incomes.

Consumption is expected to grow at 1.3 per cent in 2026 versus 0.7 per cent last year.

The team anticipates further progress on inflation in the coming months given unwinding base effects.  Goldman Sachs Research projects headline inflation to decelerate to 2.1 per cent in the second quarter this year.

The fiscal trajectory, political risk, and efforts to boost economic growth are likely to be key areas of focus this year, according to the company.

“Our analysis suggests that the UK’s fiscal position looks less vulnerable than some other European countries, notably France,” Moberly and Stehn add.

Fibre2Fashion News Desk (DS)



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Japan’s Fast Retailing names Francesco Risso as GU creative director

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Japan’s Fast Retailing names Francesco Risso as GU creative director



As part of its corporate direction to strengthen the global presence of Group brand GU, Fast Retailing is pleased to announce the appointment of Francesco Risso as GU’s Creative Director. In this role, Risso will shape the brand’s creative direction as it enters its next phase of growth. His debut collection for GU is scheduled for Fall/Winter 2026.

Alongside his appointment at GU, Risso, who helmed the UNIQLO and Marni collection in 2022, will develop a new collaboration line with UNIQLO, set to launch in 2026.

Further details on both initiatives will be announced at a later date.

Fast Retailing has appointed Francesco Risso as creative director of GU to strengthen the brand’s global presence.
Risso will lead GU’s creative direction, with his debut collection set for fall/winter 2026.
He will also develop a new collaboration line with Uniqlo launching in 2026, following his earlier Uniqlo and Marni project.

Italian-born designer Francesco Risso studied fashion in Florence, New York, and London. He spent a decade at Prada, developing a rigorous approach to narrative and craft while gaining extensive design experience. From 2016 to 2025 he served as Creative Director at Marni, shaping a boldly original vision for the house inspired by music, art, and cultural exploration. A passionate educator, Risso has held guest positions at the world’s top art and design schools.

Note: The headline, insights, and image of this press release may have been refined by the Fibre2Fashion staff; the rest of the content remains unchanged.

Fibre2Fashion News Desk (RM)



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Saks bonds worth just 1 cent hand hedge funds a painful lesson

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Saks bonds worth just 1 cent hand hedge funds a painful lesson


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Bloomberg

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January 16, 2026

At first glance, Saks looked like exactly the kind of mess hedge funds love. Just months after the company borrowed $2.2 billion to finance its takeover of rival Neiman Marcus, the newly formed luxury retail powerhouse was already running short on cash. Creditors spooked by the pace of the slide rushed for the exits, offering the bonds for less than 40 cents on the dollar.

Saks bonds’ value dropped to just 1 cent – REUTERS/Angelina Katsanis

Bargain hunting hedge funds gleefully took the debt off their hands. This was, after all, a marquee name with valuable brands, prime real estate, big-name backers, and a business that executives said just needed a bit more time to steady itself. Firms including Pentwater Capital Management and Bracebridge Capital jumped in, chasing the promise of eye-popping returns.

Much is still to be determined in the wake of Saks’ bankruptcy this week, including any recovery for its creditors. Yet in the meantime, the episode is shaping up to be a painful lesson in the dangers of trying to catch a falling knife. The bonds that distressed-debt shops snapped up on the cheap are now being bid at less than 1 cent, according to broker runs. The hundreds of millions in extra financing they provided, which sits higher in the repayment pecking order, isn’t faring much better, changing hands around 10 cents.

Through Saks’ Chapter 11 filing, a clearer picture has emerged of a company that quickly veered off plan. Targets were missed, savings failed to materialise, cash drained at a rapid clip, and fixes meant to stop the bleeding never did. Bonds with roughly $486 million of face value held by Pentwater are now quoted at pennies on the dollar, as are about $257 million held by Bracebridge.

“This was a ticking time bomb, and the fuse was lit the day the merger was consummated,” said Mark Cohen, the former director of retail studies at Columbia Business School. “I’ve never seen anything go bad this fast; I don’t know that anyone has.”

A representative for Saks declined to comment beyond the company’s bankruptcy filing. Pentwater and Bracebridge declined to comment. Even after the staggering declines, Saks’ biggest creditors aren’t ready to throw in the towel.

In its bankruptcy filing, the company said it had secured roughly $1.75 billion in post-petition financing, including $1.5 billion from a group of senior secured bondholders betting a second act could yet salvage the retailer- and their own fortunes, possibly by converting battered debt positions into significant equity stakes. 

Some will also collect fees for helping arrange the financing. What’s more, the structure of the post-bankruptcy financing Saks has lined up could allow certain debtholders to realise better returns on the company’s outstanding bonds than where they’re currently trading, some investors suggested.

Pentwater and Bracebridge are among those putting up more money, according to people with knowledge of the matter.

Whether it’s enough to turn around a company that burned through more cash than it generated last year remains to be seen. Perennially late payments have “damaged trust” with Saks’ suppliers, the retailer said in bankruptcy documents, and while new management is working to repair those relationships, some vendors may decide to take their business elsewhere.

The company is also facing stiff objections from unsecured creditors, including Amazon.com Inc., that are seeking to block access to the new financing package. The tech giant, which previously acquired a $475 million preferred equity stake in the luxury retailer, recently called its investment in Saks “presumptively worthless.” Other equity holders including Rhone Capital and Insight Partners also suffered significant losses, separate people familiar with the situation said.

Representatives for Amazon and Insight Partners didn’t respond to requests for comment. Rhone Capital declined to comment.

Some investors who opted not to participate in the latest debtor-in-possession financing were concerned that the rescue could echo other recent misfires. They pointed to First Brands Group, the bankrupt auto-parts supplier whose lenders put up more than $1 billion post bankruptcy, only to watch their super-senior bonds crater in value as the company burned through the cash and signalled it would need even more money.

With rescue financing, “you get a lot of structuring fees, an above-market interest rate, liens on the best collateral, an equity cushion below you, with the added upside that you’re in control as the restructuring process plays out,” said Rishi Goel, the global head of distressed debt at Aegon Asset Management. 

“But it’s got to be structured correctly. The equity value below you has to be real,” Goel said. “If you’re misled, or the business is worth less than you thought or becomes worse than you thought, the value can dry up quickly.”

For now, Saks has said that stores under all its brands are open. A number of creditors say they are confident that new management, led by former Neiman Marcus Chief Executive Officer Geoffroy van Raemdonck, can steer the company through bankruptcy and, once it emerges, make its portfolio of luxury department stores profitable.

Not everyone is convinced. “The rationale for putting these two businesses together made no sense form the get go, and it’s hard to believe that these deep-pocketed masters of the universe fell for it,” Cohen said.



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