Fashion
HOFF begins new era with star design chief and Alexa Chung campaign
Published
October 9, 2025
Spanish sneaker brand HOFF had big news Thursday with the appointment of a creative chief for the first time along with a major brand relaunch and a campaign starring Alexa Chung.
The eight-year-old company (founded and still run by Fran Marchena) has been seeing strong growth in recent periods and 2025 is proving no different. But it’s now entering a new chapter with a “pivot into a truly design-led fashion-forward positioning”.
And it’s aiming to achieve that status with the appointment of David Tourniaire-Beauciel to its creative helm as head of design.
It said that “few designers have shifted the sneaker landscape as decisively as Tourniaire-Beauciel. From early roles at Chloé and Jean Paul Gaultier to cult-defining work at Maison Martin Margiela, Givenchy, Ferragamo, and Balenciaga (where he created the Triple S and pioneered the sock-sneaker hybrid) – his career has been a series of bold statements grounded in craft and experimentation. He is widely credited with accelerating the maximalist sneaker movement that reshaped global culture”.
In a sneaker market dominated by some massive global names, it’s a big appointment and a bold ambition for a company that has scaled from a small Spanish start-up but whose turnover remains below €100 million for now (although ongoing high double-digits growth should soon change that).

The company currently has over 30 stores and 1,200 wholesale partners, attracted by its formula that blends Spanish craftsmanship with contemporary, design-driven sneakers. It’s opening new stores too with a second UK location (after London’s Regent Street) due in Covent Garden, more stores in key countries and a recent move into the US.
Of its new design chief, it said the “new era builds on the dual fluency: Marchena’s growth-driven, community-anchored business model meets Tourniaire-Beauciel’s couture-coded, sculptural design ethos. The return is a purpose-driven sneaker brand that fuses Spain’s shoemaking heritage with a bold, contemporary fashion lens. More than product, it signals transformation – Hoff’s evolution into a global design powerhouse where shoes are not just functional, but cultural objects”.
View from the top

Ahead of the announcement, FashionNetwork.com spoke to the dynamic duo of Marchena and Tourniaire-Beauciel to find out more about the thinking behind its plans and the leadership team’s new vision. First, Marchena.
FashionNetwork.com: Can you explain the thinking behind the changes happening at Hoff and the new appointment?
Fran Marchena: For the past two years, we’ve been working on a strategic plan through 2028 built around three main pillars: brand elevation, from local to global, and community. Among them, brand elevation is probably the most crucial. I believe HOFF had completed a first stage marked by very fast growth, an intense distribution strategy, and a solid market fit between our product and our audience. Now it’s time to begin a new chapter — one that continues to be design-driven but ready to reach the next level. Fortunately, the brand is now well-positioned, being present in some of the best retailers in the world. The arrival of David marks another step forward in that strategic pillar of brand elevation, helping us move toward this new stage.
FNW: Where is the company at as we speak? How big is it overall.
FM: Right now, the company is generating around €70 million in revenue, and we expect to close our fiscal year in April at around €80 million. Around 90% of our business is currently in Europe. We’ve just started in the US with a local partner to open key strategic accounts, which we expect will bring results soon.
Within Europe, our five main markets are Spain, Germany, Benelux, France, and the UK. Performance across wholesale and online is quite balanced, while Spain still leads in retail, representing around 75% of total retail sales thanks to our store network.
FNW: And where do most of your sales come from?
FM: At the moment, wholesale represents 45% of our business, retail 35%, and online 20%. What’s most relevant here is the evolution of the brand: two years ago, wholesale represented 60%. This shift reinforces our strategic move towards strengthening our direct-to-consumer channels through retail expansion. This year alone, we opened our first flagship store in Madrid — over 600 sq m — followed by openings in London, Amsterdam, and Mexico City. We’re also looking at Paris and Milan for the near future.
The brand is going through a very exciting moment, with several important announcements coming up — among them, of course, the arrival of David Tourniaire-Beauciel, which marks one of the most significant milestones for HOFF so far. We’re now a team of over 300 people, with more than 80 based at our headquarters, and we’re completing a 360º transformation of the company. Over the past months, we’ve built a first-class executive team and are fully focused on turning HOFF into a globally relevant sneaker brand.
FNW: You’re opening a second UK store, how important is that market to you?
FM: It is growing very fast. In the UK specifically, our Regent Street store is performing extremely well, with like-for-like growth above 70% year-on-year, and our online business already accounts for over 20% of total UK sales. We’re also thrilled to launch with Browns this Spring/Summer season — a milestone that will further strengthen our positioning in the UK market. And of course, having Alexa Chung as the face of our campaign for David Tourniaire-Beauciel’s ‘SEVEN’ model will help us take brand awareness to the next level.
The creative’s view

FNW: So David, what appealed to you about HOFF?
David Tourniaire-Beauciel: Before starting to collaborate with HOFF, I knew the brand, but for me, it was perceived a little bit as a ‘follower’ brand — in the trend, but not. So the first collaboration I had with HOFF and Fran I was supposed to bring a little bit of newness in the construction of the collection. I had a great time. I found the energy of the brand super-fresh, very young.
FNW: It must have been a change from some of the luxury and storied brands you’ve worked with?
DTB: For me, it was very interesting not to be obliged to go in the archives, because the brand is super-new, super-young. It’s a new approach. I need to to build from almost zero. I can’t jump in the archives. I find this challenge very interesting and I thank Fran also to give me this opportunity to work with him in order to build the brand, not just around the product, but also in terms of image and direction.

FNW: So is it literally going back to the drawing board?
DTB: There are so many designers because of ego when they arrive — boom, they kill everything done before. I prefer to understand what is the DNA of the brand, what is good, and where they are strong at the moment. And I try to capitalise on this. I don’t want to to to destroy what is good. Then I try to analyse, with Fran [and] with everybody. What are the weaknesses? What are the possibilities? And then I bring my experience, and I start to get deeper into the project. It’s to bring an evolution before a revolution. We need to connect, slowly but surely much more to the trend, to be on top of the trend, and to be more ahead, not followers. [But] what I want is when I when someone is looking at HOFF shoes, they know it’s a HOFF shoe, because I respected the DNA.
FNW: You sound like you want to take a collaborative approach?
DTB: I want to respect the DNA but to add my experience and my knowledge. [The team] will help me, because they bring me freshness, energy, newness and possibility to do everything. But I need also to bring them my my knowledge, my experience and my connection with fashion. The idea is to create a win-win situation.
FNW: Will the extra trend element mean HOFF also becomes more expensive, more exclusive, more ‘fashion’?
DTB: I like the democratic positioning of the brand. I really appreciate that the idea is to bring also design to a lower price position, because for me, it’s important not to be always in the €1,000 sneaker proposal. I also want to work on this more democratic price position. It’s very important.
I want to respect that, and it’s part of my job to connect all these points together. You will see a new interpretation of the shoe. Of course, it will be a little bit different, [but] a smooth evolution. So basically, more trend. There is this flat sneaker trend at the moment so it’s perfect for us. We need to swim in this world.
FNW: What other trends will you be tapping into?
DTB: What I like also is the comeback to ‘small feet’. For a few years — [Balenciaga] Triple S is a perfect example — it was the ‘big foot’ and now we are back with the more refined and elegant sneaker. And I really love that with Hoff. I want to take the technical element from sport and to mix [it] with more refined and elegant material and lines.

FNW: Hoff isn’t known as a ‘sport’ brand, is that something that will change?
DTB: It’s an urban brand — we use the sports element, but we are not a performance brand. We need to bring sport in terms of techniques. The techniques need to help the design. Working with technical material can help [shoes] to be more comfy when you work all day.
FNW: Earlier you mentioned Hoff’s weaknesses and strengths, what would you say they are?
DTB: Maybe to be afraid to propose newness. Sometimes, you need to say, Okay, if you want to be in front of the of the trend, you need to have the courage to say ‘it’s new. I can’t compare it with anyone else, because it’s completely new’.
But the brand is very young. They made a super-big success in a very few years. The brand is fresh, new. Fran is very energetic too. [And] there is also this link with Spain. I love this place. I love the sun, the sky, the energy of this country. [Hoff’s] strength is to be super-serious in the business. They are super-rational, not crazy, like fashionistas!
Copyright © 2025 FashionNetwork.com All rights reserved.
Fashion
Balenciaga and Manolo Blahnik launch first-ever collab
Published
January 15, 2026
Kering’s Balenciaga and resolutely independent Manolo Blahnik announced a first-time collaboration on Thursday on a trio of styles created for the Fall 2026 collection.
They said it’s “an exchange shaped by shared values and an admiration for couture tradition. The partnership reflects the House of Balenciaga’s enduring commitment to artisanal mastery, as well as creative director Pierpaolo Piccioli’s distinct approach to fashion, long inspired by the legacy of Cristóbal Balenciaga”.
It makes sense for the two labels to work together given their dual Spanish roots, as well as “the elegance of craft that unites them”.
So what does the capsule comprise? There’s a low-heeled mule and a slingback with either a 105mm or 50mm heel. With a décolleté cut, we’re told “the silhouettes reveal skin, the body, a display intrinsically linked to the primacy of the human form”.
The styles are “in and of themselves a dialogue, a duet, drawn from designs from the Manolo Blahnik archive, chosen by Piccioli, and fused together. All three are executed in silk-satin, proposed in various colours and lined in Balenciaga grey”.
Each shoe style also features crystal embroidery across a low-cut vamp, something for which Blahnik is known. The company said the embellishments “simultaneously recall archival Blahnik designs and [reference] the 1960s bijoux created by Cristóbal Balenciaga”.
Manolo Blahnik said that “Don Cristóbal Balenciaga is, to me, the ultimate designer. I have adored his work for as long as I can remember. As a Mediterranean boy myself, I have always felt a deep connection to his Spanish culture and sensibility. To be partnering with Balenciaga, and with Pierpaolo, fulfils a lifelong dream. [His] direction for Balenciaga resonates profoundly with my own ideas of how the modern woman should dress in 2026, a vision of timeless elegance rooted in craftsmanship and enduring beauty.”
Copyright © 2026 FashionNetwork.com All rights reserved.
Fashion
Burberry celebrates Year of the Horse 2026 with Shanghai campaign
Directed by AJ Duan and photographed by Anton Gottlob in the streets of Shanghai, the hero film captures the poetry of movement in the city’s rush hour – a dance of anticipation as the four characters race towards a reunion. Amid the hum of the streets, fleeting moments of humour, warmth and surprise are revealed like hidden treasures.
Burberry marks the Year of the Horse 2026 with a capsule collection and Shanghai-set campaign starring Chen Kun, Tang Wei, Wu Lei and Zhang Jingyi.
The line reimagines the iconic Knight motif in painterly techniques, anchored in lucky red tones.
Store windows across China and Asia Pacific feature hand-painted designs created with de Gournay and artist Liao Wenjun.
The capsule collection
At the heart of the capsule collection – titled Burberry Year of the Horse Collection – is our house code, the Knight, playfully reinterpreted as a watercolour and ink sketch, brought to life through intricate techniques such as vibrant metallic embroidery, cross-stitch and appliquéd badges.
The horse is a significant motif for Burberry. The original Knight was the winning entry of a public public competition to design a logo for the house, circa 1901. Imbued with symbolism, it represents protection, innovation and Burberry’s forward-looking spirit.
The collection is grounded in red, a symbol of luck and prosperity in Chinese culture, with scarves and daywear in an exclusive new red Burberry Check.
Outerwear pieces include the Berryhill car coat and Floriston quilted jacket in iridescent nylon, while the gifting offering is expanded through soft accessories, bags and small leather goods detailed with the seasonal Knight.
Window and store display
Burberry has partnered with esteemed British hand painted wallpaper brand de Gournay on window designs throughout stores in China and Asia Pacific. The collaboration celebrates the craft and texture of Xuan paper – the traditional Chinese paper used for calligraphy and painting. Both surface and subject, the paper becomes a canvas for painterly expression and a reflection of artistry and heritage, by Chinese artist Liao Wenjun.
Note: The headline, insights, and image of this press release may have been refined by the Fibre2Fashion staff; the rest of the content remains unchanged.
Fibre2Fashion News Desk (RM)
Fashion
India close to EU trade pact as US trade talks drag on
By
Reuters
Published
January 15, 2026
India expects talks on a long-sought trade deal with the European Union to conclude this month, Trade Secretary Rajesh Agrawal said on Thursday, in what would be New Delhi’s largest agreement as it seeks new markets amid US tariff pressures.
The deal, under discussion for years, is seen as a chance for both sides to deepen economic ties and cut reliance on China and Russia. Bilateral trade between India and the EU totalled 120 billion euros ($140 billion) in 2024, making the bloc India’s biggest trading partner. Agrawal said the two sides were “very close” to finalising the pact and were exploring whether it could be wrapped up before leaders meet in New Delhi this month.
He said talks on a US trade pact were continuing and a deal would be reached when both sides were ready. Negotiations collapsed last year after a breakdown in communication between the two governments.
The president of the European Council, Antonio Costa, and European Commission president Ursula von der Leyen will visit India on January 25–27 and co-chair an India–EU summit on January 27, India’s foreign ministry said. If concluded, the deal would open India’s vast and heavily protected consumer market of more than 1.4 billion people to European goods and could reshape global trade flows as protectionism rises and a US-India pact remains stalled.
Both sides have been pushing to close a broad agreement after von der Leyen and Indian Prime Minister Narendra Modi agreed to fast-track negotiations in an effort to close a deal in 2025. Talks, relaunched in 2022, gained momentum after US President Donald Trump imposed tariff hikes on trading partners including India.
Brussels has recently signed deals with Mexico and Indonesia and stepped up talks with India, while New Delhi has reached agreements with Britain, Oman and New Zealand.
Some sensitive agricultural items have been excluded from negotiations, an Indian trade ministry official said. India will not open its agriculture or dairy sectors in any trade pact, officials have said, citing the need to protect millions of subsistence farmers.
The EU is pushing for steep tariff cuts on cars, medical devices, wine, spirits, and meat, along with stronger intellectual property rules. India is seeking duty-free access for labour-intensive goods and quicker recognition of its autos and electronics sectors.
Beyond goods, the agreement is expected to expand services trade, investment and cooperation in digital trade, intellectual property, and green technologies, as well as spur European investment in Indian manufacturing, renewable energy ,and infrastructure. Challenges remain over regulatory alignment and the protection of sensitive sectors. The EU’s carbon border levy, which requires importers to account for emissions in steel, cement and other carbon‑intensive products, has started to hit some Indian exports and is a key concern for New Delhi, exporters said.
© Thomson Reuters 2026 All rights reserved.
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