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Real reason why Prince William, Kate Middleton are moving to Forest Lodge

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Real reason why Prince William, Kate Middleton are moving to Forest Lodge


Expert reveals why William, Kate have decided to move to Forest Lodge

A royal expert has revealed why Prince William and Kate Middleton are getting ready to move to Forest Lodge, an old Georgian house in Windsor Great Park.

According to royal expert Ingrid Seward, the Prince and Princess of Wales likes to live in a simple way without having staff live with them.

Kensington Palace has confirmed that the Waleses will pay for the move and the repairs themselves, so no money from taxpayers will be used.

Speaking with Hello! Magazine, the expert revealed that William grew up seeing lots of staff at the Queen’s homes and didn’t want that for his family.

“William and Kate have never wanted live-in staff; I think that’s the modern way,” Seward shared with the publication.

She added, “Since William was a little boy, he’s seen all the staff at the late Queen’s homes, and he never wanted that. It’s not something Kate grew up with either.”

“They had a housekeeper and a nanny at Kensington Palace, but at Windsor, they have all these little cottages around the big house, which is nicer for the staff, too.”

This comes after an insider told The Sun that Kate and William keep their home life very normal and relaxed.

“The kids run around the office, and he does not want it to be stuffy. If we have important meetings or are going to Buckingham Palace, then, of course, we [dress up].”





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Disney to pay $10 million to settle FTC lawsuit over collecting kids’ data

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Disney to pay  million to settle FTC lawsuit over collecting kids’ data


Disney will pay $10 million to settle allegations by the Federal Trade Commission that the entertainment company facilitated the “unlawful collection” of children’s personal data.

In a complaint filed on Tuesday, the FTC said that Disney Worldwide Services and Disney Entertainment Operations — two entities that offer technical support and media content — violated the Children’s Online Privacy Protection Rule, known as COPPA, by failing to properly label some videos uploaded to YouTube as “made for kids.” The mislabeling also exposed children to “age-inappropriate YouTube features,” the FTC said in a statement.

“Our order penalizes Disney’s abuse of parents’ trust, and, through a mandated video-review program, makes room for the future of protecting kids online — age assurance technology,” FTC Chairman Andrew N. Ferguson said in a statement. 

Signed into law in 1998, COPPA requires commercial website operators to disclose to parents of children under 13 that they are collecting personal data and obtain the parents’ prior consent.

The videos in question included content from Disney movies including “Coco,” “Frozen” and “Toy Story” and as well as music from “The Incredibles.”

A spokesperson for Disney told CBS News that the settlement does not involved Disney-owned and operated digital platforms and that it is limited to some of the content on the company’s YouTube platform.

“Disney has a long tradition of embracing the highest standards of compliance with children’s privacy laws, and we remain committed to investing in the tools needed to continue being a leader in this space,” the spokesperson said in a statement. 

YouTube requires videos to be labeled as “made for kids” if children are the video’s primary audience or if the content reflects “an intent to target children,” according to the Alphabet-owned platform. YouTube also says on its website that failure to properly label videos could lead to “legal consequences under COPPA and other laws.” 

YouTube began requiring video uploaders to add the “made for kids” label after it reached a similar settlement in 2019 with the FTC over COPPA violations. 

Disney’s agreement with the FTC also calls for the company to create a program to review whether videos posted to YouTube should be designated as made for children the agency said.



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‘The Runarounds’ cast addresses ‘Outerbanks’ connection

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‘The Runarounds’ cast addresses ‘Outerbanks’ connection


Photo: ‘The Runarounds’ cast sets the air clear about ‘Outerbanks’ connection

The Runarounds cast recently broke silence on the Outerbanks connection which has been highlighted by their fans. 

While Prime Video’s The Runarounds is linked to Outer Banks — and even shares a few familiar faces, the TV universes are not quite “connected” enough to make a crossover happen.

In an new chat with Us Weekly, The Runarounds cast opened up about reuniting with Outer Banks stars on screen following their season 3 cameo.

These included William Lipton, Axel Ellis, Jeremy Yun, Zendé Murdock and Jesse Golliher. 

“I think [our band] were just established enough to get a wedding anniversary gig on Outer Banks,” Ellis explained of the scene that laid the groundwork for their own series. 

“They were still a high school band kind of learning the ropes. They probably messed up a thing or two with that.”

Murdock, meanwhile, made it clear that the moment was not meant to send fans into theory-building mode.

“That was more for us in real life to go off the creation,” he noted. 

In conclusion, he stated, “That doesn’t have much to do with the universe.”





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Issa Rae explores history of Black representation in TV in documentary: “It makes such a difference”

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Issa Rae explores history of Black representation in TV in documentary: “It makes such a difference”


Award-winning actor producer and writer Issa Rae is opening up about what inspired her new documentary, “Seen and Heard: The History of Black Television.” She’s executive producer of the two-part series that explores the history of Black representation on TV and how Black artists and creators revolutionized the industry while confronting major challenges.

The series, which Rae and her collaborators started creating in 2019, features media icons such as Oprah Winfrey, Tyler Perry, Tracee Ellis Ross, Norman Lear and Shonda Rhimes.

“What inspired me to even get my start was just seeing the people that I love, the people that I know, the people that raised me on TV, and that representation was so essential for me to recognize that I could do it,” Rae told “CBS Mornings” Tuesday about her inspiration growing up in the 90s.

In the early 2000s, Rae said there was a “disappearance all of the sudden” of Black characters and shows on TV, but they reemerged about a decade later.

In the 2010s, “there were just so many new shows, new shows of color,” she said. But now, Rae said TV and media is once again in an era where Black characters and shows have disappeared.

“I think the advent of cable made a huge difference where, you know, now these networks had to try to capture the broadest audience possible because they were losing audiences to different niche cable networks and so they were like, ‘how can we maximize the audience we have?’ and they have a tendency to go broad then, and broad sometimes just means White, the most eyeballs that you can get,” she said.

Even though shows like “Family Matters” and “The Fresh Prince of Bel-Air” were universal and watched by a broad audience, there is sometimes a feeling that Black shows may exclude an audience, she said.

The documentary also explores the importance of representation behind the camera.

“It makes such a difference when you’re thinking about something as small as set design. I’ve seen that just even on my own productions and watching movies. Sometimes you’ll watch a movie and you’ll see a Black character’s bedroom, and you’ll be like ‘they would never, what? They would never have that.'”

The details in a show could also apply to how a character dresses or their hair.

“I don’t want to be taken out of a story. If I’m immersed, like those small details really, really matter, and there’s just — also there’s a different level of honestly, pride that goes in, in creating something that you know you’re a part of and you understand on a different level,” Rae said.

She said the changing media industry is challenging, “but it’s another time that I’m confident we’ll get through. There’s so many opportunities in the digital era and that’s where I came from. I find hope in knowing that I can create. If I want to tell a story I’m going to tell a story regardless.”

The HBO documentary film “Seen and Heard: The History of Black Television” debuts Sept. 9 on HBO and HBO Max.



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