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HOFF begins new era with star design chief and Alexa Chung campaign

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HOFF begins new era with star design chief and Alexa Chung campaign


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October 9, 2025

Spanish sneaker brand HOFF had big news Thursday with the appointment of a creative chief for the first time along with a major brand relaunch and a campaign starring Alexa Chung.

HOFF

The eight-year-old company (founded and still run by Fran Marchena) has been seeing strong growth in recent periods and 2025 is proving no different. But it’s now entering a new chapter with a “pivot into a truly design-led fashion-forward positioning”.

And it’s aiming to achieve that status with the appointment of David Tourniaire-Beauciel to its creative helm as head of design.

It said that “few designers have shifted the sneaker landscape as decisively as Tourniaire-Beauciel. From early roles at Chloé and Jean Paul Gaultier to cult-defining work at Maison Martin Margiela, Givenchy, Ferragamo, and Balenciaga (where he created the Triple S and pioneered the sock-sneaker hybrid) – his career has been a series of bold statements grounded in craft and experimentation. He is widely credited with accelerating the maximalist sneaker movement that reshaped global culture”.

In a sneaker market dominated by some massive global names, it’s a big appointment and a bold ambition for a company that has scaled from a small Spanish start-up but whose turnover remains below €100 million for now (although ongoing high double-digits growth should soon change that).

Alexa Chung for HOFF
Alexa Chung for HOFF

The company currently has over 30 stores and 1,200 wholesale partners, attracted by its formula that blends Spanish craftsmanship with contemporary, design-driven sneakers. It’s opening new stores too with a second UK location (after London’s Regent Street) due in Covent Garden, more stores in key countries and a recent move into the US.

Of its new design chief, it said the “new era builds on the dual fluency: Marchena’s growth-driven, community-anchored business model meets Tourniaire-Beauciel’s couture-coded, sculptural design ethos. The return is a purpose-driven sneaker brand that fuses Spain’s shoemaking heritage with a bold, contemporary fashion lens. More than product, it signals transformation – Hoff’s evolution into a global design powerhouse where shoes are not just functional, but cultural objects”.

View from the top

Fran Marchena
Fran Marchena – Hoff

Ahead of the announcement, FashionNetwork.com spoke to the dynamic duo of Marchena and Tourniaire-Beauciel to find out more about the thinking behind its plans and the leadership team’s new vision. First, Marchena.

FashionNetwork.com: Can you explain the thinking behind the changes happening at Hoff and the new appointment?

Fran Marchena: For the past two years, we’ve been working on a strategic plan through 2028 built around three main pillars: brand elevation, from local to global, and community. Among them, brand elevation is probably the most crucial. I believe HOFF had completed a first stage marked by very fast growth, an intense distribution strategy, and a solid market fit between our product and our audience. Now it’s time to begin a new chapter — one that continues to be design-driven but ready to reach the next level. Fortunately, the brand is now well-positioned, being present in some of the best retailers in the world. The arrival of David marks another step forward in that strategic pillar of brand elevation, helping us move toward this new stage.

FNW: Where is the company at as we speak? How big is it overall.

FM: Right now, the company is generating around €70 million in revenue, and we expect to close our fiscal year in April at around €80 million. Around 90% of our business is currently in Europe. We’ve just started in the US with a local partner to open key strategic accounts, which we expect will bring results soon.

Within Europe, our five main markets are Spain, Germany, Benelux, France, and the UK. Performance across wholesale and online is quite balanced, while Spain still leads in retail, representing around 75% of total retail sales thanks to our store network.

FNW: And where do most of your sales come from?

FM: At the moment, wholesale represents 45% of our business, retail 35%, and online 20%. What’s most relevant here is the evolution of the brand: two years ago, wholesale represented 60%. This shift reinforces our strategic move towards strengthening our direct-to-consumer channels through retail expansion. This year alone, we opened our first flagship store in Madrid — over 600 sq m — followed by openings in London, Amsterdam, and Mexico City. We’re also looking at Paris and Milan for the near future.

The brand is going through a very exciting moment, with several important announcements coming up — among them, of course, the arrival of David Tourniaire-Beauciel, which marks one of the most significant milestones for HOFF so far. We’re now a team of over 300 people, with more than 80 based at our headquarters, and we’re completing a 360º transformation of the company. Over the past months, we’ve built a first-class executive team and are fully focused on turning HOFF into a globally relevant sneaker brand.

FNW: You’re opening a second UK store, how important is that market to you?

FM: It is growing very fast. In the UK specifically, our Regent Street store is performing extremely well, with like-for-like growth above 70% year-on-year, and our online business already accounts for over 20% of total UK sales. We’re also thrilled to launch with Browns this Spring/Summer season — a milestone that will further strengthen our positioning in the UK market. And of course, having Alexa Chung as the face of our campaign for David Tourniaire-Beauciel’s ‘SEVEN’ model will help us take brand awareness to the next level.

The creative’s view

David Tourniaire-Beauciel
David Tourniaire-Beauciel – HOFF

FNW: So David, what appealed to you about HOFF?

David Tourniaire-Beauciel: Before starting to collaborate with HOFF, I knew the brand, but for me, it was perceived a little bit as a ‘follower’ brand — in the trend, but not. So the first collaboration I had with HOFF and Fran I was supposed to bring a little bit of newness in the construction of the collection. I had a great time. I found the energy of the brand super-fresh, very young.

FNW: It must have been a change from some of the luxury and storied brands you’ve worked with? 

DTB: For me, it was very interesting not to be obliged to go in the archives, because the brand is super-new, super-young. It’s a new approach. I need to to build from almost zero. I can’t jump in the archives. I find this challenge very interesting and I thank Fran also to give me this opportunity to work with him in order to build the brand, not just around the product, but also in terms of image and direction.

Alexa Chung for HOFF
Alexa Chung for HOFF

FNW: So is it literally going back to the drawing board?

DTB: There are so many designers because of ego when they arrive — boom, they kill everything done before. I prefer to understand what is the DNA of the brand, what is good, and where they are strong at the moment. And I try to capitalise on this. I don’t want to to to destroy what is good. Then I try to analyse, with Fran [and] with everybody. What are the weaknesses? What are the possibilities? And then I bring my experience, and I start to get deeper into the project. It’s to bring an evolution before a revolution. We need to connect, slowly but surely much more to the trend, to be on top of the trend, and to be more ahead, not followers. [But] what I want is when I when someone is looking at HOFF shoes, they know it’s a HOFF shoe, because I respected the DNA.

FNW: You sound like you want to take a collaborative approach?

DTB: I want to respect the DNA but to add my experience and my knowledge. [The team] will help me, because they bring me freshness, energy, newness and possibility to do everything. But I need also to bring them my my knowledge, my experience and my connection with fashion. The idea is to create a win-win situation.

FNW: Will the extra trend element mean HOFF also becomes more expensive, more exclusive, more ‘fashion’?

DTB: I like the democratic positioning of the brand. I really appreciate that the idea is to bring also design to a lower price position, because for me, it’s important not to be always in the €1,000 sneaker proposal. I also want to work on this more democratic price position. It’s very important. 

I want to respect that, and it’s part of my job to connect all these points together. You will see a new interpretation of the shoe. Of course, it will be a little bit different, [but] a smooth evolution. So basically, more trend. There is this flat sneaker trend at the moment so it’s perfect for us. We need to swim in this world.

FNW: What other trends will you be tapping into?

DTB: What I like also is the comeback to ‘small feet’. For a few years — [Balenciaga] Triple S is a perfect example — it was the ‘big foot’ and now we are back with the more refined and elegant sneaker. And I really love that with Hoff. I want to take the technical element from sport and to mix [it] with more refined and elegant material and lines.

HOFF

FNW: Hoff isn’t known as a ‘sport’ brand, is that something that will change?

DTB: It’s an urban brand — we use the sports element, but we are not a performance brand. We need to bring sport in terms of techniques. The techniques need to help the design. Working with technical material can help [shoes] to be more comfy when you work all day.

FNW: Earlier you mentioned Hoff’s weaknesses and strengths, what would you say they are?

DTB: Maybe to be afraid to propose newness. Sometimes, you need to say, Okay, if you want to be in front of the of the trend, you need to have the courage to say ‘it’s new. I can’t compare it with anyone else, because it’s completely new’.

But the brand is very young. They made a super-big success in a very few years. The brand is fresh, new. Fran is very energetic too. [And] there is also this link with Spain. I love this place. I love the sun, the sky, the energy of this country. [Hoff’s] strength is to be super-serious in the business. They are super-rational, not crazy, like fashionistas!

Copyright © 2025 FashionNetwork.com All rights reserved.



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US CBP shifts compliance burden of USTR port fees to ship operators

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US CBP shifts compliance burden of USTR port fees to ship operators



The US Customs and Border Protection (CBP) recently said vessel operators subject to the US Trade Representative’s (USTR) port fees beginning October 14 that target Chinese-built, -owned or -operated ships will be responsible for paying the fees prior to their arrival.

The burden for determining if a vessel owes these fees falls squarely on vessel operators, not CBP, a notice from the US agency said.

US Customs and Border Protection has said vessel operators subject to the USTR port fees from October 14 that target Chinese-built, -owned or -operated ships will be responsible for paying the fees prior to arrival.
The burden for determining if a vessel owes these fees falls squarely on vessel operators.
The payments will be made through the treasury department website, and not at the port of entry.

If fees are not paid ahead of arrival at US ports, the ships will not be allowed to load or unload cargo until proof of payment has been verified by CBP.

The payments will be made directly through the website of the Department of the Treasury, and not at the port of entry, according to a statement on the CBP’s cargo systems messaging service.

Vessel operators will have to complete a form on pay.gov and select the type of fee they will pay. CBP recommends the payment be initiated at least three business days prior to the vessel’s arrival.

Chinese ship owners or operators will pay $50/nt while Chinese-built ships that are not subject to exemptions will be charged $18/nt.

Fibre2Fashion News Desk (DS)



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Alice + Olivia reopens Madison Avenue flagship

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Alice + Olivia reopens Madison Avenue flagship


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October 9, 2025

Alice + Olivia by Stacey Bendet has reopened its Madison Avenue flagship, unveiling a new design vision that blends fashion, discovery, and community.

Alice + Olivia reopens Madison Avenue flagship. – Alice + Olivia

The transformation was designed in collaboration with Jess and Jonathan Nahon of Sugarhouse Design + Architecture to create an environment that is unmistakably on brand. 

“Working with Sugarhouse, we created a space that feels iconic and timeless, but also completely new. It’s about giving our customers an elevated experience that surprises, delights, and inspires,” said Stacey Bendet, founder, creative director and CEO of Alice + Olivia.

Outside, the facade is characterized by a cherry-red mosaic painted in Benjamin Moore’s Heritage Red and adorned with solid brass floral medallions handcrafted in France.

Inside, layers of color, pattern, and texture unfold in an imaginative display. Hand-gilded moldings, unlacquered brass and bronze rails, and a turquoise limewash backdrop create a visual rhythm framing the brand’s ready-to-wear collections. Centerpieces include a turquoise leather-top table by Mexico City artisan Mike Díaz, a vintage Verner Panton Clover Leaf sofa in cerulean mohair, and a working bar clad in indigo marble and hand-painted rose tiles.

Beyond its design, the Madison Avenue flagship will act as a cultural hub. Notably, this fall, the boutique will debut curated vintage pieces and an exclusive line of jewelry designed by Stacey Bendet, both available only at this location. It will also serve as a platform for collaborations with brands including BROdenim and Farmer’s Daughter, as well as trunk shows featuring emerging designers and limited-edition collections. 

The Madison Avenue flagship is a part of more than 30 free-standing boutiques across major U.S. and international cities, including New York, London, Mykonos, Hong Kong, and Singapore, as well as online at aliceandolivia.com. 

The brand is also carried in over 800 department and specialty stores worldwide, including Saks Fifth Avenue, Neiman Marcus, Bergdorf Goodman, Lane Crawford, Harvey Nichols, and Harrods.

Copyright © 2025 FashionNetwork.com All rights reserved.



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Benetton Group rejigs corporate structure to kick off label’s relaunch

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Benetton Group rejigs corporate structure to kick off label’s relaunch


Translated by

Nicola Mira

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October 9, 2025

Italian fashion group Benetton continues its corporate reorganisation process designed to optimise its relaunch, having completed a first restructuring phase. According to Italian financial daily MF-Milano Finanza, which was able to glean some of Benetton’s internal documents, the group based in Ponzano Veneto “has created seven newcos (all based at Benetton’s corporate hub in Castrette) among which, following a complex partial double demerger and spin-off operation, various assets and corporate functions have been divided up.”

A still from Benetton’s Fall/Winter 2025 campaign, created in collaboration with digital artist Rick Dick

Seven new companies, which will become operational next January, have been created following the group’s internal reorganisation. Benetton Group has become the coordinating holding company and will always have the final say on financial, legal and auditing decisions. In July, Benetton indicated that the group’s corporate structure would be revised, with some units turning into separate companies, though they would still remain under the group’s direct control.
 
The current reorganisation has brought to an end the first phase of Benetton’s relaunch plan under new CEO Claudio Sforza, who replaced Massimo Renon in June 2024. Sforza has jettisoned a vertically integrated business model, deciding to close the production sites Benetton had in Tunisia, Serbia and Croatia, while in Italy, the workers formerly based at the Ponzano Veneto headquarters were moved to the nearby Castrette di Villorba factory. At the same time, several hundred employees voluntarily left the group, encouraged also by the incentives offered. By the end of 2025, the group expects to have approximately 700 employees, as opposed to 1,100 in summer 2024. Benetton is also ditching unprofitable stores around the world. Approximately 500 of them are being closed down, bringing the number of stores operated by the group to nearly 3,000.

Benetton’s goal is to further reduce its losses, which in 2024 amounted to €100 million (more than 57% lower than in 2023) and to become profitable again some time in 2026 or 2027. The group doesn’t have much to be cheerful about in 2025, coincidentally the year in which it celebrates its 60th anniversary, having been founded in 1965 by Luciano, Gilberto, Giuliana and Carlo Benetton.
 
MF-Milano Finanza reported that Benetton is open to the use of third-party suppliers, and is willing to consider both corporate spin-offs and industrial collaborations with select entities.

Benetton

A partial demerger from Benetton Group resulted in the creation of the Retail Omnia Network (RON) and Property 347 companies. RON incorporates all of Benetton’s directly owned Italian stores (currently part of Retail Italia Network) and the stores run by the group’s foreign subsidiaries. Benetton Group still retains direct control of its retail business in Turkey, India, Korea, and Japan.
 
Property 347 will take over Villa Minelli, the group’s former headquarters, Benetton Fabrica, and other properties and land between Ponzano Veneto and Villorba, regarded as heritage assets to be preserved rather than destined to operational use. As a result of the partial demerger, RON and Property 347 will remain, as Benetton Group, under the direct control of Schema Eta, formerly Benetton S.r.l., whose board comprised, until April 2024, several members of the Benetton family, including founder Luciano Benetton.
 
As a result of the demerger and spin-off operation, Benetton Group now controls five other new companies: Green 347, Benetton Operations, Benetton Distribution, Benetton Logistics and Benetton E-commerce. 
 
Benetton Operations, under CEO Vincenzo Meles, will take charge of the group’s operational activities, including design, product development, marketing and communications. Benetton Distribution, under CEO Nicola Capone, will oversee the retail distribution business, including Benetton’s franchised stores, while Benetton E-commerce and Benetton Logistics (the latter led by Matteo Miele) will take care of e-tail and warehousing and logistics respectively.

A still from Benetton’s Fall/Winter 2025 campaign, created in collaboration with digital artist Rick Dick
A still from Benetton’s Fall/Winter 2025 campaign, created in collaboration with digital artist Rick Dick

CEO Sforza has ambitious plans for Benetton E-commerce, since he reportedly regards the group’s online sales as too low at 13% of total revenue, compared to a global benchmark that is close to 35%. Benetton is keen to accelerate e-tail growth, and is aiming for online sales to account for 20%-25% of total revenue, as the group stated last April in a communiqué gleaned by FashionNetwork.com.
 
Finally, the Green 347 company, named after the colour and corresponding Pantone code of the group’s original logo, directly overseen by Sforza like Benetton E-commerce and Benetton Logistics, will manage the group’s trademarks, Benetton, Sisley, Playlife and Killer Loop.

Copyright © 2025 FashionNetwork.com All rights reserved.



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