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HOFF begins new era with star design chief and Alexa Chung campaign

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HOFF begins new era with star design chief and Alexa Chung campaign


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October 9, 2025

Spanish sneaker brand HOFF had big news Thursday with the appointment of a creative chief for the first time along with a major brand relaunch and a campaign starring Alexa Chung.

HOFF

The eight-year-old company (founded and still run by Fran Marchena) has been seeing strong growth in recent periods and 2025 is proving no different. But it’s now entering a new chapter with a “pivot into a truly design-led fashion-forward positioning”.

And it’s aiming to achieve that status with the appointment of David Tourniaire-Beauciel to its creative helm as head of design.

It said that “few designers have shifted the sneaker landscape as decisively as Tourniaire-Beauciel. From early roles at Chloé and Jean Paul Gaultier to cult-defining work at Maison Martin Margiela, Givenchy, Ferragamo, and Balenciaga (where he created the Triple S and pioneered the sock-sneaker hybrid) – his career has been a series of bold statements grounded in craft and experimentation. He is widely credited with accelerating the maximalist sneaker movement that reshaped global culture”.

In a sneaker market dominated by some massive global names, it’s a big appointment and a bold ambition for a company that has scaled from a small Spanish start-up but whose turnover remains below €100 million for now (although ongoing high double-digits growth should soon change that).

Alexa Chung for HOFF
Alexa Chung for HOFF

The company currently has over 30 stores and 1,200 wholesale partners, attracted by its formula that blends Spanish craftsmanship with contemporary, design-driven sneakers. It’s opening new stores too with a second UK location (after London’s Regent Street) due in Covent Garden, more stores in key countries and a recent move into the US.

Of its new design chief, it said the “new era builds on the dual fluency: Marchena’s growth-driven, community-anchored business model meets Tourniaire-Beauciel’s couture-coded, sculptural design ethos. The return is a purpose-driven sneaker brand that fuses Spain’s shoemaking heritage with a bold, contemporary fashion lens. More than product, it signals transformation – Hoff’s evolution into a global design powerhouse where shoes are not just functional, but cultural objects”.

View from the top

Fran Marchena
Fran Marchena – Hoff

Ahead of the announcement, FashionNetwork.com spoke to the dynamic duo of Marchena and Tourniaire-Beauciel to find out more about the thinking behind its plans and the leadership team’s new vision. First, Marchena.

FashionNetwork.com: Can you explain the thinking behind the changes happening at Hoff and the new appointment?

Fran Marchena: For the past two years, we’ve been working on a strategic plan through 2028 built around three main pillars: brand elevation, from local to global, and community. Among them, brand elevation is probably the most crucial. I believe HOFF had completed a first stage marked by very fast growth, an intense distribution strategy, and a solid market fit between our product and our audience. Now it’s time to begin a new chapter — one that continues to be design-driven but ready to reach the next level. Fortunately, the brand is now well-positioned, being present in some of the best retailers in the world. The arrival of David marks another step forward in that strategic pillar of brand elevation, helping us move toward this new stage.

FNW: Where is the company at as we speak? How big is it overall.

FM: Right now, the company is generating around €70 million in revenue, and we expect to close our fiscal year in April at around €80 million. Around 90% of our business is currently in Europe. We’ve just started in the US with a local partner to open key strategic accounts, which we expect will bring results soon.

Within Europe, our five main markets are Spain, Germany, Benelux, France, and the UK. Performance across wholesale and online is quite balanced, while Spain still leads in retail, representing around 75% of total retail sales thanks to our store network.

FNW: And where do most of your sales come from?

FM: At the moment, wholesale represents 45% of our business, retail 35%, and online 20%. What’s most relevant here is the evolution of the brand: two years ago, wholesale represented 60%. This shift reinforces our strategic move towards strengthening our direct-to-consumer channels through retail expansion. This year alone, we opened our first flagship store in Madrid — over 600 sq m — followed by openings in London, Amsterdam, and Mexico City. We’re also looking at Paris and Milan for the near future.

The brand is going through a very exciting moment, with several important announcements coming up — among them, of course, the arrival of David Tourniaire-Beauciel, which marks one of the most significant milestones for HOFF so far. We’re now a team of over 300 people, with more than 80 based at our headquarters, and we’re completing a 360º transformation of the company. Over the past months, we’ve built a first-class executive team and are fully focused on turning HOFF into a globally relevant sneaker brand.

FNW: You’re opening a second UK store, how important is that market to you?

FM: It is growing very fast. In the UK specifically, our Regent Street store is performing extremely well, with like-for-like growth above 70% year-on-year, and our online business already accounts for over 20% of total UK sales. We’re also thrilled to launch with Browns this Spring/Summer season — a milestone that will further strengthen our positioning in the UK market. And of course, having Alexa Chung as the face of our campaign for David Tourniaire-Beauciel’s ‘SEVEN’ model will help us take brand awareness to the next level.

The creative’s view

David Tourniaire-Beauciel
David Tourniaire-Beauciel – HOFF

FNW: So David, what appealed to you about HOFF?

David Tourniaire-Beauciel: Before starting to collaborate with HOFF, I knew the brand, but for me, it was perceived a little bit as a ‘follower’ brand — in the trend, but not. So the first collaboration I had with HOFF and Fran I was supposed to bring a little bit of newness in the construction of the collection. I had a great time. I found the energy of the brand super-fresh, very young.

FNW: It must have been a change from some of the luxury and storied brands you’ve worked with? 

DTB: For me, it was very interesting not to be obliged to go in the archives, because the brand is super-new, super-young. It’s a new approach. I need to to build from almost zero. I can’t jump in the archives. I find this challenge very interesting and I thank Fran also to give me this opportunity to work with him in order to build the brand, not just around the product, but also in terms of image and direction.

Alexa Chung for HOFF
Alexa Chung for HOFF

FNW: So is it literally going back to the drawing board?

DTB: There are so many designers because of ego when they arrive — boom, they kill everything done before. I prefer to understand what is the DNA of the brand, what is good, and where they are strong at the moment. And I try to capitalise on this. I don’t want to to to destroy what is good. Then I try to analyse, with Fran [and] with everybody. What are the weaknesses? What are the possibilities? And then I bring my experience, and I start to get deeper into the project. It’s to bring an evolution before a revolution. We need to connect, slowly but surely much more to the trend, to be on top of the trend, and to be more ahead, not followers. [But] what I want is when I when someone is looking at HOFF shoes, they know it’s a HOFF shoe, because I respected the DNA.

FNW: You sound like you want to take a collaborative approach?

DTB: I want to respect the DNA but to add my experience and my knowledge. [The team] will help me, because they bring me freshness, energy, newness and possibility to do everything. But I need also to bring them my my knowledge, my experience and my connection with fashion. The idea is to create a win-win situation.

FNW: Will the extra trend element mean HOFF also becomes more expensive, more exclusive, more ‘fashion’?

DTB: I like the democratic positioning of the brand. I really appreciate that the idea is to bring also design to a lower price position, because for me, it’s important not to be always in the €1,000 sneaker proposal. I also want to work on this more democratic price position. It’s very important. 

I want to respect that, and it’s part of my job to connect all these points together. You will see a new interpretation of the shoe. Of course, it will be a little bit different, [but] a smooth evolution. So basically, more trend. There is this flat sneaker trend at the moment so it’s perfect for us. We need to swim in this world.

FNW: What other trends will you be tapping into?

DTB: What I like also is the comeback to ‘small feet’. For a few years — [Balenciaga] Triple S is a perfect example — it was the ‘big foot’ and now we are back with the more refined and elegant sneaker. And I really love that with Hoff. I want to take the technical element from sport and to mix [it] with more refined and elegant material and lines.

HOFF

FNW: Hoff isn’t known as a ‘sport’ brand, is that something that will change?

DTB: It’s an urban brand — we use the sports element, but we are not a performance brand. We need to bring sport in terms of techniques. The techniques need to help the design. Working with technical material can help [shoes] to be more comfy when you work all day.

FNW: Earlier you mentioned Hoff’s weaknesses and strengths, what would you say they are?

DTB: Maybe to be afraid to propose newness. Sometimes, you need to say, Okay, if you want to be in front of the of the trend, you need to have the courage to say ‘it’s new. I can’t compare it with anyone else, because it’s completely new’.

But the brand is very young. They made a super-big success in a very few years. The brand is fresh, new. Fran is very energetic too. [And] there is also this link with Spain. I love this place. I love the sun, the sky, the energy of this country. [Hoff’s] strength is to be super-serious in the business. They are super-rational, not crazy, like fashionistas!

Copyright © 2025 FashionNetwork.com All rights reserved.



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UK GDP expected to grow 1.4% in 2026: Goldman Sachs Research

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UK GDP expected to grow 1.4% in 2026: Goldman Sachs Research



Goldman Sachs Research expects ‘another mixed year’ for the UK economy, which is expected to grow at 1.4 per cent this year—up from around 1 per cent in 2025, according to a report by the company’s senior UK economist James Moberly and chief European economist Jari Stehn.

They predict that the labour market will keep weakening, but also anticipate a boost to the economy from a significant cooling of inflation and further rate cuts from the Bank of England (BoE).

Goldman Sachs Research expects ‘another mixed year’ for the UK economy, which is expected to grow at 1.4 per cent in 2026—up from around 1 per cent in 2025.
It expects the unemployment rate to rise to 5.3 per cent by March, and then stabilising.
Consumption is expected to grow at 1.3 per cent in 2026 versus 0.7 per cent in 2025.
The fiscal position looks less vulnerable than some other European nations.

The UK labour market weakened significantly in 2025 as slow economic growth and the increase in national insurance contributions weighed on employment. A recent rise in layoffs points to ‘further labour market softening ahead’, according to Moberly and Stehn.

Goldman Sachs Research expects the unemployment rate to rise to 5.3 per cent by March. But as growth picks up towards potential, it sees the unemployment rate stabilising for the remainder of this year, the report says.

Given rising slack in the job market, lower headline inflation, and a smaller increase in the national living wage, the company’s economists expect wage growth to normalise this year. Private sector regular pay growth slowed to 3.8 per cent from around 6 per cent over the last 12 months, and the team forecasts further cooling to 3.1 per cent by the end of 2026.

Consumer spending in the UK is low, and the household savings rate is elevated. “Real disposable income growth is likely to remain weak in coming quarters given wage growth moderation, elevated mortgage rates, and a larger fiscal drag on household incomes,” Moberly and Stehn write.

The team’s models suggest that the savings rate will likely decline this year as interest rates fall and consumption catches up with recent increases in real inflation-adjusted incomes.

Consumption is expected to grow at 1.3 per cent in 2026 versus 0.7 per cent last year.

The team anticipates further progress on inflation in the coming months given unwinding base effects.  Goldman Sachs Research projects headline inflation to decelerate to 2.1 per cent in the second quarter this year.

The fiscal trajectory, political risk, and efforts to boost economic growth are likely to be key areas of focus this year, according to the company.

“Our analysis suggests that the UK’s fiscal position looks less vulnerable than some other European countries, notably France,” Moberly and Stehn add.

Fibre2Fashion News Desk (DS)



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Kanuk ventures beyond Québec, setting off from Italy to expand worldwide

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Kanuk ventures beyond Québec, setting off from Italy to expand worldwide


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January 16, 2026

What an honour for Italy at Pitti Uomo 109! For the first time, Canadian clothing brand Kanuk is stepping beyond Québec to reach the rest of the world. President Elisa Dahan confirmed as much to FashionNetwork.com. “Yes, it’s true. If we exclude an episode in the United States a few years ago, this is the first time we are presenting ourselves outside our province. I mean truly outside Québec: we had never really begun to develop beyond Québec towards a global dimension- not even in the rest of Canada. And since we are a fashion brand rooted in outerwear, of course we’re starting with Italy.”

Kanuk, Fall-Winter 2026/27

Kanuk, a play on the slang nickname for Canadians (Canucks), has the snowy owl as its emblem. “We chose it because it never migrates; it always stays in Québec, no matter the temperature. It feels tailor-made for the philosophy of comfortable, welcoming Canadian country living,” Dahan points out. “A bit like us so far: we were founded in 1974 in a small workshop in Montréal with the mission of creating outerwear suited to Québec’s particular climate and lifestyle, and today we offer a total look.”

With a lifestyle focus, Kanuk is inspired by the spirit of rural Canadian life- farm-to-table family traditions, a distinctive generational heritage, and outdoor pursuits- while applying uncompromising artisanal standards to production. In the Autumn/Winter 2026/27 Heritage Collection, featuring 30 men’s and 30 women’s styles in a range of colours, the brand expands its ready-to-wear with new jumpers, knit sets, wool pieces, corduroy outerwear, and increased use of Kanuk’s signature sherpa, designed to complement its parkas. The colour palette reflects the season’s defining landscapes: warm earth tones, leafy greens, deep browns, and the muted golds of Canada’s transforming trees.

Kanuk, Fall-Winter 2026/27
Kanuk, Fall-Winter 2026/27

With two mono-brand stores, one in Montréal and the second just opened in Québec City- “attracting strong tourist traffic,” according to the president- Kanuk sees e-commerce “performing very well and accounting for about a third of the business; but don’t forget that right now we are only distributed in about 30 major stores in Québec. The sky is the limit for what we can achieve from now on,” she smiles.

Elisa Dahan is very confident that Kanuk’s products will be highly appreciated in Europe, “because in Europe the weather starts one way during the day and can shift in the evening and at night- sometimes in the opposite direction- so you need functional versatility, style and lasting durability in what you wear: precisely Kanuk’s attributes, with its timeless pieces and 3-in-1 models with removable layers,” she says.

Elisa Dahan at Pitti Uomo 109 with Kanuk products
Elisa Dahan at Pitti Uomo 109 with Kanuk products – G.B. – FashionNetwork.com

Kanuk is not only apparel but also accessories, including gloves, scarves, and a super-plush bag, once again featuring the snowy owl. These designs are intended especially for cold climates. Across both the product range and the Canadian brand’s revenue- which rose by double digits last fiscal year- menswear and womenswear are split evenly, 50/50. Accessories account for 10% of turnover.

After Pitti Uomo 109, where she forged many connections with buyers, agents, and distributors, Elisa Dahan aims over the next two to three years to expand the brand into a strong network of quality retailers across Europe. “I’m not interested in quantity; ours is a beautiful brand with a lot of potential, but it needs to be surrounded by the right brands; for me, location is the most important factor to get right, and the business results will follow,” says the Kanuk president, who is also open to launching pop-ups or temporary stores in winter resorts as well as summer destinations, in Italy and beyond.

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Copyright © 2026 FashionNetwork.com All rights reserved.



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Japan’s Fast Retailing names Francesco Risso as GU creative director

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Japan’s Fast Retailing names Francesco Risso as GU creative director



As part of its corporate direction to strengthen the global presence of Group brand GU, Fast Retailing is pleased to announce the appointment of Francesco Risso as GU’s Creative Director. In this role, Risso will shape the brand’s creative direction as it enters its next phase of growth. His debut collection for GU is scheduled for Fall/Winter 2026.

Alongside his appointment at GU, Risso, who helmed the UNIQLO and Marni collection in 2022, will develop a new collaboration line with UNIQLO, set to launch in 2026.

Further details on both initiatives will be announced at a later date.

Fast Retailing has appointed Francesco Risso as creative director of GU to strengthen the brand’s global presence.
Risso will lead GU’s creative direction, with his debut collection set for fall/winter 2026.
He will also develop a new collaboration line with Uniqlo launching in 2026, following his earlier Uniqlo and Marni project.

Italian-born designer Francesco Risso studied fashion in Florence, New York, and London. He spent a decade at Prada, developing a rigorous approach to narrative and craft while gaining extensive design experience. From 2016 to 2025 he served as Creative Director at Marni, shaping a boldly original vision for the house inspired by music, art, and cultural exploration. A passionate educator, Risso has held guest positions at the world’s top art and design schools.

Note: The headline, insights, and image of this press release may have been refined by the Fibre2Fashion staff; the rest of the content remains unchanged.

Fibre2Fashion News Desk (RM)



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