Tech
‘Uncanny Valley’: Pentagon vs. ‘Woke’ Anthropic, Agentic vs. Mimetic, and Trump vs. State of the Union
Guys, before we go to break, there’s something very near and dear to my heart that WIRED wrote about this week. It’s something I love even more than biathlon. It is undersea internet cables.
Leah Feiger: I love when you talk about this. I think that the first time you brought this up to me was approximately one week into your tenure as executive editor, and you’re like, “Leah, do you know what I love?” and it’s undersea internet cables.
Brian Barrett: Yeah. I was like, “Number one, undersea internet cables. Number two, my children. Number three …” that was sort of the gist of it. That’s how I always introduce myself. I want to take everybody back to December 14th, 1988. The top movie in theaters is Twins starring Arnold Schwarzenegger and Danny DeVito.
Zoë Schiffer: Legitimately never heard of it.
Leah Feiger: Wait, Zoë. What?
Brian Barrett: What? Anyway, Arnold is agentic and Danny DeVito’s mimetic. The top song—
Zoë Schiffer: Now I get it.
Brian Barrett: —the top song is “Look Away” by Chicago. Now that, I also am not—I don’t remember that one at all. And the first undersea fiber optic cable connecting the United States, UK and France went live. This was the day that the internet went global, which is crazy—
Zoë Schiffer: That is crazy.
Brian Barrett: —that it was relatively recent. The reason we’re writing about it now is that that original cable, which is called TAT-8, is being pulled up. It’s out of commission. It’s old, it’s decrepit, so I identify, and it’s being pulled up and put out to pasture because the technology’s gotten better. But in this great feature that we published, it is a look at how this changed the world basically, and how we take for granted—but the reason I am so into undersea cable stories is because it’s so easy to forget that the internet is a physical thing and that the maintenance of those things is really what makes all this connectivity happen. So yeah, TAT-8. Any other fond memories of TAT-8? Or, no. What did you guys think reading this feature?
Zoë Schiffer: Well, famously we were not alive in 1988.
Leah Feiger: Yeah. Sorry, Brian. You’re older than us. Just a reminder.
Brian Barrett: Hurts.
Zoë Schiffer: But the part of this story that I wanted to talk about, which felt like a real intersection of both of your interests was the myth of the shark attacks.
Brian Barrett: Oh, yeah.
Leah Feiger: OK. So to back up a little bit, these cables, at the very beginning, when they were put in, Brian would be able to talk about this way more because he’s kind of a freak about cables if you haven’t realized already. These cables would sometimes have unexplained damage, and looking back on it years later, engineers figured out that this kind of happens, that if you are putting cables underseas, there will be wind, there will be changes, things will get moved around. Of course, there will be damages, but that is not how they felt at the time. These engineers assumed that it was sharks, that sharks were biting their cables, that they were destroying the internet. The cables were reinforced with all these protective layers, all of these things, because they were like, “Oh, my God, the sharks are quite literally ending all of this for us.” But this article goes into great detail of how they figured out it wasn’t the sharks, and by thinking that it was the sharks, it actually helped make all of this technology that much better and stronger, but the sharks were innocent, you guys. The sharks were innocent.
Tech
The Best Movies to Stream This Month
April might be springtime in the northern hemisphere, but some of the best streaming services seem to think it’s the perfect time for a dry run of spooky season. How else to explain the arrival of some exquisitely dark slices of horror, like 28 Days Later: The Bone Temple arriving on Netflix, Weapons coming to Prime Video, or Shelby Oaks landing on Hulu? If you prefer your off-season Halloween viewing to be in the vein of campy B movies rather than serious scares though, horror specialist Shudder has you covered with Deathstalker, a gloriously cheesy reboot of a near-forgotten ’80s series.
Reality is often scarier than fiction though, as shown by Louis Theroux’s Inside the Manosphere—his first documentary film with Netflix, exploring the dark side of social media and the world of toxic male influencers. (Be sure to read our interview with the filmmaker.) And if the thought of that leaves you wanting something a bit more wholesome to watch, thankfully Zootopia 2 has popped up on Disney+—and there’s even a rabbit in that, for some appropriately springtime imagery.
Here are WIRED’s picks of the best movies to watch right now.
28 Years Later: The Bone Temple
The fourth film in the long-running postapocalyptic horror series switches focus from rampaging rage zombies to a more dangerous threat: humans. OK, OK, “people are the real monsters” isn’t a hot take for the genre, but The Bone Temple offers a unique twist, with 28 Years Later survivor Spike (Alfie Williams) trapped in the company of a murderous gang led by deranged satanist “Sir Lord” Jimmy Crystal (Sinners’ Jack O’Connell). The villain is modeled on disgraced British TV presenter Jimmy Savile, whose sexual abuse crimes hadn’t been revealed by the time of the initial outbreak in 28 Days Later, adding a dash of real-world terror.
As the group stalks what remains of the English countryside, Spike’s only hope might be Dr. Ian Kelson (Ralph Fiennes), whose experiments on curing alpha zombie Samson (Chi Lewis-Parry) might hold humanity’s last hope. Although best watched back to back with its predecessor for the full, horrifying picture, director Nia DaCosta’s chapter stands on its own—and earns bonus points for one of the best uses of Iron Maiden’s “Number of the Beast” in film history.
Louis Theroux: Inside the Manosphere
It’s the silence that does the trick; British documentarian Louis Theroux always knows when not to speak and instead let his subject expose themselves for the world to see. It’s a masterful technique whether Theroux is investigating the Westboro Baptist Church or UFO conspiracy theorists, but it is rarely put to better use than in his latest outing: exploring the online “manosphere” subculture of self-appointed “alphas” offering toxic advice on how to be a “real man.” Speaking with key figures in the loosely defined movement, Theroux’s mild-mannered approach often leaves them to do most of the talking, exposing shockingly misogynistic and extremist views. Even more distressing? The quiet revelation that for many of them their performative masculinity is all just one big grift, and how they rationalize the harm they cause in pursuit of a payout. Depressing but compelling viewing—not all men, but definitely all of these men.
Crime 101
Jewel thief Mike (Chris Hemsworth) is the best in the business, a meticulous planner who pulls off his heists without leaving a shred of evidence—much to the consternation of LAPD detective Lou Lubesnick (Mark Ruffalo), who doesn’t even know exactly who he’s hunting for a string of thefts. Elsewhere in the City of Angels, Sharon (Halle Berry) is an underappreciated VP at an insurance firm, frustrated at being passed over for promotion for years. She’s the perfect insider to help Mike orchestrate an elaborate $11 million diamond heist. But as Lou uncovers evidence connecting to Mike’s past, and the chaotic, violent biker Ormon (Barry Keoghan) aims to take the score for himself, even the most masterful planning can’t prevent everything spiraling dangerously out of control.
Tech
OpenAI Executive Kevin Weil Is Leaving the Company
Kevin Weil, OpenAI’s former chief product officer who was recently tapped to build a new AI workspace for scientists, Prism, is leaving the company, WIRED has confirmed. Weil was previously an early executive leading product at Instagram.
OpenAI is also sunsetting Prism, which the company launched as a web app in January this year to give scientists a better way to work with AI. The company is folding the roughly 10-person team behind it into Thibault Sottiaux’s Codex team. An OpenAI spokesperson confirmed the changes, and tells WIRED this is part of the company’s effort to unify its business and product strategy. OpenAI has broader ambitions to turn Codex, its AI coding application, into an “everything app.”
Weil, who joined OpenAI in June 2024, announced last September that he would be starting a new initiative inside of the company called “OpenAI for Science.” Now, OpenAI is dispersing those employees throughout the company’s product, research, and infrastructure teams. An OpenAI spokesperson reiterated the company’s commitment to accelerating scientific discovery, and says it’s one of the clearest ways AI can benefit humanity.
OpenAI is currently trying to refocus the company around a few key areas, such as enterprise offerings and coding. Last month, OpenAI’s CEO of AGI deployment Fidji Simo told staff that the company needs to simplify its product offerings. The push to divert resources to more consequential efforts resulted in OpenAI discontinuing its Sora video-generation app.
This is a developing story. Please check back for updates.
Tech
Gazing Into Sam Altman’s Orb Now Proves You’re Human on Tinder
Sam Altman’s iris-scanning, humanity-verifying World project announced at an event in San Francisco on Friday that Tinder users around the globe can now put a digital badge on their profiles signaling to potential suitors that they’re a real human, provided they’ve already stared into one of World’s glossy white Orbs and allowed their eyes to be scanned. The announcement follows a pilot project for Tinder verification that World previously conducted in Japan.
The global Tinder expansion is one of the biggest tests yet for World, and the company’s bet that everyday consumers will be willing to sign up for biometric verification services to use internet applications. Founded in 2019 by Altman and Alex Blania, the World project was designed for a future where the internet is overrun with highly capable AI agents that make it incredibly difficult, if not impossible, to tell who is really human. As companies like OpenAI—where Altman is CEO—and Anthropic push AI agents into the mainstream, the problem World was built to solve feels increasingly urgent.
But World has struggled to achieve mainstream adoption, and it has encountered resistance from governments around the globe that have probed the company over suspected violations of data protection laws. The company says 18 million people have now been verified with an Orb, up from 12 million last year.
In addition to the Tinder global expansion, Tools for Humanity, the company behind World, announced a number of other consumer and enterprise partnerships on Friday at its Lift Off event in San Francisco. The startup says Tinder users who verify with their World ID will receive five free “boosts,” typically a paid feature that increases the number of users who see a profile by up to 10 times for 30 minutes. The videoconferencing platform Zoom also says that users can now require other participants to verify their identity with World before joining a call. Docusign, the contract signing software, will allow users to require World’s identity verification technology.
Tiago Sada, Tools for Humanity’s chief product officer, tells WIRED the company sees major platform partnerships as key to helping World become a mainstream identity-verification technology. Sada said he’s especially interested in working with social media companies in the future, and was encouraged to see that Reddit has started testing World as a solution to help users distinguish bots from real people.
World is also launching a tool called Concert Kit, which lets artists reserve concert tickets for verified humans, a pitch aimed squarely at the bot-driven scalping problem that critics say has plagued sites like TicketMaster. World will test the feature on the upcoming Bruno Mars World Tour featuring Anderson .Paak, who is scheduled to play a verified-humans-only show under his alias DJ Pee .Wee in San Francisco on Friday night.
No new hardware announcements or updates were made at Friday’s event. World first launched the iris-scanning Orb back in 2023, alongside a mobile app that contains “mini apps” for different verification and blockchain-related programs. After a person scans their eyeball with one of World’s Orbs, the startup creates a unique cryptographic key for each person—their World ID. This creates a private, decentralized way to verify people online, without requiring them to upload their government ID all over the internet.
The project was initially called Worldcoin, and in the early days the startup offered people free cryptocurrency to scan their irises. World still offers a cryptocurrency token and a wallet for digital currencies, but dropped the “coin” from its name in 2024 and has since shifted its focus to identity verification for the AI era. Jess Montejano, a spokesperson for Tools for Humanity, says the company still offers crypto as an incentive when new users sign up, but has also expanded its offerings to include Netflix and Apple TV subscription trials.
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