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Phil Collins’ deteriorating health ignites fear among his fans

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Phil Collins’ deteriorating health ignites fear among his fans


Source reveals Phil Collins is ‘unable to do basic things’ 

Phil Collins is sparking fresh concerns as his declining health raises fears that “the end is near.”

According to Radar Online, the 74-year-old English musician and songwriter is recovering from the wounds of his knee operation but his overall health is rapidly deteriorating after years of unhealthy lifestyle habits, due to which doctors had informed him he might end up in a wheelchair.

The insider told the outlet that despite enduring a series of health challenges, the recent knee surgery has brutally affected Collins.

“He’s suffered a series of setbacks, from diabetes to nerve damage and spinal surgery and drop foot,” the source close to the One More Night crooner revealed.

“Now he can barely walk and is unable to do basic things. Drumming is no longer an option thanks to his limited mobility. He needs a wheelchair or a cane at the very least to get around,” they noted.

“There are fears he may wind up crippled. People still worry the end is near,” stated the insider.

For the unversed, the former member of Flaming Youth had a spinal surgery for nerve damage, as he dislocated a vertebra in his neck while drumming during a Genesis reunion tour in 2007.

It is pertinent to mention that Phil Collins also developed drop foot, which causes difficulty in lifting the front of the foot because of paralysis and weakness of particular muscles in one’s foot.





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Meryl Streep reveals why she almost walked away from ‘The Devil Wears Prada’

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Meryl Streep reveals why she almost walked away from ‘The Devil Wears Prada’


Meryl Streep reveals why she almost walked away from ‘The Devil Wears Prada’

Meryl Streep has shared new details about how she ended up joining The Devil Wears Prada, after an unusual start to the whole process.

While talking about the second movie during a recent interview with Anne Hathaway, Emily Blunt and Stanley, Streep said she liked the script right away and knew the film got some strong potential.

Still, the actress went on to add that she did not accept the role of Miranda Priestly at first and actually turned it down.

She shared, “I knew it was going to be a hit. I read the script, the script was great. They called me up, and they made an offer, and I said no. I’m not going to do it.”

Streep explained that she then decided to test things by asking for a higher salary and the studio agreed quickly.

However, that changed everything and led her to take the role.

The Mamma Mia star added that this moment made her realise she could speak up more about her value, something she had not fully done earlier in her career.

She also said she was thinking about stepping away from acting at the time and would have walked away if it had not felt right.

The role of Miranda Priestly later became one of her most iconic performances, bringing her award nominations and a major boost in her career.





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David Allan Coe, country singer who wrote “Take This Job and Shove It,” dies at age 86

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David Allan Coe, country singer who wrote “Take This Job and Shove It,” dies at age 86


David Allan Coe, the country singer-songwriter who wrote the working class anthem “Take This Job and Shove It” and had hits with “You Never Even Called Me By My Name” and “The Ride” among others, has died, a representative for Coe confirmed to CBS News. He was 86.

Coe died in a hospital around 5 p.m. Wednesday, his manager David Wade confirmed to CBS News in a statement Thursday. The cause of death wasn’t disclosed.

“He was a complicated man, an outlaw, and a great Songwriter, Singer, and Showman,” Coe said. “He had fans from around the world and appreciated them all.”

Coe’s wife, Kimberly Hastings Coe, told Rolling Stone he was one of the best singers and songwriters of our time.

“My husband, my friend, my confidant and my life for many years. I’ll never forget him and I don’t want anyone else to ever forget him either,” she wrote to the publication.

Singer-songwriter David Allan Coe performs on July 4, 2019, in Austin, Texas.

Rick Kern/WireImage for Shock Ink/Getty Images


Whether he was labeled outlaw or underground, Coe was clearly an outsider in Nashville’s music establishment, even throughout his successes as an in-demand songwriter and singer, eventually developing a core following around his raw, often obscene lyrics and a checkered and somewhat mysterious past.

His wife posted on Facebook in September 2021 that he had been hospitalized with COVID-19 and he made few appearances since then.

He did concert tours with Willie Nelson, Kid Rock, Neil Young and others. He wrote “Take This Job and Shove It,” a hit by Johnny Paycheck in 1977, and “Would You Lay With Me (in a Field of Stone),” a hit by Tanya Tucker in 1974. He was also the first country singer to record “Tennessee Whiskey,” penned by Dean Dillon and Linda Hargrove, that has since become a genre standard and hits for George Jones and Chris Stapleton.

His own country hit recordings included “You Never Even Call Me by My Name,” written by Steve Goodman and an uncredited John Prine; “The Ride,” and “Mona Lisa Lost Her Smile.” Coe also appeared in a handful of movies, including “Stagecoach” and “Take this Job and Shove It,” which was named after his song.

Coe, born in Akron, Ohio, spent time in reformatories as a youngster, and served time in an Ohio prison from 1963 to 1967 for possession of burglary tools. He also has said he spent time with the Outlaws motorcycle club, but some of the tales about his prison time and his personal life have been wildly exaggerated over the years.

“I’d have never made it through prison without my music,” he said in an AP interview in 1983. “No one could take it (music) away from me. They could put me in the hole with nothing to do but I could still make up a song in my head.”

He recorded his first album, a blues album called “Penitentiary Blues,” using songs that he wrote in prison. He later told reporters that he tried not to lean too heavily on prison as a topic for songs because of the similarities to the backstory of Merle Haggard, but that his criminal history was all people seemed interested in focusing on.

Coe recorded next for Columbia Records and did the album “The Mysterious Rhinestone Cowboy,” which became his nickname after performing in a rhinestone suit and wearing a mask.

During the heyday of the outlaw movement, Coe placed himself at the center of the scene, with songs like “Longhaired Redneck,” which featured lyrics about performing in dive bars, “Where bikers stare at cowboys who are laughing at the hippies who are praying they’ll get out of here alive.”

He was featured in the acclaimed documentary about the outlaw country movement called “Heartworn Highways,” in which he performs a concert at a Tennessee prison.

Coe, himself heavily tattooed and sporting long hair, claimed a diverse fan base that included bikers, doctors, lawyers and bankers. His last record, released in 2006, was a collaboration with Dimebag Darrell and other former members of the heavy metal group Pantera.

He released two R-rated albums, 1978′s “Nothing Sacred” and 1982′s “Underground Album,” that he sold via biker magazines. The songs on these albums have been criticized for being racist, homophobic and sexually explicit. He told Billboard magazine in 2001 that author and songwriter Shel Silverstein convinced him to record the songs he had written, something he had come to regret.

“Those were meant to be sung around the campfire for bikers, and I still don’t sing those songs in concert,” he said.

In 2016, Coe was ordered to pay the IRS more than $980,000 in restitution for obstructing the tax agency and was sentenced to three years’ probation. Court documents say Coe earned income from at least 100 concerts yearly from 2008 through 2013 and either didn’t file individual income tax returns or pay taxes when he did file.



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Govt approves major reforms to ease passport issuance

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Govt approves major reforms to ease passport issuance


Representational image of Pakistani passports. — AFP/File

The federal government reduced the passport issuance period on Thursday and decided to implement a cashless system in the passport office.

In a high-level meeting chaired by Interior Minister Mohsin Naqvi and Minister of State Talal Chaudhry, the government approved major reforms aimed at improving public convenience in the passport issuance system on Thursday.

Naqvi announced that the delivery period for normal passports, previously 21 days, has now been reduced to 14 days. He said the move is part of a broader effort to modernise and streamline passport services across the country.

The minister further stated that a fully cashless system will be implemented across all passport offices, eliminating cash payments.

He assigned a 15-day deadline for the complete transition to this system. “Ending cash payments will eradicate the agent mafia and provide greater ease to citizens,” he added.

The meeting also reviewed progress on the proposed Business Passport category, with the interior minister directing officials to finalise its issuance mechanism at the earliest.

Additionally, the government decided to make the home-delivery system for passports more efficient, ensuring doorstep delivery becomes smoother and more accessible.

The interior minister emphasised that the establishment of a dedicated Passport Authority is essential for strengthening the passport system and enhancing public service delivery.

During the briefing, officials confirmed that normal passports—which previously required 21 days for delivery—will now be issued within 14 days.

The meeting was attended by the Interior Secretary, the Director General of the Directorate General of Immigration & Passports, and other relevant officials.





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