Fashion
Neil Lane, jeweler to the stars, subject of first solo exhibition
Published
September 14, 2025
Born in Brooklyn, the Los Angeles-based jeweler will be the subject of his first solo exhibition at the Toledo Museum of Art in Ohio from October 18 to January 18, 2026.
Neil Lane talks to FashionNetwork.com about his career and latest news.
FashionNetwork.com : You will be presenting your new collaboration with Kay Jewelers in a few days. Next month, your first solo exhibition will be dedicated to you, accompanied by a book. Are you a man in a hurry?
Neil Lane : I love it. I’m experiencing a king of renaissance right now. I’m involved in the diamond industry, in art, in design, in creation. I practice what’s called the “next” philosophy, which is to complete one project and already start thinking about the next. All of this gives me a tremendous amount of energy.
FNW: How did it all begin ?
N.L.: I’m an Aquarius, a very creative and imagery temperament. I created my own world. I was born in Brooklyn, and my mother always told me that when I was very young, I collected marbles and pieces of broken glass. I don’t remember it, but I believe her! My mother was raised in the Lower East Side and we go visit on the weekends, the neighborhood of Jewish immigrants where jewelry merchants, often in backrooms, would display their creations. All this left a mark on me. But what I remember most is the ring my mother wore, a pear-shaped ring. It’s a model I’ve kept and it will be on display in the exhibition “Radiance and Reverie: Jewels from the Collection of Neil Lane” at the Toledo Museum of Art, and it inspired my first jewelry sketches for Kay Jewelers and the show “The Bachelor”.
The Toledo Museum of Art exhibition will feature your most beautiful vintage collections. When did you start collecting?
N.L.: My father collected antiques and kitschy porcelain figurines he wouldn’t let me touch. I think that influenced me. I learned early on that things could have value. As a teenager in Brooklyn, I watched what people threw away on the street. One day, I met this woman, Vivianne, who asked me to help her sell her collections at flea markets in Manhattan. That’s where I met all the stars of the day – Andy Warhol among others, Zsa Zsa Gabor who would show up in a Rolls Royce, and even Louise Nevelson, wandering around dressed in black with false eyelashes, looking for wood everywhere to use in her artworks. That’s where I sharpened my eye and my knowledge of beautiful things.
A passion that later took you to Paris…
N.L.: I had always dreamed of Paris. I went there to study art, and while I was interested in museums and galleries, I was fascinated by the small jewelers that I discovered on the Rue du Faubourg Saint-Honoré. I could stand glued to the windows for hours, gazing at those jewels like candy. I remember spending my entire travel budget during my first stay to buy a little “demon” brooch from the late 19th century, set with a pearl and diamonds.
What did you learn in France?
N.L.: So many things! I felt frustrated in the United States. There were certainly boutiques on Madison Avenue, but I never comfortable going in. The Parisian atmosphere was a very different. The mix of history, art, architecture, and craftsmanship made sense, resonated with me, and gave me goosebumps. My passion became an obsession, almost visceral. The flea markets in Chatou or La Villette were full of incredible pieces and talent. Paris invented beauty, and I drew inspiration from it. And no one judged me for being in jeans and sneakers!
FNW: In the end, you decided to settle in Los Angeles, in the mid-80s, and launch your career…
N.L: I really had no idea what I was doing at the time. It was after visiting one of my friends that I decided to open a stand in an antique bazaar on Beverly Boulevard (now closed), called Antiquarius. I arrived with my suitcase containing a few late 19th-century gold jewels, Art Nouveau and Art Deco creations. People were mostly looking for diamonds and glamour. But I had an advantage: nobody looked or offered jewelry like me. I brought from France a craft, a know-how, an aesthetic, a history that didn’t exist here. My jewels weren’t just simple diamonds but real pieces of art.
FNW: Is that when all of Hollywood started shopping with you?
N.L.: All the Hollywood stars appreciated my difference. I worked behind the counter in jeans with a Gauloise cigarette. I remember this anecdote with Yoko Ono, who came to have a metal object, seemingly of no value, duplicated in gold. At the same time, the wife of an important Hollywood producer was waiting to have one of her diamond ring reset. A few days later, when I delivered her diamond ring, she told me the object Yoko Ono brought in was actually the pick used by John Lennon. She wanted a gold version to give to her son Sean for Valentine’s day.
FNW: And you became the official jewelers to the stars…
N.L.: In the early 1990s, “new Hollywood” came looking for me. Hollywood stylists and costume designers were searching for new designs, unique and unusual pieces to spotlight the new stars. People started to see the past in a new light. Suddenly, “vintage” was no longer associated with grandma’s rags. I was lucky to be there at the right time. My Art Deco jewelry collection delighted everyone. I also started creating my own pieces, engagement and wedding rings for all kinds of celebrities, from Renee Zellweger to Reese Witherspoon, Jennifer Hudson, Jessica Simpson, and Ellen DeGeneres. There was Armani for fashion, and me for jewelry.
FNW: Your popularity with the general public accelerated after your partnership with the TV show “The Bachelor”. How did that happen?
N.L.: At that time, my creations and collections were very popular in Hollywood. Anyone getting married would come see me. I was seeing all the agents and publicists and wasn’t thinking anything more. But after agreeing to participate in the first TV show – “Instyle Celebrity Wedding” – that appearance catapulted me in a different orbit and exposed me to new audiences. Later on, a producer from ABC called me to propose being the official partner for their show “The Bachelor”. I hesitated, but finally accepted. Two months after the first episode aired, I was overwhelmed with calls.
FNW : What has this experience brought you?
N.L.: I didn’t really understand what was happening at the time. I was living in a bubble, collaborating only with Hollywood’s elite. I eventually realized in hindsight saring Hollywood’s glamour with the public was a victory for me. The little kid from Brooklyn was getting public recognition. For almost 20 years, we have created the rings for The Bachelor, and its spin-offs like “Bachelor in Paradise” and “The Golden Wedding” and the partnership with Kay Jewelers changed the face of American bridal market.
FNW: Your first solo exhibition will take place in October at the Toledo Art Museum in Ohio. What does this represent for you?
N.L.: I’m very excited but also very scared! The public will discover pieces that have never been seen before. I have a collection of several thousand pieces, including a large selection from Tiffany, as well as creations by almost unknown or forgotten designers. This exhibition will display 175 of them, including historic pieces by Cartier, Suzanne Belperron, Boucheron, Castellani, Paul Flato, Jean Fouquet, Raymond Templier and Van Cleef & Arpels. Many of these pieces come from world’s fairs or belonged to Hollywood icons like Mae West or Joan Crawford. Each section of the exhibition will be enriched with additional objects from the museum’s glass collection and clothing and accessories from ASU FIDM, the Fashion Institute of Design and Merchandising in Los Angeles to reflect the era the jewelry was made.
FNW: A book co-published with Rizzoli New York will also be released soon. What does it tell?
N.L.: It tells the story of my journey in jewelry and will enhance readers’ understanding of the history of American and Europen jewelry, illustrating the main artistic movements of the 19th and 20th centuries. It combines big names and unknowns, focuses on the importance of design, manufacturing secrets, and techniques.
FNW: Finally, the general public will be able to find some of your vintage collections at the Just One Eye store. What pieces will you show?
N.L: We will offer a selection of high design jewelry from the Art Deco period or twenties to the retro seventies.
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China’s pet economy is booming, especially amongst younger generations, and pet apparel – from designer outfits to functional garments – was a RMB 3.5 billion (over USD 500 million) market in 2024, growing more than 20% annually.To help exhibitors harness this trend, Intertextile Shanghai Apparel Fabrics – Spring Edition 2026 will launch the Pet Boutique, presenting a range of innovative, sustainable materials that prioritise both functionality and comfort for pets. The display area will be adjacent to a larger, restructured Functional Lab, with both that zone and Econogy Hub showcasing textiles that tie ‘eco’ with technical performance, a strong focus in the global market. This spring, over 3,000 exhibitors will unveil the season’s innovations across 190,000 sqm at the National Exhibition and Convention Center in Shanghai.
Intertextile Shanghai Apparel Fabrics – Spring 2026 will introduce a Pet Boutique zone tapping China’s fast-growing pet apparel market, alongside an expanded Functional Lab and larger Econogy Hub highlighting sustainable, performance textiles.
Over 3,000 exhibitors will showcase innovations from March 11–13 at Shanghai’s National Exhibition and Convention Center.
In China, pet ownership is on the rise, as is annual spending per pet, with both factors leading to astronomical growth and a pet market that could be worth RMB 1.15 trillion (over USD 164 billion) by 2028. As such, Intertextile Apparel is set to launch the Pet Boutique display area at its upcoming edition from 11 – 13 March, allowing textile suppliers to feature a range of pet-ready fabrics, accessories and apparel for buyers to explore. Exhibitors with samples on show include Lenzing, showing how renewable wood-based fibres can be used for pet products; Idole, using SOLOTEX to create textiles that blend fashion and function; as well as SilkIPEK Tekstil; Heng Li String and Braid; G.K Infinite; and more.
Younger generations born in the 1990s and 2000s are influencing market trends towards premium pet products, while functional garments, such as those with odour control and cold and wet weather protection, make up more than 60% of China’s pet apparel market – hence the display area’s focus on superior, performance-related exhibitors and its positioning beside Functional Lab.
Functional Lab reimagined in 2026
The product zone will expand in scale by over 30% compared to the previous Spring Edition, reflecting Chinese consumers’ increasing participation in outdoor activities ranging from dog walking to trail running. Within the zone, THE CUBE will feature a new product presentation and display area – mirroring the integrated layout that has proven so effective at Econogy Hub. Key exhibitors who have confirmed their participation at the new-look Functional Lab include:
- 3M China: 3M will draw special attention to its Thinsulate Insulation, encompassing extremely fine microfibres with a high warmth-to-thickness ratio that enables garment design with less bulk and enhanced freedom of movement.
- Hyosung: among other offerings, the world’s largest manufacturer of spandex will feature various CREORA materials, with diverse applications spanning warming, cooling, weight and colour.
Other highlighted exhibitors within the zone include knitted fabric specialists such as Regen-tech Fashion (eco-functional), Henglun Textile (denim), and HiLite Textile (fashion and casualwear).
Innovation front and centre at Econogy Hub
Ideal for humans and their furry companions, sustainable textiles are increasingly being integrated with functional properties like UV resistance, insulation and antibacterial performance. At the fair, Econogy Hub – which has also grown in scale – will give a vital platform to industry players showcasing eco-friendly textiles covering both fashion and function, as well as certification and traceability solutions. Featured exhibitors include:
- Ecocert (Pavilion): the certifier strives to enable production processes that respect the environment, quality and safety, and the Ecocert Pavilion will gather its downstream textile partners showcasing knitted fabrics, cashmere, and more.
- PEELSPHERE: the company converts non-food agricultural waste into 100% bio-based plant fibre leather that combines performance with fashionable aesthetics, as well as providing sustainable fashion service solutions.
- TextileGenesis, a Lectra company: provides a one stop traceability and market compliance solution for the apparel ecosystem, custom-built for premium and sustainable textiles such as wood-based fibres, premium cotton, specialty filaments, silk, wool and cashmere.
Buyers with ‘green’ sourcing requirements can filter eco-focused exhibitors through the Econogy Finder, a directory that draws attention to companies across the fairground whose sustainability has been further verified through the independent Econogy Check. In the apparel textile industry, numerous suppliers are treating sustainable materials as a non-negotiable element. Several will feature as prominent exhibitors at the upcoming fair and on its Econogy Finder, including notable cellulosic fibre producers Asahi Kasei, Eastman, and Grasim Industries, as well as eco-denim suppliers Burlington and Diamond Fabrics, both of which will be showcasing in Econogy Hub for the first time.
For fashion brands and other industry players, the ability to verify sustainability is crucial. When exhibiting at the previous Spring Edition, Ms Sun Rui, Sales Account Manager of Beijing Ecocert Certification Center Co Ltd, said: “Ecocert played a pivotal role at Econogy Hub, where we have gathered our partners to showcase their collections, presented our own certification solutions, and shared our vision for sustainability at Econogy Talks. This has enabled more buyers to recognise that a French certification body is actively advancing sustainability initiatives in China. We connected with apparel brands, garment manufacturers, yarn and fabric suppliers, and others. The zone’s focused display and seminar format provided an exceptional platform for industry exchange, helping both us and our clients better understand policies and development trends.”
The fair is co-organised by Messe Frankfurt (HK) Ltd; the Sub-Council of Textile Industry, CCPIT; and the China Textile Information Centre. It will take place alongside Yarn Expo Spring, Intertextile Shanghai Home Textiles – Spring Edition, CHIC and PH Value at the National Exhibition and Convention Center (Shanghai).
Intertextile Shanghai Apparel Fabrics – Spring Edition will be held from 11 – 13 March 2026.
Other upcoming shows:
Vietnam International Trade Fair for Apparel, Textiles and Textile Technologies
26 – 28 February 2026, Ho Chi Minh City
Intertextile Shenzhen Apparel Fabrics / Yarn Expo Shenzhen
9 – 11 June 2026, Shenzhen (Futian)
Intertextile Shanghai Apparel Fabrics – Autumn Edition / Yarn Expo Autumn
25 – 27 August 2026, Shanghai
Note: The headline, insights, and image of this press release may have been refined by the Fibre2Fashion staff; the rest of the content remains unchanged.
Fibre2Fashion News Desk (HU)
Industry stakeholders said the Budget signals a transition away from volume-driven growth towards a value-led, low-carbon and traceable textile ecosystem, supported by initiatives such as the Text-ECO initiative, the National Fibre Scheme, Samarth 2.0, and sustainability-linked capacity building.
Indian textile industry has welcomed the Budget for its strong focus on sustainability, circularity and responsible manufacturing.
Industry leaders said the measures signal a shift towards value-led, low-carbon and traceable growth.
Initiatives such as Text-ECO, Samarth 2.0 and the National Fibre Scheme are seen as strengthening competitiveness, skills and sustainable sourcing across the value chain.
Shruti Singh, Country Director–India at Canopy Planet, said, “This Budget creates enabling conditions for India to lead in manufacturing of low carbon textile fibres and paper packaging. Investing in circular material ecosystems can meet business ESG goals, create domestic fibre security and global export competitiveness,” she said. Singh added that as demand grows across textiles, packaging and paper-based applications, the real test will lie in responsible sourcing. “For companies linked to forest-based supply chains, this is a moment to strengthen traceability, reduce deforestation risk, and move sustainability from intent to execution,” she noted.
From a fashion brand perspective, Amar Nagaram, co-founder of Virgio, said the Budget clearly links sustainability with innovation and design-led growth. “India’s next phase of growth will be driven by the convergence of design, technology and sustainability. The emphasis on sustainable textiles, MSME scale-up, AI-led innovation and design education reflects a long-term vision to move Indian manufacturing up the global value chain,” he said. Nagaram added that the policy direction supports responsible production, data-driven decision-making, and positions India as a credible global hub for future-ready fashion and lifestyle businesses.
At the manufacturing end, Sabhari Girish, chief sustainability officer at Sulochana Cotton Spinning Mills, Tiruppur, said that sustainability and circularity receiving prominence in the Budget is encouraging for the sector. “Circularity and sustainability taking a prominent spot in the Budget speech is a positive signal. The announcement of Text-ECON will help Indian textile companies showcase their environmentally friendly contributions to the world,” he said. Girish noted that upcoming FTAs with the UK and EU are expected to sharpen the focus on sustainability, adding that Samarth 2.0 will play a critical role in skilling the workforce with updated technologies across the value chain, from fibre to garments.
He also pointed out that the National Fibre Scheme could enhance the quality and global competitiveness of Indian-made fibres, though capital-intensive modernisation will require a clear funding roadmap. “Adopting best practices needs more support, and a proper roadmap will help indigenous fibres take centre stage,” Girish said, while welcoming the proposal to upgrade sports goods manufacturing as a boost for R&D and technical textiles.
Industry experts said the Budget’s sustainability-led approach aligns closely with stricter environmental regulations in markets such as the EU and UK, and could strengthen India’s positioning as a responsible, compliant and future-ready sourcing destination.
Fibre2Fashion News Desk (KUL)
“President Trump’s leadership is forging a new direction for trade that promotes partnership and prosperity in Latin America, further strengthening the American economy, supporting American workers, and protecting our national security interests,” said Ambassador Greer in a USTR release.
USTR Jamieson Greer and Guatemala’s Minister of Economy Adriana Gabriela Garcia recently signed the US-Guatemala Agreement on Reciprocal Trade.
The agreement addresses trade barriers facing American workers and producers, expands and solidifies markets for US exports and strengthens strategic economic ties in the Western Hemisphere, Greer said.
US trade body NCTO welcomed the signing.
The agreement addresses trade barriers facing American workers and producers, expands and solidifies markets for US exports and strengthens strategic economic ties in the Western Hemisphere, he said.
“This agreement builds on our long-standing trade relationship and shared interest in reinforcing regional supply chains,” he added.
The key terms of the agreement includes breaking down non-tariff barriers for US industrial and exports, advancing trade facilitation and sound regulatory practices; protecting and enforcing intellectual property; preventing barriers for digital trade; improving labour standards; strengthening environmental protection; strengthening economic security alignment; and confronting state-owned enterprises and subsidies.
Guatemala has committed to take steps to restrict access to central level procurement covered by its free trade agreement commitments for suppliers from non-free trade agreement partners, permitting exemptions as necessary, in a manner comparable to US procurement restrictions.
Welcoming the announcement, National Council of Textile Organizations (NCTO) president and chief executive officer Kim Glas said the agreement marks an important step toward strengthening the US textile supply chain.
“Guatemala is a key partner in the CAFTA-DR [Dominican Republic-Central America-United States Free Trade Agreement] region, with nearly $2 billion in two-way textile and apparel trade. Together, the region operates as an integrated co-production platform that is essential to the US textile supply chain,” he noted.
The US-Western Hemisphere textile and apparel supply chain remains ‘a critical strategic alternative’ to China and other Asian producers, he added.
Fibre2Fashion (DS)
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