Fashion
Europe’s textile waste management system under critical strain: BCG
Several major players are halting operations or going bankrupt, triggering a breakdown in the system, the report, titled ‘Textile Waste at a Tipping Point: Unlocking Europe’s Circular Potential’, said.
In France, social enterprise Le Relais stopped all textile collection in mid-2025 and began unloading unsorted waste outside major retailers to protest underfunding. Without emergency support, it warned it would not survive beyond year-end.
Europe’s collection of textile waste and sorting infrastructure is under critical strain, according to a Boston Consulting Group report.
Several major players are halting operations or going bankrupt, triggering a breakdown in the system, it noted.
The main reason is a funding gap: eco-organisations and public authorities are not paying enough per tonne collected to cover operational costs.
Smaller collectors are also closing quietly. In Germany, two major collectors, SOEX and Texaid, have filed for insolvency respectively in October 2024 and June 2025 due to collapsing export markets and rising sorting costs.
In the United Kingdom, closures and layoffs have hit textile recyclers, which include Textile Recycling International, which entered administration in early 2024. The Textile Recycling Association has warned of a ‘sector-wide collapse’ as processing capacity disappears and resale prices plummet.
At the heart of this collapse is a funding gap: eco-organisations and public authorities are not paying enough per tonne collected to cover operational costs. Meanwhile, saturated second-hand markets, fast-fashion waste and stricter export conditions are all compounding the pressure.
Without urgent intervention, Europe’s textile circularity ambitions risk unravelling, the report cautions.
In Europe, only around 1 per cent of textile waste is recycled into new textiles. The rest is either reused through second-hand markets, downcycled into lower-value applications like rags or insulation, processed into solid recovered fuel (SRF) or sent to landfill or incineration.
Landfilling is expected to decline sharply by 2035—from 26 per cent of total textile waste in 2024 to 17 per cent in 2035—driven by regulatory and environmental pressure. The EU Landfill Directive mandates that municipal waste landfilling fall below 10 per cent by 2035, prompting many countries to implement landfill taxes and bans on specific products.
Reuse is the most sustainable option and has been enabled by charity networks, resale platforms, and exports. Yet the ecosystem is under pressure and the second-hand textile market in Europe is stalling slightly, driven by the rise of ultra-fast fashion and the saturation of traditional export channels, the report notes.
As resale prices fall and collection costs rise, operators are left with declining margins and increasing volumes of low-quality, unsellable garments. Incineration is still carbon-intensive and risks undermining climate objectives unless paired with mitigation measures, it adds.
Fibre2Fashion News Desk (DS)
Fashion
Gucci launches technical mountainwear line “Altitude” with Jannik Sinner
Translated by
Nazia BIBI KEENOO
Published
October 30, 2025
Gucci, the Kering Group fashion house, is venturing into the world of technical winter sportswear with an exceptional athlete who began his journey as a young ski champion before rising to the top of global tennis. Fittingly, Jannik Sinner will serve as the global brand ambassador for Gucci’s first technical mountainwear collection, titled “Altitude,” launching worldwide for Autumn/Winter 2025/26.
Drawing inspiration from the precision of technical snowwear and the Maison’s long-standing heritage in leisurewear, the men’s and women’s collection spans ready-to-wear, accessories, footwear, and a curated selection of high-performance equipment developed in partnership with HEAD. The range includes skis, poles, snowboards, sports bags, and helmets adorned with Gucci’s iconic Web stripe.
Blending advanced performance with the Maison’s signature design codes, the collection features innovative technical materials and cutting-edge construction. The pieces are crafted from breathable three-layer fabrics, feature water-repellent finishes, and include functional details such as ski pass pockets and touchscreen-compatible inner panels. Completing the range is a line of eyewear — including ski goggles and wraparound sunglasses — both prominently displaying the Gucci logo.

The result is a collection defined not by spectacle, but by precision, power, and poise — traits embodied by athlete Jannik Sinner, who has been aptly chosen as the global brand ambassador. “I have always loved the mountains, and this shoot took place in an absolutely incredible setting,” said Sinner. “Gucci always comes up with extraordinary ideas, but this one was truly magical and an experience I will never forget,” he added, speaking about the campaign set against striking alpine scenery.
The campaign positions “Altitude” as the perfect balance between performance and sophistication. Alpine wear is reimagined through a modern lens, with each piece designed to move seamlessly with its environment — marrying form, function, and elegance.
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Fashion
Gold demand hit records as price soared: industry data
By
AFP
Published
October 30, 2025
Demand for gold hit a record high in the third quarter as the the precious metal’s price hit all-time highs on geopolitical unrest, industry data showed Thursday.
Total demand grew three percent year-on-year in the July-September period to 1,313 tonnes, the World Gold Council said, as the metal perceived as a safe haven investment benefitted from the Russia-Ukraine war and the Israel-Gaza conflict.
That was the highest level of demand by volume since the WGC began compiling such records around 25 years ago.
“Various regional conflicts, the increasing rhetoric around trade conflicts, all of that combines really to just create this atmosphere of heightened uncertainty” and boost demand for gold, WGC analyst Louise Street told AFP.
A surge in buying, driven by central banks, coincided with gold’s price striking record after record this year.
However since the metal struck an all-time peak in October of $4,381.52 an ounce, it has fallen heavily on profit taking.
Gold demand by value surged 44 percent year-on-year to a record $146 billion in the third quarter, the WGC added in its report.
The US government shutdown and expectations of more cuts to Federal Reserve interest rates, which is weighing on the dollar, have lent additional support to gold’s price in recent months according to analysts.
There has been strong demand for gold via Exchange-Traded Funds on stock markets. ETFs allow investment without trading on the gold futures market.
The high-price environment has, however, dampened jewellery demand, according to the WGC.
It dropped 23 percent to 419.2 tonnes in the July-September period, the lowest third quarter since 2020 when the Covid pandemic took hold around the world.
Street called gold’s recent retreat to around $4,000 an ounce “a healthy correction… that helps to wash out some of that more frothy, perhaps short-term speculative positioning”.
Copyright © 2025 AFP. All rights reserved. All information displayed in this section (dispatches, photographs, logos) are protected by intellectual property rights owned by Agence France-Presse. As a consequence you may not copy, reproduce, modify, transmit, publish, display or in any way commercially exploit any of the contents of this section without the prior written consent of Agence France-Presses.
Fashion
Spring Fair launches new fashion destination for 2026
Published
October 30, 2025
All set to “reimagine the fashion buying experience”, the launch of ‘Fashion at Spring Fair’ will happen at the NEC Birmingham from 1-4 February.
The launch “marks a homecoming for fashion” to deliver “the best in apparel, accessories, and jewellery under one inspiring roof”, organiser Hyve Group said.
Created in “direct response to buyer demand for a fashion-first experience”, event portfolio director Jackson Szabo said: “Fashion at Spring Fair represents a natural evolution in how we bring style, creativity, and commerce together for the UK fashion retail sector.
“We’ve listened closely to buyers and exhibitors alike, and this new destination is designed to meet their needs. It’s not just a place to discover products; it’s where ideas evolve, collaborations form, and the next stories in fashion retail take shape.”
Buyers will discover “immersive spaces designed to bring fashion to life”, including The Style Atelier, a monochromatic studio hosting live trend forecasts, styling masterclasses, and curated showcases.
Meanwhile, the New Business Pavilion offers a dedicated stage for up-and-coming brands such as Nudie Jewellery, Artemis Muse, and Livia Betancourt, to give buyers first access to “fresh, trend-led collections”.
Alongside this will be a curated selection of standout brands, including Urban Bliss, Lighthouse Clothing, Nina Murati, Decollage, Isle & Stars, Luella, and Girl in Mind, to “highlight the very best in contemporary fashion”.
Jewellery and watches will feature creations from Scream Pretty, Bill Skinner, Ayala Bar, and Peace of Mind, while fashion accessories and leather goods include Rock Luggage, Mala Leather, Ashwood Leather, Alice Wheeler, Pachamama, Yoshi and Eloise London.
Also part of Spring Fair 2026 is a new creative direction called ‘Retail Alchemists, Masters of the Mix’, bringing together “craft, creativity, commerce, and connection in a dedicated space”.
Copyright © 2025 FashionNetwork.com All rights reserved.
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