Fashion
Milan Fashion Week to open on Tuesday in Giorgio Armani’s shadow
Translated by
Nicola Mira
Published
September 19, 2025
On Tuesday, a fashion world still in mourning will be gathering in Milan for the start of womenswear fashion week. Giorgio Armani, who passed away on September 4, will be in everyone’s hearts. Especially on the evening of Sunday September 28, when the iconic Italian label will stage its runway show, the final event of the fashion week dedicated to the Spring/Summer 2026 women’s ready-to-wear collections. The show will be held in the main courtyard of Palazzo Brera and will feature the last creations by ‘King Giorgio’. It will also fête the 50th anniversary of Armani’s eponymous label, and is clearly set to be the crowning event of this emotion-filled week.
The Italian luxury label has confirmed that the week’s closing show will go ahead, as will the double show scheduled for its young line Emporio Armani on Thursday September 25, and the exhibition dedicated to Armani at the Pinacoteca di Brera gallery, featuring 150 looks from the Armani archives. “We will celebrate [Milan] Fashion Week by paying tribute to one of its founders, Giorgio Armani, and to his creative, entrepreneurial and personal legacy, so valuable in this transformation period the fashion industry is going through,” said Carlo Capasa, president of the Italian Fashion Chamber (CNMI), presenting what promises to be an intense Milan Fashion Week programme.
Between September 23 and 29, Milan will host 171 events, including 54 in-person shows, the same number as in February. In addition, four digital shows are scheduled at the end of the week, on Monday 29, by Maxivive and by rookie labels Mein Corp by Italian designer Lorenzo Sala, Nadya Dyzak, a Ukrainian label launched in 2008, and Zenam, the label by Cameroonian designer Paul Tanonkou, which previously featured on the menswear calendar.
The calendar includes 10 new names, between emerging labels and previous participants (like Milano Moda Graduate, the collective show by the city’s fashion academies), compensating for 10 absentees. While Giorgio Armani is no longer with us, after dominating the fashion scene for half a century, this week Milan is welcoming his successors, between emerging talents, several comebacks, and new creative directors who have taken charge at some major labels.
The first is Demna (Gvasalia) at Gucci, who will unveil his first looks for the Kering group’s premier label in a presentation scheduled on Tuesday September 23. Dario Vitale, taking his first steps at Versace after the latter was recently acquired by the Prada group, will adopt the same understated format on September 26.
On Wednesday September 24, it will be Simone Bellotti’s turn to debut for Jil Sander, while Louise Trotter will unveil her first collection for Bottega Veneta on Saturday 27 – the label is back on the Milan Fashion Week calendar after skipping the February edition. Another highlight will be Fendi’s co-ed show on Wednesday 24, overseen by Silvia Venturini Fendi, celebrating the Roman house’s centenary one last time. FashionNetwork.com has learnt that one of the show’s surprise guests may be French mezzo-soprano Axelle Saint-Cirel, singing six arias with harp accompaniment.

An event worth keeping an eye on will be the maiden Milanese show by British ready-to-wear label Knwls, scheduled on Wednesday September 24. The London-based label, a favourite among celebrities, has gone from strength to strength in recent years, thanks to its sensual Y2K silhouettes and its focus on female empowerment. Knwls was launched in 2017 by British designer Charlotte Knowles with her partner, Canadian Alexandre Arsenault. In 2022, Knwls was an LVMH Prize finalist, and it is available at over 50 leading multibrand retailers worldwide.
A major debut is scheduled on Friday September 26, with the first runway show by Sa Su Phi, a womenswear label set up in 2021, during the pandemic, by Sara Ferrero, an experienced finance executive, and Susanna Cucco, design expert and creative consultant, whose eponymous agency has been collaborating with many top labels in the course of over 25 years. Having begun with luxury knitwear, they have developed a minimalist, sophisticated and timeless style, winning over some 70 top retailers worldwide.
Milan Fashion Week will also welcome comebacks by the likes of Boss, Calcaterra, The Attico and Stella Jean, which have all given Milan a miss in recent seasons, as well as Anglo-Nigerian designer Ineye Tokyo James. After staging his rookie show in Milan in February 2022, James dropped below the radar before coming back in March with a digital show. Also back is Vietnamese designer Phan Dang Hoang, who debuted in Milan in September 2024, and then failed to return. Indian designer Dhruv Kapoor and Pierre-Louis Mascia, who had both featured on the men’s calendar until January, are now included in the womenswear programme.
Another 14 new names will feature on the presentation calendar, including young French designer Henri Paris with his sophisticated creations, Davii, Daizy Shely, Forte_Forte, Îacaré, Kasai, Moja Rowa, Nissa, Pé de Chumpo, Saman Loira, Seafarer, Simon Cracker, which usually shows in the menswear week, Vespa and JW Anderson, which has also scheduled an event at its newly renovated store. Trussardi too is making a comeback, releasing a short film starring Eva Herzigova and Fernando Lindez at the Anteo cinema on September 28.

Versace and Gucci are among the dropouts from this edition’s runway show calendar, having opted instead for a presentation, as mentioned above. Also off the show calendar are Marni and Bally, both going through a transition phase in terms of style, with Marni’s new creative director Meryll Rogge set to show in Milan next February – while Fiorucci has moved to a slot in the menswear week in June. The other absentees are Swedish label Avavav, which had been showing in Milan since September 2023, Susan Fang, which showed in March supported by Dolce & Gabbana, Philipp Plein, K-Way and Dsquared2.
Milan Fashion Week will, as always, be able to count on several top Italian names, among others Prada, Moschino, Roberto Cavalli, Ferragamo, Dolce & Gabbana, Etro and Max Mara, as well as on a plethora of off-calendar events. The first is the Maestri d’Eccellenza Prize, recognising Italy’s top artisans, sponsored by Thélios and LVMH with CNMI and Confartigianato, Italy’s national artisanal association. The award ceremony is scheduled on September 23.
Kering will play its part with Cinemoda Club, a fashion-related film festival sponsored by the French luxury group with Vogue Italy and scheduled on September 25-27, and S|Style, a focus on sustainable emerging labels, including Jeanne Friot from France, on September 26-28. Also on the programme, the third edition of the Black Carpet Awards on September 24, the CNMI Sustainable Fashion Awards (the sustainable fashion prize set up by CNMI in 2017) on September 27, as well as several new store openings within Milan’s luxury shopping district, with cocktail parties and gala evenings galore.
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Fashion
ASEAN manufacturing momentum eases in April amid rising cost pressures
Growth in output and new orders softened, with production nearing stagnation. New orders rose at the slowest pace in eight months, while export orders declined for a second straight month, reflecting a weaker trade environment, S&P Global said in a press release.
ASEAN manufacturing growth slowed in April, with the S&P Global Manufacturing PMI falling to a nine-month low of 50.7.
Output and new orders weakened, export sales declined further, and employment fell for the first time in eight months.
Supply chain pressures and rising operating costs intensified inflation.
Despite weaker momentum, firms remained optimistic.
Supply-side constraints intensified during the month. Delivery times lengthened to a 17-month high as firms increased purchasing activity, putting pressure on supply chains. As a result, inventories of both inputs and finished goods declined, indicating firms relied on existing stocks to meet demand.
Employment conditions also weakened, with staffing levels falling for the first time in eight months, albeit marginally. Meanwhile, backlogs of work continued to rise, suggesting capacity pressures persist.
Inflationary pressures strengthened further. Input costs rose at the fastest pace since March 2022, prompting firms to increase output prices at the sharpest rate in 49 months.
Maryam Baluch of S&P Global Market Intelligence said ASEAN manufacturing remained in expansion territory in April, though growth momentum weakened as output neared stagnation, demand softened, exports fell faster, and employment declined. She noted that price pressures intensified further amid rising operating costs.
“While manufacturing firms in the ASEAN region remain optimistic about continued production growth in the coming year, the overall trajectory will remain dependent on external factors, notably the ongoing conflict in the Middle East, which is also shaping the inflation picture,” added Baluch.
Fibre2Fashion News Desk (SG)
Fashion
Moody’s raises Vietnam’s outlook to ‘positive’ from ‘stable’
Affirming its ’Ba2’ rating, the agency said Vietnam’s institutional quality and governance were improving due to administrative, legal, and public sector reforms implemented since late-2024, and downside risks from US trade measures had eased compared with what was expected earlier.
Moody’s Ratings recently raised its outlook on Vietnam to ‘positive’ from ‘stable’, citing rising confidence in the country’s ability to strengthen its credit profile over the medium term.
Affirming its ’Ba2′ rating, it said Vietnam’s institutional quality and governance were improving due to reforms implemented since late-2024, and downside risks from US trade measures had relatively eased.
Moody’s emphasised that the country’s growth potential continues to be a primary anchor for its credit profile. This is supported by a diversified export base, recovering domestic demand and robust foreign direct investment (FDI) inflows, all of which provide a solid foundation for macroeconomic stability.
Vietnam has demonstrated a high degree of adaptability to global volatility like fluctuating energy prices, rising shipping costs and inflationary pressures stemming from geopolitical tensions. This resilience is underpinned by a stable economic foundation, a positive external balance and a highly diversified trade structure, it noted.
However, risks within the banking system, vulnerabilities in the real estate market and lingering institutional bottlenecks continue to serve as hurdles for a potential rating upgrade in the future, the rating agency cautioned.
Fibre2Fashion News Desk (DS)
Fashion
Cambodia cuts 2026 growth forecast to 4.2% amid Middle East turmoil
He said the sharp increase in oil and gas prices has fuelled inflationary pressures, weighing on the country’s growth outlook. Despite the downgrade, the government expects economic recovery, projecting growth to rebound to 5 per cent in 2027 and average around 5.5 per cent annually through 2029.
Cambodia has lowered its 2026 growth forecast to 4.2 per cent from 5 per cent due to rising oil and gas prices amid Middle East instability and Thailand border tensions.
Inflationary pressures are weighing on the economy, though growth is expected to recover to 5 per cent in 2027.
Export-driven sectors and tourism remain vulnerable to global volatility.
Cambodia’s economy continues to rely heavily on exports of garments, footwear and travel goods, alongside tourism, agriculture and construction. Authorities cautioned that prolonged global uncertainty could further impact these key sectors and slow overall economic momentum.
Fibre2Fashion News Desk (CG)
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