Entertainment
Sonny Curtis on a career spanning Buddy Holly and Mary Tyler Moore
The theme song to “The Mary Tyler Moore Show” is familiar to generations of TV watchers. The name of the man who wrote and sang it, less so.
Who can turn the world on with her smile?
Who can take a nothing day, and suddenly make it all seem worthwhile?
Well, it’s you, girl, and you should know it
With each glance and every little movement you show it
Love is all around, no need to waste it
You can have the town, why don’t you take it
You’re gonna make it after all
But by the time Sonny Curtis recorded “Love Is All Around” in 1970, he’d “made it” several times over himself, as a songwriter, as a recording artist, and as an early bandmate of the legendary Buddy Holly.
Born in 1937 in rural West Texas, Curtis grew up picking cotton on his father’s farm. “Oh, it was a miserable job,” he told correspondent Mo Rocca. “The heavier the cotton sack gets, the worse it is, man.”
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His love of music came from family. His aunt taught him to play the guitar, and while working those fields, Curtis dreamed up his own songs: “Driving a tractor, you go down half a mile that way, and when you get there, you turn around and come back a half mile this way. You have plenty of time to write a song!”
Curtis was just 14 when he met a young Buddy Holly in nearby Lubbock. “Buddy had black hair, but he had dyed it blonde, and it was growing out. And he reminded me of a black-and-tan coon hound. We sorta skipped all the niceties and got our guitars and started playing.”
Rocca asked, “How quickly did you realize this guy’s serious about music?”
“Buddy, he exuded confidence. He just knew he was gonna make it big one day.”
The two became fast friends, bonded by their love of music. Sometimes, Curtis said, he’d spend the night at Buddy’s. The two would wake up at midnight and flip on the car radio for a show out of Shreveport, Louisiana, to hear some of the rhythm and blues voices that would shape rock ‘n’ roll: “We heard, oh, Big Mama Thornton and Lonnie Johnson, and Lead Belly, Little Richard, Ray Charles, you name it.”
“Were you just absorbing this?” asked Rocca.
“Oh, boy, were we ever, yeah!”
Buddy and Sonny had formed a band and were still figuring out their own sound, when a then little-known Elvis Presley came to town. “And I mean, the girls were goin’ nuts, man. And that really got our attention. All a sudden, we thought, this not only involves music, this involves pretty girls!”
When Elvis came back to town in 1956, Buddy and Sonny’s band was the opening act. “Well, I guess we were right there sort of at the beginning of rock ‘n’ roll.”
“What was Elvis like backstage?” asked Rocca.
“He was just an old boy.”
The band went on to record some demos, but wasn’t making much money.
So, Curtis left to tour with country star Slim Whitman. “He treated me kind of like a little brother,” Curtis said. “I remember I’d be on the stage and he’d come over and say, ‘Now don’t be nervous.'”
Meanwhile, Buddy Holly formed a new band, which would prove to be seminal. The Crickets shot to fame, appearing on “The Ed Sullivan Show.”
Rocca asked, “When that was happening, did you feel a little left out, like, ‘Ugh’?”
“I did feel kind of like the train left the station and I wasn’t on it, you know?” Curtis replied.
But on February 3, 1959, Curtis’ friend and former bandmate died in a plane crash near Clear Lake Iowa.
Curtis served as a pallbearer.
“Buddy Holly was 22 when he died,” Rocca said.
“Yes. Can you imagine the amount of music he pumped into the system in a short period of, like, 18 months? No telling how much he would’ve contributed had he been around.”
By that time, Curtis had joined the Crickets. But with Holly gone, the band felt rudderless.
It was Curtis’ talent for songwriting that helped put the wind back in his sails. His song “Walk Right Back” became a big hit for the Everly Brothers:
And then there’s this classic, which Curtis claims he wrote in about 20 minutes: “I Fought the Law”:
“I Fought the Law” has been covered by artists from The Bobby Fuller Four to The Clash.
Sonny Curtis is 84 now. He and Louise, his wife of more than 50 years, live outside Nashville, where they raised their daughter, Sarah. He is enshrined in Nashville’s Musicians Hall of Fame – as is his old guitar.
In 2012, the year the Crickets retired, they were inducted into the Rock ‘n’ Roll Hall of Fame.
But it’s a song Curtis wrote for the small screen that may be his most enduring legacy.
In 1970, he was living in Los Angeles when he got a call from a friend about a new sitcom being produced for Mary Tyler Moore: “It was just this young girl gets jilted in this small community, and she moves to the big city of Minneapolis, gets a job at a news station. And that was about it.”
Curtis wrote the theme song based on a four-page description of the show. “I honed in on the part that she rented an apartment she had a hard time affording, and wrote, ‘How will you make it on your own?’ … ‘This world is awfully big, and girl, this time you’re all alone.'”
Within just a few hours, Curtis was summoned to the studio to play his song for producer James L. Brooks. Curtis recalled, “I got my guitar out and I sang it to him. He smiled and said, ‘Sing that again.’ And I had to sing it about ten times. And before I left that afternoon, the room was full of people standing all around the walls. I thought, ‘I believe I got a shot at this!'”
WEB EXTRA: Sonny Curtis on writing the “Mary Tyler Moore Show” theme song
Rocca said, “It wasn’t a given that you’d write and sing it.”
“No. As a matter of fact they didn’t want me to sing it. I said, ‘I wanna sing this,’ you know? And I was probably more pushy than I should have been, if I’da known better. But fortunately, I didn’t know better at the time!”
When the show became a hit, Curtis was asked to rework his song: “When they started to do the second season, he said, ‘Sonny, she’s obviously made it. And we have to have some new lyrics.'”
For a man whose career dates back to the birth of rock ‘n’ roll, Sonny Curtis remains disarmingly humble. “Oh, I’ve always sort of had a rule, don’t give advice in a crowd,” he laughed.
But when pressed, he will share some wisdom: “If they say, ‘Man, you oughta go back to Texas ’cause you’ll never make it,’ just look at them and say, ‘No, you’re wrong, because I am gonna make it.'”
Rocca replied, “You know, I should write this down, ’cause this sounds like a song right here!”
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Story produced by Michelle Kessel. Editor: Lauren Barnello. Illustrations: Mitch Butler.
Entertainment
Shia LaBeouf released hours after arrest for alleged assault
American actor and filmmaker Shia LaBeouf was released Tuesday, hours after he was arrested for allegedly assaulting two men.
The 39-year-old Even Stevens star was detained by the New Orleans Police Department (NOPD) early Tuesday, February 17, 2026, at around 12:45 a.m. after two men reported they were assaulted by the actor.
NOPD responded to a scene in the 1400 block of Royal Street and identified the 2003 Daytime Emmy Award winner as the man causing “a disturbance and becoming increasingly aggressive inside a Royal Street business.”
Police said LaBeouf was told to leave by a staff member; however, he became increasingly aggressive and struck the employee multiple times.
After the alleged unprovoked attack, he left the scene. He then came back and started hitting the same person again as people tried to hold him back.
LaBeouf then hit another man on the nose, who was later transported to the hospital. The extent of victims’ injuries remains unknown.
LaBeouf is facing two charges of simple battery.
The Orleans Parish Records show LaBeouf appeared virtually in court at noon Tuesday and was released on condition that he will attend all future court hearings.
His next court hearing is scheduled for March 19, 2026.
Entertainment
How the state prices out growth
Pakistan’s growth failure is often explained away through familiar cliches: low productivity, weak exports, lack of innovation, or insufficient entrepreneurship. These are symptoms, not causes. The real problem lies deeper: in a state-engineered cost structure that has made doing business prohibitively expensive and structurally irrational.
A recent private sector analysis reported by Nikkei Asia has now quantified what businesses have been saying for years: operating a business in Pakistan is 34% more expensive than in comparable South Asian economies. That single statistic is not merely an indictment of policy; it is a post-mortem of Pakistan’s growth model.
According to the study conducted by the Pakistan Business Forum (PBF), the excess cost is not incidental or cyclical. It is structural, cumulative and policy-induced. Fuel taxes, electricity tariffs, interest rates, currency depreciation and an extraordinary effective tax burden together form a lethal cocktail that prices domestic industry out of both regional and global markets. This is not capitalism failing. It is the state failing the economy.
The PBF’s findings, based on industrial data up to December 2025, expose a simple but devastating reality. Pakistan’s firms operate under energy and fiscal costs that no competitor in the region is forced to bear.
Electricity tariffs average Rs34 per unit, while the regional average hovers around Rs17. Fuel is burdened with an additional petroleum levy of roughly Rs80 per litre, converting energy not into an input but into a fiscal extraction mechanism.
Interest rates remain at 12.5%, nearly double those in neighbouring economies where capital is treated as a facilitator of growth rather than a revenue source. Overlay this with a currency that collapsed from Rs110 per dollar in 2018 to around Rs280 by December 2025, and imported inputs — raw materials, machinery, intermediate goods — become prohibitively expensive. To call this a “challenging business environment” is a euphemism. It is an engineered disadvantage.
Most alarming is the effective tax burden, which the PBF estimates can reach up to 55% for companies, far above regional norms. This is not taxation in the classical sense of financing public goods. It is fiscal overreach that systematically cannibalises investible surplus.
One of the most revealing aspects of the Nikkei-reported data is not about firms but about people. Gallup Pakistan shows that salaried employment now accounts for 60.1% of the workforce, up from 53.4% in FY2010-11, while self-employment has declined from 24.4% to 21.8% over the same period.
This shift is often misread as modernisation. It is not. In Pakistan’s context, it reflects risk aversion induced by a hostile business climate. When the cost of compliance, energy, finance and taxation overwhelms potential returns, rational individuals choose employment over enterprise. This is a policy outcome.
A young business graduate in Islamabad, quoted by Nikkei, abandoned plans to open a restaurant after being “hounded by so many government departments”. His experience is systemic. The state’s licensing obsession, regulatory fragmentation and compliance fetish raise fixed costs to levels that extinguish small and medium enterprises before they are born.
The workforce distribution data over nearly three decades reveals a quiet but profound structural shift in Pakistan’s economy. In 1996-97, self-employment constituted around 28% of the workforce, alongside a significant share of contributing family and unpaid labour — categories that traditionally reflect small enterprise activity, family businesses and informal entrepreneurship. By 2010-11, self-employment had already declined to 24.4%, while salaried employment rose sharply.
The latest figures for 2024-25 complete this transformation: over 60% of the workforce is now salaried, while self-employment has fallen further to just 21.8% and unpaid family labour to about 14%. This is not a benign modernisation trend. In Pakistan’s context, it signals the systematic erosion of entrepreneurial space, where rising energy costs, punitive taxation, regulatory harassment and expensive credit have made independent business activity economically irrational.
Instead of producing a dynamic class of risk-taking entrepreneurs, Pakistan’s policy environment is steadily converting potential job creators into job seekers — an outcome fundamentally incompatible with sustained growth, export expansion and productivity-led development.
Bilal Ghani of Gallup Pakistan correctly identifies another structural distortion: Pakistan’s trade and industrial policies systematically restrict access to cheaper foreign inputs in the name of protecting domestic producers. This is import substitution without competitiveness, protection without productivity.
Instead of integrating Pakistani firms into global value chains, policy forces them to rely on costlier domestic inputs, raising production costs while delivering no gains in quality or scale. The result is a manufacturing sector that is simultaneously protected and uncompetitive — a contradiction that no economy can sustain.
Add to this Pakistan’s perception as a high-risk jurisdiction — due to terrorism, money-laundering concerns and geopolitical tensions — and firms face layers of due diligence, certification and compliance costs unknown to competitors in other developing economies. These non-tariff costs disproportionately punish exporters and technology firms, the very sectors Pakistan claims it wants to promote.
The impact on exports is both severe and predictable. Pakistan’s export performance has stagnated since 2021, with particularly damaging consequences for textiles, which still account for around 60% of total exports. Hundreds of medium-sized textile firms have shut down in recent years, as noted by PBF’s chief organiser Ahmed Jawad. This collapse is not the result of inefficiency alone. When electricity costs double those of competitors, when financing costs are punitive and when regional trade agreements — such as the EU-India arrangement — tilt the playing field further, survival itself becomes uncertain. Pakistan’s exporters are not losing markets because they are incompetent; they are being priced out by their own state.
At the root lies a deeper contradiction: the state has converted energy pricing and taxation into instruments of short-term fiscal stabilisation, ignoring their long-term growth consequences. Petroleum levies substitute for structural tax reform. Electricity tariffs plug budgetary holes created by inefficiencies elsewhere. High interest rates compensate for fiscal indiscipline. This is a survival strategy — and a deeply flawed one.
By extracting maximum revenue from a shrinking formal sector, the state accelerates informality, discourages investment and erodes the tax base it seeks to protect. The result is a vicious cycle: higher taxes to cover falling revenues, higher costs to sustain inefficient systems, and lower growth to justify further extraction.
In December last year, the PBF wrote to Prime Minister Shehbaz Sharif, urging regionally competitive electricity tariffs and more rational corporate taxation. These demands are prerequisites for survival.
Pakistan must unlearn three dangerous assumptions. First, that energy can be priced as a fiscal tool without destroying industry. Second, that businesses will continue to operate regardless of cost asymmetries. Third, that entrepreneurship can flourish under regulatory hostility and financial repression.
Growth does not occur in policy speeches or five-year plans. It emerges where the cost of risk is lower than the reward. Pakistan has inverted this equation.
The data reported by Nikkei Asia does not merely diagnose a problem; it forces a choice. Pakistan can continue to tax, tariff, and regulate its way into stagnation, or it can realign its fiscal, energy and regulatory architecture toward competitiveness.
High taxes and expensive energy are not neutral policy instruments. In Pakistan’s case, they have become anti-growth weapons, quietly dismantling entrepreneurship, hollowing out exports and converting a nation of potential producers into reluctant employees. Until this reality is acknowledged and corrected, no amount of rhetoric about investment, exports, or innovation will revive Pakistan’s growth model. The arithmetic is unforgiving, and the evidence is now incontrovertible.
The writer is an advocate of the Supreme Court and specialises in studying the global narco-arms economy and its linkages with terrorism.
Disclaimer: The viewpoints expressed in this piece are the writer’s own and don’t necessarily reflect Geo.tv’s editorial policy.
Originally published in The News
Entertainment
Bunnie XO details discovering Jelly Roll’s affair in new memoir
Bunnie Xo is opening up about the darkest chapter of her marriage to Jelly Roll.
In her new memoir, Stripped Down: Unfiltered and Unapologetic, the podcaster, 44, reveals she contemplated suicide in 2018 after discovering the country star, 41, was having an affair just two years after tying the knot — a betrayal that nearly ended both her marriage and her life.
After an explosive fight, Jelly Roll, born Jason Bradley DeFord, moved out of their Nashville home with his daughter, Bailee. Bunnie, whose real name is Alisa DeFord, grew increasingly suspicious.
Despite his denials, she later learned “he had his ex-fling waiting for him in a hotel down the street.” When a friend confirmed the affair, the weight of it all crushed her.
“That night I contemplated taking my life,” she revealed. “The pain was so intense that I genuinely just wanted to end it all.” She recalled staring at a bottle of pills and wondering, “Would J even care if I was dead?” Ultimately, she stopped herself.
The road back wasn’t easy. “I’m not going to pretend that we just went back to normal. We absolutely did not,” she admitted, adding, “It would take years to actually feel like this man loved me — that I wasn’t disposable.”
Last year, the couple marked nine years of marriage.
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