Entertainment
Sonny Curtis on a career spanning Buddy Holly and Mary Tyler Moore
The theme song to “The Mary Tyler Moore Show” is familiar to generations of TV watchers. The name of the man who wrote and sang it, less so.
Who can turn the world on with her smile?
Who can take a nothing day, and suddenly make it all seem worthwhile?
Well, it’s you, girl, and you should know it
With each glance and every little movement you show it
Love is all around, no need to waste it
You can have the town, why don’t you take it
You’re gonna make it after all
But by the time Sonny Curtis recorded “Love Is All Around” in 1970, he’d “made it” several times over himself, as a songwriter, as a recording artist, and as an early bandmate of the legendary Buddy Holly.
Born in 1937 in rural West Texas, Curtis grew up picking cotton on his father’s farm. “Oh, it was a miserable job,” he told correspondent Mo Rocca. “The heavier the cotton sack gets, the worse it is, man.”
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His love of music came from family. His aunt taught him to play the guitar, and while working those fields, Curtis dreamed up his own songs: “Driving a tractor, you go down half a mile that way, and when you get there, you turn around and come back a half mile this way. You have plenty of time to write a song!”
Curtis was just 14 when he met a young Buddy Holly in nearby Lubbock. “Buddy had black hair, but he had dyed it blonde, and it was growing out. And he reminded me of a black-and-tan coon hound. We sorta skipped all the niceties and got our guitars and started playing.”
Rocca asked, “How quickly did you realize this guy’s serious about music?”
“Buddy, he exuded confidence. He just knew he was gonna make it big one day.”
The two became fast friends, bonded by their love of music. Sometimes, Curtis said, he’d spend the night at Buddy’s. The two would wake up at midnight and flip on the car radio for a show out of Shreveport, Louisiana, to hear some of the rhythm and blues voices that would shape rock ‘n’ roll: “We heard, oh, Big Mama Thornton and Lonnie Johnson, and Lead Belly, Little Richard, Ray Charles, you name it.”
“Were you just absorbing this?” asked Rocca.
“Oh, boy, were we ever, yeah!”
Buddy and Sonny had formed a band and were still figuring out their own sound, when a then little-known Elvis Presley came to town. “And I mean, the girls were goin’ nuts, man. And that really got our attention. All a sudden, we thought, this not only involves music, this involves pretty girls!”
When Elvis came back to town in 1956, Buddy and Sonny’s band was the opening act. “Well, I guess we were right there sort of at the beginning of rock ‘n’ roll.”
“What was Elvis like backstage?” asked Rocca.
“He was just an old boy.”
The band went on to record some demos, but wasn’t making much money.
So, Curtis left to tour with country star Slim Whitman. “He treated me kind of like a little brother,” Curtis said. “I remember I’d be on the stage and he’d come over and say, ‘Now don’t be nervous.'”
Meanwhile, Buddy Holly formed a new band, which would prove to be seminal. The Crickets shot to fame, appearing on “The Ed Sullivan Show.”
Rocca asked, “When that was happening, did you feel a little left out, like, ‘Ugh’?”
“I did feel kind of like the train left the station and I wasn’t on it, you know?” Curtis replied.
But on February 3, 1959, Curtis’ friend and former bandmate died in a plane crash near Clear Lake Iowa.
Curtis served as a pallbearer.
“Buddy Holly was 22 when he died,” Rocca said.
“Yes. Can you imagine the amount of music he pumped into the system in a short period of, like, 18 months? No telling how much he would’ve contributed had he been around.”
By that time, Curtis had joined the Crickets. But with Holly gone, the band felt rudderless.
It was Curtis’ talent for songwriting that helped put the wind back in his sails. His song “Walk Right Back” became a big hit for the Everly Brothers:
And then there’s this classic, which Curtis claims he wrote in about 20 minutes: “I Fought the Law”:
“I Fought the Law” has been covered by artists from The Bobby Fuller Four to The Clash.
Sonny Curtis is 84 now. He and Louise, his wife of more than 50 years, live outside Nashville, where they raised their daughter, Sarah. He is enshrined in Nashville’s Musicians Hall of Fame – as is his old guitar.
In 2012, the year the Crickets retired, they were inducted into the Rock ‘n’ Roll Hall of Fame.
But it’s a song Curtis wrote for the small screen that may be his most enduring legacy.
In 1970, he was living in Los Angeles when he got a call from a friend about a new sitcom being produced for Mary Tyler Moore: “It was just this young girl gets jilted in this small community, and she moves to the big city of Minneapolis, gets a job at a news station. And that was about it.”
Curtis wrote the theme song based on a four-page description of the show. “I honed in on the part that she rented an apartment she had a hard time affording, and wrote, ‘How will you make it on your own?’ … ‘This world is awfully big, and girl, this time you’re all alone.'”
Within just a few hours, Curtis was summoned to the studio to play his song for producer James L. Brooks. Curtis recalled, “I got my guitar out and I sang it to him. He smiled and said, ‘Sing that again.’ And I had to sing it about ten times. And before I left that afternoon, the room was full of people standing all around the walls. I thought, ‘I believe I got a shot at this!'”
WEB EXTRA: Sonny Curtis on writing the “Mary Tyler Moore Show” theme song
Rocca said, “It wasn’t a given that you’d write and sing it.”
“No. As a matter of fact they didn’t want me to sing it. I said, ‘I wanna sing this,’ you know? And I was probably more pushy than I should have been, if I’da known better. But fortunately, I didn’t know better at the time!”
When the show became a hit, Curtis was asked to rework his song: “When they started to do the second season, he said, ‘Sonny, she’s obviously made it. And we have to have some new lyrics.'”
For a man whose career dates back to the birth of rock ‘n’ roll, Sonny Curtis remains disarmingly humble. “Oh, I’ve always sort of had a rule, don’t give advice in a crowd,” he laughed.
But when pressed, he will share some wisdom: “If they say, ‘Man, you oughta go back to Texas ’cause you’ll never make it,’ just look at them and say, ‘No, you’re wrong, because I am gonna make it.'”
Rocca replied, “You know, I should write this down, ’cause this sounds like a song right here!”
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Story produced by Michelle Kessel. Editor: Lauren Barnello. Illustrations: Mitch Butler.
Entertainment
Welcome to Derry’ star gets candid about show’s big reveal
In episode two of IT: Welcome to Derry, Chris Chalk first appeared as Dick Halloran, which led some fans to believe the character has a deeper meaning.
Now, with episode three having been released, which confirms what some had previously speculated – it is the younger version of Dick – from the 1980 psychological horror movie The Shining.
In a chat with Variety, the actor says, referring to his character, “Everything I do is going to have some dignity.”
It is worth noting that both The Shining and It are based on Stephen King’s novels.
Meanwhile, Chalk also explains how his portrayal of Dick Hallorann in It: Welcome to Derry differs from Scatman Crothers’ portrayal in the Stanley Kubrick-directed movie, which was criticized for featuring a token Black character.
“He’s literally a Magical Negro,” the star notes. “But the trouble with a Magical Negro is that they’re the only ************ Black person in the movie.”
However, for makers in Welcome to Derry, Chalk adds, they made sure to remove the previous outdated trope.
Now, Dick is not a background role in the story, and he is part of a group of Black characters in the HBO show.
As he continues, “To already have this huge selection of Black humans in the narrative, not just as props, but as essential to the narrative.”
“I know we’re going to avoid these tropes, because the trope doesn’t exist if everybody there serves a purpose.”
“I do happen to be a magical Black man, but in a world full of Black people, it doesn’t come off as gross.”
IT: Welcome to Derry is streaming on HBO Max.
Entertainment
Sydney Sweeney blames ‘articles’ for offensive jeans ad ‘perception’
Sydney Sweeney was asked about that American Eagle ‘good genes’ ad again, and she avoided taking any responsibility for it.
Sweeney drew immense backlash for the ad earlier this year since the ad featured a wordplay on ‘good jeans’ and ‘good genes.’ Netizens thought it was racist and glorified having blue eyes and being white, others thought it catered to the male gaze and was overly sexual.
The Euphoria star didn’t address the backlash at the time, and she’s dodging questions about it in the present.
In a new interview with The Guardian to promote her new film Christy, she argued that she has no control over how people interpret her actions.
“I think what’s interesting is I’m always myself. I’m always just me. But it’s what other people put on me that’s uncontrollable,” she said.
“Like you’re going to write this article… Then people will read it and have their own perception. So I try and be as much of me as possible, but it’s always through other people’s lenses,” the Echo Valley star added.
In a previous interview with GQ, she noted that she wasn’t aware of the backlash over the ad since she was filming the new season of Euphoria at the time.
“It was surreal… it’s not that I didn’t have that feeling, but I wasn’t thinking of it like that. Or like, of any of it. I kind of just put my phone away,” she told the magazine.
“I was filming every day. I’m filming Euphoria, so I’m working 16-hour days and I don’t really bring my phone on set, so I work and then I go home and I go to sleep. So I didn’t really see a lot of it,” she added.
Sydney’s new film Christy follows the personal and professional life of boxer Christy Martin. The movie has joined the top 12 worst ever openings for a film showing on more than 2000 screens, per Box Office Mojo. The film has made a dismal $1.3 million over the weekend.
Entertainment
Jay Leno reveals how he, wife Mavis have ‘fun’ despite her dementia
Jay Leno “enjoys” taking care of his wife Mavis as she battles advanced dementia.
The former late-night talk show host says the couple have “fun with” dealing with her degenerative condition – which causes a decline in thinking, memory, and reasoning skills – which she was diagnosed with in 2024.
Jay – who married Mavis in 1980, told PEOPLE magazine, “I’ve been very lucky in my life. My wife is fighting dementia and all that, but it’s not cancer. It’s not a tumour, so I enjoy taking care of her.”
He continued, “It’s not work, because people come up, and say they feel so sorry. I understand the sympathy, because I know a lot of people are going through it, but it’s OK.
“I like taking care of her. I enjoy her company, and we have a good time. We have fun with it, and it is what it is,” the NBC comedian added.
However, the 75-year-old TV star said there are times that will be difficult, but Jay is fortunate to be in a position where he can afford to look after Mavis and her medical bills.
Jay – who is worth a reported $450 million, said in conclusion, “There are going to be a couple of years that are tricky. So, the first 46, really great. But it’s OK. It’s not terrible. I’m not a woe-is-me person. I’m just lucky that I am able to take care of her.”
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