Entertainment
Adam Peaty’s heartbroken mum breaks silence after missing son’s wedding
Adam Peaty’s heartbroken mother, Caroline, was seen for the first time since her son married his wife Holly Ramsay without her in attendance.
The couple, who became engaged in September, 12, 2024, said ‘I do’ on December, 27 at Bath Abbey.
After deciding against attending the ceremony uninvited, Caroline was seen visiting her own mother, Mavis, on Sunday.
It comes after Caroline revealed to the DailyMail that she has been left shattered over missing her son’s big day, saying the couple have hurt her deeply.
Caroline looked downcast as she left her family home in Staffordshire, hours after her husband Mark was also seen out and about.
Her appearance came after it was revealed that Mark had been invited to the wedding on one condition: he would have to sit it in the back row.
From Adam’s side, his younger sister Bethany is the only member who believed to have remain close following the family fallout.
Bethany joined Holly’s sisters, Tilly and Megan, as they led the bridal party at the couple’s wedding on Saturday.
A family source told The Sun on Sunday: ‘Frankly, it’s disgusting that it went ahead without Adam reaching out to his mum and dad beforehand.’
The insider continued: ‘It was a difficult day for Caroline and Mark, so the family spent the evening together. Caroline got upset as soon as she saw the photographs from the wedding.
‘For him to turn around and tell Beth that his dad could come and sit at the back of the church is awful. Mark was told he could sit behind plus-ones — who Adam has probably never even seen or spoken to.’
Meanwhile Adam’s mum Caroline said she is trying to stay upbeat and positive but, in truth, her heart is breaking.
Entertainment
Palace aides ‘hiding’ real story about King Charles cancer battle
King Charles, who was diagnosed with undisclosed form of cancer in 2024, has reportedly been making good progress in his health.
In a message shared on December 2025, to mark World Cancer Day, the monarch had shared the “good news” that his treatment will be “reduced” in 2026 which he described as a “personal blessing.
However, there are whispers that this has been a deliberate move to conceal any negative update about the King’s health, as the true story is different than what it seems, according to royal experts.
Royal correspondent Robert Jobson stressed that journalists were “pushed” by the Palace to “put a positive spin on the King’s health bulletins” when the reality is rather “sobering”.
He said during the The Royalist podcast that Palace aides had been focussed on only releasing positive news.
“I think it was overhyped in December. I think that the Palace were over-emphasizing the ‘good news’.”
The press spokespeople were saying, “Oh, this is good news.” They were trying to say to the journalists at the time, “Don’t interpret it any other way. This is good news.”
Meanwhile, royal editor Tom Sykes pointed out that since he shared the story about Charles having “live with cancer”, he was removed from the international media pool by the King’s powerful press office.
“Indeed, I was removed from the international media pool by the King’s communications secretary after I noted the King’s cancer was incurable, a fact the Palace has since acknowledged. My expulsion was used as an example to intimidate other journalists into toeing the Palace line,” Tom said.
He pointed out from then on, the press has been supressing the health updates as per the “privacy rules” of the King’s “powerful” press office.
Entertainment
Laufey teases new music video co-starring Lola Tung, Alysa Liu, KATSEYE
Laufey is about to release the music video for her new single, Madwoman, and it stars many familiar faces, including KATSEYE member Megan Skiendiel.
The 26-year-old jazz pop star has been teasing the project on social media and revealed all her co-stars one by one in Instagram posts.
The From The Start hitmaker will be starring in the video alongside Olympics champion Alysa Liu, The Summer I Turned Pretty star Lola Tung, as well as Skeindiel in the video, according to her latest post.
The music video is set to be released on April 10, alongside the deluxe version of Laufey’s latest album, A Matter of Time: The Final Hour.
The announcement sparked an exciting reaction among fans who flocked to the comments and wrote, “OMGGG?????? HELLO WE WON,” and “ALL QUEENS.”
A third chimed in, “Friday will simply not come FAST enough,” while some joked that she is “collecting wasians like pokemon cards.”
Entertainment
Tom Holland calls Christopher Nolan ‘The Odyssey’ ‘an absolute masterpiece’
Tom Holland declared Christopher Nolan’s upcoming epic The Odyssey “an absolute masterpiece.”
In a recent interview with GQ, Tom Holland praised Christopher Nolan’s upcoming epic The Odyssey, describing it as “unlike anything I’ve ever seen before.”
Holland explained that Nolan’s reliance on practical, in-camera effects rather than CGI left him stunned by the sheer scale of the production.
“There were certain sequences in the movie where I’m watching it and I’m just sort of thinking like, ‘How on earth has he done that? That has to be CG,’” Holland said.
“And then after the movie asking him, ‘That was definitely CG, right?’ And he’s like, ‘No, no, no, that’s all in camera effects. Very planned, very prepared.’”
Based on Homer’s legendary poem, The Odyssey stars Matt Damon as Odysseus, Anne Hathaway as Penelope, Holland as Telemachus, and Zendaya as Athena, the goddess of wisdom and war who guides Odysseus through his trials. The ensemble also includes Robert Pattinson, Lupita Nyong’o, and Charlize Theron.
Holland explained that Nolan’s approach reminded him why audiences still crave the big-screen experience.
He added, “I am a real advocate for theatrical and the cinema and the communal experience of sitting in a dark room and being entertained. I think that is something for the next 10 years of my life that I will be very focused on.”
With a reported $250 million budget and a July 17, 2026 release date, Nolan’s film is shaping up as one of the year’s most ambitious projects.
More than just a film, it is being positioned as a cultural event: one designed to remind audiences of the enduring power of myth and the magic of theaters.
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