Fashion
Barbour and Farm Rio partner for collab that blends Britishness with the tropics
Published
September 9, 2025
Barbour has made a speciality of collaborations in recent years, linking up with as diverse a list as Chloé, Saturdays NYC, Alexa Chung, Baracuta, and Reggie Yates. Its latest collab is with another label very different from its own — Farm Rio.
Launching on 9 September, the company said that “Brazilian tropics beautifully collide with the British countryside” in the link-up that sees Barbour bringing its “quintessential British charm and iconic designs”, while Farm Rio offers its “famously bold prints and playfully feminine features”. The collection features clothing, footwear, accessories, and outerwear.
Three exclusive prints have been created for the collection, drawing on Farm Rio’s signature tropical flora and fauna and Barbour’s heritage family tartans.
There’s the Pink Tartan that reimagines Barbour’s famous Scottish-heritage tartans through Farm Rio’s signature art of printmaking. The background is designed to evoke the texture of woven family tartans with the embroidered pineapple embellishments layered on top.
The Tropical Print is the collaboration’s most emblematic print. It updates a classic scarf design with intricate borders and details, highlighting Farm Rio’s tropical aesthetic. The Brazilian jaguar and pineapple crown celebrate two of the rainforest’s key symbols, contrasting with delicate florals. It’s finished with the green and pink palette that runs throughout the collection.

The Pineapple Print is the collection’s defining allover pattern, featuring the fruit’s crown as a tropical icon.
Nicola Brown, Barbour’s director of womenswear, said: “This is a collaboration in every sense of the word, with the most-loved features that encapsulate the spirit of each brand fused together to create a full collection with irresistible character.”
The supporting campaign was shot in the Cotswolds with British actress-model Imogen Waterhouse, but “illustrative cues from Brazil’s tropical world appear in surreal and intriguing ways, curating a whole new world of expressive dressing”.
Copyright © 2025 FashionNetwork.com All rights reserved.
Fashion
Santiago Cucci on IKKS: ‘It’s time for us to refocus on our flagship brand’
Published
December 14, 2025
In October, this was not necessarily the frontrunner in the race to take over the IKKS Group. The French premium ready-to-wear specialist, owner of the eponymous brand as well as One Step and I.Code, attracted around a dozen bidders after being placed in receivership at the start of autumn, including the respective owners of The Kooples, Pimkie, Morgan and Caroll.
But in the home stretch, the duo of Michaël Benabou, co-founder of VeePee (then called Vente Privée) and head of the investment company Financière Saint James, and Santiago Cucci, a specialist in premium ready-to-wear and former head of the Levi’s and Dockers brands, who for a time supported the leadership of Dutch label G-Star, strengthened their bid. The entrepreneur, a sports enthusiast who knows the case well, having taken over as chairman of the HoldIKKS holding company last year, knows that competitions are decided right up to the last minute. Despite the loss of almost half the workforce, their offer, which safeguards 546 jobs and includes 119 directly operated stores, won the backing of the group’s works council (CSE) and was formally approved by the Paris Court for Economic Activities.
A few hours after the decision was made official, Cucci outlined his roadmap for IKKS to FashionNetwork.com.
FashionNetwork.com: What was your reaction to the announcement of the court’s decision?
Santiago Cucci: We’re delighted to be taking over this iconic brand. I think it’s a brand that touches the hearts of the French. We all have a history with IKKS, whether from our younger years or through our children, often tied to festive moments. This means there’s a whole generation entering adulthood already very familiar with the brand and feeling positively towards it. That’s the capital we’re taking on today. And this affinity extends well beyond end consumers: of the 118 affiliates we contacted, 116 said yes.
FNW: Because beyond the 119 directly operated stores, you had to convince partners to come on board…
SC: Whether with affiliates, suppliers we had to renegotiate with, or across the entire value chain through to consumers, I believe the whole ecosystem still holds the brand in very high regard. Our job now is to make the brand desirable, using digital tools that deliver a strong and seamless customer experience.
FNW: You’re keeping 546 jobs, many of them in stores. What are the next steps, particularly on the social front?
SC: As we’re taking over the company, on Monday I’ll be in Saint-Macaire to meet the employees who are part of the project. We’ll be putting together a new management team across most functions over the next few weeks. I would like to thank the management team, who have done their utmost to steer the company through difficult conditions in recent years. In our takeover plan, we have committed to investing 700,000 euros to acquire the brand’s assets and inventories, and 700,000 euros to contribute to the PSE. Matters concerning those who are leaving will be handled by the court-appointed liquidator. However, we intend to rehire a few people to help secure the path forward over the coming months.
FNW: In your plan, a number of activities were to be discontinued. Where are you going to focus your efforts?
SC: We’re refocusing on IKKS’s adult business. We’re putting the junior business on hold. Even though that’s the brand’s roots, in France the leading player in the junior market is the second-hand segment. We have to accept that reality. But those consumers who were juniors are now adults and already have a relationship with the brand. At the same time, the group had been managing I.Code and One Step. It’s time to refocus on the flagship and discontinue the two brands and childrenswear. It’s important to note that the junior segment accounts for 82% of IKKS’s losses.

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FNW: Does this mean that you think the adult part of IKKS, the core on which you’re refocusing, could be profitable fairly quickly?
SC: You’re right. As early as the first year—2026, which will be a transitional year—we have a profitable business model, with reinvestment back into the company.
FNW: Alongside the buyout, you announced a 16 million euro investment package. What are your investment priorities?
SC: We’ve budgeted almost 17 million euros to get the supply chain engine up and running again. It’s a real machine. We’re going to invest in boosting the brand’s desirability, and in IT infrastructure that is from another era, which we’ll upgrade in the first quarter. In my experience, I’ve always been quick to transform companies.
FNW: What will you bring over from your experience at Levi’s and Dockers? What do you think is essential to the successful evolution of a brand?
SC: We’re going to clarify the brand’s identity and values. We’ll enhance the customer experience, particularly by engaging more meaningfully with our community and relying a little less on promotions alone. To do this, we’ll invest in infrastructure and in our go-to-market. We’ll invest in production capabilities so we can be more flexible and hold inventory that matches market needs. We want to be less dependent on promotional periods.
FNW: Is the idea also to reduce the share of revenue coming from markdowns?
SC: You have to be clear about prices. You can’t set a price and then run permanent promotions afterwards. So we’re going to bring more clarity for consumers to the pricing structure, especially at the start of the season. By the way, the design team has done a great job, which is why we’re keeping them on. Now we’re going to make this offer more visible, with a pricing structure that has to be logical. Encouragingly, the results for this reworked adult offer are positive.
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Copyright © 2025 FashionNetwork.com All rights reserved.
Fashion
Daveed Baptiste wins 2025 Empowered Vision Award
Published
December 14, 2025
Designer Daveed Baptiste has been named the recipient of the 2025 Empowered Vision Award, presented by The Andréa W. and Kenneth C. Frazier Family Foundation in partnership with the Council of Fashion Designers of America (CFDA).
The announcement was made Thursday evening at a cocktail reception at the W Union Square in New York City, where artistic director and cultural advocate Edward Buchanan and supermodel Imaan Hammam revealed Baptiste as this year’s honouree. The event drew members of the fashion industry, media, and design community to celebrate the award’s mission of supporting and elevating Black designers.
“Daveed Baptiste ultimately distinguished themselves through clear, thoughtful storytelling and a disciplined, vulnerable approach to building and strengthening their tools to lead a business,” said Milton Dixon III, program director of the Empowered Vision Award.
“We’re proud to support a designer whose work speaks to the future of fashion, and we’re excited to move forward with them over the next year of mentorship and continued investment.”
The Empowered Vision Award includes a $100,000 financial grant, along with a year-long mentorship program valued at an additional $100,000. The initiative is designed to provide emerging Black designers with critical funding, industry guidance, and strategic support to help scale their businesses and build a global presence
Copyright © 2025 FashionNetwork.com All rights reserved.
Fashion
US textile imports steady as Cambodia, Bangladesh gain market share
China retained its position as the largest supplier with a **.** per cent market share, followed by Vietnam at **.** per cent. However, China’s share continued to slide month after month, reflecting a structural shift in sourcing. American buyers are increasingly diversifying towards Southeast and South Asia to reduce tariff exposure, mitigate geopolitical risk, counter rising production and labour costs, and build more resilient supply chains.
During January–September ****, apparel imports—the dominant product category—rose by *.** per cent to $**.*** billion, compared with $**.*** billion in the corresponding period of ****. In contrast, non-apparel imports fell by *.** per cent to $**.*** billion, as slower housing activity, cautious consumer spending, and order rationalisation by retailers softened demand for home textiles, industrial textiles, and made-ups.
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