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“CBS Sunday Morning” correspondent David Pogue’s new book, “Apple: The First 50 Years” (to be published March 10 by Simon & Schuster), examines how, in its first half-century, the company founded by Steve Wozniak and Steve Jobs remade the culture – and then, incredibly, remade itself.

Read the excerpt below, and don’t miss David Pogue’s report on the first 50 years of Apple on “CBS Sunday Morning” March 8!

“Apple: The First 50 Years” by David Pogue

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Steve Jobs had been away from the company he founded for 11 years. When he returned on July 6, 1997, Apple had been through three CEOs in four years, and it was in desperate shape.

Morale was at zero. Talented people were leaving in droves. There were too many divisions, too many fiefdoms. At one point, lawyers from two different Apple divisions showed up in the Patent and Trademark Office to sue each other.

The company had no CEO, no strategy, and, Jobs felt strongly, no soul.

Jobs tackled all of it at once. He threw himself fully, relentlessly, exhaustingly, into his nameless and unpaid role. “It was pretty bleak those first six months,” he said. “I was running on vapor.”

He fired most of the board. He drastically simplified the company’s structure. And he slashed the company’s 70 different Mac models down to only four: two laptops and two desktops.

“There was huge turmoil, because you were killing products that people were working on,” says Eddy Cue, now senior VP of services. “It’s like: ‘We’re gonna go from all these different products for everybody to, like, two? Are you guys crazy?'”

But Jobs was emphatic. A very focused product line, he pointed out, meant that “we could put the A-team on every single one of them.”

Think Different

Jobs discovered that Apple was running 12 different ad campaigns. They weren’t coordinated; in fact, their messages often conflicted.

He wanted to replace them all with a single campaign that would pay tribute to creativity, independence, rebelliousness—the spirit of the old Apple and the new one.

Back in L.A., Chiat/Day creative director Rob Siltanen asked four of his teams to prepare some campaign ideas. They tacked up their ideas on wallboards: photos, pencil sketches, taglines. “But there was one campaign that jumped out at me, and it jumped out in a big way,” he says.

It was an idea for a poster-and-billboard campaign, featuring black-and-white photos of revolutionary people and events: Einstein, Thomas Edison, Gandhi. Above each photo was the striped Apple logo—the only color in the image—and the words “Think Different.”

“There was a purity about that I will never forget,” Jobs said. “I cried in my office as he was showing me the idea.”

Siltanen had always been moved by the monologues in the Robin Williams movie Dead Poets Society—for example, “Despite what anyone might tell you, words and ideas can change the world.”

So when he contemplated how to turn the print ads into a TV ad, Siltanen wrote in his journal: “To the crazy ones. Here’s to the misfits. The rebels. The troublemakers.” And, his favorite part, which he envisioned for the closing: “The people who are crazy enough to believe they can change the world … are the ones who actually do.”

But when Jobs saw the prototype ad, he went ballistic. “I thought you were going to write something like ‘Dead Poets Society’! This is crap!” he shouted at Siltanen. “It’s advertising-agency s***!”

Siltanen, furious and disappointed, told his boss to find someone else to finish the ad; he was done with Jobs.

Then, only 17 days before the ad was supposed to air, Jobs called to say he’d changed his mind. He wanted to proceed with the “crazy ones” script.

The agency now had the idea and Jobs’s blessing. Now came the hard part: securing the rights to use the famous people’s images. Most had never allowed their images to appear in ads.

Jobs plied his own connections. He called the families of John F. Kennedy and Jim Henson himself, and flew to New York to discuss the John Lennon clip with his widow, Yoko Ono. Almost all of his heroes, or their estates, agreed to participate. (Every participant received money and Apple products to donate to their favorite causes.)

The agency hired a parade of L.A. talent to try their hands at the narration: Richard Dreyfuss, Peter Gallagher, Sally Kellerman, and even Phyllis Diller.

Until the last moment, Jobs was torn between the Richard Dreyfuss version and the one he narrated himself. In the end, he went with Dreyfuss’s. “If we go with mine, it’ll become about me,” Jobs said. “And this can’t be about me. It’s about the company.”

On September 28, 1997, the “Think Different” ad debuted on ABC’s The Wonderful World of Disney, which happened to be airing the network premiere of Toy Story—from Pixar, of course.  

In 60 seconds, backed by a gentle piano-and-strings theme, the ad presented clips of 17 “crazy ones”: Albert Einstein, Bob Dylan, Martin Luther King Jr., Richard Branson, Buckminster Fuller, Thomas Edison, Pablo Picasso, and so on.

The ad said nothing about computers. It didn’t even show computers (not that Apple had any new computers to show). Furthermore, most people couldn’t identify many of the featured figures. Who would recognize, for example, the faces of Buckminster Fuller, Frank Lloyd Wright, or Martha Graham?

But Chiat/Day considered their obscurity a feature, not a bug. It prompted people to talk about the ad, to replay it, to research it—”Who was that guy?”

What the ad did say is that Apple did have a soul—and it had been there all along. All the fumbling during the Dark Years didn’t count. All the creative people who’d stuck with the Mac knew what they were doing. All the employees who kept the faith should be proud.

The ad was another historic success for Apple and Chiat/Day. It won one advertising award after another, and an Emmy. It was endlessly parodied and imitated. Best of all, as Jobs had hoped, the ad gave everyone at Apple a new sense of pride and hope.

Apple wound up spending $100 million on the campaign, which ran in various forms for five years.

At the San Francisco Macworld Expo in January 1998, only one year into the job, Jobs was nearly unrecognizable in his new mustache and full beard, streaked with gray. This time, his “one more thing” moment at the end of the keynote did not involve a product.

Instead, Jobs took the wraps off an Apple creation most had thought they’d never see again: a profit.

From “Apple: The First 50 Years” by David Pogue. Copyright © 2026 by David Pogue. Excerpted with permission by Simon & Schuster, a division of Simon & Schuster, Inc.

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