Entertainment
Disability played no role in man’s death after riding Universal roller coaster, lawyers say
Lawyers representing the family of a 32-year-old man who died after riding on a Universal Orlando Resort roller coaster said he likely died as a result of an injury incurred during the ride and that his disability played no role in his death.
Kevin Rodriguez Zavala, who had a spinal disability and used a wheelchair, became unresponsive while on the coaster last week at the recently opened Epic Universe theme park in Florida. He was transported to a local hospital and later died.
Attorneys for Zavala’s family said Monday they believe he hit his head on a restraint during the coaster’s downward thrusts and that he was unconscious for most of the ride. He had no medical issues before boarding the ride, they said.
Natalie Jackson, another of the family’s attorneys, said they believe Zavala suffered repeated head strikes based on what witnesses have said. “His disability did not kill him,” Jackson said. “It was the blunt force trauma.”
The medical examiner for the Orlando area ruled the cause of death as multiple blunt impact injuries and said the manner of death was an accident.
At a news conference in Orlando, the lawyers also took issue with a top Universal executive last weekend saying in a note to employees that “internal findings” showed the ride worked as it should have.
“They are quick to say that, ‘Well, the ride functioned as it was supposed to. Everything works properly.’ Well, just because it didn’t malfunction does not lead us to believe that there were not safety issues because we know something caused him to die,” said famed civil rights attorney Ben Crump, whose law firm is representing the family.
Karen Irwin, Universal Orlando Resort’s president, said in her note that the internal findings showed ride systems functioned normally, equipment was intact and Universal workers followed the proper procedures. Investigators with the Florida Department of Agriculture and Consumer Services said on September 19 that their initial findings align with that of the theme park.
The roller coaster remains closed as Universal conducts a comprehensive review of the ride with its manufacturer.
“Safety is, and always will be, at the forefront of everything we do,” Irwin said.
The ride involved in Zavala’s death, called Stardust Racers, is a dual-launch coaster that reaches speeds up to 62 mph.
Epic Universe was the first major theme park to open in Florida in more than 25 years when it welcomed visitors just before Memorial Day weekend
Entertainment
Jimmy Kimmel remembers Cleto Escobedo III, leader of in-house band and childhood friend
Jimmy Kimmel announced Cleto Escobedo III, his longtime friend and bandleader of “Jimmy Kimmel Live!,” has died at 59. Escobedo has been with the show since it premiered in 2003, and he and Kimmel were friends since childhood.
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Entertainment
Queen Camilla hosts reception at Clarence House
Queen Camilla hosted a reception at Clarence House to celebrate the Booker Prize 2025.
Palace released a video of Queen Camilla on social media handles saying “Celebrating The Booker Prize 2025.”
The Queen hosted the reception for this year’s shortlisted authors, judges and supporters of the prize. “Congratulations to 2025 winner, David Szalay.”
David Szalay won the Booker Prize 2025 for his sixth work of fiction, Flesh, becoming the first Hungarian-British author to win the award
Flesh by David Szalay was named the winner of the Booker Prize 2025 at a ceremony in London on Monday, 10 November.
Szalay receives £50,000 and a trophy, which was presented to him by last year’s winner, Samantha Harvey.
Flesh was selected as the winning book by the 2025 judging panel, chaired by 1993 Booker Prize winner Roddy Doyle, the first Booker Prize winner to chair a Booker judging panel.
This year’s judging panel included Sarah Jessica Parker, Ayọ̀bámi Adébáyọ̀, Kiley Reid, and Chris Power.
They considered 153 books and were looking for the best work of long-form fiction by writers of any nationality, written in English and published in the UK and/or Ireland between 1 October 2024 and 30 September 2025.
The Booker Prize is the leading literary award in the English-speaking world and has celebrated world-class talent for over 55 years.
Entertainment
People can’t tell AI-generated music from real thing anymore, survey shows
It’s become nearly impossible for people to tell the difference between music generated by artificial intelligence and that created by humans, according to a survey released Wednesday.
The polling firm Ipsos asked 9,000 people to listen to two clips of AI-generated music and one of human-made music in a survey conducted for France-based streaming platform Deezer.
“Ninety-seven percent could not distinguish between music entirely generated by AI and human-created music,” said Deezer in a statement.
The survey was conducted between October 6 and 10 in eight countries: Brazil, Britain, Canada, France, Germany, Japan, the Netherlands and the United States.
Deezer said more than half of the respondents felt uncomfortable at not being able to tell the difference.
Pollsters also asked broader questions about the impact of AI, with 51 percent saying the technology would lead to more low-quality music on streaming platforms and almost two-thirds believing it will lead to a loss of creativity.
“The survey results clearly show that people care about music and want to know if they’re listening to AI or human made tracks or not,” Deezer CEO Alexis Lanternier said in a statement.
Deezer said there’s not only been a surge in AI-generated content being uploaded to its platform, but it’s attracting listeners as well.
In January, one in 10 of the tracks streamed each day were completely AI-generated. Ten months later, that percentage has climbed to over one in three, or nearly 40,000 per day.
Eighty percent of survey respondents wanted fully AI-generated music clearly labelled for listeners.
Deezer is the only major music-streaming platform that systematically labels completely AI-generated content for users.
The issue gained prominence in June when a band called The Velvet Sundown suddenly went viral on Spotify and only confirmed the following month that it was in fact AI-generated content.
The AI group’s most popular song has been streamed more than three million times.
In response, Spotify said it would encourage artists and publishers to sign up to a voluntary industry code to disclose AI use in music production.
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