Entertainment
Jimmy Kimmel’s ratings jumped to their highest in years with his return to ABC’s airwaves
The much-anticipated episode of “Jimmy Kimmel Live!” following the comedian’s return from his suspension drew a broadcast audience about four times larger than average, according to Nielsen ratings data. This was despite the late-night show being preempted by about a quarter of all ABC affiliate TV stations in the U.S.
Tuesday’s show drew an estimated 6.26 million total broadcast viewers, Disney said in a news release Wednesday, per numbers compiled by Nielsen, an audience measurement firm. The data does not include those who watched the episode on streaming platforms.
For comparison, according to numbers provided to CBS News by a Disney spokesperson, Kimmel’s show averaged 1.42 million broadcast viewers during its 2024-25 season — less than a quarter of what it saw on Tuesday night.
Tuesday’s broadcast also drew a 0.87 rating in the coveted demographic of adults ages 18 to 49, Disney said, the highest for a single episode of Kimmel’s show since March 2015. The show averaged a 0.13 rating for that age group last season, Disney said.
Kimmel’s monologue also drew more than 26 million views on YouTube and other social platforms, according to Disney, which owns ABC. In it, he showed a video clip of President Trump criticizing the show, saying it “had no ratings.”
The host responded: “Well, I do tonight.”
The late-night show was temporarily preempted last week following comments Kimmel made during a Sept. 15 monologue regarding the assassination of conservative activist Charlie Kirk.
“We hit some new lows over the weekend with the MAGA gang trying to characterize this kid who murdered Charlie Kirk as anything other than one of them, and doing everything they can to score political points from it,” Kimmel said at the time.
In a Sept. 17 interview, Federal Communications Commission Chair Brendan Carr called Kimmel’s remarks “some of the sickest conduct possible,” and said there was a “path forward for suspension over this.” Within hours of Carr’s comments, two major station owners, Nexstar and Sinclair, announced they were preempting Kimmel’s show indefinitely from their affiliates, while ABC also announced that it was “indefinitely” suspending the show.
Nexstar has a deal pending to purchase fellow station operator Tegna for $6.2 billion, and needs the FCC’s approval for it to go through.
While ABC announced Monday that it had made the decision to bring Kimmel back to the airwaves, both Nexstar and Sinclair said this week that the show will continue to be preempted indefinitely.
Nexstar said it is “continuing to evaluate the status” of the show. It operates 33 ABC affiliates, while Sinclair runs 38 ABC stations. According to Disney, the two media companies account for ABC stations in about 23% of the U.S. market, including in large cities such as Nashville and Seattle.
In his monologue Tuesday, while he did not issue a blanket apology over his comments, Kimmel said that “it’s important to me as a human, and that is, you understand that it was never my intention to make light of the murder of a young man. I don’t think there’s anything funny about it.”
In a Sept. 17 Truth Social post following Kimmel’s suspension, Mr. Trump — who has railed against late-night hosts for years going back to his first administration, and has specifically criticized their ratings — wrote on Truth Social that “[t]he ratings challenged Jimmy Kimmel Show is CANCELLED.”
Before the show aired Tuesday, Mr. Trump again took to social media to write that “I can’t believe ABC Fake News gave Jimmy Kimmel his job back. The White House was told by ABC that his Show was cancelled!”
contributed to this report.
Entertainment
Patti LaBelle on being called a legend: “I have earned it”
Patti LaBelle has been singing for six decades, earning hit records, Grammys and the nickname the “Godmother of Soul.” As she celebrates her 82nd birthday on Sunday, she said she’s “having fun living it down.”
“At 82, I am really living it down, not up. But having fun living it down. I play cards. We have card games on Saturday nights,” LaBelle said. “How easy is it to play cards and take other folks’ money? That’s what I do, and I love it.”
Just like her high notes, she has staying power. LaBelle is still professionally singing, something she said she has to do.
“Singing is my life,” she said, adding that her voice is “big. It’s loud. It’s soft. It can rap. It can do opera, on a good day.”
LaBelle spent her childhood in Philadelphia, a place she still calls home. Back then, she was a shy girl named Patsy Holt.
“My mother had to pay me to go outside. I was very, very, very shy. I would sing in my bedroom with the broom as a microphone. So I knew I had a voice and my mother and father loved my voice,” LaBelle said.
At age 10, she joined a church choir where a duet unlocked the magic of performing. She said she still remembers getting the chills the moment when everyone stood up and said, “Hallelujah.”
As a teen, she started singing with a group. A record label executive suggested she change her name to LaBelle, which means beautiful, but with that advice came a nasty assessment. He called her “quite ugly.”
“It gave me hurt, just total, total hurt, because I knew how much he loved my voice. And I knew, no matter what anyone said about me, I am who I am, I’m not gonna change. The only thing that changed was my nose. I had a huge nose, so I had it done,” she said. “And that’s all I’ve ever had done. My nose, because it was not pleasing to me.”
When Patti LaBelle and the Blue Belles became simply Labelle, they changed their style to what the singer described as “outrageous crazy outfits.” They turned “Lady Marmalade,” a song about a Creole prostitute, into a classic hit.
“We were singing about the revolution and sexual things before any Black girl or White girl group sang,” LaBelle said.
“When we sang [Lady Marmalade], we didn’t know what ‘voulez-vous coucher avec moi’ meant. It means, ‘Will you sleep with me tonight?’ So we got a lotta flak from the nuns and different people. And I was saying, at that time, ‘Well, a hooker has to make money too,'” she laughed.
The group split in 1977 but stayed friends. LaBelle said she was petrified when she stepped out as a solo artist for the first time. Getting therapy “helped a whole lot,” she said.
“I learned that I’m never gonna stop singing. And if it’s with a group or alone, that’s what I’m gonna do for the rest of my life,” LaBelle said.
LaBelle’s other talent is cooking. She’s written several bestselling cookbooks and has her own line of food and houseware products, Patti’s Good Life. Her hometown is filled with fans, and even visiting a Philadelphia ShopRite to hand out pancake mix caused quite a stir.
LaBelle isn’t planning to give up singing anytime soon.
“It’s never my last show. I’ll be singing until I can’t no more,” she said.
And on her 82nd birthday, maybe the real gift is that LaBelle knows exactly who she is — a mother, grandmother, and yes, a legend.
“I love it. I should be called, ‘Legend, legend, legend, legend.’ Yes. I love it,” she laughed. “I have earned it. Yes, I have.”
WEB EXCLUSIVE: Watch an extended interview with Patti LaBelle (Video)
Entertainment
Drake sets new record at ‘Iceman,’ ‘Habibti’ and ‘Maid of Honour’
Drake has made Billboard chart history, becoming the first artist ever to simultaneously occupy the top three positions on the Billboard 200 albums chart.
Iceman, the album he had been building towards for nearly two years, debuted at number one with 463,000 equivalent album units in its first week.
Behind it, Habibti landed at number two with 114,000 units and Maid of Honour at number three with 110,000, all three released on the same night in a surprise triple drop that caught even the most devoted fans off guard.
The number one position alone would have been a landmark.
Iceman gives Drake his 15th chart-topping album, surpassing Jay-Z’s previous record for the most number ones among solo male artists and R&B and hip-hop acts.
It also draws him level with Taylor Swift for the most number ones among solo acts overall, a list only the Beatles sit above, with their record of 19.
In terms of raw numbers, Iceman‘s opening week is the second biggest of 2026 so far, behind only BTS’ Arirang, which moved 641,000 units. It is, however, the biggest opening week of the year for any R&B or hip-hop record.
The rest of the Billboard 200 reshuffled accordingly.
Noah Kahan’s The Great Divide, previously sitting at number one, dropped to four.
Ella Langley’s Dandelion holds at five, followed by Morgan Wallen’s I’m the Problem, two Michael Jackson titles, Lucki’s Dr*gs R Bad, and BTS’ Arirang rounding out the top ten.
For Drake, it is a statement of intent, and one that lands in the record books before the conversation has even fully begun.
Entertainment
Christopher Nolan’s ‘The Odyssey’ trailer sparks major backlash online
The first trailer for The Odyssey has sparked major discussion online, with the reaction becoming far more intense than many fans expected.
Director Christopher Nolan is known for highly praised films, so excitement around The Odyssey was already huge before the teaser arrived.
However, soon after the trailer was released, it became one of the most disliked videos connected to Nolan on YouTube.
A large part of the backlash came from online rumours about Elliot Page possibly appearing in the movie.
Fans began sharing theories that Page could be playing Achilles after noticing certain moments in the trailer and discussing possible casting clues online.
Although nothing has been officially confirmed, the rumours quickly led to heated arguments across social media.
The trailer also faced criticism from some viewers who felt Nolan’s version of the classic Greek story looked too modern.
Others compared it to fantasy blockbusters that have already been released in recent years.
At the same time, many fans defended the teaser and praised its cinematography, scale and cast.
The movie stars Matt Damon as Odysseus alongside Tom Holland, Zendaya, Anne Hathaway and Robert Pattinson.
Even with the backlash, the controversy has only made more people curious about the film before its July 2026 release.
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