The 2025 Creative Arts Emmys just started off with a bang and the full winners list has just been announced. 

Check it out below;

Outstanding Animated Program

• WINNER: Arcane
• Bob’s Burgers
• Common Side Effects
• Love, Death + Robots
• The Simpsons

Outstanding Casting for a Comedy Series

• The Bear
• Hacks
• Only Murders in the Building
• Shrinking
• WINNER: The Studio

Outstanding Casting for a Drama Series

• The Last of Us
• WINNER: The Pitt
• Severance
• Slow Horses
• The White Lotus

Outstanding Casting for a Limited or Anthology Series or Movie

• WINNER: Adolescence
• Black Mirror
• Dying for Sex
• Monsters: The Lyle And Erik Menendez Story
• The Penguin

Outstanding Character Voice-Over Performance

• WINNER: Julie Andrews, Bridgerton, “Into the Light”
• Hank Azaria, The Simpsons, “Abe League of Their Moe”
• Maya Rudolph, Big Mouth, “Why Do We Go Through Puberty?”
• Alan Tudyk, Andor, “Who Else Knows?”
• Jeffrey Wright, What If…?, “What If…1872?”
• Steven Yeun, Invincible, “What Have I Done?”

Outstanding Choreography for Scripted Programming

• Bridgerton Routines: “Butterfly Ball,” “Eros And Psyche,” “Jealousy,” “Wedding Dance,” and “Rejoining The Ton”
• Doctor Who Routine: “There’s Always A Twist”
• WINNER: Étoile Routines: “Piece 2,” “Growing Pressure,” “Big In Japan,” and “Piece 1”
• Severance Routines: “Choreography & Merriment” and “The Ballad Of Ambrose And Gunnel”
• Will Trent Routines: “Last Dance,” “In The Night,” “Quartet No. 5,” and “I Can’t Stand The Rain”

Outstanding Cinematography for a Limited or Anthology Series or Movie

• WINNER: Adolescence, “Episode 2”
• American Primeval, “Episode 1”
• Disclaimer, “I”
• The Penguin, “Top Hat”
• Zero Day, “Episode 2”

Outstanding Cinematography for a Series (Half-Hour)

• Emily in Paris, “Masquerade”
• Georgie & Mandy’s First Marriage, “The 6:10 to Lubbock”
• Hacks, “I Love LA”
• The Righteous Gemstones, “Prelude”
• WINNER: The Studio, “The Oner”

Outstanding Cinematography for a Series (One Hour)

• Andor, “Harvest”
• The Day Of The Jackal, “Episode 1”
• Étoile, “The Swap”
• Pachinko, “Chapter Nine”
• WINNER: Severance, “Hello, Ms. Cobel”
• The White Lotus, “Killer Instinct”

Outstanding Contemporary Costumes for a Series

• Emily In Paris, “The Grey Area”
• Hacks, “Heaven”
• The Righteous Gemstones, “You Hurled Me Into The Depths, Into The Very Heart Of The Seas”
• WINNER: The Studio, “CinemaCon”
• The White Lotus, “Same Spirits, New Forms”

Outstanding Contemporary Costumes for a Limited or Anthology Series or Movie

• Adolescence, “Episode 2”
• American Horror Stories, “Backrooms”
• Dying For Sex, “Topping Is A Sacred Skill”
• WINNER: The Penguin, “A Great or Little Thing”
• Sirens, “Exile”

Outstanding Contemporary Hairstyling

• Emily In Paris, “Back On The Crazy Horse”
• Hacks, “I Love LA”
• WINNER: The Penguin, “Cent’anni”
• The Studio, “CinemaCon”
• The White Lotus, “Amor Fati”

Outstanding Contemporary Makeup (Non-Prosthetic)

• Grotesquerie, “Unplugged”
• The Last Of Us, “Day One”
• Only Murders In The Building, “Valley Of The Dolls”
• WINNER: The Penguin, “Cent’anni”
• The Pitt, “7:00 P.M.”
• The White Lotus, “Full-Moon Party”

Outstanding Fantasy/Sci-Fi Costumes

• Agatha All Along, “Follow Me My Friend”
• WINNER: Andor, “Harvest”
• Black Mirror, “USS Callister”
• Dune: Prophecy, “The Hidden Hand”
• House Of The Dragon, “The Burning Mill”

Outstanding Guest Actor in a Comedy Series

• Jon Bernthal, The Bear, “Napkins”
• WINNER: Bryan Cranston, The Studio, “CinemaCon”
• Dave Franco, The Studio, “CinemaCon”
• Ron Howard, The Studio, “The Note”
• Anthony Mackie, The Studio, “The Note”
• Martin Scorsese, The Studio, “The Promotion”

Outstanding Guest Actor in a Drama Series

• Giancarlo Esposito, The Boys, “Beware The Jabberwock, My Son”
• Scott Glenn, The White Lotus, “Killer Instincts”
• WINNER: Shawn Hatosy, The Pitt , “9:00 P.M.”
• Joe Pantoliano, The Last of Us, “The Price”
• Forest Whitaker, Andor, “I Have Friends Everywhere”
• Jeffrey Wright, The Last of Us, “Day One”

Outstanding Guest Actress in a Comedy Series

• Olivia Colman, The Bear, “Forever”
• Jamie Lee Curtis, The Bear, “Ice Chips”
• Cynthia Erivo, Poker Face, “The Game Is A Foot”
• Robby Hoffman, Hacks, “Cover Girls”
• Zoë Kravitz, The Studio, “The Presentation”
• WINNER: Julianne Nicholson, Hacks, “A Slippery Slope”

Outstanding Guest Actress in a Drama Series

• Jane Alexander, Severance, “Sweet Vitriol”
• Gwendoline Christie, Severance, “Cold Harbor”
• Kaitlyn Dever, The Last Of Us, “Through The Valley”
• Cherry Jones, The Handmaid’s Tale, “Exile”
• Catherine O’Hara, The Last Of Us, “Future Days”
• WINNER: Merritt Wever, Severance, “Who Is Alive?”

Outstanding Music Composition for a Limited or Anthology Series, Movie or Special (Original Dramatic Score)

• Black Mirror, “Hotel Reverie”
• Black Mirror, “USS Callister: Into Infinity”
• Dying For Sex, “It’s Not That Serious”
• Monsters: The Lyle And Erik Menendez Story, “Spree”
• WINNER: The Penguin, “After Hours”
• The Supremes At Earl’s All-You-Can-Eat

Outstanding Music Composition for a Series (Original Dramatic Score)

• Andor, “Who Are You?”
• Based On A True Story, “Relapse”
• Cobra Kai, “Blood In Blood Out”
• WINNER: Severance, “Cold Harbor”
• The Studio, “The Missing Reel”
• The White Lotus, “Amor Fati”

Outstanding Music Supervision

• Hacks, “I Love LA”
• The Last Of Us, “The Price”
• The Righteous Gemstones, “You Hurled Me Into The Depths, Into The Very Heart Of The Seas”
• Severance, “Cold Harbor”
• WINNER: The Studio, “The Promotion”
• The White Lotus, “Same Spirits, New Forms”

Outstanding Original Main Title Theme Music

• Dept. Q
• Dune: Prophecy
• Lazarus
• The Residence
• WINNER: The White Lotus
• Your Friends & Neighbors

Outstanding Original Music and Lyrics

• Agatha All Along, “Circle Sewn With Fate / Unlock Thy Hidden Gate,” Song Title: “The Ballad of the Witches’ Road”
• Andor, “Who Are You?,” Song Title: “We are the Ghor (Planetary Anthem)”
• WINNER: The Boys, “We’ll Keep The Red Flag Flying Here,” Song Title: “Let’s Put the Christ Back in Christmas”
• SNL50: The Anniversary Special, Song Title: “Adam Sandler’s Song: 50 Years”

Outstanding Performer in a Short Form Comedy or Drama Series

• Nathalie Emmanuel, Die Hart: Hart To Kill
• Kevin Hart, Die Hart: Hart To Kill
• J.K. Simmons, Die Hart: Hart To Kill
• WINNER: Desi Lydic, The Daily Show: Desi Lydic Foxsplains
• Tom Segura, Bad Thoughts

Outstanding Period or Fantasy/Sci-Fi Hairstyling

• Anne Rice’s Interview With The Vampire, “No Pain”
• WINNER: Bridgerton, “Old Friends”
• House Of The Dragon, “Smallfolk”
• Monsters: The Lyle And Erik Menendez Story, “Hang Men”
• What We Do In The Shadows, “The Finale”

Outstanding Period or Fantasy/Sci-Fi Makeup (Non-Prosthetic)

• Anne Rice’s Interview With The Vampire, “Do You Know What It Means To Be Loved By Death”
• WINNER: House of the Dragon, “The Red Dragon and the Gold”
• Monsters: The Lyle And Erik Menendez Story, “Brother, Can You Spare A Dime?”
• The Righteous Gemstones, “Prelude”
• What We Do In The Shadows, “Come Out And Play”

Outstanding Period Costumes

• American Primeval, “Episode 2”
• WINNER: Bridgerton, “Into the Light”
• Monsters: The Lyle And Erik Menendez Story, “Blame It On The Rain”
• 1923, “A Dream And A Memory”
• Wolf Hall: The Mirror And The Light (MASTERPIECE), “Wreckage”

Outstanding Picture Editing for a Drama Series

• WINNER: Andor, “Who Are You?”
• The Last Of Us, “Through The Valley”
• Severance, “Attila”
• Severance, “Chikhai Bardo”
• Severance, “Cold Harbor”
• The White Lotus, “Amor Fati”

Outstanding Picture Editing for a Multi-Camera Comedy Series

• The Conners, “The Truck Stops Here”
• WINNER: Frasier, “My Brilliant Sister”
• Mid-Century Modern, “Here’s to You, Mrs. Schneiderman”
• The Upshaws, “Buy Now”
• The Upshaws, “Grifter, Grifter”

Outstanding Picture Editing for a Single Camera Comedy Series

• The Bear, “Tomorrow”
• Hacks, “I Love LA”
• The Rehearsal, “My Controls”
• The Rehearsal, “Pilot’s Code”
• WINNER: The Studio, “The Promotion”
• What We Do In The Shadows, “The Finale”

Outstanding Picture Editing for a Limited or Anthology Series or Movie

• WINNER: Monsters: The Lyle And Erik Menendez Story, “Blame It on the Rain”
• The Penguin, “Bliss”
• The Penguin, “Cent’anni”
• The Penguin, “A Great or Little Thing”
• Sirens, “Exile”

Outstanding Production Design for a Narrative Contemporary Program (One Hour or More)

• The Last Of Us, “Day One”
• The Penguin, “Homecoming”
• The Residence, “The Fall Of The House Of Usher”
• WINNER: Severance, “Chikhai Bardo”
• The White Lotus, “Amor Fati”

Outstanding Production Design for a Narrative Period or Fantasy Program (One Hour or More)

• WINNER: Andor, “Who Are You?”
• Bridgerton, “Romancing Mister Bridgerton”
• Dune: Prophecy, “The Hidden Hand”
• 1923, “Wrap Thee In Terror”
• Pachinko, “Chapter Thirteen”

Outstanding Production Design for a Narrative Program (Half-Hour)

• Hacks, “A Slippery Slope”
• Mid-Century Modern, “Working Girls”
• Only Murders In The Building, “Gates of Heaven” and “Valley of the Dolls”
• WINNER: The Studio, “The Note”
• What We Do In The Shadows, “Headhunting”

Outstanding Prosthetic Makeup

• House Of The Dragon, “The Red Sowing”
• The Last Of Us, “Feel Her Love”
• WINNER: The Penguin, “After Hours”
• The Pitt, “4:00 P.M.”
• Saturday Night Live, “Host: Timothée Chalamet”

Outstanding Sound Editing for a Comedy or Drama Series (Half-Hour)

• The Acolyte, “Night”
• Agatha All Along, “Darkest Hour / Wake Thy Power”
• The Bear, “Doors”
• The Righteous Gemstones, “Prelude”
• WINNER: The Studio, “The Golden Globes”

Outstanding Sound Editing for an Animated Program

• WINNER: Arcane, “The Dirt Under Your Nails”
• Love, Death + Robots, “400 Boys”
• Secret Level, “Warhammer 40,000: They Shall Know No Fear”
• Star Trek: Lower Decks, “The New Next Generation”
• What If…?, “What If…1872?”

Outstanding Sound Editing for a Comedy or Drama Series (One Hour)

• Andor, “Who Are You?”
• WINNER: The Last Of Us, “Through the Valley”
• The Pitt, “7:00 P.M.”
• Severance, “Chikhai Bardo”

Outstanding Sound Editing for a Limited or Anthology Series, Movie or Special

• Adolescence, “Episode 1”
• Black Mirror, “USS Callister: Into Infinity”
• The Gorge
• WINNER: The Penguin, “After Hours”
• Star Trek: Section 31

Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour) and Animation

• The Bear, “Doors”
• Mid-Century Modern, “Sour Pickleball”
• Only Murders In The Building, “Once Upon A Time In The West”
• Shrinking, “The Drugs Don’t Work”
• WINNER: The Studio, “The Golden Globes”

Outstanding Sound Mixing for a Comedy or Drama Series (One Hour)

• Andor, “Who Are You?”
• The Last Of Us, “Through The Valley”
• The Pitt, “6:00 P.M.”
• WINNER: Severance, “Cold Harbor”
• The White Lotus, “Amor Fati”

Outstanding Sound Mixing for a Limited or Anthology Series or Movie

• Adolescence, “Episode 1”
• Black Mirror, “USS Callister: Into Infinity”
• Monsters: The Lyle And Erik Menendez Story, “Blame It On The Rain”
• WINNER: The Penguin, “After Hours”
• Zero Day, “Episode 6”

Outstanding Special Visual Effects in a Season or a Movie

• WINNER: Andor
• Dune: Prophecy
• House Of The Dragon
• The Last Of Us
• The Lord Of The Rings: The Rings Of Power

Outstanding Special Visual Effects in a Single Episode

• Black Mirror, “USS Callister: Into Infinity”
• WINNER: The Penguin, “Bliss”
• The Residence, “The Fall Of The House Of Usher”
• Severance, “Hello, Ms. Cobel”
• The Umbrella Academy, “End Of The Beginning”

Outstanding Stunt Coordination for Comedy Programming

• Cobra Kai
• Only Murders In The Building
• Poker Face
• WINNER: The Righteous Gemstone
• Tulsa King

Outstanding Stunt Coordination for Drama Programming

• WINNER: The Boys
• FBI: Most Wanted
• Lioness
• The Penguin
• The Rookie

• We are now becoming much closer to Pakistan: ex-US general.
• Mark Kimmitt says development should concern New Delhi.
• President Trump has cordial relationship with COAS Munir, he adds.

Retired US brigadier general Mark Kimmitt has said that Washington’s growing closeness with Pakistan is largely due to India’s arrogance.

Speaking on Piers Morgan Uncensored, the retired US general said that President Donald Trump has established a cordial relationship with Field Marshal Asim Munir — a development he said should concern New Delhi.

“India’s arrogance that’s been displayed to President Trump manifests itself in the fact that we are now becoming much closer to Pakistan,” he said.

“Field Marshal Munir has now a bromance with President Trump that should actually give India some pause,” Kimmitt added.

Friction between Modi and Trump grew after the US president repeatedly spoke about how he prevented a nuclear war — an assertion that India rejected, insisting the ceasefire was agreed upon directly between the two nations.

The tensions came to a head in a June 17 phone call with Narendra Modi, which was held after Trump left the Group of Seven summit in Canada early and couldn’t meet the Indian leader in person.

Field Marshal Munir last visited the US in June, where he held a rare one-on-one meeting with Trump at the White House Cabinet Room.

The June visit took place against the backdrop of an armed Pakistan-India conflict, during which Washington helped broker a ceasefire following Indian strikes inside Pakistan, which New Delhi claims targeted those responsible for the Pahalgam attack in Indian Illegally Occupied Jammu and Kashmir (IIOJK).

Pakistan responded with Operation Bunyan-um-Marsoos, downing multiple Indian fighter jets.

A day earlier, PM Modi had said that New Delhi and Washington still shared “very positive” ties.

The Indian PM, in a social media statement, expressed optimism about New Delhi’s relation with Washington after President Trump reaffirmed his personal friendship with the Indian premier and downplayed his earlier remarks about “losing India” to China.

“Deeply appreciate and fully reciprocate President Trump’s sentiments and positive assessment of our ties,” Modi wrote on X, adding that India and the United States shared a “very positive and forward-looking comprehensive and global strategic partnership”.

Earlier, Trump told reporters that he “will always be friends with Modi”.

“India and the United States have a special relationship. There is nothing to worry about,” Trump said, downplaying his earlier remarks about “losing India” to China.

Tens of thousands of pilgrims are expected at the Vatican Sunday for the canonisation of an Italian teenager dubbed “God’s Influencer” for his efforts to spread the Catholic faith online.

Carlo Acutis, who died of leukaemia in 2006 aged 15, will be made the first millennial saint by Pope Leo XIV in a solemn ceremony in St Peter’s Square.

The teenager’s body, dressed in jeans and a pair of Nike trainers, lies in a glass-walled tomb in Assisi, visited by hundreds of thousands of people a year.

The canonisation of the so-called “cyber-apostle” was initially set for April but postponed when Pope Francis died. It will be US-born Pope Leo’s first such ceremony.

Among the crowds expected at the Vatican for the mass, which begins at 10:00 am (0800 GMT), are over 800 people travelling to Rome on a special train from Assisi.

The mass will also be watched by faithful on giant screens in Assisi, a medieval city and pilgrimage site in the central region of Umbria.

“I know that many will come, many will follow on television — many came already for April 27. And I’m sure that Carlo thanks them,” said his mother, Antonia Salzano.

In a video published by the Assisi diocese on Saturday, she said her son was proof that “we are all called to be saints… everyone is special”.

A large tapestry featuring a photograph of the saint-to-be hung on the facade of St Peter’s Basilica ahead of the ceremony.

‘Exemplary life’

Acutis, born in London in 1991 to Italian parents, had an ardent faith, though his parents were not particularly devout.

He grew up in the northern city of Milan, where he attended mass daily and had a reputation for kindness to bullied children and homeless people, bringing the latter food and sleeping bags.

A fan of computer games, Acutis taught himself basic coding and used it to document miracles and other elements of the Catholic faith online.

Domenico Sorrentino, bishop of Assisi, called on young people on Friday to follow Acutis’s example.

“Today more than ever we need positive examples, exemplary life stories that can help our young people avoid following discouraging images, violent examples, and fleeting fads that leave nothing behind,” he said in a statement.

The Vatican has recognised Acutis as performing two miracles since his death — a necessary step on the path to sainthood.

The first was the healing of a Brazilian child suffering from a rare pancreatic malformation, the second the recovery of a Costa Rican student seriously injured in an accident.

In both cases, relatives had prayed for help from the teenager, who was beatified in 2020 by Pope Francis.