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Louis Vuitton Foundation to stage major Calder retrospective

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Louis Vuitton Foundation to stage major Calder retrospective


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December 16, 2025

The Fondation Louis Vuitton will stage a novel Alexander Calder centennial retrospective in 2026, the latest in a series by the Paris art institute focused on leading artists of 20th and 21st centuries.

The striking silhouette of the Fondation Louis Vuitton in France – Fondation Louis Vuitton – Facebook

 
Previous monographic exhibitions at the Fondation Louis Vuitton have included Jean-Michel Basquiat, Joan Mitchell, Charlotte Perriand, Mark Rothko, David Hockney, and Gerhard Richter, its current show.
 
For Calder, a legendary artist known for his giant mobiles, sprawling mechanical kinetic sculptures moved by power and wind, the foundation will dedicate the entirety of its show space. And also, for the first time, the adjacent lawn, in a dialogue between Calder’s volumes, planes, and movements and those of the foundation’s famous sailboat silhouette.

The announcement by the Fondation Louis Vuitton on Tuesday, comes 11 days after the death of Frank Gehry, the master architect who designed its building. The art show will celebrate the centenary of Alexander Calder’s arrival in France in 1926 and the 50th anniversary of his death with a retrospective covering all aspects of his work. The son and grandson of two sculptors, Calder was born in Philadelphia in 1898 and died in New York in 1976.
 
Entitled ‘Calder: Rêver en équilibre,’ or ‘Calder: Dreaming in Balance,’ the exhibition covers half a century of creation, from the late 1920s and the first performances of the Calder Circus that captivated the Parisian avant-garde, to his monumental sculptures that redefined the idea of public art in the 1960s and 1970s.
 
The exhibition, one of the most important to date devoted to Calder, was conceived in close collaboration with the Calder Foundation, which is the main lender. It will also benefit from loans from international institutions and leading private collectors, bringing together nearly 300 works: mobiles and stabiles- to borrow Calder’s terminology for kinetic and static abstractions- as well as wire portraits, wooden sculptures, paintings, drawings, and even jewellery.
 
Works by his friends Jean Arp, Barbara Hepworth, Jean Hélion, and Piet Mondrian, as well as Paul Klee and Pablo Picasso, help to situate Calder’s radical inventiveness within the avant-garde movement. Thirty-four photographs taken by some of the most important photographers of the 20th century (Henri Cartier-Bresson, André Kertész, Gordon Parks, Man Ray, Irving Penn, and Agnès Varda) show an artist walking the tightrope between art and life.
 
After studying at the Art Students League in New York, Calder moved to Paris in 1926. In the Montparnasse district, the artist quickly became part of what was then the world’s leading artistic centre. There he presented unique forms, figurative and refined wire sculptures that attracted critical acclaim, and a miniature circus. Thanks to an exceptional loan from the Whitney Museum of American Art, the first in 15 years, Calder’s Circus is returning to Paris, the city where it was created. At the centre of this new kind of show, Calder manipulates acrobats, clowns, and miniature horsemen. Fernand Léger, Jean Hélion, Le Corbusier, Jean Arp, Joan Miró, and Piet Mondrian are among his spectators.
 
Calder’s visit to Mondrian’s studio in 1930 marked the abstract turning point in his work, first in painting, then in sculpture. Marcel Duchamp proposed the name “Mobiles” for the abstract and kinetic compositions that the artist presented in 1932 at the Galerie Vignon in Paris. Initially driven mechanically, then moved by slight breezes, these mobiles borrowed “their life from the vague life of the atmosphere,” as Jean-Paul Sartre wrote in 1946.
 
Calder returned to France after WW2 and set up a studio in the hamlet of Saché, in the Loire Valley in 1953. One of his sculptures still stands in the village’s square.
 
Like his swaying interconnected mobile art, the exhibition is a joint curation that includes input from Suzanne Pagé, artistic director of the Fondation Louis Vuitton; guest curators Dieter Buchhart and Anna Karina Hofbauer, assisted by Valentin Neuroth and Claire Deuticke; and Olivier Michelon, associate curator, assisted by Léna Lévy.
 

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Indian textile players hail Budget’s ESG & circularity thrust

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Indian textile players hail Budget’s ESG & circularity thrust



India’s textile and fashion industry has welcomed the Union Budget 2026–27’s strong emphasis on sustainability, circularity and responsible manufacturing, calling it a timely shift as global markets tighten environmental expectations and ESG-linked sourcing becomes a key determinant of competitiveness.

Industry stakeholders said the Budget signals a transition away from volume-driven growth towards a value-led, low-carbon and traceable textile ecosystem, supported by initiatives such as the Text-ECO initiative, the National Fibre Scheme, Samarth 2.0, and sustainability-linked capacity building.

Indian textile industry has welcomed the Budget for its strong focus on sustainability, circularity and responsible manufacturing.
Industry leaders said the measures signal a shift towards value-led, low-carbon and traceable growth.
Initiatives such as Text-ECO, Samarth 2.0 and the National Fibre Scheme are seen as strengthening competitiveness, skills and sustainable sourcing across the value chain.

Shruti Singh, Country Director–India at Canopy Planet, said, “This Budget creates enabling conditions for India to lead in manufacturing of low carbon textile fibres and paper packaging. Investing in circular material ecosystems can meet business ESG goals, create domestic fibre security and global export competitiveness,” she said. Singh added that as demand grows across textiles, packaging and paper-based applications, the real test will lie in responsible sourcing. “For companies linked to forest-based supply chains, this is a moment to strengthen traceability, reduce deforestation risk, and move sustainability from intent to execution,” she noted.

From a fashion brand perspective, Amar Nagaram, co-founder of Virgio, said the Budget clearly links sustainability with innovation and design-led growth. “India’s next phase of growth will be driven by the convergence of design, technology and sustainability. The emphasis on sustainable textiles, MSME scale-up, AI-led innovation and design education reflects a long-term vision to move Indian manufacturing up the global value chain,” he said. Nagaram added that the policy direction supports responsible production, data-driven decision-making, and positions India as a credible global hub for future-ready fashion and lifestyle businesses.

At the manufacturing end, Sabhari Girish, chief sustainability officer at Sulochana Cotton Spinning Mills, Tiruppur, said that sustainability and circularity receiving prominence in the Budget is encouraging for the sector. “Circularity and sustainability taking a prominent spot in the Budget speech is a positive signal. The announcement of Text-ECON will help Indian textile companies showcase their environmentally friendly contributions to the world,” he said. Girish noted that upcoming FTAs with the UK and EU are expected to sharpen the focus on sustainability, adding that Samarth 2.0 will play a critical role in skilling the workforce with updated technologies across the value chain, from fibre to garments.

He also pointed out that the National Fibre Scheme could enhance the quality and global competitiveness of Indian-made fibres, though capital-intensive modernisation will require a clear funding roadmap. “Adopting best practices needs more support, and a proper roadmap will help indigenous fibres take centre stage,” Girish said, while welcoming the proposal to upgrade sports goods manufacturing as a boost for R&D and technical textiles.

Industry experts said the Budget’s sustainability-led approach aligns closely with stricter environmental regulations in markets such as the EU and UK, and could strengthen India’s positioning as a responsible, compliant and future-ready sourcing destination.

Fibre2Fashion News Desk (KUL)



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US inks reciprocal trade agreement with Guatemala

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US inks reciprocal trade agreement with Guatemala



US Trade Representative (USTR) Jamieson Greer and Guatemala’s Minister of Economy Adriana Gabriela Garcia recently signed the United States-Guatemala Agreement on Reciprocal Trade.

“President Trump’s leadership is forging a new direction for trade that promotes partnership and prosperity in Latin America, further strengthening the American economy, supporting American workers, and protecting our national security interests,” said Ambassador Greer in a USTR release.

USTR Jamieson Greer and Guatemala’s Minister of Economy Adriana Gabriela Garcia recently signed the US-Guatemala Agreement on Reciprocal Trade.
The agreement addresses trade barriers facing American workers and producers, expands and solidifies markets for US exports and strengthens strategic economic ties in the Western Hemisphere, Greer said.
US trade body NCTO welcomed the signing.

The agreement addresses trade barriers facing American workers and producers, expands and solidifies markets for US exports and strengthens strategic economic ties in the Western Hemisphere, he said.

“This agreement builds on our long-standing trade relationship and shared interest in reinforcing regional supply chains,” he added.

The key terms of the agreement includes breaking down non-tariff barriers for US industrial and exports, advancing trade facilitation and sound regulatory practices; protecting and enforcing intellectual property; preventing barriers for digital trade; improving labour standards; strengthening environmental protection; strengthening economic security alignment; and confronting state-owned enterprises and subsidies.

Guatemala has committed to take steps to restrict access to central level procurement covered by its free trade agreement commitments for suppliers from non-free trade agreement partners, permitting exemptions as necessary, in a manner comparable to US procurement restrictions.

Welcoming the announcement, National Council of Textile Organizations (NCTO) president and chief executive officer Kim Glas said the agreement marks an important step toward strengthening the US textile supply chain.

“Guatemala is a key partner in the CAFTA-DR [Dominican Republic-Central America-United States Free Trade Agreement] region, with nearly $2 billion in two-way textile and apparel trade. Together, the region operates as an integrated co-production platform that is essential to the US textile supply chain,” he noted.

The US-Western Hemisphere textile and apparel supply chain remains ‘a critical strategic alternative’ to China and other Asian producers, he added.

Fibre2Fashion (DS)



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Canada could lift GDP 7% by easing internal trade barriers

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Canada could lift GDP 7% by easing internal trade barriers



Canada could boost long-term economic output by nearly 7 per cent if it dismantles policy-related barriers that restrict the movement of goods, services, and labour across provinces, according to new analysis by the International Monetary Fund (IMF).

Despite being one of the world’s most open economies globally, Canada’s internal market remains fragmented, with non-geographic barriers equivalent to an average 9 per cent tariff nationwide.

Canada could raise long-term GDP by nearly 7 per cent by removing internal trade barriers that restrict interprovincial movement of goods, services, and labour, new analysis shows.
Policy-related frictions act like a 9 per cent internal tariff nationwide.
Liberalising high-impact sectors could deliver productivity-led gains worth about C$210 billion (~$153.04 billion).

Model-based estimates suggest that fully removing these barriers could add around C$210 billion (~$153.04 billion) to real GDP over time, driven largely by productivity gains rather than short-term demand, IMF said in a release.

While full liberalisation will be gradual, targeted reforms in high-impact sectors could deliver sizable benefits and improve economic resilience. Analysts argue that stronger federal–provincial coordination, wider mutual recognition of standards and credentials, and transparent benchmarking of internal trade barriers will be key to turning Canada’s fragmented domestic market into a more integrated national economy.

Fibre2Fashion News Desk (HU)



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