Fashion
Milan bids farewell to Giorgio Armani at 50th-anniversary show
Published
September 29, 2025
Milan, fashion and a legion of movie stars bid farewell to Giorgio Armani at his 50th-anniversary show on Sunday evening, the final collection created by the legendary designer.
Presented 24 days after his passing on September 4, the show was staged inside the city’s most important museum, the Pinacoteca di Brera. Post-show, guests were treated to a new exhibition – “Giorgio Armani, Milano, Per Amore” – where classic looks by the designer were placed among masterpieces of Renaissance art.
The collection marked the last ever designed by Armani, and leave it to Giorgio to go out on a high, with brilliantly fresh, light and contemporary tailoring.
Set in the grand neo-classical courtyard of the Pinacoteca, illuminated by tea-lights, the show was beautifully staged. Armani would surely have been proud at how well his house and team had performed.
Made in supremely light silks, dry linens and printed cottons, Armani cut beautiful pajama suits for men, and breezy tunics and boleros for women. Fashion’s greatest tailor inventing new dhoti pants and deconstructed blazers again. He referenced his island home in sunny Pantelleria in the color palette: burnt sand, lava, stone and sea blue.
For evening, he looked east with beautiful pantsuits in velvet and plissé silk in deep purple, sapphire and azure. All the cast in flats, walking solemnly around the space as Einaudi’s “Divenire” defined the mood.
As the final look passed on Giorgio’s mannequin de cabine and muse Agnes Zogla, the entire audience of 700 rose in a standing ovation.
Led by Cate Blanchett, Glenn Close, Spike Lee, Lauren Hutton and Richard Gere, reminders of Giorgio’s unique collection to cinema. The Milan designer dressed actors in over 100 moving pictures.
One floor above, one could even find one of Gere’s legendary seducer looks for the 1980 film “American Gigolo”, placed before paintings by Bernardino Luini and Vincenzo Foppa.
A slew of designers flew into to pay their respects, to the single most influential designer of the past half century. Sir Paul Smith, Dries Van Noten, Dean and Dan Caten, Francesco Scognamiglio, Alessandra Facchinetti and Ronnie Fieg. Notably, most of them designers – like Armani – who resolutely still control their own brands.
“I wore Armani all the time in my youth. And even a jacket from the first Emporio collection with an eagle on the back. He was a master designer,” recalled Dries.
“You had to admire what Giorgio built. And he still owned it all himself. Pretty remarkable,” underlined Smith.
“Respect, we’ve all come to show it,” said Dean Caten. “No one merited more,” added brother Dan.
The house elegantly invited a dozen veteran models to walk in the show, led by Daniela Pestova and Mark Vanderloo. While the aisles were full of dignitaries: Camera president Carlo Capasa, French Federation boss Pascal Morand, Santo Versace, football star Dusan Vlahovic, TV presenter Lilli Gruber, dancers Roberto Bolle and Hugo Marchand, film directors Giuseppe Tornatore and Marco Bellocchio.
As a memory, guests were given with their invitations a white T-shirt with Armani’s image printed on the front. Though the dress code was black tie, many wore the T-shirt to the show.
Though the most impressive presence was composer Luigi Einaudi, whose piano performance was magical. Playing as Giorgio’s partner Leo Dell’Orco and niece Silvana Armani took the bow.
The night before, the Camera della Moda – Italian fashion’s governing body – presented its Legacy Award. in La Scala posthumously to Armani, represented by his family, Silvana, Leo and nephew Andrea Camerana.
“He was a creative leader, yes, but also a gentle and generous lion. He believed in the lasting power of his work, as we all do,” said Anna Wintour, in a tribute to Armani at the Camera’s Sustainable Fashion Awards.
The Pinacoteca di Brera first approached Armani last year about organizing a retrospective of his work to mark the 50th anniversary of his fashion house. The result elegantly showcases his creations before exceptional works of art in the storied museum.

Curiously, even though fashion exhibitions are now quite common in major museums like the Met in New York, the V&A in London and even the Louvre, this is the first important retrospective of an Italian designer in Milan. Another first for Giorgio.
Armani’s greatest hits will now stand before masterpieces of the Italian Rinascimento: Raphael, Mantegna, Piero della Francesca, Botticelli, Titian, Mantegna and Tiepolo.
After the 75 looks in the show, one could discover 129 silhouettes from Armani’s wardrobe in the exhibition – for women and men, spanning his beginnings in the 1980s to the present day.
The exhibition “Giorgio Armani: Milano, Per Amore”, runs until January 11, 2026. Serious fashionistas should not miss it.
We will not see his like again.
Copyright © 2025 FashionNetwork.com All rights reserved.
Fashion
Thailand’s apparel exports rise 6.28% in Jan–Aug 2025
Thailand’s apparel exports increased 6.28 per cent to $1.59 billion in January–August 2025, supported by improved global demand and product diversification.
Knitted garments accounted for nearly 65 per cent of total exports, while woven garments also grew.
Innerwear and T-shirts remained top categories.
The growth follows an 8.53 per cent rise in apparel exports in 2024.
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Fashion
BasicNet’s co-chief executives Lorenzo and Alessandro Boglione: “We will strengthen Woolrich’s leadership and international presence in the outdoor lifestyle category”
Published
November 13, 2025
Immediately after buying Woolrich’s European operations from the L-Gam fund, the Turin-based BasicNet group outlined to FashionNetwork.com, in the words of its two CEOs, brothers Lorenzo and Alessandro Boglione, its initial plans to restore the iconic US brand to prominence.
“The transaction amounts to €90 million and covers the brand’s rights for Europe in their entirety, Turkey, and all the company’s entities operating across the continent. The company is expected to generate consolidated turnover of around €90 million this year,” confirms Alessandro Boglione to FashionNetwork.com.
Boglione is a second-generation leader at the company, which was founded in 1995 by his father, Marco. “The Woolrich brand is still in great shape; it enjoys strong standing in the market, is healthy, benefits from robust distribution and excellent products, and retains a very strong identity,” he said. “However, over the past four to five years the company has not performed well in terms of profitability, which has led to significant financial strain that has affected all other areas of development. It is the latter that we are acquiring at a challenging moment, not the brand.”
In practice, the Woolrich brand will, so to speak, be “split in two,” Lorenzo Boglione confirms. “That is, between Europe and the rest of the world. Given that BasicNet’s turnover in 2024 was €409 million, the addition of these €90 million should take group turnover to half a billion. In the first nine months of 2025 we are slightly up on BasicNet’s turnover, which, in the current environment, is far from a given, and profitability is stable.”
“One of the reasons — aside from the love we’ve always had for the brand — we believe we can make a difference is that we can place the company and the Woolrich label within a much larger corporate structure, with capabilities and experience that we can deploy immediately,” adds the other CEO, Lorenzo Boglione. “Given that the company’s turnover in the last five years has dropped significantly, over the past year management has begun to implement a series of measures to improve profitability, but it is certain that, in terms of turnover, the last five to six years have not been easy for Woolrich.”
The deal is being finalised within an extremely difficult and complex economic environment. “I believe that, by the nature of our business at BasicNet, investments like this have to materialise precisely at times when companies and brands are looking for a revival,” Alessandro Boglione replies. “We can’t compete with large investors or companies much bigger than ours to make acquisitions when businesses are performing very well. We therefore have to invest in struggling brands in complicated market conditions; otherwise, we would not be financially competitive.”

Regarding brand strategy and product plans, Lorenzo Boglione indicates that BasicNet will aim to do two things. The first will be “to stay as faithful as possible to the brand’s history and its American roots, to its quality materials such as wool, which we consider a fantastic raw material in which we can invest heavily,” he says. “We will certainly focus squarely on outerwear, Woolrich’s core product, but we also want to move beyond the mono-season approach and ensure that the summer lines, or at least the non-winter months, become relevant for the brand.”
“From a distribution point of view, I believe that Woolrich’s current mix of retail, wholesale, and digital is very healthy and that the three channels should grow more or less proportionally,” assures Alessandro Boglione, who is keen to emphasise that “within the company’s scope there is an archive of 12,000 items that is invaluable to us. That will be our starting point for everything,” he adds, also because Woolrich “is a brand that in just over four years will celebrate its 200th anniversary. There’s a wealth of significant material in a 200-year archive, starting with woollens, passing through the Arctic Parka, and arriving at the latest collections.”
The Boglione brothers report that wholesale clearly remains the primary channel for Woolrich, followed by retail and then e-commerce. “We continue to believe that wholesale will be highly strategic for the development of the brand in all the countries where we will operate. The multi-brand channel certainly faces major challenges — we will have very big ones ahead — but it remains very strong. We do not think that brands like the ones we have in our portfolio can do without multi-brand retailers to tell their story, although digital — and, for other reasons, retail — will be the key to the future,” the CEOs reveal, adding that they “do not rule out further acquisitions in the future, perhaps for a brand with strong positioning, history and iconic products. We are very satisfied with the trajectory of our listing on the stock exchange at Piazza Affari, where our shares have been listed since 1999, which has enabled us to structure ourselves exceptionally well and has given us strong financial and administrative discipline.”
Finally, Alessandro and Lorenzo Boglione declined to make any statements or comments regarding any changes to management or the brand’s creative direction. “We will take several months to get to know all the people in Woolrich’s workforce well and go from there,” they said. “However, it would neither be generous nor fair to talk about any changes at this stage. What is important is to emphasise that we would like to bring the brand back to its glory days. We believe it may be a good time to try, and that Woolrich has every right and all the potential to do so.”
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Fashion
India clears introduction of Credit Guarantee Scheme for Exporters
The scheme shall be implemented by the Department of Financial Services (DFS). A management committee formed under the chairmanship of DFS secretary will oversee the progress and implementation of the scheme.
India’s cabinet has approved introduction of the Credit Guarantee Scheme for Exporters for providing cent per cent credit guarantee coverage by the National Credit Guarantee Trustee Co Ltd to member lending institutions for extending additional credit facilities up to ₹200 billion to exporters.
The aim is to enhance competitiveness of exporters and support diversification into new and emerging markets.
The scheme is expected to enhance the global competitiveness of Indian exporters and support diversification into new and emerging markets, an official release from the cabinet said.
By enabling collateral-free credit access under CGSE, it will strengthen liquidity, ensure smooth business operations and reinforce India’s progress towards achieving the $1-trillion export target.
It is important to extend enhanced financial assistance and adequate time to exporters for diversifying their markets and enhance global competitiveness of Indian exporters, the release added.
Fibre2Fashion News Desk (DS)
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