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Olivier Rousteing leaves Balmain after 14-year tenure at house

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Olivier Rousteing leaves Balmain after 14-year tenure at house


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November 5, 2025

Creative Director Olivier Rousteing has left Balmain, the Paris-based house announced Tuesday, bringing an end to the French deisgner’s 14-year-tenure at the house.
 
Rousteing took up his position as Creative Director of the fashion house in April 2011 and staged a series of critically acclaimed collections and shows years, where “his vision and creative genius propelled Balmain to unprecedented heights,” the house said in a release.

Rousteing has left Balmain after 14 years as creative director – Francesca Beltran

 
“I am deeply proud of everything I have accomplished, and infinitely grateful to my exceptional team at Balmain, my chosen family, in a place that has been my home for the past 14 years. I thank Mr. Rachid and Matteo for their unwavering trust and for offering me this extraordinary opportunity. As I look ahead to the future and the next chapter of my creative journey, I will always cherish this special time,” said Rousteing in the release.
 
Known for his blend of haute couture silhouettes, rock n roll attitude and bravura staging, Rousteing was a celebrated figure in Paris fashion.

Balmain did not name a successor to Rousteing, but added that a “new creative organization of the house will be announced at a needed moment.”
 
In the official statement: Mr. Rachid Mohamed Rachid, CEO of Mayhoola and Chairman of Balmain, said: “I extend my sincere thanks to Olivier Rousteing for his extraordinary contribution to Balmain. His visionary leadership has not only redefined the boundaries of fashion, but has also inspired an entire generation with his bold creativity, unwavering authenticity, and commitment to inclusivity. We are immensely proud of everything that has been achieved under his leadership and look forward to the next chapter of his journey, which he will pursue with the same passion and excellence.” 

While CEO Matteo Sgarbossa, also said: “I would like to express my deep gratitude to Olivier for writing such an important chapter in the history of the House. His contribution and passion over the years will leave an indelible mark on the history of fashion.”

Born in Bordeaux to a Somalian mother and Ethiopian father, Rousteing was abandoned in an orphanage as a child, later being adopted by a bourgeois family in Bordeaux. A serious student, Rousteing studied at Esmod art college in Bordeaux, before moving to Florence, where he joined Robert Cavalli in the design studio.
 
In 2009, he began working at Balmain as director of the women’s wear design studio under Christophe Decarnin. By 2011, he had succeeded Decarnin, introducing a sexy rock and roll attitude and razor sharp tailoring – going on to dress stars like Kim Kardashian, Beyoncé, Rihanna and Jennifer Lopez. He also created costumes for the Opera national in Paris; staged a solo haute couture show for the brand and in 2022 presented a much-admired collection as a guest designer for the house of Jean-Paul Gaultier.

Balmain – Spring-Summer2026 – A look from Olivier Rousteing’s last collection for the house – ©Launchmetrics/spotlight

 
The house of Balmain was founded in 1945 by Pierre Balmain, embodying from the beginning an innovative look, the “New French Style.”
 
Alongside its ready-to-wear and accessory collections for women and men, the house appeals to an international audience with Balmain Beauty, inspired by the brand’s iconic fragrances from the 1940s and 1950s, as well as its iconic eyewear.
 
Balmain is controlled by Mayhoola, a luxury holding company owned by the Qatari royal family that also owns Valentino in Rome.
 
 
 
 
 
 

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Bangladesh apparel reset: Compliance edge or energy trap?

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Bangladesh apparel reset: Compliance edge or energy trap?



The pivot is urgent because the old model is under pressure. April **** looked strong: Ready-Made Garment (RMG) exports rose **.** per cent year on year to $*.** billion. But the ten-month picture is weaker. From July-April FY******, apparel exports stood at $**.** billion, down *.** per cent. Knitwear fell *.** per cent to $**.** billion; woven fell *.** per cent to $**.** billion. The rebound is real, but so is the drag underneath.

AWARE is the sharpest EU-facing signal: blockchain-backed product data for Digital Product Passport (DPP) readiness. Open Supply Hub adds the factory-identity layer, pushing production information into an open platform. GIZ brings the longer reform spine, from May **** to February ****, covering energy efficiency, circularity, chemical management, renewable-energy skills and textile-waste transparency.



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UGG boots that last 15 years: Inside Deckers’ strategy

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UGG boots that last 15 years: Inside Deckers’ strategy



Kenneth Straka, Senior Product Development Manager at Deckers Outdoor Corporation, said that Deckers places strong emphasis on sustainability, noting that founder John Luke often reminded the team that the French word for sustainability is durability. This idea aligned with discussions at the Global Fashion Summit, where the theme centred on “Building Resilient Futures” in the sustainable and circular economy.

Durability has helped UGG become one of the most sought-after boot brands and a key sales driver for Deckers, alongside its sportswear brand Hoka. “One of the things we think about in terms of circularity is making products that last a long time and remain with consumers throughout their lives. We want products that consumers can wear for ** or ** years,” Straka said in an interview with Fibre*Fashion on the sidelines of the Global Fashion Summit in Copenhagen.



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South India cotton yarn sees mixed trend, prices up in Tiruppur

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South India cotton yarn sees mixed trend, prices up in Tiruppur



In the Tiruppur market, cotton yarn prices increased by ****;** per kg in this week despite sluggish local demand. Prices were quoted higher because of limited supply from spinning mills. A trader from the Tiruppur market told Fibre*Fashion, “Domestic demand remained limited, but spinning mills are not relying solely on the domestic market for cotton yarn sales. They are focusing more on exports, where demand and prices remain attractive. Mills have raised yarn prices following higher ICE cotton prices and the CCI’s increase in auction base prices, although ICE cotton has witnessed a sharp decline over the past two days.”

In Tiruppur, knitting cotton yarn prices were noted as: ** count combed cotton yarn at ****;****** (~$*.***.**) per kg (excluding GST), ** count combed cotton yarn at ****;****** (~$*.***.**) per kg, ** count combed cotton yarn at ****;****** (~$*.***.**) per kg, ** count carded cotton yarn at ****;****** (~$*.***.**) per kg, ** count carded cotton yarn at ****;****** (~$*.***.**) per kg, and ** count carded cotton yarn at ****;****** (~$*.***.**) per kg.



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