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PrimaLoft launches its UltraPeak insulation and Rerun circular platform

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PrimaLoft launches its UltraPeak insulation and Rerun circular platform


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October 29, 2025

Synthetic insulation specialist PrimaLoft has unveiled “UltraPeak,” a new padding technology that delivers a lofty profile for apparel. The manufacturer is also launching a new platform, “PrimaLoft Rerun,” designed to advance circularity through material recycling.

UltraPeak sets itself apart with its loft – Primaloft

“UltraPeak” stands out from existing offerings with a structure that PrimaLoft likens to cathedrals’ flying buttresses. The interweaving of architectural fibres and microfibres delivers consistent loft while maintaining a soft handle for greater comfort.

The new solution will occupy a premium position within the PrimaLoft range, which is currently used by over a thousand international brands across outdoor, sport, lifestyle apparel, home wear, and workwear.

“Since 1984, we have developed deep expertise and knowledge in insulation, and UltraPeak brings a new approach, with an insulator that takes on the look and feel of down,” Andrea Paulson, PrimaLoft’s director of innovation and technology, told FashionNetwork. “The architectural fibres help guarantee this loft, creating space for the insulation without adding weight to the garment.”

“UltraPeak” is also produced from 100% recycled fibres, and manufactured using the “PrimaLoft Pure” process, which is said to reduce the carbon footprint by more than 50% compared with conventional manufacturing methods.

Thermal image of a jacket featuring UltraPeak
Thermal image of a jacket featuring UltraPeak – Primaloft

The choice of circularity for “UltraPeak” forms part of a broader expansion of the company’s recycling ambitions. The company is also launching “Rerun”, a new platform aimed at increasing the use of fibres recovered from apparel to create new ones.

“All the indicators suggest that textile-to-textile recycling is the future of the outdoor industry,” said Andrea Paulson. “Rerun is designed to break the linear consumption model and addresses the issue of textile waste. Rerun products are intended to be circular, deliver superior performance and be produced in responsible facilities.”

“Rerun” relies on chemical recycling processes, as with the insulation in the “Silver” range, or on mechanical recycling, as with “ThermoPlume”, the manufacturer’s technology that mimics natural down.

UltraPeak combines insulating fibres with architectural fibres to ensure consistent loft
UltraPeak combines insulating fibres with architectural fibres to ensure consistent loft – Primaloft

Other additions to the PrimaLoft range include “ThermaStretch”, an insulation offering 30% greater elasticity than the rest of the range to support sporting activities; “HeatSphere”, an intermediate insulation layer that enhances heat retention; and “Rise Sleeping Bag”, a high-performance insulation designed for sleeping bags.

Headquartered in Latham, New York, and owned by Compass Diversified Holdings (CODI), PrimaLoft counts Patagonia, Helly Hansen, Moncler, Adidas, Lululemon, Gap, and Sitka among its clients.

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War economy fuels $252 bn technical textile boom amid cost surges

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War economy fuels 2 bn technical textile boom amid cost surges




Geopolitical tensions are raising textile costs by 10-15 per cent, disrupting supply chains and slowing apparel trade.
Synthetic segments are facing pressure, while cotton remains stable.
Technical textiles are surging, driven by defence and industrial demand.
The industry is shifting from volume apparel to high-value, performance-driven textiles.



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Kate Hawley wins Best Costume Design for ‘Frankenstein’ at Oscars 2026

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Kate Hawley wins Best Costume Design for ‘Frankenstein’ at Oscars 2026



New Zealand costume designer Kate Hawley won the Academy Award for Best Costume Design for the film Frankenstein at the 2026 Oscars, recognising her elaborate and symbolic designs created for the gothic horror drama.

Hawley received the award from former Vogue editor Anna Wintour and actor Anne Hathaway, thanking the Academy and her creative team while describing costume designers as “artisans, alchemists and dream weavers.”

The film, directed by Guillermo del Toro and inspired by Mary Shelley’s classic novel Frankenstein; or, The Modern Prometheus (published in 1818), features richly layered costumes that blend Victorian aesthetics with gothic fantasy. Hawley’s designs employ colour symbolism and intricate textures to reinforce the narrative’s themes of life, death and obsession.

New Zealand costume designer Kate Hawley won the Best Costume Design award at the Academy Awards (Oscars) for the film Frankenstein.
Her elaborate, colour-driven costumes blend gothic aesthetics with Victorian influences, using symbolism and layered textures to enhance the film’s narrative and character development inspired by Mary Shelley’s classic novel.

Throughout the film, colour motifs, particularly shades of red, play a central storytelling role, symbolising the memory of Victor Frankenstein’s mother and recurring emotional themes. Victor’s wardrobe combines Romantic-era silhouettes with flamboyant touches inspired by figures such as David Bowie and Mick Jagger, reflecting the character’s rebellious personality.

Hawley also created intricate costumes for Elizabeth, portrayed by Mia Goth, incorporating botanical and insect-inspired patterns and jewellery elements that highlight the character’s connection to nature. The garments were built with multiple layers and textures to create a painterly, atmospheric visual style aligned with the film’s gothic tone.

The Oscar marks Hawley’s first Academy Award and follows earlier recognition for Frankenstein at the Costume Designers Guild Awards, where the film also won in the period film category.

With its dramatic silhouettes, symbolic colour palette and meticulous craftsmanship, the film’s costume design has been widely praised for helping shape the visual identity of del Toro’s ambitious adaptation of the classic tale.

Fibre2Fashion News Desk (CG)



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ICE cotton slips on weaker crude, profit booking

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ICE cotton slips on weaker crude, profit booking



ICE cotton futures eased yesterday as the decline in crude oil prices weighed on the natural fibre. Crude prices fell sharply amid easing geopolitical tensions, lowering the cost of producing polyester raw materials. Additionally, profit booking after recent highs in US cotton prices further pressured the market.

The most traded May 2026 contract settled at 67.18 cents per pound, down 0.13 cent. May contract has recorded cumulative loss of 159 points in the last four sessions.

ICE cotton futures declined as softer crude oil prices and profit booking weighed on the market.
The May 2026 contract settled at 67.18 cents/lb, extending recent losses.
Easing geopolitical tensions reduced polyester costs, while weak sentiment and lower trading volumes added pressure, though stable stocks and outlook limited the downside.

Total trading volume reported at 68,955 contracts, significantly lower than previous week’s average of 106,740 contracts.

The decline in crude oil prices, triggered by easing geopolitical tensions, weighed on cotton through its linkage with polyester prices. Comments by Donald Trump on ongoing US–Iran negotiations—despite Iran’s denial—along with reports of a five-day delay in planned US strikes on Iran’s energy facilities, eased fears of supply disruptions and pressured crude prices.

This development led to a sharp plunge in oil prices, which had been supported earlier due to Middle East tensions. Iran’s denial of talks helped limit further fall in crude oil, thereby capping downside in cotton and grains.

Market sentiment turned weak as prices slipped below recent highs, reflecting profit booking and external pressure.

Market analysts said that Trump’s statements supported equity markets and indirectly stabilised cotton sentiment.

According to BMI Research outlook, US cotton prices expected to average 68–70 cents per pound, supported by competitiveness against synthetic fibres and weaker 2026-27 crop outlook.

According to CFTC data, speculators added 37,050 contracts, shifting from net short to net long position of 3,561 contracts.

ICE deliverable stock (No.2 cotton) remained unchanged at 115,640 bales as of March 20, indicating stable supply availability

This morning (Indian Standard Time), ICE cotton for May 2026 was traded at 66.74 cents per pound (down 0.44 cent), cash cotton at 65.18 cents (down 0.13 cents), the July 2026 contract at 68.91 cents (down 0.40 cent), the October 2026 contract at 71.31 cents (down 0.13 cent), the December 2026 at 71.44 cents (down 0.40 cent) and the March 2027 contract at 72.51 cents (down 0.43 cent)). A few contracts remained at their previous closing levels, with no trading recorded so far today.

Fibre2Fashion News Desk (KUL)



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