Entertainment
Russian strike hits train station in Ukraine, killing one and injuring 30
Two Russian drones struck trains at a station in Ukraine’s northern Sumy region, killing one person and injuring about 30 others, officials said on Saturday, with Ukraine’s foreign minister accusing Moscow of deliberately hitting passenger trains.
“A brutal Russian drone strike on the railway station in Shostka, Sumy region,” Ukrainian President Volodymyr Zelenskiy wrote on Telegram, posting a video of a wrecked, burning passenger carriage and others with their windows blown out.
Ukraine’s foreign minister Andrii Sybiha accused Russia of deliberately conducting two strikes on passenger trains.
“This is one of the most brutal Russian tactics — the so-called ‘double tap’, when the second strike hits rescuers and people being evacuated,” he said in a statement released by his ministry on social media.
Sumy region governor Oleh Hryhorov said eight people had been taken to hospital.
“The Russians could not have been unaware that they were targeting civilians. This is terrorism, which the world has no right to ignore,” Zelenskiy wrote.
Moscow has stepped up its airstrikes on Ukraine’s railway infrastructure, hitting it almost every day over the last two months.
Russia has repeatedly denied targeting civilians in its war in Ukraine, although many thousands have been killed by its military.
Drones hunted for locomotives
In a video interview from a train en route to the strike site, the CEO of Ukraine’s state rail company Oleksandr Pertsovskyi told Reuters that the drones had targeted locomotives, also damaging the carriages attached to them.
“In essence, they are hunting for locomotives,” he said, adding that Russia was increasingly deploying this tactic.
He said the trains hit had been a local commuter service and another train headed to the capital, Kyiv.
The rail chief added that there was only civilian traffic at the station, and that he believed this was an attempt to make areas like Shostka, which is about 50 kilometres (30 miles) from the Russian border, unsafe for passenger traffic.
“They are doing everything to make frontline and border areas uninhabitable, so that people are afraid to go there, afraid to board trains, afraid to gather at markets, and so that students are afraid to return home.”
King Charles, who was diagnosed with undisclosed form of cancer in 2024, has reportedly been making good progress in his health.
In a message shared on December 2025, to mark World Cancer Day, the monarch had shared the “good news” that his treatment will be “reduced” in 2026 which he described as a “personal blessing.
However, there are whispers that this has been a deliberate move to conceal any negative update about the King’s health, as the true story is different than what it seems, according to royal experts.
Royal correspondent Robert Jobson stressed that journalists were “pushed” by the Palace to “put a positive spin on the King’s health bulletins” when the reality is rather “sobering”.
He said during the The Royalist podcast that Palace aides had been focussed on only releasing positive news.
“I think it was overhyped in December. I think that the Palace were over-emphasizing the ‘good news’.”
The press spokespeople were saying, “Oh, this is good news.” They were trying to say to the journalists at the time, “Don’t interpret it any other way. This is good news.”
Meanwhile, royal editor Tom Sykes pointed out that since he shared the story about Charles having “live with cancer”, he was removed from the international media pool by the King’s powerful press office.
“Indeed, I was removed from the international media pool by the King’s communications secretary after I noted the King’s cancer was incurable, a fact the Palace has since acknowledged. My expulsion was used as an example to intimidate other journalists into toeing the Palace line,” Tom said.
He pointed out from then on, the press has been supressing the health updates as per the “privacy rules” of the King’s “powerful” press office.
Laufey is about to release the music video for her new single, Madwoman, and it stars many familiar faces, including KATSEYE member Megan Skiendiel.
The 26-year-old jazz pop star has been teasing the project on social media and revealed all her co-stars one by one in Instagram posts.
The From The Start hitmaker will be starring in the video alongside Olympics champion Alysa Liu, The Summer I Turned Pretty star Lola Tung, as well as Skeindiel in the video, according to her latest post.
The music video is set to be released on April 10, alongside the deluxe version of Laufey’s latest album, A Matter of Time: The Final Hour.
The announcement sparked an exciting reaction among fans who flocked to the comments and wrote, “OMGGG?????? HELLO WE WON,” and “ALL QUEENS.”
A third chimed in, “Friday will simply not come FAST enough,” while some joked that she is “collecting wasians like pokemon cards.”
Tom Holland declared Christopher Nolan’s upcoming epic The Odyssey “an absolute masterpiece.”
In a recent interview with GQ, Tom Holland praised Christopher Nolan’s upcoming epic The Odyssey, describing it as “unlike anything I’ve ever seen before.”
Holland explained that Nolan’s reliance on practical, in-camera effects rather than CGI left him stunned by the sheer scale of the production.
“There were certain sequences in the movie where I’m watching it and I’m just sort of thinking like, ‘How on earth has he done that? That has to be CG,’” Holland said.
“And then after the movie asking him, ‘That was definitely CG, right?’ And he’s like, ‘No, no, no, that’s all in camera effects. Very planned, very prepared.’”
Based on Homer’s legendary poem, The Odyssey stars Matt Damon as Odysseus, Anne Hathaway as Penelope, Holland as Telemachus, and Zendaya as Athena, the goddess of wisdom and war who guides Odysseus through his trials. The ensemble also includes Robert Pattinson, Lupita Nyong’o, and Charlize Theron.
Holland explained that Nolan’s approach reminded him why audiences still crave the big-screen experience.
He added, “I am a real advocate for theatrical and the cinema and the communal experience of sitting in a dark room and being entertained. I think that is something for the next 10 years of my life that I will be very focused on.”
With a reported $250 million budget and a July 17, 2026 release date, Nolan’s film is shaping up as one of the year’s most ambitious projects.
More than just a film, it is being positioned as a cultural event: one designed to remind audiences of the enduring power of myth and the magic of theaters.
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