Fashion
Zalando expands its Discovery Feed

Published
October 16, 2025
On the way to becoming a social network: following the launch of Cultural Ties a year ago, Zalando is expanding its AI-powered Discovery Feed to sixteen additional markets and is now live in a total of 22 markets. The new feed aims to transform the shopping experience from the very first moment users open the app, making it easy and intuitive to discover personalised content.
Zalando is simultaneously gradually introducing the option of a public customer profile across all markets. This will give users a central hub to save content, follow brands, curated boards, and creators, and express their own style through personal boards that they can share on Zalando.
All new features are initially only available to selected customers with iOS devices, but are expected to be rolled out quickly to other operating systems and wider audiences.
“The launches mark a pivotal moment in our journey to evolve from a primarily transactional platform into a dynamic, inspiring ecosystem for fashion and lifestyle,” said Robert Gentz, co-founder and co-CEO of Zalando.
“We combine the convenience of e-commerce with the entertainment value of social media, the inspiration of high-quality editorial content, and the community features of idea-sharing platforms in a single experience.”
The aim is to make the shopping experience more exciting, relevant and personal – and to ensure that Zalando remains the central destination for fashion.
Launched in six markets in July, the Discovery Feed brings together the key features for a seamless shopping experience. These include curated boards, personalised product recommendations, videos and live streams with direct purchase options, as well as campaigns and high-quality content from brands, creators, and Zalando itself.
The new features are intended to underscore how important it is for Zalando to respond to the changing needs of its customers. By presenting varied, relevant, and interactive content, Zalando creates fresh incentives for users to open the app. This strengthens customer relationships while putting the best offers from Zalando and its partners centre stage.
Another new feature is that personal boards can now be shared both within and beyond Zalando. This not only allows users to share inspiration for their personal style with others, but also fosters a community on Zalando that is connected by shared interests and style preferences.
“With the option to share boards, we are making customers visible to one another on Zalando for the first time. In doing so, we are digitising an everyday, analogue experience: people asking each other for advice and sharing their outfit recommendations,” said Anne Pascual, SVP Product Design at Zalando.
This is a milestone: “We are going beyond the traditional e-commerce model and are also responding to a profound shift in shopping behaviour: digital natives discover and shop differently today – driven by emotions, inspiration, and community,” Pascual concluded.
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Fashion
The 40th Festival de Hyères opened on Thursday, buoyed by palpable enthusiasm

Published
October 17, 2025
The atmosphere on the forecourt of Villa Noailles was effervescent, with a tightly packed crowd delighted to be back together again this year at the Hyères International Festival of Fashion, Photography and Accessories. Yet this must-attend event for fashion and emerging talent had been under threat from a severe budget crisis. In the crowd, there was palpable relief and a determination to do everything possible to make this 40th edition a success.
On the roof of the imposing rationalist building that hosts the event on the heights of Hyères, in the Var, a flag bearing a multicoloured sun flies. The flag was designed by Jean-Charles de Castelbajac, who is on the Fashion competition jury. He stands alongside the other juries and institutional representatives on the new stage set up in the garden for the opening ceremony, set against the backdrop of another large rainbow sun. This new arrangement, a departure from the usual ritual at the villa entrance, gently signals the transition.
“This sun represents what Villa Noailles is all about: dream, creation… It’s the sun that will celebrate this 40th edition,” declared Pascale Mussard, the institution’s president, the first to speak on Thursday evening, thanking “all the people who make the Festival possible”.
The mayor of Hyères, Jean-Pierre Giran, followed suit, thanking, not without a certain emotion, all those present. “There are many of you here, and that’s what matters most, demonstrating your commitment to this project of creativity, modernity and youth,” he told the audience.
“This Festival project is one of a kind, particularly in terms of its reach and longevity,” emphasises Hugo Lucchino, the new general manager of the Villa Noailles art centre, who oversees not only the renowned competition for young designers but also other events such as Design Parade.
Having taken up his post just a few days ago, he pays tribute to his predecessor, Jean-Pierre Blanc, the Festival’s emblematic founder. The mayor and Pascal Morand, executive president of the Fédération de la Haute Couture et de la Mode, also pay tribute.
Before declaring the Festival officially open, Lucchino also thanked, “for their unfailing support,” the partners who have all stepped up at this pivotal moment for Villa Noailles. These include local institutional partners and the French Ministry of Culture, as well as private sponsors such as Chanel, Le 19M, LVMH, Hermès, Supima, Kering, American Vintage and Première Classe, to name but a few.
Support for creativity
“I’m really happy, I feel there’s incredible energy. You can sense that everyone is fully on board. We all want it to continue, because it’s a great festival,” said designer Lutz Huelle, who was on the jury in 2015. “We’re witnessing a kind of ‘reset’. The fact that there’s no jury president this year, but only fashion professionals, is a good idea, because Hyères is, above all, a Festival for young designers and students.”
Mauro Grimaldi, a consultant in the luxury sector who has been attending the event for thirty years, reiterated how important it is to support events of this kind.
“All anyone talks about is money, but it’s crucial to support independent creativity, because the young talent it generates is what feeds the fashion industry. That’s why this is a key edition,” he concluded.
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Fashion
China’s retailers extend Singles’ Day to five weeks to revive spending

By
Reuters
Published
October 16, 2025
Chinese retailers are stretching their annual “Singles’ Day” sales bonanza to as long as five weeks this year, as the likes of Alibaba and JD.com try to drum up interest from shoppers in a struggling economy.
Weak consumption has dogged the world’s second-largest economy this year as policymakers grapple with U.S. President Donald Trump‘s trade policies, fierce domestic competition, extreme weather and a lingering property crisis.
At a launch event in Shanghai on Thursday, Alibaba touted an “unprecedented” investment in the industry’s biggest sales event of the year, including 50 billion yuan ($7 billion) of subsidies for its top spending 88VIP members.
Its sales period began on Wednesday evening and will run like the rest of the industry until November 11, the original Singles’ Day – named after the digits in the date.
According to Alibaba, 35 brands including Nike, L’Oreal and local firms Anta and Proya sold more than 100 million yuan of merchandise in the first hour of the sale.
As well as subsidies and coupons, Alibaba has embedded artificial intelligence tools into search and recommendation functions. The new AI-powered system is expected to lift click-through rates by about 10%.
Instant retail – one-hour delivery of online orders – is also a focus this year. Alibaba and JD.com have poured billions into subsidies to attract shoppers to rapid delivery channels, which have been growing faster than e-commerce overall.
JD.com launched its campaign on October 9, coinciding with China’s return to work after the eight-day Golden Week holiday, while ByteDance’s Douyin, the domestic sister app to TikTok, also began its promotions that day.
Spending during Golden Week fell to a three-year low even though travel increased — a worrying sign ahead of Singles’ Day promotions. And longer promotions this year may not persuade shoppers to spend more.
“It has been less exciting than ever,” said Deng Lei, a 49-year-old who runs a meditation studio in Beijing. “The only thing I’m looking for is a pair of comfortable sports shoes, but I haven’t spotted any I really like yet.”
At a press briefing on Tuesday, JD.com said it would list over 100,000 “hit” products at its lowest prices of the year and sell 50,000 pairs of thermal long johns at 2 yuan ($0.30) each, shipping included.
Jacob Cooke, co-founder and CEO of WPIC Marketing + Technologies, said products that help consumers “look good, feel good” – such as beauty brands, outerwear and packaged food and drink – are likely to outperform this year.
But home appliances, which boomed in 2024 amid government subsidies, are expected to decline. Nomura analysts forecast home appliance sales will fall 20% in the fourth quarter.
“Maybe people don’t buy that appliance this year, but they upgrade their phone,” Cooke said, citing new Apple models as likely to drive demand.
© Thomson Reuters 2025 All rights reserved.
Fashion
Thinness is back on catwalks — and the data proves it

By
AFP
Published
October 16, 2025
After a short interlude of pushing “body inclusivity” and plus-sized models to the fore, the fashion industry has returned to promoting thinness as a beauty ideal.
Data published this week from Vogue Business, based on catwalk shows in the most recent Spring/Summer 2026 Fashion Weeks, corroborated what models with regular or larger body sizes have been reporting: their work is drying up.
Of the 9,038 looks analysed in New York, London, Milan and Paris, 97.1 percent featured models judged to be very small (US 0-4, UK 4-8 or 32-36 in France), according to data from Vogue Business in its size inclusivity report.
Regular-sized models represented only 2.0 percent of the body types seen, compared to just 0.9 percent for “plus-size” models (US 14+, UK 18+, France 44+), the report showed.
“There are fewer and fewer plus-size models on the runways,” Aude Perceval, a booker at Plus Agency, a pioneer in plus-size modeling in France, told AFP.
The trend was particularly pronounced in Paris, she added.
This is despite many designers adopting looks that naturally create curvy silhouettes, such as corsets.
In some cases, models have been sent out with padding around their hips to create the hourglass shape.
“Since 2022, there’s been a real regression, both in the frequency of contracts and in fees,” model Doralyse Brumain, 31, who wears a French 40-42, told AFP.
The “body positive” movement, born in the 2010s, was based on the idea of promoting acceptance of different body types and recognising the damage done by creating a beauty ideal of thinness that was both unhealthy and beyond the reach of most women.
In the same way that fur and flashy fashion is making a comeback, so is the aesthetic of extreme thinness that was called “heroin chic” in the 1990s when popularised by supermodels such as Kate Moss.
“There’s this false idea that being thin means being chic, being rich,” said French model casting director Esther Boiteux to AFP.
The wide availability of weight-loss drugs such as Ozempic — used to suppress appetite — has also been linked to the return of thinness.
The diabetes treatment “has something to do with it because we’re seeing a lot of celebrities who are using it”, British Vogue editor Chioma Nnadi said last November.
“I think there’s this shift in the culture around how we think about our bodies and how we address our bodies,” she told the BBC.
Clothes for fashion shows are also typically designed and manufactured in a single size — that of “standard” thin models — and making clothes for regular or larger models requires forethought and extra time to adapt them.
Ekaterina Ozhiganova, a Russian-born model and founder of the Model Law association, which advocates for model rights, says that consumers are in favour of seeing models in different sizes.
“But for it to become truly sustainable, there would need to be a profound change in production,” she told AFP, adding that the industry continued to sell “an unattainable ideal”.
French designer Jeanne Friot believes fashion runways should instead be a place where everyone can envision themselves.
“The point of a fashion show is to showcase something different from the fashion I grew up with, very thin and very standardized. I want to see (larger) sizes… older people, all ethnicities, all genders,” she told AFP.
For the moment, sighting a regular-sized woman on the catwalk is an increasingly rare occurrence, but the change is not going unnoticed.
“We have to speak out when fashion messes up and establishes a standard it should abandon,” French fashion journalist Sophie Fontanel wrote on Instagram in early October as she watched the Givenchy show during Paris Fashion Week.
mdv/adp/rhBy Marine DO-VALE
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