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Louis Vuitton: Welcome to the new refinement

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Louis Vuitton: Welcome to the new refinement


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September 30, 2025

Louis Vuitton, the luxury travel marque par excellence, staged the first major influential show of this Paris Fashion Week on Tuesday, wowing with a refined collection presented inside a royal apartment within the Louvre.

Louis Vuitton – Spring-Summer 2026 – Paris Fashion Week – France – Paris – FashionNetwork.com

And not just any flat — in fact, the grandiose summer apartment of Anne of Austria, a lavishly finished neoclassical space with views out to the Seine.

All magisterially redecorated, as Vuitton’s women’s creative director Nicolas Ghesquière worked with set designer Marie-Anne Derville to create an apartment that riffed on French taste from the 18th century until today — from a salon to a lounge to a bathroom.

“I wanted the serenity that you feel in the comfort of your own home. Today, you can dress with sophistication at home. It’s not just about wearing jogging pants,” explained Ghesquière in a post-show interview.

And like the apartment, this Spring-Summer 2026 collection was highly eclectic: blending kicky fabric tops, tapestry details, carpet-fabric shoes, and brushed silk — an 18th-century French technique where it begins to look like animal skin.

Though Ghesquière didn’t directly reference Anne of Austria’s wardrobe, there was an air of contemporary courtier about the clothes — from leggings cut like britches, or shirts with aristocratic six-inch collars, to striking lace demoiselle gowns and a magnificent scarlet satin bouffant bubble coat.

All manner of off-the-shoulder togas added to the sense of the event, as did damask dhotis. Paired with short paisley tanks, all suggested an exotic dinner party that would be marvelous to attend.

Louis Vuitton – Spring-Summer 2026 – Paris Fashion Week – France – Paris
Louis Vuitton – Spring-Summer 2026 – Paris Fashion Week – France – Paris – FashionNetwork.com

Adding to a sense of mystery, a major shout-out to the millinery — superb Doges’ miters or Pashas’ turbans. Being Ghesquière, the designer leavened many looks with futuristic sportswear: technical palazzo pants or high-tech sneakers.

Nicolas was clearly influenced by the colors of the queen’s apartment. The rose-checked marble floor was restored in the 1970s; below 17th- and 18th-century frescoes and Egyptian bas-reliefs. And even if he claimed not to be influenced by the wardrobe of Anne — the mother of Sun King Louis XIV — there was a hint of Rubens’ famed portrait of Anne in a diaphanous silk gown with a spiky collar.

“It’s a multicultural proposition,” joked the French designer, attired in his classic dressed-down style — worn black jeans and a pale blue jeans jacket.

Though often grand, the collection was never uptight. Far from it — with perfectly draped body-con gowns and superb tailoring made in soft knitwear.

Whatever else one can say about Ghesquière, he certainly has great imagination — and timing. In a season marked by the demise of quiet luxury and the renaissance of refinement, riffing on a queen’s apartment seemed smart.

Original and highly diverse — just like the set, which blended artist Robert Wilson; Georges Jacob, master cabinetmaker of the 18th century; 1930s Art Deco by Michel Dufet; ceramic sculptures by Pierre-Adrien Dalpayrat; and even furniture designed by Derville herself.

Louis Vuitton – Spring-Summer 2026 – Paris Fashion Week – France – Paris
Louis Vuitton – Spring-Summer 2026 – Paris Fashion Week – France – Paris – FashionNetwork.com

Among which sat all the senior brass of LVMH, owner of Vuitton, the world’s largest luxury brand; a pack of influencers; and several proper movie stars — among them Jennifer Connelly and Emma Stone.

And a sense of empowerment. Like Anne. No slouch when it came to politics, Anne outmaneuvered her rivals to become the sole regent of Louis XIV when he became king aged just four. Then she determinedly suppressed the Fronde — the greatest revolt against the French monarchy prior to the Revolution — doing so with the help of Italian-born Cardinal Mazarin. Then again, LVMH’s patron knows a thing or two about hiring Italians. His CEO at Vuitton is Italian-born Pietro Beccari.

All told, even if Vuitton is the luxury brand synonymous with travel, and this was a collection devoted to home, the collection was still very much a fashionable voyage, with flights of fantasy that broke into new stylistic terrain.

The soundtrack gave the whole show a certain grandeur: Cate Blanchett slowly declaiming the words to David Byrne’s song “This Must Be the Place” from the band Talking Heads, though set to music composed by Tanguy Destable.

“Home — it’s where I want to be,” wrote Byrne, which doesn’t seem such a bad idea.

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ICE cotton slips on macro concerns, crop progress

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ICE cotton slips on macro concerns, crop progress



ICE cotton futures closed lower on concerns about the macroeconomic outlook and geopolitical tensions. Rising short positions added pressure on US cotton, while higher harvesting rates and good crop progress also weighed on the market.

ICE’s most active December 2025 contract settled at 65.50 cents per pound (0.453 kg), down 0.90 cent or 1.36 per cent.

ICE cotton futures closed lower amid macroeconomic and geopolitical concerns, along with pressure from increased harvesting and good crop progress.
December 2025 contract settled at 65.50 cents per pound.
USDA reported 47 per cent of US cotton in good to excellent condition and harvest at 16 per cent.
CFTC data showed speculators raised net short positions, while export sales dropped sharply.

Market analysts said the market is currently in a wait-and-see mode, with many unresolved factors likely to influence cotton prices. Broad macroeconomic and geopolitical uncertainties, combined with the possibility of a US government shutdown, are keeping all markets on high alert.

The Atlantic region is closely monitoring the potential impacts of Hurricane Humberto and Tropical Storm Imelda on agriculture and energy infrastructure.

After the market closed, the US Department of Agriculture (USDA) released a crop progress report showing that 47 per cent of US cotton was in good to excellent condition for the week ending September 28, 2025—unchanged from the previous week but significantly higher than 31 per cent in the same period last year.

The US cotton harvest rate reached 16 per cent, compared to 12 per cent the previous week and 19 per cent in the same period last year, aligning with the five-year average of 16 per cent.

Data from the US Commodity Futures Trading Commission (CFTC) showed that speculators increased their net short positions in ICE cotton futures and options by 3,304 contracts to 68,812 contracts in the week ending September 23.

The USDA’s export sales report released last week showed that US cotton export sales for the current marketing year rose by 86,100 bales in the week ending September 18. This represented a 54 per cent drop from the previous week and a 53 per cent decline compared with the previous four-week average.

ICE data showed that as of September 26, deliverable No. 2 cotton contract stocks remained unchanged at 15,474 packages.

Currently, ICE cotton for December 2025 is trading at 65.32 cents per pound (down 0.18 cent), cash cotton at 63.50 cents (down 1.40 cent), the October 2025 contract at 63.05 cents (down 0.90 cent), the March 2026 contract at 67.23 cents (down 0.21 cent), the May 2026 contract at 68.66 cents (down 0.11 cent) and the July 2026 contract at 69.65 cents (down 0.15 cent). A few contracts remained at their previous closing levels, with no trading recorded today.

Fibre2Fashion News Desk (KUL)



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SPGPrints to showcase heritage and innovation at ITMA Asia 2025

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SPGPrints to showcase heritage and innovation at ITMA Asia 2025



At SPGPrints, innovation is part of our DNA. Since inventing rotary screen printing in 1963, we’ve continued to shape the textile printing industry — from pioneering high-speed rotary printing to leading today’s digital transformation. With decades of experience and a strong customer-first approach, SPGPrints empowers businesses worldwide to achieve more through reliable, sustainable, and high-quality printing solutions.

SPGPrints will showcase innovation at ITMA Asia 2025 (October 28–31, Singapore).
Highlights include the launch of its new digital textile printer for faster, sustainable production, plus rotary systems Teak and Eucalyptus for quality, flexibility, and efficiency.
The eco-friendly Larch CO₂ laser engraver enables precise, water-free screen production.

A New Digital Milestone

At ITMA Asia 2025, we will unveil our newest digital textile printer, designed to meet the evolving needs of modern textile production. As the market shifts toward digital printing — demanding shorter runs, faster turnaround, and more sustainable workflows — our new solution combines high resolution, speed, and efficiency to help printers stay ahead.

SPGPrints’ complete digital ecosystem — including advanced printers, tailored inks, and global service — enables cost-effective production without the need for engraved screens, while reducing ink, water, and energy consumption.

Rotary Printing: Proven Technology, Future-Ready

Rotary screen printing remains the benchmark for consistency, versatility, and return on investment. At ITMA Asia, we proudly present two highlights from our rotary portfolio:

  • Teak – The latest generation of our Pegasus system, offering top-quality output with unmatched flexibility for fine lines, half tones, and special effects. Sustainable features such as eco-paste and a water-saving package minimize waste.
  • Eucalyptus – Built for wider-width applications, delivering robust performance, high registration accuracy, and flexibility for shorter runs.

Together, they represent the heritage, innovation, and future of rotary textile printing.

Sustainable Engraving with Larch

Also on display is the Larch CO2 direct laser engraver — a cost-efficient, eco-friendly gateway to high-precision rotary screen production. Using a single-step dry process, Larch eliminates water usage, consumables, and wet processes, enabling fast, sustainable, and accurate engraving.

Discover SPGPrints at ITMA Asia

Visit booth H6-C301 at ITMA Asia 2025 in Singapore (October 28–31) to explore our full portfolio. See our new digital printer unveiled live, experience the power of Teak and Eucalyptus, and learn how Larch can transform your workflow. Experience the difference with SPGPrints — where heritage meets innovation.

Note: The headline, insights, and image of this press release may have been refined by the Fibre2Fashion staff; the rest of the content remains unchanged.

Fibre2Fashion News Desk (HU)



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Swiss shoemaker On names new COO to help challenge bigger rivals

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Swiss shoemaker On names new COO to help challenge bigger rivals


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Bloomberg

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September 30, 2025

On Holding AG appointed a new chief operating officer (COO) as the Swiss brand looks to scale up innovations like its Lightspray shoemaking robots and take more market share from rivals Nike Inc. and Adidas AG. 

On – On

Scott Maguire, who joined as On’s chief innovation officer in March after stints at Specialized Bicycle Components and Dyson, will now have a dual role to “oversee the integration of innovation and operations,” the company told Bloomberg Tuesday. He will take over as COO in January.

His task will likely involve efforts to scale up the Lightspray robots that On has used to make high-end marathon sneakers and talked of expanding for the production of other footwear. The project is already overseen by Maguire.

The current COO, Samuel Wenger, is leaving to pursue other opportunities in the startup world, according to an internal memo he wrote seen by Bloomberg. 

Wenger joined On in 2017 and helped steer it through a period of hyper growth. He helped build On’s sourcing office in Vietnam, set up its first retail stores and oversaw the finance division following its initial public offering in 2021.

Founded in 2010, Zurich-based On has achieved rapid growth by winning fans in the running world with its light and comfortable footwear and expanding its business into tennis, outdoors and apparel. The company is entering the final year of its three-year strategy outlined in October 2023, which called for a doubling of net sales and achieving high profitability.

Going forward, On will need to keep expanding into new markets, especially in Asia, to maintain growth. Its sneakers are among the most expensive in the industry, with the popular Cloudsurfer Max model selling for 180 dollars. That’s helped it stay highly profitable despite the turmoil caused by President Donald Trump’s trade tariffs and other macroeconomic uncertainty.

Even so, shares of On have dropped 20 % this year, slightly less than Adidas but more than Nike, which is recovering after a series of recent stumbles.
 



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