Fashion
Lacoste: At Lycée Carnot, post-workout fashion
Published
October 6, 2025
Trampling fallen leaves outside the Lycée Carnot, a host of stars went back to school to attend the Lacoste show on Sunday. In a gymnasium with the air of a market hall, the brand presented its spring-summer 2026 collection, entitled “The Locker Room”. Lacoste’s artistic director, Pelagia Kolotouros, incorporated more sportswear into this collection than in the previous two. Having worked for Calvin Klein, Yeezy, Adidas and The North Face, the designer presented her fourth collection for Lacoste this Sunday.
Inside, white tiles lined the floor and half the walls, interspersed with bands of faux grass or vivid green tiles – Lacoste green. Guests sat on curved benches draped with large white-and-green towels, bathed in soft rays of sunlight filtering through the glass roof. As the show began, ambient sounds rose; the hiss of showers echoed. The collection was set in the moments after exertion, when sweat-soaked kit was shed in favour of fresh, clean pieces. Upstairs, the models appeared, emerging from semi-transparent plastic curtains – fogged with condensation.
Captivated, the audience discovered silhouettes that swung from abbreviated to oversized, in predominantly vivid hues drawn from the Lacoste archives. Starting with orange and its tennis-court-coloured variations, the pieces gradually shifted to blue, green, then taupe, cream and white. The wardrobe was equally diverse: long coats covered loose-cut suits (trousers or shorts), themselves worn over red leather tops with generous collars; a poncho cloaked a look, revealing only the collar’s tied straps; wet-look nylon tracksuits underscored the collection’s sporting spirit.
Here and there, bucket bags and towels knotted at the waist or slung over an arm revive the atmosphere of gym showers. Stretched polos and the layering of certain looks created a deliberate mismatch, in the service of comfort. Shorts, for example, were worn under joggers. The brand paid tribute to René Lacoste with a print on the back of certain pieces. Some tops bear the date “1927”, the year the crocodile logo was created by designer Robert George.
With ‘The Locker Room’, Kolotouros placed a strong emphasis on accessories. Wrists were wrapped in chunky, coiled-rope bracelets, and feet slipped into sport-inspired lace-up flats with flaps, heeled shoes of all kinds, square- or round-toed, or mounded forms in a suede-like material. The Lenglen bag returned to the models’ hands, sometimes half white, half black, stamped with the message “For tennis use only”. Other, deeper bags were worn under the arm, while slim racquet cases were carried by the handle.

The show ended in a noisy chorus of breath, percussion and squeaks, like the sound of shoes in training. Applauded by a crowd including Venus Williams, Pierre Niney, Adèle Exarchopoulos, Anna Wintour, Adrien Brody, Taylor Zakhar Perez and South Korean singer Kai, the artistic director broke into a run herself, dashing across the room before joining the models.
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Fashion
Thailand’s Indorama Ventures’ revenue, profit decline in 2025
Cost of revenue amounted to THB 409.1 billion (~$13.09 billion) on a TTM basis, compared with THB 466.3 billion (~$14.92 billion) in 2024 and THB 476.0 billion (~$15.23 billion) in 2023. Costs were notably higher in 2022 at THB 544.3 billion (~$17.42 billion), before easing to THB 382.9 billion (~$12.25 billion) in 2021, the group said in a press release.
Indorama reported TTM revenue of THB 467.3 billion (~$14.95 billion), down from recent years and well below the 2022 peak.
Gross profit fell to THB 58.2 billion (~$1.86 billion), reflecting continued margin pressure.
As of December 31, 2025, current liabilities exceeded current assets, with management maintaining liquidity through cash reserves, credit facilities and short-term debt rollovers.
Gross profit reached THB 58.2 billion (~$1.86 billion) over the TTM period, down from THB 75.3 billion (~$2.41 billion) in 2024 and THB 65.4 billion (~$2.09 billion) in 2023. Gross profit peaked at THB 111.9 billion (~$3.58 billion) in 2022 and stood at THB 85.2 billion (~$2.73 billion) in 2021.
At 31 December 2025, the group’s current liabilities exceeded current assets. To ensure funding needs and mitigate liquidity risks for the foreseeable future, the management continually monitors the group liquidity risk and implements procedures, including maintaining a sufficient level of cash and cash equivalents deemed adequate to finance the group’s operations, rolling forecasting the group’s unutilised credit facilities, and rollover of the short-term borrowing.
Fibre2Fashion News Desk (RR)
Fashion
Retech to showcase precision godet technology at Techtextil 2026
Advanced induction heating concepts, available in single-zone or multi-zone configurations, ensure highly accurate temperature profiles and excellent temperature uniformity over the entire godet surface, precisely influencing yarn properties such as tenacity, elongation, and shrinkage to achieve a highly consistent final product.
Retecch develops precision godets and draw frames for heated, ambient and cooled fibre processes up to 400°C.
Its advanced induction heating ensures uniform temperature control, optimising yarn tenacity, elongation and shrinkage.
Energy-efficient systems, robust design and the UTR-6A non-contact monitoring solution support reliability, machine uptime and sustainable production.
Energy efficiency and long-term reliability are key elements of the RETECH godet concept. Energy-optimised heating systems and efficient drive solutions are combined with a robust mechanical design to achieve extended service life and maximum machine availability.
The proven non-contact temperature measuring and transmission system UTR-6A continuously captures temperature data directly from the rotating godet and transfers it to the UCR-6 controller for regulation. This enables preventive measures to protect the godet, bearing system and induction heater, while ensuring stable production conditions and supporting the sustainability of the overall fibre manufacturing process.
Note: The headline, insights, and image of this press release may have been refined by the Fibre2Fashion staff; the rest of the content remains unchanged.
Fibre2Fashion News Desk (MS)
Fashion
US’ Old Navy launches little navy, a new newborn essentials collection
“We designed this collection with parents in mind. Shopping for a newborn, as a gift or for your own, should feel joyful and easy. Everything is intended to be mixed together and matched — it’s fun, it’s emotional, and the value is incredible.”. – Sarah Holme, Head of Design & Product Development for Old Navy.
Old Navy has introduced Little Navy, a new collection of newborn essentials designed to simplify early-stage shopping and gifting.
The range includes layettes, hats, booties and mix-and-match basics in soft, seasonless colours and cosy fabrics.
Sized for babies up to 24 months, the line focuses on comfort, versatility, emotional appeal and strong value for modern parents.
Little Navy goes beyond onesies, offering layettes, hats, booties, and more, all in one convenient collection and no extra searching required. It features a soft, seasonless color palette, cozy fabrics, and versatile styles made for newborns and babies up to 24 months, with sizing that allows Little Navy to grow with baby.
Note: The headline, insights, and image of this press release may have been refined by the Fibre2Fashion staff; the rest of the content remains unchanged.
Fibre2Fashion News Desk (RM)
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