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Ralph Lauren collaborates with Tópa for Fall/Holiday 2025 collection

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Ralph Lauren collaborates with Tópa for Fall/Holiday 2025 collection


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November 18, 2025

Ralph Lauren has unveiled its latest collaboration under the Artist in Residence program with Indigenous-led clothing label Tópa.

Ralph Lauren collaborates with Tópa for Fall/Holiday 2025 collection. – Ralph Lauren x Tópa

Polo Ralph Lauren x Tópa, offered within Polo Ralph Lauren’s Fall/Holiday 2025 lineup, highlights handcrafted designs rooted in the heritage of the Oceti Sakowin. The collection features modern silhouettes with Native design motifs in an assortment of men’s, women’s and accessories products. 

Tópa was founded by husband-and-wife duo Jocy and Trae Little Sky, award-winning performers and designers who are members of the Mandan, Hidatsa, Arikara, Oglala Lakota, and Stoney Nakoda Nations. The couple incorporates traditional arts into their work. 

“We’ve long admired Ralph Lauren and how the brand brings worlds to life through its designs and storytelling,” said Jocy. “This collaboration with Polo Ralph Lauren honors our community, culture and way of life, and we hope it inspires people to be proud of who they are, where they come from and to follow their dreams.”

The collection launches with a short film that shares Jocy and Trae’s artistry, family life and cultural celebrations that influenced the designs of Polo Ralph Lauren x Tópa, filmed on the ancestral lands of the Mandan, Hidatsa and Arikara Nations that are located on the Fort Berthold Indian Reservation in North Dakota.

Ralph Lauren’s Artist in Residence initiative collaborates with artisans preserving heritage craft, offering a platform for mutually creative partnerships while amplifying historically underrepresented voices. Polo Ralph Lauren x Tópa is the fourth collaboration in the program, following previous partnerships with Naiomi Glasses, Zefren-M, and Tyler Glasses.

A percentage of the purchase price of each item of the collection will be donated to Thunder Valley Community Development Corporation (CDC), specifically supporting its Lakota Language and Education Initiative.

Copyright © 2025 FashionNetwork.com All rights reserved.



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China’s economy expected to grow 4.8% in 2026: Goldman Sachs

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China’s economy expected to grow 4.8% in 2026: Goldman Sachs



Goldman Sachs Research expects China’s real gross domestic product (GDP) to grow by 4.8 per cent this year, above the consensus of economist estimates of 4.5 per cent.

The team’s most distinctive out-of-consensus view is for China’s current account surplus to rise to 4.2 per cent of GDP this year from 3.6 per cent in 2025.

Goldman Sachs Research expects China’s real GDP to grow by 4.8 per cent in 2026, above the consensus of estimates of 4.5 per cent.
However, structural challenges like labour market weakness remain.
Its forecast for producer price inflation of minus 0.7 per cent is modestly higher than the consensus expectation of minus 1 per cent.
Consumer price inflation is projected to be below 1 per cent this year.

However, structural challenges like low household consumption and labour market weakness remain, Goldman Sachs Research said in a insights piece.

While the housing market’s decline hasn’t yet reached its bottom, the economic drag from a declining property market is expected to lessen.

China’s economy is projected by the financial services firm to grow faster than consensus estimates this year as exports increase and the economic drag from a declining property market lessens.

The Chinese economy has changed significantly in recent years amid trade wars and a prolonged property downturn, wrote Hui Shan, Goldman Sachs Research’s chief China economist, in a recent report.

Both China’s share of US imports and its new property starts—a measure of new residential construction projects—fell last year to levels last seen in the early 2000s.

In light of these shifts, policymakers face the challenge of finding new sources of growth in the coming years, Shan wrote.

“Although Chinese exporters have successfully diversified into non-US markets, supporting our positive outlook for Chinese exports, building a consumption- and services-driven economy will take years, if not decades,” she added.

Goldman Sachs Research’s above-consensus forecast for Chinese economic growth is consistent with its above-consensus projections for monetary and fiscal policy easing, inflation and exports.

Similarly, its forecast for producer price inflation of minus 0.7 per cent is modestly higher than the consensus expectation of minus 1 per cent.

China has been experiencing deflation in its producer price index (PPI) for more than three years. The team expects year-on-year PPI to turn positive in early 2027. Meanwhile, it estimates headline consumer price inflation will largely remain below 1 per cent this year.

Goldman Sachs Research expects price inflation for Chinese exports in US dollar terms to turn positive in 2026, rising to 0.7 per cent from minus 2.7 per cent last year.

Fibre2Fashion News Desk (DS)



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Confidence lowest among Dutch textiles-apparel-leather manufacturers

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Confidence lowest among Dutch textiles-apparel-leather manufacturers



The calendar-adjusted output of the Dutch manufacturing sector was 0.7 per cent higher year on year (YoY) in November last year, according to Statistics Netherlands (CBS).

Half of the various industrial sectors produced more than they did last year.

The calendar-adjusted output of the Dutch manufacturing sector was 0.7 per cent higher YoY in November 2025, according to Statistics Netherlands.
Half of the various industrial sectors produced more than they did last year.
Producer confidence in December was above the 20-year average of minus 1.3.
Manufacturers in the textiles, apparel and leather industry were the most negative (minus 4.5).

Producer confidence was less negative in December than the previous month. It stood at minus 1.1, up from minus 1.7 in November. Manufacturers were less negative about their current stocks. Their assessment of the output for the next three months and their current stocks of finished products remained largely unchanged.

Producer confidence in December was above the 20-year average of minus 1.3. Confidence reached an all-time high (10.4) in October 2021 and an all-time low (minus 31.5) in April 2020.

Confidence improved in five of eight of the underlying industrial sectors. However, manufacturers in the textiles, apparel and leather industry were the most negative (minus 4.5).

Fibre2Fashion News Desk (DS)



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Globes red carpet: chic black, naked dresses and a bit of politics

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Globes red carpet: chic black, naked dresses and a bit of politics


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AFP

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January 12, 2026

Hollywood’s top stars hit the red carpet on Sunday for the Golden Globes, the first major event on the road to the Oscars, and they delivered lots of old-school glamour.

Ariana Grande – AFP

Here is a glance at some of the looks seen at the Beverly Hilton Hotel:

Ever-chic black

Selena Gomez is a newlywed and her happiness shows. The best comedy actress nominee for her work on “Only Murders in the Building” radiated joy as she arrived on the arm of her husband Benny Blanco.

She oozed sophistication in a black Chanel column gown with a frothy white feathered strapless neckline, her black bob swept into soft waves.

Gomez was not alone in striking an understated pose, with lots of stars opting for black or dark, wintry hues.

Teyana Taylor, a winner for her searing turn as a leftist revolutionary in hotly-tipped film “One Battle After Another,” scorched the carpet in a cut-out backless black Schiaparelli gown with a halter neckline — and a cheeky crystal bow on her backside.

Ariana Grande (“Wicked: For Good”), who competed with Taylor for the award for best supporting actress, turned heads in a black textured Vivienne Westwood ballgown with an asymmetrical neckline and a bubble silhouette before trailing to the floor.

Her hair was swept into her signature ponytail, and she kept the jewelry simple with a diamond choker.

Amy Madigan, also in their category for her villainous turn in “Weapons,” went for a tuxedo look with cropped pants and patent leather boots.

Nominee Jenna Ortega embraced the goth chic of her title character in “Wednesday” in a black high-neck Dilara Findikoglu gown with glittering epaulets and cut-offs that revealed a bit of side boob… and part of her hip bone.

Among the male stars in attendance, Colman Domingo was as usual a standout, wearing head-to-toe black Valentino, with silvery appliques scattered from his left shoulder down his lapel to his waist.

Naked ambition

Jennifer Lopez is no stranger to strong fashion statements. Her plunging green Versace gown at the Grammys in 2000 is still a reference for winning the red carpet by adopting the “less is more” rule.

On Sunday, Lopez — whose turn in “Kiss of the Spider Woman” was overlooked by Globes voters — wore a figure-hugging sheer gown with bronze patterns snaking over her body, ending in a mermaid fishtail.

Jennifer Lawrence –nominated for best drama actress in a film for “Die My Love” — got the memo as well, rocking a barely-there sheer nude Givenchy gown with only a smattering of strategically placed flowers.

Stars slam deadly ICE shooting

Hollywood never quite has a night out without a bit of politics coming into play.

On Sunday, some of the stars including nominee Mark Ruffalo wore pins with the messages “BE GOOD” — a reference to Renee Good, the Minneapolis woman who was shot and killed by a federal immigration agent.

Comedian Wanda Sykes wore the same pin on her lapel, while actress Natasha Lyonne, a nominee for her TV show “Poker Face,” attached one to her clutch handbag.

The campaign is endorsed by the American Civil Liberties Union (ACLU), one of the country’s most prominent civil rights organizations.By Frederic J. Brown with Susan Stumme in Washington

Copyright © 2026 AFP. All rights reserved. All information displayed in this section (dispatches, photographs, logos) are protected by intellectual property rights owned by Agence France-Presse. As a consequence you may not copy, reproduce, modify, transmit, publish, display or in any way commercially exploit any of the contents of this section without the prior written consent of Agence France-Presses.



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