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Italy’s OTB Group appoints Andrea Rigogliosi to lead Diesel

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Italy’s OTB Group appoints Andrea Rigogliosi to lead Diesel



Diesel, part of the OTB Group, announces the appointment of Andrea Rigogliosi as the brand’s new CEO. The executive will report directly to Ubaldo Minelli, CEO of the OTB Group.

“Diesel is a magical brand, which I founded, and that has always represented a unique force in the fashion landscape. Glenn Martens’ creative direction has transformed it, rediscovering its most authentic DNA and making the brand fresher, more contemporary, and increasingly loved by younger generations. Today, Diesel can be considered the only alternative to the luxury world, embodying values such as inclusivity and accessibility—particularly significant in a complex moment for the entire fashion industry. Recently, I have closely followed the brand’s development with a team of managers, while we navigated a challenging market phase. I am delighted to welcome Andrea to Diesel, and, together with the team, I am sure that he will further enhance Diesel’s potential at a crucial stage in the brand’s evolution,” stated Renzo Rosso, founder of Diesel and Chairman of the OTB Group.

Diesel, part of the OTB Group, has named Andrea Rigogliosi as its new CEO, reporting to Group CEO Ubaldo Minelli.
Rigogliosi brings extensive international leadership experience from roles at Miu Miu (Prada Group), Fendi and Christian Dior Couture.
He is expected to strengthen Diesel’s global growth and commercial strategy under Glenn Martens’ creative direction.

Andrea Rigogliosi brings solid international leadership experience in the luxury, fashion, and retail sectors, having held high-level strategic and commercial roles across Europe. Before joining Diesel, he served as Global Head of Retail and Commercial at Miu Miu – Prada Group, leading global business growth and the expansion of the distribution network. Rigogliosi held key positions within the LVMH Group, including President Europe at Fendi, General Manager France & Monaco and General Manager Italy at Christian Dior Couture. Early in his career, he took on managerial roles at Poltrona Frau Group and L’Oréal Luxury Products.

He holds a degree in International Business Administration from Bocconi University in Milan.

Note: The headline, insights, and image of this press release may have been refined by the Fibre2Fashion staff; the rest of the content remains unchanged.

Fibre2Fashion News Desk (RM)



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Nigeria forms textile steering committee to set up CTGDB

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Nigeria forms textile steering committee to set up CTGDB



Nigeria recently set up a textile steering committee to develop the framework for establishing a Cotton, Textile and Garment Development Board (CTGDB).

The committee was chaired by Abia Bassey, director overseeing the office of political and economic affairs in the office of the secretary to the government.

Nigeria has formed up a textile steering committee to develop the framework for setting up a Cotton, Textile and Garment Development Board.
The board would co-ordinate activities to strengthen the cotton, textile and garment value chain and turn the sector a key economic growth driver.
Committee members were urged to prioritise domestic production and encourage strong public-private partnerships.

The proposed board would serve as a co-ordinating institution to strengthen the country’s cotton, textile and garment (CTG) value chain and turn the sector a key economic growth driver.

The decision to establish such a board was discussed during the 149th meeting of the National Economic Council (NEC) in April last year, according to domestic media reports.

The sector has suffered a steady decline over the years due to several factors, including reduced production, inadequate infrastructure, inconsistent policies, limited access to financing, smuggling of finished products and tough competition from imported textile.

Members of the new committee were urged to prioritise domestic production and encourage strong public-private partnerships in the process of designing the new institutional framework.

Its membership include representatives of major stakeholders across the sector.

Fibre2Fashion News Desk (DS)



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Burberry returns to London’s night pulse for winter 2026

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Burberry returns to London’s night pulse for winter 2026



Streetlamps bleeding into slick black tarmac. The Winter 2026 collection returns Burberry to the city and ‘to going out in a particularly London way,’ says Chief Creative Officer Daniel Lee.

This season is less about the destination and more about the pulse. In a world shaped by algorithms, the abstract landscape of the night can still flank you with a thousand possibilities.

Burberry’s Winter 2026 collection marks a return to London’s nocturnal energy under Daniel Lee, shifting from countryside escapes to urban edge.
Glitched classics, elevated functionalwear and sleek silhouettes redefine heritage with youthful spark.
Rich textures, bold colours and refined tailoring shape versatile looks for day and night, set against a street-lit city backdrop.

Whereas Winter 2025 and Summer 2026 saw an exodus to the countryside and outdoor music scenes, Winter 2026 is pure street currency: Hackney carriages glide down wet roads; night buses hum with tinny phone speakers. Under Lee, the tension between heritage and youth isn’t a clash – it’s a spark. ‘Everyone’s going somewhere. Everyone’s going out,’ he says of the season’s characters.

Glitched classics inform menswear: a younger way of wearing an overcoat, a tuxedo or silk shirt. Functional pieces become elevated, with leather bombers, hoodies and raincoats given evening intent. The effect is purposeful and direct. Definite, solid colours have the effect of something a little more sophisticated, a little dressier, cleaner or sleeker. ‘Clothes for the night, as well as the day,’ Lee says.

For women, trenches are worn like accessories over sleek satin dresses. There’s a generosity to the pattern cutting, and a languidness that mirrors the ease with which Londoners put on an outfit, thrown on like a favourite coat.

Casualness is elevated by fabric: shearling cut raw on the edge of jackets or reworked in check; faille that ruffles on trench collars. Smooth lambskin leather that shines with the iridescence of petrol on a road.

It’s slicker, chicer, sexier: set to a soundtrack by acclaimed London artist FKA twigs that captures the blur of the city in song. The overall effect is as democratising as the space it takes place in: Tower Bridge reconstructed within Old Billingsgate fish market, clad in scaffolding and lit by streetlamps. A symbol of grandeur turned utilitarian.

‘We all walk the same roads,’ says Lee. ‘We’re all lit by the same streetlamps. We all feel the same buzz of the city at night.’

Note: The headline, insights, and image of this press release may have been refined by the Fibre2Fashion staff; the rest of the content remains unchanged.

Fibre2Fashion News Desk (RM)



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Australia’s apparel imports fall 3% to $5.35 billion in July–January

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Australia’s apparel imports fall 3% to .35 billion in July–January




Australia’s textile trade showed a mixed pattern in July-January with apparel imports declining while textile and fibre imports posted moderate growth.
The divergence suggests softer retail demand for clothing but steady industrial and manufacturing use of textile inputs, while fibre export growth reflects recovering global demand despite earlier price and logistics pressures.



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