Fashion
Kate Hawley wins Best Costume Design for ‘Frankenstein’ at Oscars 2026
Hawley received the award from former Vogue editor Anna Wintour and actor Anne Hathaway, thanking the Academy and her creative team while describing costume designers as “artisans, alchemists and dream weavers.”
The film, directed by Guillermo del Toro and inspired by Mary Shelley’s classic novel Frankenstein; or, The Modern Prometheus (published in 1818), features richly layered costumes that blend Victorian aesthetics with gothic fantasy. Hawley’s designs employ colour symbolism and intricate textures to reinforce the narrative’s themes of life, death and obsession.
New Zealand costume designer Kate Hawley won the Best Costume Design award at the Academy Awards (Oscars) for the film Frankenstein.
Her elaborate, colour-driven costumes blend gothic aesthetics with Victorian influences, using symbolism and layered textures to enhance the film’s narrative and character development inspired by Mary Shelley’s classic novel.
Throughout the film, colour motifs, particularly shades of red, play a central storytelling role, symbolising the memory of Victor Frankenstein’s mother and recurring emotional themes. Victor’s wardrobe combines Romantic-era silhouettes with flamboyant touches inspired by figures such as David Bowie and Mick Jagger, reflecting the character’s rebellious personality.
Hawley also created intricate costumes for Elizabeth, portrayed by Mia Goth, incorporating botanical and insect-inspired patterns and jewellery elements that highlight the character’s connection to nature. The garments were built with multiple layers and textures to create a painterly, atmospheric visual style aligned with the film’s gothic tone.
The Oscar marks Hawley’s first Academy Award and follows earlier recognition for Frankenstein at the Costume Designers Guild Awards, where the film also won in the period film category.
With its dramatic silhouettes, symbolic colour palette and meticulous craftsmanship, the film’s costume design has been widely praised for helping shape the visual identity of del Toro’s ambitious adaptation of the classic tale.
Fibre2Fashion News Desk (CG)
Italy confirms its position among the world leaders in the textile machinery sector, thanks to a solid and highly specialized production system. The industry stands out for its strong international vocation, with a predominant share of production destined for foreign markets (86% of its sales) and a consolidated presence in over 130 countries. This places the country among the top global exporters of textile technology, renowned for its quality, innovation, and reliability.
In the first eleven months of 2025, sales in Germany have already reached 81 million euros. Among the most requested technologies, accessories stand out (36%), followed by finishing machinery (33%)—the latter being essential for the production processes of the most innovative textile sectors.
Italy’s textile machinery sector will showcase advanced, customised technologies at Techtextil 2026 in Frankfurt, reinforcing its global leadership.
With 86 per cent exports across 130+ countries and €81 million (~$93.71 million) sales in Germany, innovation-driven SMEs and strong demand for accessories and finishing machinery continue to drive growth in technical textiles.
The strength of Italian textile machinery lies in its dynamic structure, composed of small-to-medium-sized companies that are heavily oriented toward Research & Development. This flexibility allows Italian manufacturers to collaborate closely with end-users, transforming customer needs into highly personalized and versatile technological solutions.
“The growing demand for innovative textiles across various industrial fields is further consolidating our manufacturers’ position,” emphasizes Marco Salvadè, President of ACIMIT. “At Techtextil 2026, the Italian offering will once again demonstrate how the combination of high technology and customization capabilities is the key to meeting the challenges of the technical textiles sector.”
Italian expertise, rooted in historic districts such as Bergamo, Biella, Brescia, Como, Milan, Prato, and Vicenza, continues to guarantee standards of quality and reliability that make Made in Italy a point of reference for the entire global industry.
Note: The headline, insights, and image of this press release may have been refined by the Fibre2Fashion staff; the rest of the content remains unchanged.
Fibre2Fashion News Desk (MS)
Cold-chain infrastructure remains limited, with around 8,815 storage facilities and a capacity of 40.21 million metric tonnes, the March 2026 report, titled ‘Transforming India’s logistics ecosystem’, noted.
Despite India’s national average logistics cost being down to 7.97 per cent of GDP from 14 per cent earlier, several regions face significantly higher logistics costs due to uneven infrastructure and connectivity, a FICCI-Grant Thornton report said.
Cold-chain infrastructure remains limited.
Non-standard warehousing causes delays, higher costs and inconsistent supply-chain performance, it noted.
As planning was historically fragmented across departments, deep alignment gaps remain.
Non-standard warehousing causes delays, higher costs and inconsistent supply-chain performance, it remarked.
Due to cold chain imbalance and reefer underuse, state-level demand mismatches persist, while refrigerated transport remains significantly underutilised nationwide.
Persistent structural challenges include fragmented infrastructure and limited multimodal integration; continued dependence on road-based freight due to coordination gaps across transport modes; limited adoption of automation; and labour-intensive warehousing and logistics operations, resulting in higher error rates, longer turnaround times and limited scalability, according to the report.
Technology is becoming central to logistics planning and execution, with artificial intelligence-driven demand forecasting and routing, digital twins for warehouse and network design, and IoT-enabled visibility across storage and transport improving decision making, the report added.
Control tower models are enabling real-time coordination and faster response to disruptions, while platforms like ULIP provide the digital backbone for interoperable, multimodal logistics, the report mentioned.
Fibre2Fashion News Desk (DS)
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