Entertainment
2025 Creative Arts Emmys: Full winners list
The 2025 Creative Arts Emmys just started off with a bang and the full winners list has just been announced.
Check it out below;
Outstanding Animated Program
- WINNER: Arcane
- Bob’s Burgers
- Common Side Effects
- Love, Death + Robots
- The Simpsons
Outstanding Casting for a Comedy Series
- The Bear
- Hacks
- Only Murders in the Building
- Shrinking
- WINNER: The Studio
Outstanding Casting for a Drama Series
- The Last of Us
- WINNER: The Pitt
- Severance
- Slow Horses
- The White Lotus
Outstanding Casting for a Limited or Anthology Series or Movie
- WINNER: Adolescence
- Black Mirror
- Dying for Sex
- Monsters: The Lyle And Erik Menendez Story
- The Penguin
Outstanding Character Voice-Over Performance
- WINNER: Julie Andrews, Bridgerton, “Into the Light”
- Hank Azaria, The Simpsons, “Abe League of Their Moe”
- Maya Rudolph, Big Mouth, “Why Do We Go Through Puberty?”
- Alan Tudyk, Andor, “Who Else Knows?”
- Jeffrey Wright, What If…?, “What If…1872?”
- Steven Yeun, Invincible, “What Have I Done?”
Outstanding Choreography for Scripted Programming
- Bridgerton Routines: “Butterfly Ball,” “Eros And Psyche,” “Jealousy,” “Wedding Dance,” and “Rejoining The Ton”
- Doctor Who Routine: “There’s Always A Twist”
- WINNER: Étoile Routines: “Piece 2,” “Growing Pressure,” “Big In Japan,” and “Piece 1”
- Severance Routines: “Choreography & Merriment” and “The Ballad Of Ambrose And Gunnel”
- Will Trent Routines: “Last Dance,” “In The Night,” “Quartet No. 5,” and “I Can’t Stand The Rain”
Outstanding Cinematography for a Limited or Anthology Series or Movie
- WINNER: Adolescence, “Episode 2”
- American Primeval, “Episode 1”
- Disclaimer, “I”
- The Penguin, “Top Hat”
- Zero Day, “Episode 2”
Outstanding Cinematography for a Series (Half-Hour)
- Emily in Paris, “Masquerade”
- Georgie & Mandy’s First Marriage, “The 6:10 to Lubbock”
- Hacks, “I Love LA”
- The Righteous Gemstones, “Prelude”
- WINNER: The Studio, “The Oner”
Outstanding Cinematography for a Series (One Hour)
- Andor, “Harvest”
- The Day Of The Jackal, “Episode 1”
- Étoile, “The Swap”
- Pachinko, “Chapter Nine”
- WINNER: Severance, “Hello, Ms. Cobel”
- The White Lotus, “Killer Instinct”
Outstanding Contemporary Costumes for a Series
- Emily In Paris, “The Grey Area”
- Hacks, “Heaven”
- The Righteous Gemstones, “You Hurled Me Into The Depths, Into The Very Heart Of The Seas”
- WINNER: The Studio, “CinemaCon”
- The White Lotus, “Same Spirits, New Forms”
Outstanding Contemporary Costumes for a Limited or Anthology Series or Movie
- Adolescence, “Episode 2”
- American Horror Stories, “Backrooms”
- Dying For Sex, “Topping Is A Sacred Skill”
- WINNER: The Penguin, “A Great or Little Thing”
- Sirens, “Exile”
Outstanding Contemporary Hairstyling
- Emily In Paris, “Back On The Crazy Horse”
- Hacks, “I Love LA”
- WINNER: The Penguin, “Cent’anni”
- The Studio, “CinemaCon”
- The White Lotus, “Amor Fati”
Outstanding Contemporary Makeup (Non-Prosthetic)
- Grotesquerie, “Unplugged”
- The Last Of Us, “Day One”
- Only Murders In The Building, “Valley Of The Dolls”
- WINNER: The Penguin, “Cent’anni”
- The Pitt, “7:00 P.M.”
- The White Lotus, “Full-Moon Party”
Outstanding Fantasy/Sci-Fi Costumes
- Agatha All Along, “Follow Me My Friend”
- WINNER: Andor, “Harvest”
- Black Mirror, “USS Callister”
- Dune: Prophecy, “The Hidden Hand”
- House Of The Dragon, “The Burning Mill”
Outstanding Guest Actor in a Comedy Series
- Jon Bernthal, The Bear, “Napkins”
- WINNER: Bryan Cranston, The Studio, “CinemaCon”
- Dave Franco, The Studio, “CinemaCon”
- Ron Howard, The Studio, “The Note”
- Anthony Mackie, The Studio, “The Note”
- Martin Scorsese, The Studio, “The Promotion”
Outstanding Guest Actor in a Drama Series
- Giancarlo Esposito, The Boys, “Beware The Jabberwock, My Son”
- Scott Glenn, The White Lotus, “Killer Instincts”
- WINNER: Shawn Hatosy, The Pitt , “9:00 P.M.”
- Joe Pantoliano, The Last of Us, “The Price”
- Forest Whitaker, Andor, “I Have Friends Everywhere”
- Jeffrey Wright, The Last of Us, “Day One”
Outstanding Guest Actress in a Comedy Series
- Olivia Colman, The Bear, “Forever”
- Jamie Lee Curtis, The Bear, “Ice Chips”
- Cynthia Erivo, Poker Face, “The Game Is A Foot”
- Robby Hoffman, Hacks, “Cover Girls”
- Zoë Kravitz, The Studio, “The Presentation”
- WINNER: Julianne Nicholson, Hacks, “A Slippery Slope”
Outstanding Guest Actress in a Drama Series
- Jane Alexander, Severance, “Sweet Vitriol”
- Gwendoline Christie, Severance, “Cold Harbor”
- Kaitlyn Dever, The Last Of Us, “Through The Valley”
- Cherry Jones, The Handmaid’s Tale, “Exile”
- Catherine O’Hara, The Last Of Us, “Future Days”
- WINNER: Merritt Wever, Severance, “Who Is Alive?”
Outstanding Music Composition for a Limited or Anthology Series, Movie or Special (Original Dramatic Score)
- Black Mirror, “Hotel Reverie”
- Black Mirror, “USS Callister: Into Infinity”
- Dying For Sex, “It’s Not That Serious”
- Monsters: The Lyle And Erik Menendez Story, “Spree”
- WINNER: The Penguin, “After Hours”
- The Supremes At Earl’s All-You-Can-Eat
Outstanding Music Composition for a Series (Original Dramatic Score)
- Andor, “Who Are You?”
- Based On A True Story, “Relapse”
- Cobra Kai, “Blood In Blood Out”
- WINNER: Severance, “Cold Harbor”
- The Studio, “The Missing Reel”
- The White Lotus, “Amor Fati”
Outstanding Music Supervision
- Hacks, “I Love LA”
- The Last Of Us, “The Price”
- The Righteous Gemstones, “You Hurled Me Into The Depths, Into The Very Heart Of The Seas”
- Severance, “Cold Harbor”
- WINNER: The Studio, “The Promotion”
- The White Lotus, “Same Spirits, New Forms”
Outstanding Original Main Title Theme Music
- Dept. Q
- Dune: Prophecy
- Lazarus
- The Residence
- WINNER: The White Lotus
- Your Friends & Neighbors
Outstanding Original Music and Lyrics
- Agatha All Along, “Circle Sewn With Fate / Unlock Thy Hidden Gate,” Song Title: “The Ballad of the Witches’ Road”
- Andor, “Who Are You?,” Song Title: “We are the Ghor (Planetary Anthem)”
- WINNER: The Boys, “We’ll Keep The Red Flag Flying Here,” Song Title: “Let’s Put the Christ Back in Christmas”
- SNL50: The Anniversary Special, Song Title: “Adam Sandler’s Song: 50 Years”
Outstanding Performer in a Short Form Comedy or Drama Series
- Nathalie Emmanuel, Die Hart: Hart To Kill
- Kevin Hart, Die Hart: Hart To Kill
- J.K. Simmons, Die Hart: Hart To Kill
- WINNER: Desi Lydic, The Daily Show: Desi Lydic Foxsplains
- Tom Segura, Bad Thoughts
Outstanding Period or Fantasy/Sci-Fi Hairstyling
- Anne Rice’s Interview With The Vampire, “No Pain”
- WINNER: Bridgerton, “Old Friends”
- House Of The Dragon, “Smallfolk”
- Monsters: The Lyle And Erik Menendez Story, “Hang Men”
- What We Do In The Shadows, “The Finale”
Outstanding Period or Fantasy/Sci-Fi Makeup (Non-Prosthetic)
- Anne Rice’s Interview With The Vampire, “Do You Know What It Means To Be Loved By Death”
- WINNER: House of the Dragon, “The Red Dragon and the Gold”
- Monsters: The Lyle And Erik Menendez Story, “Brother, Can You Spare A Dime?”
- The Righteous Gemstones, “Prelude”
- What We Do In The Shadows, “Come Out And Play”
Outstanding Period Costumes
- American Primeval, “Episode 2”
- WINNER: Bridgerton, “Into the Light”
- Monsters: The Lyle And Erik Menendez Story, “Blame It On The Rain”
- 1923, “A Dream And A Memory”
- Wolf Hall: The Mirror And The Light (MASTERPIECE), “Wreckage”
Outstanding Picture Editing for a Drama Series
- WINNER: Andor, “Who Are You?”
- The Last Of Us, “Through The Valley”
- Severance, “Attila”
- Severance, “Chikhai Bardo”
- Severance, “Cold Harbor”
- The White Lotus, “Amor Fati”
Outstanding Picture Editing for a Multi-Camera Comedy Series
- The Conners, “The Truck Stops Here”
- WINNER: Frasier, “My Brilliant Sister”
- Mid-Century Modern, “Here’s to You, Mrs. Schneiderman”
- The Upshaws, “Buy Now”
- The Upshaws, “Grifter, Grifter”
Outstanding Picture Editing for a Single Camera Comedy Series
- The Bear, “Tomorrow”
- Hacks, “I Love LA”
- The Rehearsal, “My Controls”
- The Rehearsal, “Pilot’s Code”
- WINNER: The Studio, “The Promotion”
- What We Do In The Shadows, “The Finale”
Outstanding Picture Editing for a Limited or Anthology Series or Movie
- WINNER: Monsters: The Lyle And Erik Menendez Story, “Blame It on the Rain”
- The Penguin, “Bliss”
- The Penguin, “Cent’anni”
- The Penguin, “A Great or Little Thing”
- Sirens, “Exile”
Outstanding Production Design for a Narrative Contemporary Program (One Hour or More)
- The Last Of Us, “Day One”
- The Penguin, “Homecoming”
- The Residence, “The Fall Of The House Of Usher”
- WINNER: Severance, “Chikhai Bardo”
- The White Lotus, “Amor Fati”
Outstanding Production Design for a Narrative Period or Fantasy Program (One Hour or More)
- WINNER: Andor, “Who Are You?”
- Bridgerton, “Romancing Mister Bridgerton”
- Dune: Prophecy, “The Hidden Hand”
- 1923, “Wrap Thee In Terror”
- Pachinko, “Chapter Thirteen”
Outstanding Production Design for a Narrative Program (Half-Hour)
- Hacks, “A Slippery Slope”
- Mid-Century Modern, “Working Girls”
- Only Murders In The Building, “Gates of Heaven” and “Valley of the Dolls”
- WINNER: The Studio, “The Note”
- What We Do In The Shadows, “Headhunting”
Outstanding Prosthetic Makeup
- House Of The Dragon, “The Red Sowing”
- The Last Of Us, “Feel Her Love”
- WINNER: The Penguin, “After Hours”
- The Pitt, “4:00 P.M.”
- Saturday Night Live, “Host: Timothée Chalamet”
Outstanding Sound Editing for a Comedy or Drama Series (Half-Hour)
- The Acolyte, “Night”
- Agatha All Along, “Darkest Hour / Wake Thy Power”
- The Bear, “Doors”
- The Righteous Gemstones, “Prelude”
- WINNER: The Studio, “The Golden Globes”
Outstanding Sound Editing for an Animated Program
- WINNER: Arcane, “The Dirt Under Your Nails”
- Love, Death + Robots, “400 Boys”
- Secret Level, “Warhammer 40,000: They Shall Know No Fear”
- Star Trek: Lower Decks, “The New Next Generation”
- What If…?, “What If…1872?”
Outstanding Sound Editing for a Comedy or Drama Series (One Hour)
- Andor, “Who Are You?”
- WINNER: The Last Of Us, “Through the Valley”
- The Pitt, “7:00 P.M.”
- Severance, “Chikhai Bardo”
Outstanding Sound Editing for a Limited or Anthology Series, Movie or Special
- Adolescence, “Episode 1”
- Black Mirror, “USS Callister: Into Infinity”
- The Gorge
- WINNER: The Penguin, “After Hours”
- Star Trek: Section 31
Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour) and Animation
- The Bear, “Doors”
- Mid-Century Modern, “Sour Pickleball”
- Only Murders In The Building, “Once Upon A Time In The West”
- Shrinking, “The Drugs Don’t Work”
- WINNER: The Studio, “The Golden Globes”
Outstanding Sound Mixing for a Comedy or Drama Series (One Hour)
- Andor, “Who Are You?”
- The Last Of Us, “Through The Valley”
- The Pitt, “6:00 P.M.”
- WINNER: Severance, “Cold Harbor”
- The White Lotus, “Amor Fati”
Outstanding Sound Mixing for a Limited or Anthology Series or Movie
- Adolescence, “Episode 1”
- Black Mirror, “USS Callister: Into Infinity”
- Monsters: The Lyle And Erik Menendez Story, “Blame It On The Rain”
- WINNER: The Penguin, “After Hours”
- Zero Day, “Episode 6”
Outstanding Special Visual Effects in a Season or a Movie
- WINNER: Andor
- Dune: Prophecy
- House Of The Dragon
- The Last Of Us
- The Lord Of The Rings: The Rings Of Power
Outstanding Special Visual Effects in a Single Episode
- Black Mirror, “USS Callister: Into Infinity”
- WINNER: The Penguin, “Bliss”
- The Residence, “The Fall Of The House Of Usher”
- Severance, “Hello, Ms. Cobel”
- The Umbrella Academy, “End Of The Beginning”
Outstanding Stunt Coordination for Comedy Programming
- Cobra Kai
- Only Murders In The Building
- Poker Face
- WINNER: The Righteous Gemstone
- Tulsa King
Outstanding Stunt Coordination for Drama Programming
- WINNER: The Boys
- FBI: Most Wanted
- Lioness
- The Penguin
- The Rookie
Entertainment
Jim Belushi shares having lively dreams about late brother John
Jim Belushi is opening up about a deeply personal experience that has stayed with him for decades, revealing that he still has recurring dreams about his late brother, John Belushi, more than 40 years after his death.
The actor and comedian says these dreams feel less like memories and more like meaningful reunions.
Speaking to PEOPLE, Jim, now 71, shared that several of these dreams have stood out over the years, especially those where John appears healthy, alive, and doing what they both loved most.
“He’s alive and fine, and we were acting together,” Jim said. “We’re improvising at Second City or on Saturday Night Live.”
In the dreams, the brothers are back on stage, fully immersed in comedy, as if time never interrupted their bond.
Jim admitted that even in his dreams, John’s humour gets the best of him.
“I got mad at him because he was making me laugh so hard I couldn’t stay in character,” he said, recalling how those moments would play out.
“Those were kind of nice visits.” The actor’s words reflect both the joy and ache of reconnecting with a brother he lost too soon.
John Belushi, a celebrated Saturday Night Live star and performer, died on March 5, 1982, at just 33 years old.
His death was ruled an accidental overdose caused by acute cocaine and heroin intoxication, often referred to as a “speedball.”
More than 43 years later, Jim says the dreams still come from time to time, offering what he describes as “little visits.”
He echoed similar thoughts in a conversation with Variety, explaining, “I have dreams once in a while where he and I are acting at Second City.”
Jim went on to describe one dream in detail, saying, “We were on stage together, and he was so funny that I cracked up, eating the scene in front of everybody. I got so mad at him, because that’s the worst thing you can do, is break character, right? But he was just so funny, and he goes, ‘Ah, come on, kid!’ He was sweet to me. So, I still get little visits.”
Jim Belushi has spoken about his brother many times over the years, often reflecting on their close relationship and shared passion for comedy.
Today, as he stars in the new film Song Sung Blue alongside Hugh Jackman and Kate Hudson, those dreams remain a comforting reminder that the connection he shared with John never truly faded.
Entertainment
Olivia Rodrigo, Louis Partridge call it quits after two years, details revealed
Olivia Rodrigo and Louis Partridge have reportedly broken up after dating for two years.
The Hope ur OK singer and the House of Guinness actor, who started seeing each other in 2023, are said to have parted ways a few weeks ago.
A source told The Sun that people close to the couple were surprised by the news.
However, the insider said it was a hard time for both of them and that they thought it was better to be apart for now.
Olivia, 22, is reportedly very emotional when talking about the break-up at Lily Allen’s Christmas party at Stringfellows in Covent Garden, London, on December 20.
Insider revealed that friends are there to support her but the source said it was still a tough and sad moment.
Olivia and Louis didn’t confirm the split just yet, as in September, Louis said he was happy being known as Olivia’s boyfriend and told Variety that everything was good between them.
Earlier in their relationship, the driver license hitmaker visited Louis in London with her friend Conan Gray.
They spent time together at dinners, clubs and events, showing fans how close they were.
Louis also said he wanted to keep their relationship private, as he told British Vogue that dating should not be done in public.
Moreover, Olivia and Louis’ last public outing together was in October at the Academy Museum Gala in Los Angeles.
Entertainment
King Charles gifts Prince Harry formal meeting with harsh treatment
King Charles and Prince Harry finally came face to face earlier this year but despite warm smiles and exchanged gifts, insiders say the reunion felt less like a family catch up and more like a carefully choreographed diplomatic call.
The 55 minute meeting at Clarence House marked the first time father and son had spoken in person for 19 months, yet sources insist it unfolded on the King’s tightly controlled timetable.
Harry reportedly slipped into London between the monarch’s scheduled audiences during what palace insiders privately dubbed a “faux royal” visit hardly the relaxed homecoming some had imagined.
According to OK! Magazine, Harry left feeling less like a prodigal son and more like a formal visitor.
One insider close to the duke said he later joked that the meeting was so official he might as well have arrived with a diplomatic badge.
Harry had apparently hoped for something warmer and more personal after such a long gap.
The duke brought a framed photograph of himself with Meghan Markle and their children, Archie and Lilibet.
The King’s grandchildren he has not seen since the Platinum Jubilee in 2022. Charles, for his part, offered a birthday gift, with Harry’s 41st just days away.
Crucially, insiders stress that the conversation steered well clear of Harry’s future role, if any, within the royal setup.
A senior figure with knowledge of the talks was blunt: there was no discussion of duties, responsibilities or hybrid arrangements.
King Charles remains firmly aligned with the Sandringham Agreement reached in January 2020, when Queen Elizabeth ruled out Harry’s request for a part-time royal role while living overseas. That decision, insiders insist, is not being revisited.
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