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Camille Miceli: “The Pucci woman wants to express who she is”

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Camille Miceli: “The Pucci woman wants to express who she is”


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September 24, 2025

Pucci’s artistic director, Camille Miceli, unveiled on Wednesday the essence of the house for FashionNetwork.com, while presenting the brand’s Spring/Summer 2026 collection at the height of Milan Fashion Week.

“Women use fashion to feel free, to dare. Pucci’s success comes from its strong personality; by wearing it, a woman shows who she is,” the designer summarised.

Pucci, S/S 2026 – FNW/EP

Entitled “Passepartout” – in homage to the television programme presented by Philippe Daverio from 2001 to 2011 – Pucci’s new collection has been unveiled through a campaign shot by Oliver Hadlee Pearch, capturing Naomi Campbell as she embodies the brand’s ultimate freedom and sensuality amid strobe lights that heighten the glamorous, glittering, statuesque beauty of the iconic supermodel.

“The first thing I work on is prints, looking through the brand’s archives. Usually I am very attracted to the 1970s, but for this collection I sought something cleaner. We work on colours and shapes, but we always respect the original designs,” Miceli said of her creative process.

“Among the key pieces in this collection are definitely the suits, which we worked on extensively; I find them very feminine. We continue to expand our offering, which already includes bags, footwear, eyewear, bijoux and lifestyle accessories.”

Pucci, S/S 2026
Pucci, S/S 2026 – FNW/EP

For Spring 2026, Pucci presented a collection for every occasion, with each look designed to turn heads. Archival prints were reinterpreted and more dynamic than ever. Labirinto (1969) is a rhythmic pattern of irregular shapes reminiscent of leopard spots in a black, beige and gold palette. Istrice (1957) alternates rounded and jagged lines in a groovy motif in shades of fuchsia, red and purple. Collane (1970) offers a vertical geometric play of circles and diamonds. Volute elongates into a motif as streamlined as it is evocative. Astro, with its spiral graphic, was among Emilio Pucci’s favourite prints for kaftans. Hawaii (1969) bursts like a solar emblem against a solid background.

In the campaign, Naomi sets the tone for the collection, dancing in a lustrous lurex-jersey Iride dress or a Labirinto knit dress and skirt in black and gold. Beyond the animal-print effect, the materials in the Passepartout collection absorbed and reflected the season’s prints, from sheer dresses in gleaming chiffon to winter-weight jacquards in various yarns and printed knits. A body-skimming tailored velvet suit was heightened by the kaleidoscopic Orchidee print. The palette moved from warm, intense black-and-gold tones towards cooler shades. Finally, poolside hues of turquoise and blue bathe the terry ensembles, designed for days in the sun.

Pucci, S/S 2026
Pucci, S/S 2026 – FNW/EP

From shoes to bags, surfaces and detailing spotlighted Pucci signatures. Contrasts of matt and glossy drew the eye to Marmo bags, baguettes and hobo bags, and to over-the-knee boots, while small day-to-night bags were reimagined in Labirinto nylon or vivid red, in bracelet-like shapes. The angular heel returned, with chains that adorn the foot. Jewellery expressed different personalities, from woven chains to creations resembling a curved raven — bold and eye-catching. Handmade leather flowers were offered as brooches and as charms for embossed bags and belts. The iconic scarves ranged from classic silk squares to slim styles embellished with gold chains.

Pucci, S/S 2026
Pucci, S/S 2026 – FNW/EP

Pucci rounded out its offering with lifestyle accessories such as a purple-and-red silk jewellery box in the Iride motif, an umbrella in the same shades that can be carried over the shoulder, and a neck pillow for relaxing poolside.

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South Indian cotton yarn under pressure on weak demand

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South Indian cotton yarn under pressure on weak demand



In the Mumbai market, cotton yarn prices remained unchanged as the loom sector slowed production. Although spinning mills are looking to raise their selling rates, they have not found sufficient demand. A Mumbai-based trader told Fibre*Fashion, “Power and auto looms are facing limited fabric buying from the garment industry. Export prospects are still unclear. Domestic demand is also insufficient to support any price rise. Mills are comfortable with falling cotton prices, while buyers remain silent on yarn purchases.”

In Mumbai, ** carded yarn of warp and weft varieties were traded at ****;*,****,*** (~$**.****.**) and ****;*,****,*** per * kg (~$**.****.**) (excluding GST), respectively. Other prices include ** combed warp at ****;****** (~$*.***.**) per kg, ** carded weft at ****;*,****,*** (~$**.****.** per *.* kg, **/** carded warp at ****;****** (~$*.***.**) per kg, **/** carded warp at ****;****** (~$*.***.**) per kg and **/** combed warp at ****;****** (~$*.***.**) per kg, according to trade sources.



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Bangladesh–US tariff deal may have limited impact on India

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Bangladesh–US tariff deal may have limited impact on India



The proposed Bangladesh–US trade understanding, which could allow near zero-tariff access for Bangladeshi garments to the American market subject to specific riders, has triggered debate within India’s textile and apparel industry. The real gains from zero tariffs may be limited due to high freight costs, longer lead times, and insufficient capacity in Bangladesh’s spinning and weaving/knitting sectors.

Bangladesh is already among the top suppliers of apparel to the US, particularly in basic knit and woven categories such as T-shirts, trousers and sweaters. A tariff advantage, even if modest, could sharpen its price competitiveness in high-volume, price-sensitive segments dominated by mass retailers.

The proposed Bangladesh–US trade understanding offering near zero-tariff access for garments has sparked debate in India’s textile sector.
While Bangladesh may gain a price edge in basic apparel, industry leaders believe the effective advantage could be limited to 2–3 per cent due to raw material dependence, capacity constraints and logistics costs.

However, Indian industry leaders argue that the net gain for Bangladesh may be restricted to around 2–3 per cent in effective competitiveness. They point to structural constraints, including Bangladesh’s heavy reliance on imported raw materials. A significant share of its fabric and yarn requirements is sourced from China and India, limiting flexibility in rules-of-origin compliance if strict value-addition conditions are attached to the deal.

Capacity limitations in spinning, weaving and man-made fibre processing are also seen as bottlenecks. While Bangladesh has built scale in garmenting, its upstream integration remains narrower than India’s diversified fibre-to-fashion base. Indian exporters emphasise that integrated supply chains offer advantages in speed, customisation and smaller batch production.

Logistics and lead times may further temper expectations. Distance from major US ports, coupled with infrastructure pressures and global shipping volatility, could offset part of the tariff benefit. In contrast, Indian suppliers have been investing in port connectivity, digital compliance systems and flexible production models to strengthen reliability.

Industry representatives also highlight that US buyers are increasingly factoring in sustainability, traceability and geopolitical risk. India’s growing adoption of renewable energy in textile clusters, compliance with global standards and broader product depth may help it retain strategic sourcing partnerships.

While some diversion of orders in basic categories cannot be ruled out, exporters believe the overall impact will be incremental rather than disruptive. The consensus view is that tariff preference alone is unlikely to override considerations of scale, compliance, diversification and long-term supply-chain resilience.

Fibre2Fashion News Desk (KUL)



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US lawmakers introduce Last Sale Valuation Act to end customs loophole

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US lawmakers introduce Last Sale Valuation Act to end customs loophole



United States (US) Senator Bill Cassidy, along with Senator Sheldon Whitehouse, have introduced the ‘Last Sale Valuation Act,’ legislation aimed at closing a long-standing customs loophole that allows importers to underpay duties by declaring goods at artificially low values. The act would require tariffs to be assessed on the final sale value of imported goods rather than earlier transactions in complex overseas supply chains.

“This bill protects Louisiana workers and American businesses, ensuring loopholes don’t hold them back,” Dr Cassidy said in a press release.

US Senators Bill Cassidy and Sheldon Whitehouse have introduced the Last Sale Valuation Act to close the ‘first sale’ customs loophole that lets importers underpay duties.
The bipartisan bill would base tariffs on final sale values, strengthen US Customs enforcement and curb duty evasion.
Supporters say it will protect American manufacturers, workers and federal revenue.

If passed, the bipartisan measure would grant clearer enforcement authority to US Customs and Border Protection (CBP), streamline valuation reviews and reduce disputes over documentation, while curbing mis-invoicing and related-party pricing schemes linked to tariff evasion and illicit financial activity.

The legislation has drawn support from the American Compass, the Coalition for a Prosperous America and the Southern Shrimp Alliance.

“Cassidy’s ‘Last Sale Valuation Act’ strengthens customs valuation by assessing duties on the final transaction value of goods entering the US,” said Mark A DiPlacido, senior political economist at the American Compass, adding that closing the judicially created ‘first sale’ loophole would reduce duty evasion, simplify enforcement and increase customs revenue.

Jon Toomey, president of the Coalition for a Prosperous America, said the bill is “an important first step in restoring customs integrity,” ensuring duties are paid on the true commercial value of imported goods and helping level the playing field for American manufacturers and workers.

Fibre2Fashion News Desk (CG)



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