Entertainment
A new look at French Impressionist Gustave Caillebotte
Monet … Degas … Renoir. When we think of French Impressionism, it’s the usual suspects who spring to mind. But one lesser-known artist is ripe for rediscovery.
“Gustave Caillebotte is probably the least-known of the Impressionist painters,” said Gloria Groom, co-curator of a new exhibition of the works of Caillebotte, now on display at the Art Institute of Chicago. “I think he’s still not completely integrated into that story. He’s still kind of the outsider.”
The museum has long been home to the artist’s most recognizable painting, “Paris Street – Rainy Day.”
The Art Institute of Chicago, Charles H. and Mary F. Worcester Collection
“People, they may not know Gustave Caillebotte’s name, but if you say the painting with the umbrellas, they all know it,” said Groom. “And so you start thinking, okay, it’s all about this bourgeois couple walking down the street. But it’s not, because there’s a painter with a ladder, the charwoman who’s opening her umbrella, all these different types of people.”
“Paris Street – Rainy Day” played a supporting role in the beloved movie “Ferris Bueller’s Day Off”. While it was out on loan, museum-goers were bereft. “We got letters,” said Groom. “But you can’t be part of an exhibition to be a partner if you don’t lend the major work for the exhibition. So, we made that sacrifice. And now we’re celebrating its return.”
Louvre Abu Dhabi
The exhibition looks at Caillebotte’s work from a new perspective. While his peers were painting ballerinas and landscapes, Caillebotte’s canvases focused on men to a degree unusual for the time.
Groom said, “He’s looking at the men in his life, he’s looking at the relationships. But he’s not just doing, you know, macho masculinity. He’s doing men in interiors, men on sofas, men looking out a window, kind of turning the tables in many ways.”
Some of the paintings scandalized the French art establishment. “The Floor Scrapers” was rejected from a prestigious art exhibition.
Musée d’Orsay, Paris
And, at another exhibition, a painting featuring a nude man was relegated to a small, inaccessible room. “It’s a male nude, but not an Adonis,” said Groom. “It’s shocking even today. It’s a beautiful, beautiful painting, and it’s sensuous. Let’s face it, it’s sensuous!”
When this exhibition opened in Paris last year with the title “Painting Men,” some critics condemned what they considered the show’s insinuation of Caillebotte’s homosexuality. The artist never married, but shared the last decade or so of his life with a female companion.
But the show moved on to Chicago with a new title – “Painting His World” – which has others saying the changed title minimizes the artist’s focus on the same sex.
Gloria Groom says, quite simply, the paintings speak for themselves: “The paintings are the paintings, and that’s what we’re interested in. We try to open it up to all kinds of interpretations, and people will see what they want to see.”
Gustave Caillebotte died in 1894. He was just 45. All these decades later, people are still seeing what they want to in his beguiling artistry.
For more info:
- Gustave Caillebotte: Painting His World, at the Art Institute of Chicago (through Oct. 5)
- Exhibition catalogue: “Gustave Caillebotte: Painting Men,” edited by Scott Allan, Gloria Groom and Paul Perrin (J. Paul Getty Museum), in Hardcover, available via Amazon, Barnes & Noble and Bookshop.org
- Gustave Caillebotte. “Paris Street; Rainy Day,” 1877. The Art Institute of Chicago, Charles H. and Mary F. Worcester Collection
- Gustave Caillebotte. “Floor Scrapers,” 1875. Musée d’Orsay, Paris, Gift of the Caillebotte heirs through Auguste Renoir, 1894. Photo courtesy of Musée d’Orsay, Dist. GrandPalaisRmn/Franck Raux
- Gustave Caillebotte. “Man at His Bath,” 1884. Museum of Fine Arts, Boston, Museum purchase with funds by exchange from an Anonymous gift, Bequest of William A. Coolige, Juliana Cheney Edwards Collection, and from the Charles H. Bayley Picture and Painting Fund, Mary S. and Edward J. Holmes Fund, Fanny P. Mason Fund in memory of Alice Thevin, Arthur Gordon Tompkins Fund, Gift of Mrs. Samuel Parkman Oliver – Eliza R. Oliver Fund, Sophie F. Friedman Fund, Robert M. Rosenberg Family Fund, and funds donated in honor of George T.M. Shackelford, Chair, Art of Europe, and Arthur K. Solomon Curator of Modern Art 1996–2011. Photo © 2025 Museum of Fine Arts, Boston
- Footage courtesy of Musée d’Orsay Digital Department/YouBLive
Story produced by Robert Marston. Editor: Steven Tyler.
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Who’s Kyle Chrisley? Todd Chrisley’s son arrested for domestic assault months after Trump pardon
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This is not the first time he has been detained, the arrest comes just a few months after his parents were pardoned by U.S. President Donald Trump.
Kyle was booked into the Rutherford County Adult Detention Center in Murfreesboro, Tennessee, USA.
The framed charges against him reportedly include domestic assault, public intoxication, and more.
Who’s Kyle Chrisley?
Kyle Chrisley is the firstborn of a television personality and real estate entrepreneur best known as the head of the reality show Chrisley Knows Best.
Todd shares Kyle and daughter Lindsie, 35, with ex-wife Teresa Terry and shares three children with his current spouse, Julie Chrisley—Savannah, 28, Chase, 29, and Grayson, 19.
Kyle has faced multiple past legal troubles, including charges of domestic assault, public intoxication, disorderly conduct, three counts of assaulting an emergency worker, and resisting arrest, as reported by TMZ.
In March 2023, Kyle was arrested on a felony aggravated assault charge and released after posting a $3,000 bond, and the case was later dropped for undisclosed reasons.
Kyle’s attorney, Wesley Clark, said the suit aims to hold officials accountable and prevent other families from enduring the same frightening experience as the Chrisleys.
Kyle Chrisley’s recent arrest comes only months after his parents, Todd and Julie, were freed from prison via a pardon from U.S. President Donald Trump.
Todd and Julie had served 28 months of imprisonment after being convicted of tax evasion and bank and wire fraud, though they have consistently maintained their innocence.
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Sarah Ferguson appears to reeling from the humiliation of being completely cut off from the royal family and is now trying to grovel her way into gaining back some sympathy.
The former Duchess of York was also ousted after King Charles removed all the royal honours and titles from her ex-husband Andrew Mountbatten-Windsor. They both were found to have a shady connection to the paedophile financier Jeffery Epstein forcing the monarch to take a severe action after public backlash.
Previously, Sarah and Andrew had a tradition to send Christmas cards to family and friends. This year, with Christmas around the corner, Fergie had been signing the festive cards alone to send out to the royals, per DailyMail author Barbara Davies.
Princess Beatrice and Princess Eugenie’s mum had been slowly earning the trust and favour of the royals and had even attended the Sandringham Walk in 2023. However, all of that fell apart when the controversies lined up against the Yorks.
They are also set to vacate the Royal Lodge in the first half of 2026 which would officially (and hopefully for royals) mark the end of the chapter.
“With the long-divorced couple finally preparing to go their separate ways, 66-year-old Sarah, it is understood, has been signing her cards alone,” a source revealed.
They added that the cards which are addressed to members of the Royal Family have “a gushing personalised apology” written for causing the trouble through her past bad decisions.
In what is being termed as a ‘desperate’ attempt, Fergie is making a plea to the royals to somehow prove a little contrition that she feels. The source shared that she had forlornly written on the cards: “I hope we’ll meet again”.
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Amanda Seyfried is not letting go of her hopes for a third Mamma Mia! film and says she’s more motivated than ever to see it happen.
Speaking with PEOPLE at the Los Angeles premiere of The Testament of Ann Lee on Dec. 14, the actress made it clear she’s ready to keep pushing for Mamma Mia 3, especially if it allows her beloved character Sophie to step into a new phase of life.
When asked what Sophie’s future might look like if the franchise returns, Seyfried immediately imagined motherhood.
“Oh, with kids. I mean, I love being a mother,” the 40-year-old said, drawing a parallel between her own life and Sophie’s journey.
“I love playing a mother, and I would love to dive into the curiosities of motherhood and raising children on a Greek island, just like Donna did with Sophie.”
Meryl Streep famously played Donna, Sophie’s free-spirited mother, in the original 2008 musical.
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Her enthusiasm doesn’t stop there. Seyfried made it clear she’s not quietly waiting on the sidelines.
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