Tech
Add-ons, Shmad-ons: LG’s S95AR Provides All You Need for Cinematic Surround
There aren’t many all-in-one soundbar solutions that give you as much sonic immersion for your money as LG’s S95. Many modern soundbar brands prefer to sell high-priced single bars, with add-on speakers available for an additional fee. LG provides a subwoofer, dual surrounds, and LG’s unique mix of five (not four) height channels to put you in the center of the action for 3D sound formats like Dolby Atmos and DTS:X from the get-go.
The latest-model S95AR offers a modest upgrade over last year’s S95TR (8/10, WIRED Recommends), including a revamped subwoofer and a $200 price hike to go with it. It’s perhaps no coincidence that the S95’s biggest rival, Samsung’s 11.1.4-channel Q990, has also raised its price in recent years, keeping LG’s slightly less elaborate 9.1.5-channel setup the more affordable option at full price.
I still prefer Samsung’s warmer, more musical sound signature, but the S95AR is a thrilling performer that offers similar (if not better) value, along with exclusive features for owners of newer LG TVs. If you’re looking for a one-stop setup that gets you close to a multi-component home theater solution, but with much less hassle, the S95AR is among the best soundbars around.
Battered but Brisk
Photograph: Ryan Waniata
For the second time in two products from LG, the S95AR landed on my doorstep in a somewhat abused state, with notable dents to its metallic acoustic grille. The system seemed otherwise no worse for wear, and while its 50-inch width pushes to the edges of midsize consoles, its height of less than 3 inches fits neatly below most TVs. Setup was mostly uneventful, allowing me to get it connected and spinning sound through the four-piece system in short order.
I say mostly uneventful because, as was the case with the last LG soundbar I reviewed, the S95AR requires you to plug in its components in a certain order: subwoofer first, then surrounds, then the bar. I did not do this, and the left rear surround wouldn’t connect. Unplugging everything and reconnecting it in order fixed things (or perhaps it was just the power cycling), and I had no other connection issues over several weeks.
LG’s ThinQ app has grown up over the years, now standing as a capable and mostly stable control center for all software setup and settings. The app found the bar nearly instantly and made it easy to connect to my network, futz with speaker channel levels, and perform LG’s AI Calibration that tunes the soundbar to your space. You can easily change inputs or sound modes and “Effects” from Music and Cinema modes to Night mode for softening the bass when the kids (or neighbors) are tucked in.
There’s also a separate remote for many of these controls, but due to the bar’s lack of any real visual display, using it for anything more than a quick volume adjustment or input switch is a hassle, as you’re relying on voice cues. That could be helpful for those with accessibility issues, but otherwise, the app is your interface.
Fully Stocked
Photograph: Ryan Waniata
Nestled within the main bar are front, left, and center channels that handle the majority of your music and TV content, dual side-firing drivers to bounce sound off your walls, and a trio of “height” channels to bounce effects off your ceiling, including LG’s unique center height channel for enhanced immersion with Dolby Atmos and DTS:X mixes. You’ll get three more channels in each football-sized surround speaker, including front, side, and height channels, and an 8-inch side-firing subwoofer.
April might be springtime in the northern hemisphere, but some of the best streaming services seem to think it’s the perfect time for a dry run of spooky season. How else to explain the arrival of some exquisitely dark slices of horror, like 28 Days Later: The Bone Temple arriving on Netflix, Weapons coming to Prime Video, or Shelby Oaks landing on Hulu? If you prefer your off-season Halloween viewing to be in the vein of campy B movies rather than serious scares though, horror specialist Shudder has you covered with Deathstalker, a gloriously cheesy reboot of a near-forgotten ’80s series.
Reality is often scarier than fiction though, as shown by Louis Theroux’s Inside the Manosphere—his first documentary film with Netflix, exploring the dark side of social media and the world of toxic male influencers. (Be sure to read our interview with the filmmaker.) And if the thought of that leaves you wanting something a bit more wholesome to watch, thankfully Zootopia 2 has popped up on Disney+—and there’s even a rabbit in that, for some appropriately springtime imagery.
Here are WIRED’s picks of the best movies to watch right now.
28 Years Later: The Bone Temple
The fourth film in the long-running postapocalyptic horror series switches focus from rampaging rage zombies to a more dangerous threat: humans. OK, OK, “people are the real monsters” isn’t a hot take for the genre, but The Bone Temple offers a unique twist, with 28 Years Later survivor Spike (Alfie Williams) trapped in the company of a murderous gang led by deranged satanist “Sir Lord” Jimmy Crystal (Sinners’ Jack O’Connell). The villain is modeled on disgraced British TV presenter Jimmy Savile, whose sexual abuse crimes hadn’t been revealed by the time of the initial outbreak in 28 Days Later, adding a dash of real-world terror.
As the group stalks what remains of the English countryside, Spike’s only hope might be Dr. Ian Kelson (Ralph Fiennes), whose experiments on curing alpha zombie Samson (Chi Lewis-Parry) might hold humanity’s last hope. Although best watched back to back with its predecessor for the full, horrifying picture, director Nia DaCosta’s chapter stands on its own—and earns bonus points for one of the best uses of Iron Maiden’s “Number of the Beast” in film history.
Louis Theroux: Inside the Manosphere
It’s the silence that does the trick; British documentarian Louis Theroux always knows when not to speak and instead let his subject expose themselves for the world to see. It’s a masterful technique whether Theroux is investigating the Westboro Baptist Church or UFO conspiracy theorists, but it is rarely put to better use than in his latest outing: exploring the online “manosphere” subculture of self-appointed “alphas” offering toxic advice on how to be a “real man.” Speaking with key figures in the loosely defined movement, Theroux’s mild-mannered approach often leaves them to do most of the talking, exposing shockingly misogynistic and extremist views. Even more distressing? The quiet revelation that for many of them their performative masculinity is all just one big grift, and how they rationalize the harm they cause in pursuit of a payout. Depressing but compelling viewing—not all men, but definitely all of these men.
Crime 101
Jewel thief Mike (Chris Hemsworth) is the best in the business, a meticulous planner who pulls off his heists without leaving a shred of evidence—much to the consternation of LAPD detective Lou Lubesnick (Mark Ruffalo), who doesn’t even know exactly who he’s hunting for a string of thefts. Elsewhere in the City of Angels, Sharon (Halle Berry) is an underappreciated VP at an insurance firm, frustrated at being passed over for promotion for years. She’s the perfect insider to help Mike orchestrate an elaborate $11 million diamond heist. But as Lou uncovers evidence connecting to Mike’s past, and the chaotic, violent biker Ormon (Barry Keoghan) aims to take the score for himself, even the most masterful planning can’t prevent everything spiraling dangerously out of control.
Kevin Weil, OpenAI’s former chief product officer who was recently tapped to build a new AI workspace for scientists, Prism, is leaving the company, WIRED has confirmed. Weil was previously an early executive leading product at Instagram.
OpenAI is also sunsetting Prism, which the company launched as a web app in January this year to give scientists a better way to work with AI. The company is folding the roughly 10-person team behind it into Thibault Sottiaux’s Codex team. An OpenAI spokesperson confirmed the changes, and tells WIRED this is part of the company’s effort to unify its business and product strategy. OpenAI has broader ambitions to turn Codex, its AI coding application, into an “everything app.”
Weil, who joined OpenAI in June 2024, announced last September that he would be starting a new initiative inside of the company called “OpenAI for Science.” Now, OpenAI is dispersing those employees throughout the company’s product, research, and infrastructure teams. An OpenAI spokesperson reiterated the company’s commitment to accelerating scientific discovery, and says it’s one of the clearest ways AI can benefit humanity.
OpenAI is currently trying to refocus the company around a few key areas, such as enterprise offerings and coding. Last month, OpenAI’s CEO of AGI deployment Fidji Simo told staff that the company needs to simplify its product offerings. The push to divert resources to more consequential efforts resulted in OpenAI discontinuing its Sora video-generation app.
This is a developing story. Please check back for updates.
Sam Altman’s iris-scanning, humanity-verifying World project announced at an event in San Francisco on Friday that Tinder users around the globe can now put a digital badge on their profiles signaling to potential suitors that they’re a real human, provided they’ve already stared into one of World’s glossy white Orbs and allowed their eyes to be scanned. The announcement follows a pilot project for Tinder verification that World previously conducted in Japan.
The global Tinder expansion is one of the biggest tests yet for World, and the company’s bet that everyday consumers will be willing to sign up for biometric verification services to use internet applications. Founded in 2019 by Altman and Alex Blania, the World project was designed for a future where the internet is overrun with highly capable AI agents that make it incredibly difficult, if not impossible, to tell who is really human. As companies like OpenAI—where Altman is CEO—and Anthropic push AI agents into the mainstream, the problem World was built to solve feels increasingly urgent.
But World has struggled to achieve mainstream adoption, and it has encountered resistance from governments around the globe that have probed the company over suspected violations of data protection laws. The company says 18 million people have now been verified with an Orb, up from 12 million last year.
In addition to the Tinder global expansion, Tools for Humanity, the company behind World, announced a number of other consumer and enterprise partnerships on Friday at its Lift Off event in San Francisco. The startup says Tinder users who verify with their World ID will receive five free “boosts,” typically a paid feature that increases the number of users who see a profile by up to 10 times for 30 minutes. The videoconferencing platform Zoom also says that users can now require other participants to verify their identity with World before joining a call. Docusign, the contract signing software, will allow users to require World’s identity verification technology.
Tiago Sada, Tools for Humanity’s chief product officer, tells WIRED the company sees major platform partnerships as key to helping World become a mainstream identity-verification technology. Sada said he’s especially interested in working with social media companies in the future, and was encouraged to see that Reddit has started testing World as a solution to help users distinguish bots from real people.
World is also launching a tool called Concert Kit, which lets artists reserve concert tickets for verified humans, a pitch aimed squarely at the bot-driven scalping problem that critics say has plagued sites like TicketMaster. World will test the feature on the upcoming Bruno Mars World Tour featuring Anderson .Paak, who is scheduled to play a verified-humans-only show under his alias DJ Pee .Wee in San Francisco on Friday night.
No new hardware announcements or updates were made at Friday’s event. World first launched the iris-scanning Orb back in 2023, alongside a mobile app that contains “mini apps” for different verification and blockchain-related programs. After a person scans their eyeball with one of World’s Orbs, the startup creates a unique cryptographic key for each person—their World ID. This creates a private, decentralized way to verify people online, without requiring them to upload their government ID all over the internet.
The project was initially called Worldcoin, and in the early days the startup offered people free cryptocurrency to scan their irises. World still offers a cryptocurrency token and a wallet for digital currencies, but dropped the “coin” from its name in 2024 and has since shifted its focus to identity verification for the AI era. Jess Montejano, a spokesperson for Tools for Humanity, says the company still offers crypto as an incentive when new users sign up, but has also expanded its offerings to include Netflix and Apple TV subscription trials.
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