Fashion
Designers at Debenhams retail comeback begins with Ashish collab
Published
September 18, 2025
Debenhams is putting a major push behind the revival of its Designers at Debenhams project and on Thursday said it’s returning for AW25 and has been “reimagined for a new generation” with Ashish Gupta’s Ashish label.
The exclusive partnership with the Indian designer sees Ashish bringing “his signature maximalism to the AW25 Designers at Debenhams collection, delivering pieces that are equal parts statement-making and wearable”.
We’re told the line-up “celebrates glamour, playfulness, and individuality through hero designs that demand attention”. Included are “technicolour oversized coats in saturated rainbow faux furs… high-octane sequin slip dresses in fluid 90s-inspired silhouettes that fuse minimalism with high-shine drama, [and] psychedelic printed jersey dresses in swirling, hyper-bright patterns that blur retro nostalgia with contemporary street style”.
The collection debuted on the Debenhams webstore on Thursday, priced from £59.
Designers at Debenhams launched in the 1990s and was a hugely popular brand, as well as being a trailblazer in terms of designer collaborations with retailers at affordable prices.

It brought big names to the high street — including John Rocha, Julien Macdonald, Jasper Conran, Matthew Williamson, Henry Holland,Betty Jackson, Ben de Lisi and many more — and the concept continues to be popular today so reviving it as part of the overall Debenhams comeback makes good commercial sense.
Debenhams Group CEO Dan Finley, CEO, Debenhams Group says: “Designers at Debenhams was more than a range, it was a retail movement. It broke down barriers between luxury and the high street and created a blueprint the industry still follows today. Bringing it back isn’t just about nostalgia, it’s about taking the DNA that made it iconic and re-engineering it for how people shop, live, and dress now. Relaunching with Ashish a designer renowned for his unapologetic glamour, wit, and creativity, sets the perfect tone for this bold new era.”
Copyright © 2025 FashionNetwork.com All rights reserved.
Fashion
Wolf & Rita records growth in the US, plans retail expansion in 2026
By
Portugal Textil
Published
November 5, 2025
Portuguese childrenswear brand Wolf & Rita has posted growth in the North American market, now its main market, and is preparing new strategies for 2026, with a focus on expansion in Portugal and across Europe.
Wolf & Rita had a steady 2024, albeit with significant shifts across international markets. “Last year we were at cruising speed, stable. We saw a slight dip in Japan, as the market is facing significant economic difficulties, but we grew strongly in the US, which has become our leading market” and now accounts for 25% of turnover, Sónia Rocha tells Portugal Têxtil.
According to the brand’s co-founder, Asia, which until then had been the main market, has been overtaken by the US, driven by a new distributor who works “with a very specific community, the Orthodox Jewish community in Brooklyn”, which has “strong purchasing power and is embracing Wolf & Rita.”
With the autumn/winter 2025 collection also enjoying a good reception, including online sales in the US, Sónia Rocha recognises that the next challenge lies in customs duties. “We believe that online sales will decline. The challenge and the strategy will be to increase sales to shops, so they can better meet the market’s needs locally. Because the wholesale price we sell at, and the business model we’ve been using, already cover the duties,” she explains.
The brand is also seeing positive momentum in the Middle East, with a presence in Kuwait, Qatar, and Saudi Arabia and an increasing number of points of sale. “It’s a market that, while not yet as significant as the US, is growing,” notes the co-founder of Wolf & Rita. Currently, the Middle East represents around 15% of the brand’s turnover, while Asia accounts for between 15% and 17%.
By contrast, the Portuguese market remains “very residual.” Sónia Rocha acknowledges that “all the shops we had selling Wolf & Rita, unfortunately, did not survive.” Even so, online sales place Portugal as the third- or fourth-largest market, especially during promotional periods. “Our main strategy for 2026 is to undertake marketing and communication for the Portuguese market, to see if we have any room for growth here,” she reveals.
In Europe, the focus is on the Benelux countries, particularly the Netherlands and Belgium, which Sónia Rocha considers to have the greatest potential. “We’re now working with a consultant and then we’ll move on to the communications side, demystifying the idea that people have of Wolf & Rita being a very unattainable, fashion-led brand,” explains the co-founder. However, she clarifies that despite the “strong image,” “60% of the collection is knitwear, easily combined with other brands. But people don’t see that and we’re working on simplifying the collection and making it more commercial, so that we can then communicate that.”
The current collection, launched in August, is in line with previous years’ collections and, “even though the economic situation isn’t great in Japan and the cold weather has yet to set in, Wolf & Rita is outperforming other brands. So we’re happy with the results this collection is achieving,” she concludes.
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Fashion
Super-stylist Clare Byrne is new fashion director of i-D
Published
November 5, 2025
Karlie Kloss’s Bedford Media said Wednesday that its i-D Magazine has named stylist Clare Byrne its global fashion director, effective immediately.
Reporting to editor-in-chief and chief brand officer Thom Bettridge, she takes on a role previously held by Carlos Nazario, Alastair McKimm, Julia Sarr-Jamois and Edward Enninful (who was global fashion director for 20 years until 2011).
Byrne works between New York and Europe and we’re told she “brings an instinctive approach to visual storytelling that is often defined by colour, humour and a refined sense of composition”.
She was most recently fashion director at The Travel Almanac, “where she introduced a fashion perspective and elevated the roster of contributors and subjects to feature talents such as Grimes, A$AP Rocky, Arca and Anohni”.
Her styling work has appeared in a variety of publications including Pop, M Le Monde, Vogue, W Magazine, Fantastic Man, Double, and i-D itself. She actually worked on the ‘Unknown’ cover story with Ezra Khoury for the relaunch issue earlier this year.
She also styles and consults for brands including Heaven, Marc Jacobs, Chanel, Dior, Hermès, Calvin Klein, Tiffany & Co and MAC and has worked closely with major-name photographers and directors including Inez & Vinoodh, Roe Ethridge, Craig McDean, Aidan Zamiri, Willy Vanderperre, Charlotte Wales, Collier Schorr, Theo De Gueltzl and Ethan James Green.
Copyright © 2025 FashionNetwork.com All rights reserved.
Fashion
When imitation becomes intelligence
Copying often sustains creativity rather than destroying it.
When a silhouette or motif spreads, margins do not necessarily collapse.
Most garments fall outside the scope of long-term copyright or patent monopolies.
The danger of over-regulation is to mistake control for value.
A balanced framework can preserve openness, reward originality, and keep the industry’s creative cycle alive.
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