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Japan’s Soshi Otsuki wins LVMH Prize 2025

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Japan’s Soshi Otsuki wins LVMH Prize 2025


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September 3, 2025

And the winner is from Japan: Soshi Otsuki, an exciting new talent in menswear, was awarded the LVMH Prize for 2025 on Wednesday at a packed ceremony at the Louis Vuitton Foundation in Paris.

Soshi Otsuki (center) holding the LVMH Prize trophy, pictured with jury members Sarah Burton (left) and Deepika Padukone (right) at the 2025 LVMH Prize ceremony held at the Louis Vuitton Foundation in Paris. – FashionNetwork.com

One of the richest individual awards in fashion — with first prize garnering €300,000 — the LVMH Prize celebrated its 12th year this season.

“Thank you to the jury, to Delphine Arnault, to LVMH and to everyone… I am very honored,” a shy Otsuki murmured into the microphone on the main stand.

In a pre-prize video, Otsuki explained: “I launched Soshiotsuki in 2015, blending Japanese tradition with modern craftsmanship. Interpreting the DNA of Japanese heritage from a unique perspective. Blending precision, with emotion, to craft modern silhouettes.”

The jury, composed principally of LVMH designers — such as Phoebe Philo, Pharrell Williams, Sarah Burton, Jonathan Anderson, Nicolas Ghesquière and Silvia Fendi — and including executives like Sidney Toledano and the originator of the award, Dior CEO Delphine Arnault, also chose two other award winners.

The jury presented the Karl Lagerfeld Prize to Steve O Smith, a UK-born talent noted for his brilliant ink-on-paper sketches that he transports into willowy, graphic and romantic dresses — winning Smith a check for €150,000 for the adjoining Karl Lagerfeld Prize.

Meanwhile, the third award — the Savoir-Faire Prize — went to another British creator, Torishéju Dumi, who presented women’s and men’s collections defined by dynamic, edgy grandeur. The Savoir-Faire Prize was created to recognize excellence in craftsmanship, technical innovation and the sustainable approach of the selected brands.

Previous LVMH Prize finalists have included Jacquemus, Demna, and Rachel Scott, the designer of New York brand Diotima, who was named creative director of Proenza Schouler yesterday.

The winner was selected from eight finalists chosen from a group of 20 semi-finalists who participated in the LVMH Young Fashion Creators Award, presenting their ideas on March 5 and 6 in Paris. A first jury of around 80 experts — including editors, stylists, models, and movie stars — whittled the initial 20 down to eight.

The other five finalists were French designer Alain Paul, who showed women’s, men’s and unisex collections in inventive sculptural forms; All-In, by the duo of Benjamin Barron from the U.S. and Bror August Vestbø from Norway, who presented women’s and unisex collections featuring a fabulous frou-frou gown accessorized with giant pearl necklaces;

Zomer by Danial Aitouganov, a Dutch talent whose women’s shows in Paris have been highly acclaimed for several seasons; from Italy came Francesco Murano, a highly skillful draper; and London-based talent Tolu Coker, with a blend of African iconography and prints coupled with bravura cutting and tailoring.

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Egypt’s apparel exports rise 25% in H1, trims US market reliance

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Egypt’s apparel exports rise 25% in H1, trims US market reliance



Egypt exported apparel worth $*,***.*** million during January–June ****, compared with $*,***.*** million in the same period of ****. This marks a strong rebound following global retail recovery and better utilisation of production capacities within Egypt’s textile clusters, according to the *fashion.com/market-intelligence/texpro-textile-and-apparel/” target=”_blank”>sourcing intelligence tool TexPro.

The country exported **.** per cent of its apparel, in value terms, to its top five markets. The US remained the largest destination despite a decline in its share. Egypt’s apparel exports to the US were valued at $***.*** million (**.** per cent) in the first half of ****, down from $***.*** million (**.** per cent) in the same period of ****, indicating reduced reliance on this market. The lower US share is partly due to slower American apparel imports and Egypt’s strategic push towards regional diversification.



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Real UK GDP grows 0.3% QoQ in quarter to Aug 2025: ONS

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Real UK GDP grows 0.3% QoQ in quarter to Aug 2025: ONS



Real UK gross domestic product (GDP) grew by 0.3 per cent quarter on quarter (QoQ) in the quarter to August this year—a slight increase following a QoQ growth of 0.2 per cent in the quarter to July and a QoQ growth of 0.3 per cent in the Quarter to June.

Production output fell by 0.3 per cent QoQ in the quarter to August—a smaller decrease than in the quarter to July, when it fell by 1.4 per cent (revised down from a fall of 1.3 per cent in the previous estimate).

Real UK GDP grew by 0.3 per cent quarter on quarter (QoQ) in the quarter to August—a slight rise following a QoQ growth of 0.2 per cent in the quarter to July.
Production output fell by 0.3 per cent QoQ in the quarter—a smaller drop than in the preceding quarter.
Manufacturing showed no QoQ growth in the quarter.
GDP grew by 0.1 per cent month on month in August, following a fall of 0.1 per cent in July.

Manufacturing, the largest production sub-sector, showed no QoQ growth in the three months to August 2025.

Construction output increased by 0.3 per cent QoQ in the three months to August 2025—a smaller increase than the QoQ growth of 0.5 per cent in the three months to July (revised down from 0.6 per cent in the previous estimate).

GDP is estimated to have grown by 0.1 per cent month on month (MoM) in August 2025, following a MoM fall of 0.1 per cent in July (revised down from no growth in the previous bulletin) and a MoM growth of 0.4 per cent in June this year.

Production grew by 0.4 per cent MoM in August 2025, whereas construction fell by 0.3 per cent MoM.

“Today’s data shows the economy picking up slightly, driven by services and construction. That will be welcomed by business, ahead of what is expected to be a challenging Budget next month,” said Stuart Morrison, research manager at the British Chambers of Commerce (BCC).

“Our latest survey shows business confidence and investment levels continue to suffer. A fifth of firms are expecting lower turnover over the next year, and a quarter have scaled back investment plans,” he said. 

“For the last twelve months, SMEs [small and medium enterprises] have told us the same story: rising costs, weak investment and little sense of relief on the horizon,” he added.

Fibre2Fashion News Desk (DS)



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Calais-Caudry Lace aims to secure European Geographical Indication status

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Calais-Caudry Lace aims to secure European Geographical Indication status


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October 18, 2025

Recognised as a protected geographical indication in France, Dentelle de Calais-Caudry says it has begun the process of becoming a European geographical indication to better protect its identity against low-grade counterfeits.

Dentelle de Calais-Caudry

From December 1, the European Union will introduce a simplified procedure under Regulation 2024/1143, which now governs geographical indications and protected designations of origin across its Member States.

Crucially, Europe is now extending a protection regime to artisanal, manufactured, and industrial products, which was previously reserved for agricultural produce, foodstuffs, and spirits.

“The Dentelliers de Calais-Caudry have already applied to the INPI, which is responsible for forwarding their application to the EUIPO (European Union Intellectual Property Office), so that their geographical indication can be recognised throughout the European Union”, say the Calais and Caudry lacemakers.

Dentelle de Calais-Caudry became a regulated geographical indication in France at the beginning of 2024. It took the local industry’s representatives five years to achieve this goal, which aims to distinguish and protect know-how that is more than two centuries old, and relies on the use of imposing, complex Leavers looms, which lend their name to the lace they produce. In 1958, the “Dentelle de Calais” label was launched, and in 2015 it became “Dentelle de Calais-Caudry”, to include manufacturers from the Caudry area.

Dentelle de Calais-Caudry

“Regularly confronted with very poor-quality counterfeits that damage their image and sales, the lacemakers of Calais-Caudry will, by obtaining this European geographical indication, benefit from legal protection across the 27 countries of the Union”, says the label, which hopes that “this guarantee of authenticity and quality, which will reassure all designers, stylists and lovers of Calais-Caudry lace, will help safeguard this know-how, these ‘passion’ trades, and accelerate international development.”

Today, Calais-Caudry lace is produced in Calais by Codentel, Cosetex, Noyon (Darquer), and Sophie Hallette / Riechers Marescot, which also operates in Caudry. The town is also home to Beauvillain Davoine, Darquer & Méry, Dentelles André Laude, Dentelles MC, Jean Bracq, and Solstiss.

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