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Japan’s Soshi Otsuki wins LVMH Prize 2025

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Japan’s Soshi Otsuki wins LVMH Prize 2025


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September 3, 2025

And the winner is from Japan: Soshi Otsuki, an exciting new talent in menswear, was awarded the LVMH Prize for 2025 on Wednesday at a packed ceremony at the Louis Vuitton Foundation in Paris.

Soshi Otsuki (center) holding the LVMH Prize trophy, pictured with jury members Sarah Burton (left) and Deepika Padukone (right) at the 2025 LVMH Prize ceremony held at the Louis Vuitton Foundation in Paris. – FashionNetwork.com

One of the richest individual awards in fashion — with first prize garnering €300,000 — the LVMH Prize celebrated its 12th year this season.

“Thank you to the jury, to Delphine Arnault, to LVMH and to everyone… I am very honored,” a shy Otsuki murmured into the microphone on the main stand.

In a pre-prize video, Otsuki explained: “I launched Soshiotsuki in 2015, blending Japanese tradition with modern craftsmanship. Interpreting the DNA of Japanese heritage from a unique perspective. Blending precision, with emotion, to craft modern silhouettes.”

The jury, composed principally of LVMH designers — such as Phoebe Philo, Pharrell Williams, Sarah Burton, Jonathan Anderson, Nicolas Ghesquière and Silvia Fendi — and including executives like Sidney Toledano and the originator of the award, Dior CEO Delphine Arnault, also chose two other award winners.

The jury presented the Karl Lagerfeld Prize to Steve O Smith, a UK-born talent noted for his brilliant ink-on-paper sketches that he transports into willowy, graphic and romantic dresses — winning Smith a check for €150,000 for the adjoining Karl Lagerfeld Prize.

Meanwhile, the third award — the Savoir-Faire Prize — went to another British creator, Torishéju Dumi, who presented women’s and men’s collections defined by dynamic, edgy grandeur. The Savoir-Faire Prize was created to recognize excellence in craftsmanship, technical innovation and the sustainable approach of the selected brands.

Previous LVMH Prize finalists have included Jacquemus, Demna, and Rachel Scott, the designer of New York brand Diotima, who was named creative director of Proenza Schouler yesterday.

The winner was selected from eight finalists chosen from a group of 20 semi-finalists who participated in the LVMH Young Fashion Creators Award, presenting their ideas on March 5 and 6 in Paris. A first jury of around 80 experts — including editors, stylists, models, and movie stars — whittled the initial 20 down to eight.

The other five finalists were French designer Alain Paul, who showed women’s, men’s and unisex collections in inventive sculptural forms; All-In, by the duo of Benjamin Barron from the U.S. and Bror August Vestbø from Norway, who presented women’s and unisex collections featuring a fabulous frou-frou gown accessorized with giant pearl necklaces;

Zomer by Danial Aitouganov, a Dutch talent whose women’s shows in Paris have been highly acclaimed for several seasons; from Italy came Francesco Murano, a highly skillful draper; and London-based talent Tolu Coker, with a blend of African iconography and prints coupled with bravura cutting and tailoring.

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UK’s Sosandar returns to profitability amid robust FY26 performance

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UK’s Sosandar returns to profitability amid robust FY26 performance



British womenswear brand Sosandar plc has reported strong year-on-year (YoY) growth in fiscal 2026 (FY26), driven by robust online performance, improved margins and a return to profitability.

The company posted a revenue of £42.3 million (~$57.53 million) in FY26 ended March 31, 2026, up 14 per cent YoY from the previous year, supported by a 24 per cent surge in own-site sales. The growth was fuelled by higher website traffic, improved conversion rates and increased order volumes from both new and returning customers.

Sosandar reported FY26 revenue of £42.3 million (~$57.53 million), up 14 per cent, driven by strong online growth, with own-site sales rising 24 per cent.
The company returned to profitability with PBT of £0.4 million (~$0.54 million) and improved margins.
Despite slightly missing revenue expectations, performance remained solid.
Strong third-party sales supported confidence in profitable growth.

Sosandar noted strong performance across all categories, from occasion wear to casual collections, reflecting its ability to translate trends into its distinctive design aesthetic.

Profitability improved significantly during the year, with profit before tax expected to reach £0.4 million (~$0.54 million), compared to a loss of £0.1 million in FY25. Gross margin also strengthened to 63.9 per cent from 62.1 per cent, highlighting the company’s focus on margin enhancement and operational efficiency. Sosandar ended the year with net cash of £8.4 million, even after £1.8 million in share buybacks, up from £7.3 million a year earlier, Sosandar said in a press release.

The company noted that market expectations ahead of the announcement had been set at revenue of £43.1 million and profit before tax of £0.4 million for FY26, indicating that profitability is in line with forecasts, while revenue came in slightly below expectations.

The brand continued to perform strongly across third-party platforms, particularly with NEXT, reinforcing its position as a leading womenswear label in the UK market. Trading with Marks & Spencer also began to normalise following earlier disruptions, with stock intake returning to expected levels.

Sosandar’s physical retail presence delivered a positive uplift, with stores entering their second year of trading and locations in market towns performing particularly well. However, the company noted that stores are still weighing on overall profitability as they mature, especially those located in shopping centres. As a result, no new store openings are planned in the near term, with a focus instead on improving profitability at existing locations.

Looking ahead, the board expressed confidence in the company’s strategy, emphasising that strong foundations are in place to deliver sustainable, profitable and cash-generative growth.

Fibre2Fashion News Desk (SG)



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Sri Lanka’s manufacturing PMI surges: Textiles drive March gains

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Sri Lanka’s manufacturing PMI surges: Textiles drive March gains



Sri Lanka’s Manufacturing Purchasing Managers’ Index (PMI) rose sharply to 66.7 in March from 56.8 in February, signalling a strong acceleration in factory activity, according to the data issued by the Statistics Department. Growth was led by higher new orders (69.9) and production (68.8), particularly in the textile and wearing apparel sectors.

Firms also increased stock purchases to support rising output, with some resorting to precautionary inventory building amid concerns over disruptions linked to the ongoing Middle East conflict, the Central Bank of Sri Lanka said in a press release.

Sri Lanka’s manufacturing PMI surged to 66.7 in March from 56.8 in February, driven by strong gains in new orders and production, particularly in apparel.
Firms raised inventories amid Middle East-related risks.
However, supply constraints, rising costs, and logistics issues persisted, with delivery times worsening.
Employment growth slowed.
Outlook remains positive.

Despite robust demand, manufacturers reported a constrained operating environment due to raw material and fuel shortages, rising input costs, and logistical challenges. Supplier delivery times lengthened significantly to 75.5, reflecting shipping disruptions and demand pressures. Employment rose at a slower pace, indicating cautious hiring despite increased workloads.

Looking ahead, business expectations for the next quarter remain positive across sectors, supported by seasonal trends and emerging opportunities. However, concerns persist over the impact of the Middle East conflict, supply disruptions, and broader global economic uncertainty, which may weigh on future momentum.

Fibre2Fashion News Desk (SG)



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UAE-Jordan Railway Company formed to build freight railway

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UAE-Jordan Railway Company formed to build freight railway



The United Arab Emirates and Jordan have recently reached an agreement to develop a railway network in Jordan and establish the UAE-Jordan Railway Company.

The agreement covers the construction and operation of a 360-kilometre railway linking the main mining areas of Al-Shidiya and Ghor Al-Safi to the Port of Aqaba.

The United Aran Emirates and Jordan recently an agreement to develop a railway network in Jordan and establish the UAE-Jordan Railway Company.
The agreement covers the construction and operation of a 360-kilometre railway linking the main mining areas of Al-Shidiya and Ghor Al-Safi to the Port of Aqaba.
The project aims at transporting 16 million tonnes of phosphate and potash annually.

The project aims at transporting 16 million tonnes of phosphate and potash annually, with a total investment value of $2.3 billion. Both phosphate and potash are chemicals used in the textile industry.

The agreement was signed by UAE Minister of Energy and Infrastructure Suhail bin Mohamed Al Mazrouei and Jordan’s Minister of Transport Nidal Al-Qatamin.

The UAE-Jordan Railway Company was formally established as a joint venture between Abu Dhabi’s L’IMAD Holding Company (L’IMAD) and several Jordanian stakeholders, according to an official release in the UAE.

The joint venture will be responsible for the implementation, operation and maintenance of Jordan’s railway network through its executing arm, Etihad Rail, the developer and operator of the UAE’s national railway network.

The project will enhance Jordan’s export capabilities and logistics efficiency by directly linking phosphate and potash production sites to the Port of Aqaba, significantly reducing transport time and costs.

It will also support comprehensive economic development and open wide prospects for job creation across multiple sectors, leveraging the extensive expertise of Etihad Rail.

Fibre2Fashion News Desk (DS)



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