Entertainment
Jennifer Lopez says challenging “Kiss of the Spider Woman” role is something she’s “wanted to do my whole life”
Jennifer Lopez says her latest project, a musical film exploring an unlikely bond between a transgender character and a political revolutionary, arrives at a moment when a message of acceptance is necessary.
“I think it’s necessary because the world is in a place where there’s a lot of hate … there’s a demonization of like the Latino community, of the queer community….and I think, you know, we need to remind each other that love is the answer – not hate,” Lopez told “CBS Mornings” co-anchor Gayle King about the new film, “Kiss of the Spider Woman,” which hits theaters Friday.
Lopez said she was “immediately floored” when she read the script for the film by writer and director Bill Condon, known for his work on “Chicago” and “Dreamgirls.” The movie is based on a 1970s novel by Manuel Puig, which Lopez described as being far ahead of its time.
The story’s central message focuses on a transgender character and a cisgender political revolutionary who come from completely different worlds but, through extraordinary circumstances, come to recognize each other’s humanity and develop a deep bond.
“I thought to myself: this is something I’ve wanted to do my whole life,” she said.
Playing three “very different characters”
Lopez said the last time she felt that same thrill was when she was preparing for her star role in “Selena.” In “Kiss of the Spider Woman,” Lopez plays three different versions of the same woman.
“They’re the same person, but they’re three very different iterations of this woman and they’re all very different characters and they have very different looks as well. And that was fun. But I think the essence of who they were was very different, but still the same. And I think that was the challenge,” Lopez explained.
Lopez said the film’s core message is about seeing past differences.
“When you forget about all those things, if you forget about somebody’s political views and you forget, we’re all entitled to our opinions about everything and our ways of thinking, and even, you know, from where we grew up and where we’re from all over the world. But the truth is, we’re all human, we’re all the same. And if we can just see that we can allow people to be who they are and love each other anyway,” she said.
She also spoke about her character, Ingrid Luna, who appears in one musical sequence. In that scene, Ingrid helps another character escape the harsh reality of prison through a fantasy-like performance. The number, titled “Where You Are,” serves as an emotional moment of release, inviting the character to forget his surroundings and find comfort through imagination.
“And I think that’s what art and music and movies…films do for people. You know, and especially in difficult times of their life, I know for me, it definitely has been that way,” Lopez said.
Bad Bunny and the power of music
Lopez and Shakira headlined the Pepsi Super Bowl LIV halftime show, with a special guest performance from Puerto Rican rapper Bad Bunny during a rendition of “I Like it.”
As Bad Bunny now prepares to take the NFL’s biggest stage for the Apple Music Super Bowl LX halftime show, Lopez is sharing her appreciation for the artist as he encourages people to learn Spanish. She said the message behind his performance, much like her new film, centers on love and openness, encouraging people not to close themselves off to new experiences.
“Music and art transcends language. It doesn’t matter,” she said. “And he’s done that probably more than anybody of any generation he really has.”
Lopez said the Super Bowl gives artists a rare opportunity to reach new audiences and show who they are.
“It’s about not having so many ideas and closing yourself off to experiences that you might be missing out on something wonderful. Don’t do that to yourself. That’s what I would say,” she said.
She praised a moment when Bad Bunny brought singer Marc Anthony, the father of Lopez’s children, onstage during a concert in Puerto Rico.
“It couldn’t have been a more perfect moment. And I didn’t even see it. I know it was perfect– God didn’t let me see it, because I would’ve exploded. I would’ve died,” Lopez said.
For Lopez, it’s always important to keep her mind and heart open, telling King she still considers herself a “hopeful romantic” – the term she told King she preferred over “hopeless romantic” in an interview in 2022.
“100%. 100%. And the more self aware I become with the lessons that I learn and the hardships that I go through, the more I feel whole and complete on my own, the more I become hopeful for that same type of person to come into my life,” said Lopez. “The more I know the more, you know, that type of person will come into my life. Yeah. And so I’m excited for everything in the future.”
Entertainment
Roger Federer celebrates career with exhibition matches at Australian Open kick-off
The Australian Open’s first formal opening ceremony became the Roger Federer show on the eve of the season-opening major.
The band Crowded House played a hit-filled setlist to a capacity crowd in the 15,000-seat Rod Laver Arena. Laver himself, 87, sat courtside. Record-setting champion Novak Djokovic watched from the stands.
Federer, a six-time Australian Open winner and 20-time Grand Slam champion, partnered with past champions Andre Agassi and then Ash Barty in an exhibition doubles match against Pat Rafter and Lleyton Hewitt as the main feature of the program.
It went to script, with Federer winning the first point despite framing a forehand and then emphatically finishing off the victory with a leaping overhead winner.
Dita Alangkara / AP
Federer was back in Australia for the first time since 2021, making the trip now because he retired from competitive tennis before he could do a farewell season tour. He said, “It’s super important to be grateful” to earlier generations of stars.
“It really truly means so much to me when people like Rocket (Laver) show up,” Federer said.
This year, the Australian Open is a three-week festival of tennis. Over 217,000 fans have attended exhibitions and qualifying events in the past six days. The main draw singles competition will begin on Sunday. Djokovic will play his opening match on Monday. Seven-time Grand Slam singles champion Venus Williams is set to play, becoming the oldest woman ever to compete in the Australian Open’s main draw.
Australian Open organizers turned the 2026 event into a three-week festival of tennis, with 217,999 fans attending across six days to watch exhibitions, qualifying and the 1 Point Slam before the main draw started.
Entertainment
Kianna Underwood, ex-Nickelodeon child star dies in fatal hit-and-run: Details inside
A former Nickelodeon child star, Kianna Underwood, was killed in a hit-and-run in New York.
Underwood, who was 33, was hit by a vehicle early Friday morning, January 16, 2026, in Brooklyn, dragged under the car for two blocks, and pronounced dead at the scene.
She became famous in 2005 on the sketch show All That a program that also helped launch stars like Amanda Bynes and Kenan Thompson.
Authorities have not made any arrests as yet, as reported by Variety.
Alongside All That Underwood also featured her voice in an animated show, Little Bill, which was directed by Bill Cosby.
Kianna was reportedly hit by a sedan while she was crossing the street, as reported by TMZ.
The New York Police Department (NYPD) has confirmed the details that Underwood, 33, was struck by a vehicle just before 7 am and was pronounced dead on the spot.
Who was Kianna Underwood?
The beloved child star, Kianna Underwood, was known for her role in Little Bill, which was inspired by the children’s book series directed by Bill Cosby.
This animated series follows the day-to-day life and thought process of a 5-year-old boy growing up in Philadelphia.
Underwood’s voiceover career also ventured beyond television, including her contributions to the 2001 animated TV movie Santa, Baby.
Kianna also made an on-screen appearance in the 1999 independent comedy The 24-Hour Woman, created by Nancy Savoca.
The film starred Rosie Perez, Marianne Jean-Baptiste, and Patti LuPone. In the following years of her career, Kianna also toured with the Broadway musical Hairspray in 2004.
Kianna’s death records another fatal pedestrian death in New York City, where hit-and-run incidents continue to surge, becoming a rising concern.
Just last year, there were 207 deaths reported due to vehicle crashes.
Entertainment
Who’s Sienna Rose? Olivia Dean’s rival or a digital phantom—here’s what you need to know
A mysterious singer is buzzing on social media whom many believe might be a phantom, as she has already amassed over three million monthly listeners on Spotify.
Soul singer Sienna Rose took the music scene by storm with her muggy hits, leaving fans praising her ‘melodious’ and ‘captivating’ voice.
Sienna Rose, one of Spotify’s most-listened-to artists, as been revealed to be nothing more than an AI-made-up persona, despite the fact that she had earned £2,000 a day through their streams.
But despite earning comparisons to UK chart-topper Olivia Dean, it’s now been revealed that Sienna’s voice, image, and songs are all AI-generated, as reported by the Daily Mail.
Spotify continued to host Sienna’s music without any disclaimer about her authenticity.
According to The Sun, she is now believed to be the creation of the same individual behind a popular AI reggae act called Babylon Burn, which boasts 756,000 listeners monthly on Spotify.
Let’s find out what the buzzing is about, Sienna Rose?
Sienna dropped her six-track EP in September last year, titled Velvet Embrace, followed by an eight-track project the very next month and a nine-track extended player in November called The Shape of Tenderness.
Fans, despite the doubts over authenticity, are buzzing with her captivating music.
Sienna continued her streak of hit tracks by releasing a ten-track ‘debut album’ Honey On The Moon in December.
The synopsis read: ‘Inspired by the analogue texture of 1960s soul yet rooted in today’s sound, Sienna’s music feels cinematic and deeply personal.
Every note she sings carries a sense of truth and beauty, making Sienna Rose not just a performer, but a storyteller of the heart.’
The publication also revealed the name behind this phantom on Spotify as Robert Lancaster but didn’t mention any further details.
Although Spotify did confirm to the Daily Mail that a wide range of acts use AI to make music, meaning policing its use and labeling their content can prove difficult.
How does Spotify deal with AI artists?
The outlet further added, while incorporating the version of Spotify: ‘AI is a fast-moving shift for the entire music industry, and it’s not always possible to draw a simple line between ‘AI’ and ‘non-AI’ music.’
Spotify, the music streaming platform, clarified its stance over AI-generated music content, stating, “Spotify is focused on the actions that guard harmful AI use cases, including removing spam and deceptive content, strengthening enforcement against impersonation and unauthorized voice cloning, and supporting industry-standard AI disclosures in music credits.”
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