Entertainment
Laufey on creating her own sound
Laufey’s music may not be what you usually think of as “pop,” but if pop is short for popular, then she is indeed a pop star. The 26-year-old Icelander has earned a devoted following blending modern lyrics and music with classical and jazz. “My music is such a combination of the sounds of my childhood,” she said. “It’s just something that’s become a part of me. I wanted to make things that made me happy.
“I loved Golden Age musicals,” said Laufey. “I’d watch ‘Carousel’ and ‘Oklahoma’ and ‘American in Paris’ and ‘Sound of Music.’ They were so beautiful and had these dance breaks and the dresses were floating and the colors – that feeling I got from that, I just wanted to create that feeling.”
The world she inhabits (in her work, anyway) is whimsical and romantic, full of windswept cliffs, frilly dresses and bows … and cello, almost always cello.
Watch Laufey perform “I Wish You Love” with the Iceland Symphony Orchestra:
She says the cello is “as important to me as my voice. And I think it’s really what makes a Laufey song a Laufey song.”
Laufey Lín Bing Jónsdóttir comes by it naturally. Her Icelandic father introduced her to jazz when she was a girl; her Chinese mother played classical violin. So does Laufey’s identical twin sister.
CBS News
Growing up, she said, she felt different: “Everyone was like, you know, going to play soccer after school or dance, and I was sitting down and playing music from the 17th century. And then on top that I was a twin, identical twin. I just feel, like, weird on top of weird, on top of weird.”
And things only got weirder when she started singing, as when she appeared on the TV competition “Iceland’s Got Talent” singing Alicia Keys’ “If I Ain’t Got You,” at age 13: “I remember going on singing competitions in Iceland when I was younger and they’d always be like, ‘She sounds like a 40-year-old woman that’s been divorced twice and she chain-smokes cigarettes,” Laufey said. “And I was, like, a 13-year-old girl standing on stage being like, okay, like, I just wanted to be a girl. So, yeah I was always a little bit like … felt a little bit like a circus act.”
But Laufey found her footing at the Berklee College of Music in Boston. She started posting original songs and jazz covers on social media during the pandemic, and they quickly went viral.
Laufey performs “I Love You (For Sentimental Reasons”) on guitar and cello:
I asked, “Were you surprised that people were responding to the jazz influences?”
“I was so shocked, because I’d never seen any example of it before,” Laufey replied. “And I’d never seen a community of young people … that was the most shocking part, that it was young people responding to the music. But there was always a part of me that was like, of course, it’s the best music in the world!”
Now she sells out just about every concert – like a recent one in Norfolk, Virginia, where one fan, Alissa, told us, “When I first like showed, like, my parents that, they were like, ‘This is what you guys listen to?’ And I was like, ‘Yeah, like, this is what, like, younger people are listening to!'”
Another fan, Logan, said, “I feel like she takes just kind of more ‘old people music’ and pushes it into, like, a newer generation so that more people can enjoy it.”
Laufey’s new album, “A Matter of Time,” comes out this week. A stadium tour will follow.
Her songwriting usually starts on guitar, like her bossa nova-influenced “From the Start.”
But she just as easily can weave in a little classical, as she did on her last album, “Bewitched.” Last year, “Bewitched” briefly knocked Frank Sinatra off the top of the jazz charts – and then, that album won a best traditional pop vocal Grammy Award, beating such artists as Bruce Springsteen.
And then, Barbra Streisand asked Laufey to sing on her recent album of duets, performing a song Laufey wrote, “Letter to My 13-Year-Old Self.” “It’s one of those songs that I wrote just in my most intimate moments and could have been a song that I never put out,” she said. “It was a song for me to heal myself. But it’s a very hopeful song. It’s reaching back to tell your younger self that you’re going to be okay.”
Don’t you worry ’bout your curly hair
Clothes that don’t quite fit you anywhere
Voices echo in the gym
Another girl’s had her first kiss
Please don’t think too much of it, darling
I asked, “What do you think your 13-year-old self would think of all of this?”
“I think she’d be really excited,” Laufey replied. “I think she’d be really happy. There’s not a single part of myself that has changed any of my artistic interests to follow some sort of trend. And I get to make exactly the music that I loved back then. So, I think I would’ve been really, really happy.”
To hear Laufey performing “Silver Lining,” from her album “A Matter of Time,” click on the video player below:
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Story produced by Robert Marston. Editor: Steven Tyler.
Sadie Sink has opened about her character Max Mayfield in the Stranger Things new season.
In season 4, Max was left in coma after a psychic encounter with Vecna. The first volume of the fifth season has shown that her consciousness is trapped in the upside down.
While talking about her character, Sink said that there always has been something that anchored her to the role like the environment, the bands, the skateboard or the clothes.
“But this season, there was nothing. It was clothes that didn’t feel like Max, crazy hair that was grown out and tangled, and dirt all over my face”, she told The Hollywood Reporter.
She continued, “She’s in a rough, feral state. It was pretty bizarre. It was weird to feel like Max and then look like that and be in that environment.
Stranger things 5 the first volume depicts how Max’s fate has been kept a mystery after Holly Wheeler is taken by Vecna and she crosses paths with a young girl.
Responding to her character’s fate, Sadie added that “Max is a really caring person” and accepts Holly as an ally instead of seeing her as just a small girl.
The Spider-Man actress said, “I feel like we’ve left it all out on the table, and it’s at a good closing point, but I don’t know. I could do it again. Because I love that set so much, and I love the character.”
Stranger Things 5 second volume is set to premiere on December 25.
Natalia Dyer, known for her role as Nancy Wheeler in Stranger Things, addresses a big blunder she made in season finale.
At the end of season four, the city Hawkins had giant rifts of the Upside Down opened up in the ground across the city, however Nancy and her brother Mike (Finn Wolfhard) fail to inform the rest of their family about it.
In the new season, the fans witness the consequences of her parents being in oblivion, when a Demogorgon attacks them putting her parents, mom Karen (Cara Buono) and dad Ted (Joe Chrest), in critical condition in hospital and their little sister Holly (Nell Fisher) getting kidnapped by Vecna.
In an interview with Variety, Dyer revealed the reason why Nancy kept her parents in the dark.
“This actually was a conversation with the Duffers,” Dyer said. “In that discovery of what’s happened since, what have we said to people? What have we explained?”
She added, “You have this military presence all around, and I think there’s this sense of — especially within Nancy — there’s this wanting to protect. I think in this scenario, especially like with her family, sometimes you feel like not telling is protecting.”
Dyer explained that since the incident Nancy feels “a lot of guilt” and sees the loss as “a failure” despite trying to do the right thing.
However, she also revealed the positive impact it has on the Wheelers, saying, “I think that’s also a bonding moment for the Wheelers. I think it’s a galvanising moment for what they have to do ahead of them.”
In addition to Wolfhard, Buono, Crest and Fisher, Dyer also stars along with her boyfriend Charlie Heaton (Jonathan Byers), who is also her love interest in the series and Joe Keery as Steve Harrington, Nancy’s ex-boyfriend.
Stranger Things season five volume one is now streaming on Netflix.
It looks like the Prince and Princess of Wales’ children are about to have a very merry Christmas indeed.
After Princess Kate revealed that Prince George, Princess Charlotte, and Prince Louis, were a little sad about missing the Royal Variety Performance, their festive prayers have been answered.
The young royals have reportedly been invited to watch the West End sensation Paddington: The Musical.
This stage show, a heartwarming spin-off of the beloved marmalade-loving bear, has already cemented its status as a British cultural institution.
Paddington famously shared a sandwich with the late Queen Elizabeth II during her Platinum Jubilee, and the character has since become a symbol of tribute to the monarch.
Speaking exclusively to HELLO! from the red carpet, producer Sonia Friedman said, “We can’t wait for Paddington to meet the children of the Prince and Princess of Wales—it’s going to be very special.”
Friedman, known for hits like Harry Potter and the Cursed Child, added, “We’re very proud. It’s taken hundreds of people and many years to get to this point, and now we’re handing it over to the audience—it feels amazing.”
The royal couple have already had a sneak peek, enjoying a performance number from their private box during the Royal Variety Performance on November 19.
Producer Eliza Lumley described the moment as “iconic,” calling it a royal seal of approval for the production.
Even Tom Fletcher couldn’t hide his excitement: “I invited Their Royal Highnesses to see the show, so hopefully they’ll make it to the theatre.
Performing a tiny peek for them at the Royal Variety was surreal—they seemed to really enjoy it, and I hope the kids do too.”
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