Entertainment
Laufey on creating her own sound
Laufey’s music may not be what you usually think of as “pop,” but if pop is short for popular, then she is indeed a pop star. The 26-year-old Icelander has earned a devoted following blending modern lyrics and music with classical and jazz. “My music is such a combination of the sounds of my childhood,” she said. “It’s just something that’s become a part of me. I wanted to make things that made me happy.
“I loved Golden Age musicals,” said Laufey. “I’d watch ‘Carousel’ and ‘Oklahoma’ and ‘American in Paris’ and ‘Sound of Music.’ They were so beautiful and had these dance breaks and the dresses were floating and the colors – that feeling I got from that, I just wanted to create that feeling.”
The world she inhabits (in her work, anyway) is whimsical and romantic, full of windswept cliffs, frilly dresses and bows … and cello, almost always cello.
Watch Laufey perform “I Wish You Love” with the Iceland Symphony Orchestra:
She says the cello is “as important to me as my voice. And I think it’s really what makes a Laufey song a Laufey song.”
Laufey Lín Bing Jónsdóttir comes by it naturally. Her Icelandic father introduced her to jazz when she was a girl; her Chinese mother played classical violin. So does Laufey’s identical twin sister.
CBS News
Growing up, she said, she felt different: “Everyone was like, you know, going to play soccer after school or dance, and I was sitting down and playing music from the 17th century. And then on top that I was a twin, identical twin. I just feel, like, weird on top of weird, on top of weird.”
And things only got weirder when she started singing, as when she appeared on the TV competition “Iceland’s Got Talent” singing Alicia Keys’ “If I Ain’t Got You,” at age 13: “I remember going on singing competitions in Iceland when I was younger and they’d always be like, ‘She sounds like a 40-year-old woman that’s been divorced twice and she chain-smokes cigarettes,” Laufey said. “And I was, like, a 13-year-old girl standing on stage being like, okay, like, I just wanted to be a girl. So, yeah I was always a little bit like … felt a little bit like a circus act.”
But Laufey found her footing at the Berklee College of Music in Boston. She started posting original songs and jazz covers on social media during the pandemic, and they quickly went viral.
Laufey performs “I Love You (For Sentimental Reasons”) on guitar and cello:
I asked, “Were you surprised that people were responding to the jazz influences?”
“I was so shocked, because I’d never seen any example of it before,” Laufey replied. “And I’d never seen a community of young people … that was the most shocking part, that it was young people responding to the music. But there was always a part of me that was like, of course, it’s the best music in the world!”
Now she sells out just about every concert – like a recent one in Norfolk, Virginia, where one fan, Alissa, told us, “When I first like showed, like, my parents that, they were like, ‘This is what you guys listen to?’ And I was like, ‘Yeah, like, this is what, like, younger people are listening to!'”
Another fan, Logan, said, “I feel like she takes just kind of more ‘old people music’ and pushes it into, like, a newer generation so that more people can enjoy it.”
Laufey’s new album, “A Matter of Time,” comes out this week. A stadium tour will follow.
Her songwriting usually starts on guitar, like her bossa nova-influenced “From the Start.”
But she just as easily can weave in a little classical, as she did on her last album, “Bewitched.” Last year, “Bewitched” briefly knocked Frank Sinatra off the top of the jazz charts – and then, that album won a best traditional pop vocal Grammy Award, beating such artists as Bruce Springsteen.
And then, Barbra Streisand asked Laufey to sing on her recent album of duets, performing a song Laufey wrote, “Letter to My 13-Year-Old Self.” “It’s one of those songs that I wrote just in my most intimate moments and could have been a song that I never put out,” she said. “It was a song for me to heal myself. But it’s a very hopeful song. It’s reaching back to tell your younger self that you’re going to be okay.”
Don’t you worry ’bout your curly hair
Clothes that don’t quite fit you anywhere
Voices echo in the gym
Another girl’s had her first kiss
Please don’t think too much of it, darling
I asked, “What do you think your 13-year-old self would think of all of this?”
“I think she’d be really excited,” Laufey replied. “I think she’d be really happy. There’s not a single part of myself that has changed any of my artistic interests to follow some sort of trend. And I get to make exactly the music that I loved back then. So, I think I would’ve been really, really happy.”
To hear Laufey performing “Silver Lining,” from her album “A Matter of Time,” click on the video player below:
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Story produced by Robert Marston. Editor: Steven Tyler.
- About 4,100 workers have been notified of layoffs during shutdown.
- Two unions representing government employees brought case.
- Judge says explicit political motivation not allowed under law.
A federal judge in California on Wednesday ordered President Donald Trump’s administration to halt mass layoffs of federal workers during a partial government shutdown while she considers claims by unions that the job cuts are illegal.
During a hearing in San Francisco, US District Judge Susan Illston granted a request by two unions to block layoffs at more than 30 federal agencies while the case proceeds.
The decision is likely to be appealed quickly, but it offers a reprieve for federal workers facing a nearly year-long push by the Trump administration to slash their ranks.
The White House did not immediately respond to a request for comment.
The White House said last week that it had begun substantial layoffs across the US government, as Trump followed through on a threat to cut the federal workforce during the government shutdown, now in its 15th day. In an order on Wednesday, Trump extended an existing freeze on hiring new federal workers, with exceptions for military personnel and appointees to political roles.
About 4,100 workers at eight agencies have been notified that they are being laid off so far, according to a Tuesday court filing by the administration.
Illston’s ruling came shortly after White House Budget Director Russell Vought said on “The Charlie Kirk Show” that more than 10,000 federal workers could lose their jobs because of the shutdown.
Illston at the hearing cited a series of public statements by Trump and Vought that she said showed explicit political motivations for the layoffs, such as Trump saying that cuts would target “Democrat agencies.”
“You can’t do that in a nation of laws. And we have laws here, and the things that are being articulated here are not within the law,” said Illston, an appointee of Democratic former President Bill Clinton.
Judge demands details on layoffs
Democracy Forward, a legal group that represents the unions, said Illston made clear that the president’s targeting of federal workers was unlawful.
“Our civil servants do the work of the people, and playing games with their livelihoods is cruel and unlawful and a threat to everyone in our nation,” Skye Perryman, the group’s president and CEO, said in a statement.
Illston ordered the administration to provide by Friday an accounting of any “actual or imminent” layoffs and to outline the steps agencies are taking to comply with her ruling.
A US Department of Justice lawyer, Elizabeth Hedges, at the hearing said she was not prepared to address Illston’s concerns about the legality of the layoffs. She instead argued that the unions must bring their claims to a federal labour board before being able to sue over them in court.
Illston disagreed and chided the Justice Department for refusing to take a position on the unions’ legal claims.
“The hatchet is falling on the heads of employees all across the nation, and you’re not even prepared to address whether that’s legal,” she said.
The American Federation of Government Employees and American Federation of State, County, and Municipal Employees claim that implementing layoffs is not an essential service that can be performed during a lapse in government funding, and that the shutdown does not justify mass job cuts because most federal workers have been furloughed without pay.
Trump’s Republicans hold majorities in both chambers of Congress but need at least seven Democratic votes to pass a funding bill in the Senate, where Democrats are holding out for an extension of health-insurance subsidies. Democrats have said they will not cave to Trump’s pressure tactics, and a renewed bid to pass a spending bill failed on Wednesday.
Tony Danza is clearing the air on Valerie Bertinelli’s claim that he missed a date.
Danza, 74, and Valerie Bertinelli, 65, recently made guest appearances on The Drew Barrymore Show for a cooking segment.
The duo prepared the actor’s so-called “date sauce,” a recipe Danza admits he never made for Bertinelli because, according to him, he never found the note she left in his car with her phone number.
“So, this is a sauce that you never made for me — even though I left my phone number in your glove box,” Bertinelli said, draping an arm around Danza, who chuckled in response.
Barrymore chimed in, “Did you ever find Val’s phone number in your glove box?”
“No, I did not!” Danza replied with a grin. “I think she’s full of baloney!” he added to which Bertinelli laughed along.
Bertinelli also admitted that her attempt to woo Danza never got off the ground. “He never called me!” she said to the audience’s shock, with Barrymore adding, “They never do, by the way.”
Bertinelli was married to Eddie Van Halen from 1981 to 2007 and Tom Vitale from 2011 to 2022, and most recently dated writer Mike Goodnough before splitting in November 2024.
Meanwhile, Danza’s previous marriages were to Rhonda Yeoman from 1970 to 1974 and Tracy Robinson from 1986 to 2013.
Prince Andrew’s abuse victim has shed light on her experience in an honest confession.
In a posthumous memoir, Virginia Giuffre has described she was chosen to ‘please’ the Duke of York by Jeffrey Epstein and Ghislaine Maxwell.
In an excerpt from “Nobody’s Girl: A Memoir of Surviving Abuse and Fighting for Justice,” Giuffre noted that after a night of dancing at London hotspot Tramp, Maxwell allegedly told her: “When we get home, you are to do for him what you do for Jeffrey.”
She added: “Back at the house, Maxwell and Epstein said goodnight and headed upstairs, signaling it was time that I take care of the prince. In the years since, I’ve thought a lot about how he behaved. He was friendly enough, but still entitled.”
The deceased added that she saw Andrew full of himself, pretending that it was his ‘birthright’ to abuse her.’
Giuffre then explained her discomfort and admitted that experience was traumatising.
“Afterward, he said thank you in his clipped British accent. In my memory, the whole thing lasted less than half an hour,” she wrote.
Giuffre then added that Maxwell allegedly told her the next morning: “You did well. The prince had fun.”
OU’s Moser reflects on Sister Jean: ‘Heart is sad’
US judge blocks Trump’s plan to lay off thousands of government workers
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