Entertainment
“Melania” documentary opens with better ticket sales than expected, despite criticism
Promoted by President Trump as “a must watch,” the Melania Trump documentary “Melania” debuted with a better-than-expected $7 million in ticket sales, according to studio estimates Sunday.
The release of “Melania” was unlike any seen before. Amazon MGM Studios paid $40 million for the rights, plus some $35 million to market it, making it the most expensive documentary ever. Directed by Brett Ratner, who had been exiled from Hollywood since 2017, the film about the first lady debuted in 1,778 theaters in the midst of Mr. Trump’s turbulent second term.
While the result would be a flop for most films with such high costs, “Melania” was a success by documentary standards. It’s the best opening weekend for a documentary, outside of concert films, in 14 years. Going into the weekend, estimates ranged from $3 million to $5 million.
But there was little to compare “Melania” to, given that presidential families typically eschew in-office memoir or documentary releases to avoid the appearance of capitalizing on the White House. The film chronicles Melania Trump over 20 days last January, leading up to Trump’s second inauguration.
On Thursday, Mr. Trump hosted a premiere of the film at the Kennedy Center, with attendees including cabinet members and members of Congress. There, Ratner downplayed its box-office potential, noting: “You can’t expect a documentary to play in theaters.”
Mr. Trump addressed a number of political topics at the premiere event, answering reporters’ questions about the Federal Reserve, Iran, Cuba and more. The first lady told CBS News on the event’s red carpet why she believed people would connect with the documentary.
“I think you will see a lot of emotions, from humor to sadness to grief to celebration, family,” she said.
Jose Luis Magana / AP
The No. 1 movie of the weekend was Sam Raimi’s “Send Help,” a critically acclaimed survival thriller starring Rachel McAdams and Dylan O’Brien. The Walt Disney Co. release debuted with $20 million. The film, with a $40 million budget, was an in-between kind of release for Raimi, whose hits have typically ranged from low-budget cult (“Army of Darkness”) to big-budget blockbuster (2002’s “Spider-Man”).
The microbudget sci-fi horror film “Iron Lung,” directed by YouTuber and filmmaker Markiplier, came in second with $17.9 million, far exceeding expectations. The Jason Statham action thriller “Shelter” debuted with $5.5 million.
But most of the curiosity was on how “Melania” would perform. A week earlier, the White House hosted a black-tie preview attended by Amazon chief executive Andy Jassy, Apple chief executive Tim Cook and former boxer Mike Tyson.
The film arrived in a week dominated by coverage of federal immigration tactics in Minnesota after a U.S. Border Patrol agent fatally shot 37-year-old Alex Pretti in Minneapolis.
“Melania” didn’t screen in advance for critics, but reviews that rolled out Friday, once the film was in theaters, weren’t good. Xan Brooks of The Guardian compared the film to a “medieval tribute to placate the greedy king on his throne.” Owen Gleiberman of Variety called it a “cheese ball informercial of staggering inertia.” Frank Scheck of The Hollywood Reporter wrote: “To say that ‘Melania’ is a hagiography would be an insult to hagiographies.”
But among those who bought tickets over the weekend, the response was far more positive. “Melania” landed an “A” CinemaScore. Audiences were overwhelmingly 55 and older (72% of ticket buyers), female (72%) and white (75%). As expected, the movie played best in the South, with top states including Florida and Texas.
David A. Gross, who runs the movie consulting firm FranchiseRe, called it “an excellent opening for a political documentary.”
“For any other film, with $75 million in costs and limited foreign potential, it would be a problem,” said Gross. “But this is a political investment, not a for-profit movie venture, and if it helps Amazon with a regulatory, taxation, tariff or other government issue, then it will pay back. $75 million is insignificant to Amazon.”
“Melania” is Ratner’s first film since he was accused of sexual misconduct in 2017. Multiple women, including the actor Olivia Munn, accused Ratner of sexual harassment and misconduct. Ratner has denied the allegations. Last fall, after Trump’s reported intervention, Paramount Pictures said it would distribute his “Rush Hour 4.”
“Melania,” which will stream on Prime Video following its theatrical run, was released globally. Shortly before its debut, South African distributor Filmfinity said it would no longer release it. The company said it changed course “based on recent developments.”
International ticket sales for “Melania” were expected to be minuscule.
Weekend box office estimates for the U.S.
With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore:
1. “Send Help,” $20 million.
2. “Iron Lung,” $17.9 million.
3. “Melania,” $7 million.
4. “Zootopia 2,” $5.8 million.
5. “Shelter,” $5.5 million.
6. “Avatar: Fire and Ash,” $5.5 million.
7. “Mercy,” $4.7 million.
8. “The Housemaid,” $3.5 million.
9. “Marty Supreme,” $2.9 million.
10. “28 Years Later: The Bone Temple,” $1.5 million.
Entertainment
Motorbikes, buses, rickshaws to use designated lanes on Karachi’s Sharea Faisal or face fines
KARACHI: Motorbikes, buses and rickshaws will be required to use separate designated lanes on Sharea Faisal, with violators set to face fines under a new traffic management plan announced by the Karachi Traffic Police.
The initiative, unveiled by DIG Traffic Peer Muhammad Shah, aims to introduce structured lane discipline on one of the city’s busiest arteries using an existing network of surveillance cameras.
Shah told Geo News that the system will initially be implemented on Sharea Faisal, where enforcement infrastructure is already in place.
A one-month awareness campaign will be carried out before formal enforcement begins on June 1, he said, explaining that it would allow commuters to familiarise themselves with the new lane rules.
Under the plan, motorbikes, buses, rickshaws and other light transport vehicles, including Mazdas, will be required to use the two leftmost lanes.
The remaining lanes — varying between two and three depending on the stretch — will be reserved for faster-moving traffic, including cars and double-cabin vehicles.
The top traffic cop said the enforcement will be backed by the existing camera system, which will issue e-tickets directly to violators.
He added that fines have been fixed according to vehicle category, with motorbikes and rickshaws fined Rs2,500 and buses Rs7,500 for violations.
Shah said the initiative is designed to improve traffic flow and introduce lane discipline in Karachi for the first time in a structured manner.
Entertainment
Fans slam Anne Hathaway over Met Gala snap with Blake Lively
Anne Hathaway is facing a wave of online backlash after being pictured cosying up to Blake Lively at the 2026 Met Gala.
The controversy erupted after a photo, posted by Variety on Tuesday morning, showed Lively with her arm around a smiling Hathaway inside the Metropolitan Museum of Art.
Fans were quick to scold the Devil Wears Prada star for the association, particularly as Lively’s bombshell appearance came just hours after she settled a highly divisive and explosive legal battle with her It Ends With Us co-star and director, Justin Baldoni.
The reaction on social media has been swift and brutal, with many fans expressing deep disappointment in Hathaway.
One X user urged the actress to get away from Lively before she was sued, while others questioned why Hathaway would risk her hard-won public popularity by posing with someone many have labelled a “bully”.
The anger has even spilled over into calls for a boycott of Hathaway’s latest film, The Devil Wears Prada 2, with some disgruntled viewers claiming she has ruined the movie’s release by associating with Lively.
Lively’s presence at the star-studded event was a major surprise to those following the Vogue livestream, as it marked her first public outing since the conclusion of her lawsuit.
The legal drama, which began in December 2024, saw Lively accuse Baldoni and his production company of sexual harassment and retaliation.
However, a judge recently dismissed the majority of her claims, including all of the sexual harassment allegations, leaving the two parties to settle the remaining counts of breach of contract and retaliation out of court on Monday.
Despite the heavy atmosphere surrounding her legal woes, Lively appeared completely unbothered on the night, wearing a colourful archival Atelier Versace gown from 2006.
The settlement between Lively and Baldoni was framed by their legal teams as a way to find closure and move forward in peace, yet the public’s reaction to the Met Gala snap suggests that a “respectful environment online” remains a long way off.
While the film It Ends With Us was a box office hit in 2024, the off-screen friction clearly continues to shadow those involved.
For Hathaway, what was likely intended as a simple social moment has turned into a significant PR headache, as fans continue to slam the actress for her choice of company on fashion’s biggest night.
Entertainment
Kadeem Hardison calls ‘Euphoria’ costar Zendaya ‘a boss’
Kadeem Hardison has described his former Disney Channel daughter and current Euphoria co-star Zendaya as “a boss”, following their surprise on-screen reunion.
The pair, who starred together as father and daughter on the hit show K.C. Undercover a decade ago, have reunited for the latest season of the gritty HBO drama.
Hardison joined the cast as Big Eddy, a character working alongside Zendaya’s Rue in a strip club managed by drug lord Alamo.
The reunion has been a long time coming for the duo, who stayed in touch after their Disney days.
Hardison revealed to The Hollywood Reporter that it was Zendaya herself who introduced him to Euphoria creator Sam Levinson during a holiday dinner.
He admitted that when he first watched the show at its premiere, he was “wildly uncomfortable” seeing the intense world it depicted, which was a far cry from their family-friendly beginnings.
However, after meeting Levinson and visiting the set, he eventually landed the role of Big Eddy.
Reflecting on how much Zendaya has changed since she was a teenager, Hardison noted that while she has matured, her leadership qualities were visible even when she was 16.
He recalled being impressed that she was an executive producer on their Disney show, and he is even more struck by how she has expanded that role into her film career.
“She’s always been that person and she’s always been a boss,” he said, jokingly referring to the multi-award-winning actress as his “little big sister” because she is often the more mature one of the two.
The latest episode provided plenty of dramatic meat for both actors, with Hardison’s character caught in a violent drug war.
He confessed that watching Zendaya’s performance now is a shock compared to their early work, admitting he didn’t know she had such “depth” and felt he had to work hard to keep up with her.
For Hardison, whose career stretches back over three decades to A Different World, the experience was a full-circle moment that proved his own advice to fellow actors: as long as you stay in the game, the next big hit is always just around the corner.
-
Tech1 week agoA Brain Implant for Depression Is About to Be Tested in Humans
-
Sports1 week agoPro wrestling star Steph De Lander reveals how colleague’s advice helped lead her to title triumph at ACW
-
Business1 week ago‘I had £20,000 stolen and had to fight a 13-month fraud reporting rule to get it back’
-
Entertainment1 week agoNorway joins Type 26 Frigate Programme to boost NATO naval power
-
Entertainment1 week agoMelania Trump says ABC should ‘take a stand’ on late-night host Kimmel
-
Tech1 week agoAre tech leaders risking a cyber resourcing crisis? | Computer Weekly
-
Business6 days agoPSX plunges over 4,800 points | The Express Tribune
-
Business1 week agoStarmer says ‘tide could be turning’ on shoplifting epidemic
