Entertainment
Pakistan’s fiscal cheatcode
The recently released IMF Governance and Corruption Diagnostic Report (2025) has exposed the challenges related to governance and corruption in Pakistan and also highlighted the weaknesses, gaps and infirmities of the Public Sector Financial Management (PFM) system.
The strategic objective of strengthening our overall financial and economic governance structure intrinsically hinges upon a robust and efficient PFM system. In its document, the IMF has recommended an audit of supplementary grants of the last ten years by the auditor general of Pakistan (AGP).
Relentless releases of supplementary grants during a financial year vitiate the very sanctity of the budget passed by parliament and not only weaken parliamentary oversight of public finances but also raise questions about our budget-making and execution mechanisms.
There is a need to analyse the issue of supplementary grants in the context of their impact on the broader PFM ecosystem while highlighting the weaknesses identified by the IMF, including budgeting credibility issues and the transparency and accountability regime.
Supplementary grants are a critical but poorly understood component of Pakistan’s expenditure landscape, as the public is not familiar with the significant in-year adjustments that occur after the budget is passed.
The national budget is an instrument for managing the income-expenditure gap through improved tax measures to generate revenue and the setting of prudent expenditure priorities. Insufficiency of approved budgeted funds or the emergence of unforeseen needs during the financial year triggers the issuance of supplementary grants.
They provide the government with legal authority to meet unavoidable overruns, finance new policies and regularise excess expenditure in compliance with constitutional requirements.
They do not balance the budget in the strict sense. However, supplementary grants help maintain transparency by reflecting the true level of spending, allow the reallocation of savings or additional revenues to manage the overall fiscal position and ensure the continuity of essential public services.
If used excessively, these grants can weaken budget discipline and undermine the credibility of the original budget and blur the fiscal position, especially when issued late in the financial year or without matching revenue.
Within the PFM system, the budget and supplementary grants are linked and form part of the constitutional and administrative framework that regulates how public money is allocated, spent and authorised.
The primary authorisation of public expenditure originates from the annual budget, which includes estimated receipts, authorised expenditure, demands for grants and appropriations. Once passed by the National Assembly, the budget becomes the legal authority for the government to spend public funds within the approved limits.
However, experience has shown that during a fiscal year, expenditure may exceed the original budgeted amounts due to weak budget preparation and forecasting, exigencies, policy decisions, price escalations, implementation delays and mandatory payments.
Experience also shows that most grants are authorised in Quarter 4 of financial years, indicating systemic reliance on late-year budget adjustments, the settlement of liabilities and ex post regularisation. This pattern highlights inherent flaws in our budgeting and expenditure management practices that render budget controls irrelevant.
Article 84 of the Constitution allows the federal government to authorise excess expenditure during the year, subject to later parliamentary scrutiny. In addition, Section 25 of the PFM Act 2019 stipulates that “the expenditure in excess of the amount of the budget as well as expenditure not falling within the scope or intention of any grant, unless regularised by a supplementary grant, shall be treated as excess expenditure”.
Past practices have revealed that, within the ambit of this constitutional and administrative framework, successive governments have managed public expenditure by releasing supplementary grants, thereby diluting the sanctity of the budget. No doubt supplementary grants are issued to meet unforeseen needs, but they often undermine the integrity of the budget by allowing expenditure far beyond originally approved limits.
The frequent and discretionary use of supplementary grants weakens fiscal discipline, promotes overspending by ministries and conceals inefficiencies in planning and financial management.
The frequency with which supplementary grants are issued pushes public expenditure beyond the approved budget and diminishes transparency and parliamentary oversight, creating gaps between policy priorities and actual resource allocation.
Over time, this practice has eroded budget credibility, widened fiscal deficits and reduced public trust in the government’s ability to manage public finances prudently.
Supplementary grants, when issued excessively or imprudently, compromise budget integrity and distort spending priorities. They turn the budget from a binding financial plan into a flexible list, ultimately reducing trust in public financial management.
Parliamentary oversight is a function enshrined in the constitution and includes, among other things, watch and control over public funds. The ex-post regularisation mechanism for supplementary grants raises critical questions about the accountability and transparency of public funds, given the absence of proper legislative scrutiny in the National Assembly before their approval.
Proposals for supplementary grants should be discussed in parliament in the same manner as the national budget, with appropriate scrutiny to ensure transparency and accountability.
Past practice shows that the approval process for supplementary grants has oscillated between bureaucratic (Finance Division) and political (cabinet) channels, with legislative role and oversight remaining diluted and ritualistic.
Financial propriety and prudence require that supplementary grants originating during a financial year be approved in the same year, after due deliberation in the National Assembly, rather than through an ex post approval process that is a fait accompli.
Even the apex court has linked the issuance of supplementary grants to strict compliance with procedures outlined in Articles 83 and 84 of the Constitution, which means that approval of the National Assembly is required before incurring supplementary expenditure. The pattern of executive pre-approval of supplementary grants, either by the Finance Division or the cabinet, followed by ex-post regularisation, renders the role of the National Assembly largely confined to ratifying in-year executive decisions rather than shaping them. It appears that the system relies on “end-of-year, executive-driven corrections” rather than a “robust ex ante budgeting and mid-year forecasting”.
It is expected that, once the AGP releases the audit report on supplementary grants issued over the last 10 years, the public will be able to assess whether budget discipline was maintained during that period or whether the supplementary grants mechanism became a parallel funding system. The AGP’s report also needs to highlight matters relating to the exact volume, accountability aspects, transparency and oversight of these grants.
To effectively manage the issue of supplementary grants, it is necessary to streamline budgeting on a realistic basis and move away from ritualistic, incremental approaches. Budget needs should be linked to annual ministerial plans, and targets should be aligned with the strategic objectives outlined in each entity’s Medium-Term Budgetary Framework.
One tool to manage the excessive issuance of supplementary grants during the year is to establish strict criteria for approving additional funds, along with robust in-year monitoring to detect overruns at an early stage. To address transparency and oversight issues, demands for supplementary grants should be presented to the National Assembly promptly, with clear reasons and the expected impact of additional funding.
The role and capacity of the Public Accounts Committee should be strengthened for post-audit scrutiny of such funding. The government needs to adopt policies that restrict large end-of-year supplementary budgets and instead conduct mid-year reviews to adjust allocations rather than waiting until year-end.
The provision of additional allocations of funds needs to be linked to performance and aligned with medium-term fiscal plans. Learning from past deviations may help strengthen overall financial integrity and reduce unnecessary reliance on supplementary funding.
Disclaimer: The viewpoints expressed in this piece are the writer’s own and don’t necessarily reflect Geo.tv’s editorial policy.
The writer is the former auditor general of Pakistan.
Originally published in The News
Entertainment
Nelson Peltz offers his stance amid Brooklyn Beckham’s bombshell claims
Nicola Peltz’s billionaire father, Nelson, has weighed in on the Beckham feud.
Nelson’s son-in-law Brooklyn, 26, released a bombshell statement last week in which he criticised his parents, Sir David 51, and Lady Victoria Beckham 50, and accused them of mistreating his wife, 30.
Now, the business magnate, 83, who was previously reported to give his daughter $1 million a-month allowance spoke about the family drama during a Q and A at WSJD’s Invest Live in West Beach event on Tuesday.
Nelson said: ‘My daughter and the Beckhams are a whole other story and that’s not for coverage here today. But I’ll tell you my daughter is great, my son-in-law Brooklyn is great and I look forward to them having a long, happy marriage together.’
Nelson was also asked if he gave the couple advice in how to navigate a difficult situation.
He replied: ‘I do. Sometimes they give me advice.’
For context, Nicola’s father is a businessman with an estimated net worth of $1.6billion, compared with the Beckhams’ reported $680million.
Meanwhile, Brooklyn’s family have maintained silence since the aspiring chef penned his frustrations about his parents, sharing his reasons for cutting ties with them.
Brooklyn’s parents Sir David and Victoria and his siblings Romeo, 23, Cruz, 20, and Harper, 14, instead put on their own show of unity at Haute Couture Fashion Week last week.
Entertainment
Sheriff says ransom note being investigated in disappearance of Nancy Guthrie, Savannah Guthrie’s mother
A ransom note was sent to a local Arizona news station following the disappearance of “Today” show co-host Savannah Guthrie’s mother, Nancy Guthrie, the Pima County sheriff told CBS News.
The note, which the station received Monday and agreed not to report on, contained specific details about the home and what Nancy Guthrie was wearing that night, Pima County Sheriff Chris Nanos said, although he would not confirm the accuracy of that information or the legitimacy of the note.
“It’s like any piece of evidence,” Nanos told CBS News. “You give it to us, you give us a lead, we’re going to look at every aspect of that lead.”
Nanos did not specify which station the note was sent to, but CBS affiliate KOLD-TV reported Tuesday it had received an email that “appears to be one of the alleged ransom notes,” which it forwarded to the sheriff’s office.
Investigators have analyzed the note and are taking it seriously, Nanos said.
He said the FBI reviewed the note and made the decision to share it with Savannah Guthrie. Authorities had hoped to keep the information from becoming public, but the note was obtained by TMZ, which reported on it before contacting the sheriff’s office, Nanos said.
The Pima County Sheriff’s Department had earlier said on social media it was aware of “reports circulating about possible ransom note(s),” adding, “Anything that comes in, goes directly to our detectives who are coordinating with the FBI.”
Surveillance video from a home security system has yielded nothing so far, Nanos told CBS News. He said investigators believe the system may have been set to automatically delete footage after a short period of time, and they are now attempting to recover it through forensic means.
Nanos previously told CBS News that investigators believe the 84-year-old was abducted from her home in the middle of the night over the weekend, and he described it as “a crime scene.” Authorities have been searching for her since Sunday.
Nancy Guthrie was last seen at her home Saturday night, but no one knew she was missing until she didn’t show up for church the next morning, Nanos said.
The sheriff has repeatedly said Guthrie, who lives alone, could not have wandered away from her home because she has no cognitive issues and very limited mobility.
He also expressed concern that she needs access medication that she must take daily, telling CBS News, “The clock is literally ticking.”
“You’ve placed her in great jeopardy without giving her meds that are critical to her,” Nanos said. “Again, like I’ve said, could be fatal if she doesn’t get those meds.”
The sheriff has said it’s unclear how many people may have been involved in the apparent abduction.
“It could be one, it could’ve been more, I don’t know,” he said.
A little bit of blood was found inside Nancy Guthrie’s Tucson home, a law enforcement source familiar with the case told CBS News, and what appeared to be a small amount of dried blood was seen next to a doormat outside the front door of the home on Tuesday.
Entertainment
Christian Bale reflects on Frankenstein’s transformation in ‘The Bride!’
Christian Bale has opened up about the intense physical and emotional demands behind his transformation into Frankenstein’s monster for The Bride!, revealing that the process pushed him to some unusual coping methods just to get through the day.
In an interview with Entertainment Weekly, the actor said he spent six hours a day in the makeup chair while working on the film, a reimagining of the 1935 classic Bride of Frankenstein directed by Maggie Gyllenhaal.
Bale stars opposite Jessie Buckley, who plays the Bride and spent around an hour and a half in makeup for her own transformation.
Reflecting on the gruelling routine, Bale admitted the long hours of enforced stillness took a toll.
“I would scream like crazy, every day. Just to [release the] despair, all of that restraint that you have to display when you’re sitting still for that long,” he said, explaining how he stopped himself “from going insane” during the process.
Those screams, however, were carefully timed.
Bale said he avoided doing it on the way to work, worried it might distract him behind the wheel, and ruled out screaming alone because it could easily be misunderstood.
Instead, what began as a private release gradually became a shared ritual on set.
“Oh man, I’m telling you, the whole crew got involved by the end because people would hear us screaming,” Bale said.
“We would open the doors, and gradually, a bit like the Bride’s revolution, a few people were going, ‘Can we do it too?’ And then by the end, there were like 30 people who would hear us and run to the makeup trailer to be a part of it and scream as well.”
The role adds another extreme chapter to Bale’s long history of physical transformations.
Over the years, he has become known for radically altering his body for characters, from bulking up on a strict protein-heavy diet for American Psycho to shedding 60 pounds over four months to reach 120 pounds for The Mechanist.
For that film, his daily intake reportedly consisted of “water, an apple, and one cup of coffee per day.”
Not long after, Bale went in the opposite direction, gaining around 100 pounds of muscle in just six months to play Bruce Wayne in Christopher Nolan’s Batman Begins, cementing his reputation for total physical commitment.
The Bride! is set to open in cinemas on 6 March, distributed by Warner Bros.
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