Sports
Sergio Ramos: Win Grammy first, then UCL honour
Sergio Ramos said he expects to win a Grammy Award before lifting the Champions League as a coach.
The Real Madrid and Spain great released his debut single on Sunday called Cibeles, named after the statue where Madrid celebrate their trophies.
Defender Ramos, 39, now captains Liga MX club Monterrey — starting in last weekend’s 4-2 win at Puebla — but still found time to record his first song.
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Speaking in an interview with Spanish TV’s El Hormiguero on Monday, Ramos confirmed that the song’s lyrics deal with his departure from Madrid in 2021 — and said he’s confident of winning a Grammy, one of music’s top prizes, before lifting the Champions League as a manager.
“I’m an optimist,” Ramos said. “I always tell people to dream… I see myself with both, winning a Champions League as a coach, but I see myself winning a Grammy in the next few years, before [that].”
“I feel like making music at this stage of my life, I want to bring the experiences I’ve had to people. In the next 5-7 years I see myself more involved in music, because music allows you to compose, and to be at home … You can make music, do your job and also dedicate time to your family.”
Ramos captained Madrid, winning 22 trophies and featuring in some iconic moments — such as his 93rd-minute UCL final goal against Atlético Madrid in 2014 — before leaving in 2021, when the club withdrew its offer of a new contract.
The former Spain international then joined Paris Saint-Germain, before spending a season at boyhood club Sevilla, and then moving to Monterrey earlier this year.
“There are things I never told you, that still hurt me,” the lyrics to Cibeles read. “I never wanted to leave… I hope things go well for you, although I feel bad without you. It’s a good thing I left, because you didn’t treat me the same.”
“You forgot about me, you left me to one side,” the lyrics continue. “Without being able to decide, that’s what hurts me most.”
“It’s a love song. What relationship doesn’t involve pain and suffering?” Ramos said on Monday. “When I went to Paris I wrote 60% of the song, because I felt that way. It hurts. Nobody likes leaving the biggest club in the world.
“Songs are about moments. It’s coming out four years after I started composing it. But there’s no relationship without pain and suffering, and that’s reflected there. It’s a love song, everything has a beginning and an end … When you leave Madrid it hurts. You become part of the past.”
The single’s video features Ramos standing in a deserted Cibeles — usually a busy roundabout in the centre of Madrid — before he is confronted by a white horse.
Later in the clip, the statue begins to crumble and collapse, along with the nearby Madrid town hall.
Ramos — who has home studios at his houses in Seville and Madrid — said his new direction is the culmination of a lifelong interest in music.
“It’s a way of life. At any meeting, a birthday, at Christmas, we all end up singing, with a guitar,” he said. “It’s been a part of my whole life, but football has never allowed me to dedicate the time to it that music demands.
“At this time in life I’d like to combine it with football, to make that transition in the short term, and make good music with the best people and trying to convey to people a part of me, feelings and experiences I’ve had.”
Sports
AFCON final in pictures – iShowSpeed, bloody heads, penalty fury, fan chaos, spectacular saves, and a goal
The Africa Cup of Nations final in Rabat on Sunday night was a fairly normal football match, for most of the first 89 minutes… and then it descended into utter madness as a penalty call (soft but right) had a domino effect across the stadium.
With celebrities and dignitaries in attendance, Morocco and Senegal played brilliant, defensively strong, attacking football. A showcase for the African game. And then a penalty call was made.
In the end, Senegal won 1-0 thanks to a Pape Gueye strike in extra time, leaving Morocco fans heartbroken in the stands.
Sports
Gonzaga’s Braden Huff out 4-8 weeks with left knee injury
Gonzaga forward Braden Huff will miss four to eight weeks because of a left knee injury, a school spokesperson told ESPN on Thursday.
Huff suffered the injury in practice earlier this week. The varied timeline means Huff could return well before the end of the regular season or be out until the NCAA tournament.
A 6-foot-10 junior, Huff has been a breakout star for Gonzaga this season, averaging 17.8 points and 5.6 rebounds while shooting better than 66% from the field. He has hit the 20-point mark on eight occasions, including a five-game stretch in December in which he averaged 24.4 points and 5.4 rebounds. The highlight of that stretch was a 37-point performance against Campbell.
Huff is tied with Graham Ike as Gonzaga’s leading scorer and is second in rebounding.
With Huff out, Mark Few could opt for a smaller lineup and start Tyon Grant-Foster in the frontcourt alongside Ike or give seldom-used 7-footer Ismaila Diagne more minutes off the bench.
No. 9 Gonzaga (17-1, 5-0 WCC) plays at Washington State on Thursday.
Sports
Venus Williams makes Australian Open history, falters late in loss
MELBOURNE, Australia — It took 45 years to be in a position to set a record that has drawn so much attention. So another 14½ minutes serving to keep her Australian Open hopes alive felt like no time at all for Venus Williams.
Ranked No. 576 and playing on a wild-card entry, the seven-time major winner led 4-0 in the third set Sunday before Olga Danilovic rallied to win six straight games — getting the vital break in the extra-long, next-to-last game — for a 6-7 (5), 6-3, 6-4 victory.
“It was an amazing journey on the court today,” said Williams, who left the stadium with a smile and a wave.
Just by starting the first-round match, Williams became the oldest woman to compete in an Australian Open singles main draw, surpassing the mark set by Japan’s Kimiko Date, who was 44 when she lost in the first round in 2015.
“I’m really proud of my effort today because I’m playing better with each match, getting to the places that I want to get to,” Williams said. “Right now, I’m just going to have to keep going forward and working on myself and working to control my errors.
“Those are things, too, that come with playing extra matches … all of those things that I’m still learning. It’s kind of weird, but it’s super exciting to have played that well and to get myself in that position and come very close.”
Williams was 17 when she made her Australian Open debut in 1998, reaching the quarterfinals. This was her 22nd trip to Melbourne Park, where she lost finals to her sister, Serena, in 2003 and 2017.
She was married in December to Andrea Preti, and the couple traveled together in Melbourne.
Williams was determined not just to break Date’s age record. She wanted to punctuate the occasion with a win that could have set up another match against Coco Gauff.
After splitting the first two sets, Williams went on a roll and dropped just five points across four games, hitting some vintage winners. Then No. 68-ranked Danilovic found range with her big left-handed forehand returns and put Williams back under pressure.
“I told myself before the match I really want to take this moment — playing against Venus Williams is something I can’t take for granted,” Danilovic said. “At 4-0, I said ‘just play.’
“It was such a pleasure playing against such a legend.”
At 4-4 in the deciding set, Williams served for 14 minutes, 28 seconds, saving two break points and setting up game points of her own with powerful winners and clutch aces, before she finally succumbed.
“It was such a great game, such a great moment. The energy from the crowd was amazing. That lifted me up so much,” Williams said of that penultimate game on her serve. “She played a great game. Also, some luck there as well. That’s just the sport. That’s how it works sometimes. But it was an amazing moment.”
Danilovic calmly served out, clinching it in 2 hours, 17 minutes when a Williams forehand clipped the net and landed just wide of the line on match point.
Williams entered the Australian Open on a five-match losing streak since the first and only win in her comeback at Washington last year. She also lost in the first round at the US Open in August.
“At 4-love I felt good. Also, it’s the biggest lead I’ve had since I’ve been back,” Williams said. “In a lot of ways I’m having to relearn how to do things again, if that makes any sense.”
She will keep that process going in the doubles at Melbourne Park then will think about her schedule for the rest of 2026.
“Right now I’m very much in the tournament,” she said. “My next focus is the doubles. So that’s where my head is.”
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