Connect with us

Entertainment

Stephen Schwartz, a “Wicked” music man

Published

on

Stephen Schwartz, a “Wicked” music man


When songwriter Stephen Schwartz sits at the piano, he feels the music. “When I was a kid and playing my Beethoven … I would play that bar over and over again, and cry. It’s very embarrassing! Beethoven, living in a world that has nothing to do with ours, but he writes, and it speaks to us across the centuries.”

Schwartz knows a little something about speaking to audiences. He’s the composer and lyricist of “Wicked,” the blockbuster stage musical-turned-two-part movie musical. Part two, “Wicked: For Good,” opens Nov. 21.

The prequel to the classic “Wizard of Oz,” “Wicked” tells the story of Elphaba (played by Cynthia Erivo), who grows up to be the Wicked Witch of the West. The bubbly Glinda (played by Ariana Grande) becomes the Good Witch of the North.

Ariana Grande and Cynthia Erivo perform “Popular,” from “Wicked”:


“Wicked” clip: Ariana Grande sings “Popular” by
CBS Sunday Morning on
YouTube

Schwartz has been telling stories through song for over five decades. “My sort of glib joke where people say, like, how do you write a song? I just say, tell the truth and make it rhyme,” he said. “And if I can be honest enough, then that’ll speak to other people.”

“Wicked” opened 22 years ago, making it the fourth-longest-running Broadway show in history.

And where was Schwartz on the night of Oct. 30, 2003? “Well, that was the opening night of ‘Wicked’ on Broadway, and therefore, I was not at the Gershwin Theatre, because I don’t go to my own openings,” he said. “It’s too nerve-wracking for me. I don’t like the opening night parties where everybody is just waiting to hear what reviews come in.”

Kristin Chenoweth originated the role of Glinda on Broadway. She and Schwartz have reunited for the recently-opened new musical, “The Queen of Versailles.” “I’m working with my Rodgers and Hammerstein; it’s just packed into one person,” she said of Schwartz. “There’s not five of him. There’s one. He’s original. He’s singular. And there’s nobody else like him.”

Stephen Schwartz attends a rehearsal for “The Queen of Versailles” with star Kristin Chenoweth.

CBS News


Schwartz grew up on New York’s Long Island. A prodigy, he attended the prestigious Juilliard School as a high schooler. Just after college, he collaborated on the musical that became his first big hit, “Godspell.” The musical features a ragtag group who help Jesus tell various parables.

I asked, “It’s a musical with Jesus as a central character. You’re a Jewish guy. Did you think, well, alright, I’ll give it a go?”

Schwartz replied, “I think one of the things that made ‘Godspell’ work was the fact that I didn’t know a lot of those stories. So, I think I came to it with a kind of fresh eye about not preaching to the converted, so to speak.”

In 1972, Schwartz brought that fresh eye to the story of “Pippin,” a young man searching for the meaning of life in the Middle Ages. Hit #3, 1974’s “The Magic Show,” starred magician Doug Henning. Schwartz was 3-for-3, with all three playing simultaneously on Broadway when he was just 27 – a theatrical trifecta that Schwartz described as “very dizzying.”

“The truth is, when you are very young and unprepared for a success, it can be difficult to handle,” he said. “It was difficult for me to handle. I think I got very, quite full of myself. I got kind of difficult to deal with. I kept thinking, well, why isn’t everybody just doing exactly what I say? I lost somewhat the ability to collaborate. You know, it took some failures to kind of learn how to deal with both success and failure.”

stephen-schwartz-1280.jpg

Broadway and Hollywood composer-lyricist Stephen Schwartz.

CBS News


The failures came in short order, a “four-fecta” of flops”: “Working” (which closed after a month), and ‘Rags” (which closed after four performances), while “The Baker’s Wife” and “Children of Eden” never made it to Broadway.

I noted, “You haven’t always been critic’s choice.”

“I’m almost never a critic’s choice,” Schwartz said.

Why? “I have no idea,” he said. “I’ll be frank about it, you know, I wish I got Steve Sondheim’s reviews.”

“But listen, as great as he was, his shows didn’t run the way yours have.”

“Yeah, the grass is always greener,” Schwartz replied.

In the early 1990s Schwartz stepped away from the piano. Had he quit Broadway? “Absolutely, a hundred percent,” he said.

“Did you worry that you were out of juice?” I asked.

“Totally, yeah. And in the ’90s, I actually went back to school. I was pursuing a degree in psychology. I was gonna become a therapist.”

Studying to become a therapist turned out to be quite therapeutic. “I think that time away reminded me of how to behave myself and how to collaborate and how to deal with other people, and not just come in like a bull in a china shop,” he said.

When he returned to songwriting, it was not for Broadway, though, but for Hollywood, writing songs for “Pocahontas,” “The Hunchback of Notre Dame,” “Enchanted,” and music and lyrics for “The Prince of Egypt.” He picked up three Academy Awards along the way.

“The Colors of the Wind,” from “Pocahontas”:

But Stephen Schwartz’s home will always be the stage. “I feel so blessed and so fortunate that work I’ve done has this ongoing life that I know is gonna keep going when I’m not here on this planet anymore,” he said. “Listen, I’m 77 years old, and they still let me do this!”

To watch a trailer for “Wicked: For Good” click on the video player below:


Wicked: For Good | Final Trailer by
Universal Pictures on
YouTube

READ AN EXCERPT: “Defying Gravity,” a biography of “Wicked” composer Stephen Schwartz
Biographer Carol de Giere explores the creative career of the Grammy- and Oscar-winning composer of such treasured Broadway and movie hits as “Godspell,” “Pippin” and “Wicked.”

WEB EXCLUSIVE: Watch an extended interview with Stephen Schwartz (Video)



Extended interview: Stephen Schwartz

24:38


For more info:

     
Story produced by Jay Kernis. Editor: Jason Schmidt. 

     
See also: 



Source link

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Entertainment

CBS News Radio signs off Friday night after nearly 100 years of broadcasting: “An American institution”

Published

on

CBS News Radio signs off Friday night after nearly 100 years of broadcasting: “An American institution”


CBS News Radio, which provides news programming to an estimated 700 stations spanning the United States, will sign off the air Friday night after nearly a century of broadcasting. 

The storied service, launched in September 1927, was home to broadcast legends Edward R. Murrow, Robert Trout, Douglas Edwards, Charles Osgood, Dan Rather and many other familiar and trusted voices over its decades in operation. 

“It’s been around for a long time. Really, an American institution is what we’re losing here,” said Steve Kathan, the longtime anchor of the CBS World News Roundup.

“CBS Radio should be remembered for becoming a national institution very important to the development of news other than newspapers,” Rather recently told “CBS Sunday Morning.” “It, for many, many years, was a part, and I would argue not a small part, of what held the country together.” 

The decision to shutter the radio news service was announced in March, with the company citing “challenging economic realities.” 

In a statement at the time, CBS News President Tom Cibrowski and Editor-in-Chief Bari Weiss paid tribute to the historic role of CBS News Radio in covering major events worldwide since the dawn of the broadcasting era.

“For nearly 100 years, CBS News Radio has delivered original reporting to the nation — from Edward R. Murrow’s World War II reports in London to today’s daily White House updates,” they said. “Our signature broadcast, ‘World News Roundup,’ remains the longest-running newscast in the country. CBS News Radio served as the foundation for everything we have built since 1927.” 

CBS News Radio first hit the airwaves just seven years after what’s been widely recognized as the first commercial radio broadcast.

The first broadcast of baseball’s World Series could be heard on CBS News Radio in 1938, and in 1939 it aired an interview with Babe Ruth.

CBS News Radio brought millions of Americans coverage of major events including the attack on Pearl Harbor and the D-Day invasionQueen Elizabeth II’s coronation, the 1962 Cuban missile crisis, the New York City blackout of 1977, the Gulf War, the 9/11 terrorist attacks, and the 2003 Space Shuttle Columbia disaster.

Murrow’s voice was first heard on air in 1938. As “CBS Sunday Morning” recently recounted, he was in Europe to recruit voices for radio, but after observing how dangerous Hitler was, he sent back a broadcast.

“This is Edward Murrow speaking from Vienna. It’s now nearly 2:30 in the morning, and Herr Hitler has not yet arrived. No one seems to know just when he will get here. But most people expect him sometime after 10 o’clock tomorrow morning,” Murrow said in that report. 

He later provided rooftop reports in London during the Blitz and from the Buchenwald concentration camp after the Germans had fled.

“I’m not searching for adjectives to make this sound dramatic,” he said in one wartime report. “I’m just telling you what I’ve seen.”

The legendary broadcaster was inducted into the Radio Hall of Fame in 1988.

CBS program host and correspondent Allison Keyes covered the news from Lower Manhattan on 9/11. 

“People needed to know what was going on that day,” Keyes said, “in real time, no filter, no politics. Here’s what’s happening.”

As the final days of CBS News Radio approached, she and her coleagues reflected on its legacy

“It leaves a huge gap in the field of news,” Keys said. “I want the listeners to know how proud and honored I am to have worked for this amazing place, with these amazing people.”



Source link

Continue Reading

Entertainment

Harry Styles makes wild confession at Ivor Novello Awards: ‘Shocking’

Published

on

Harry Styles makes wild confession at Ivor Novello Awards: ‘Shocking’


Harry Styles goes off-script with jaw dropping personal admission 

Harry Styles just turned a serious awards speech into something… nobody saw coming.

At the Ivor Novello Awards in London on May 21, the 32-year-old singer was there to honour Radiohead frontman Thom Yorke – but somehow ended up casually rewriting internet history in real time.

While praising Radiohead’s impact on his music, the As It Was crooner got unexpectedly personal.

“I cannot overstate how his work has influenced my belief in the purpose of the arts in our world today. And I cannot overstate how much his work continues to influence me,” he said.

Then things took a sharp left turn.

“I lost my virginity to ‘Talk Show Host,’” Harry said — before immediately clarifying, “I lost my virginity to the intro of ‘Talk Show Host.’”

Yes, the intro. About 10 seconds of it. No further details were offered… thankfully.

He also quipped that Radiohead’s “Exit Music (for a Film)” basically helped shape his own track Watermelon Sugar, adding, “Imagine that: a world without that song.”

The singer did not stop there. He credited seeing Radiohead perform in Berlin with convincing him to go back on tour – meaning, technically, they might be responsible for his current global run too.

And speaking of tours, Harry’s ongoing Together, Together stadium run is already stirring drama online, with fans complaining about restricted views and stage setups that occasionally block sightlines entirely.

One viral post read: “im sorry but wtf is this??? im at the barricade and i can’t even see the main stage anymore?????”

Another added: “we got harry close for 2% of the show.”

A rep for the tour defended the design, saying the floor setup was meant to be “free-flowing,” while also confirming some areas are being reviewed after complaints.

So yes – one night: Radiohead praise, virginity confession, and a stadium tour debate. Only Harry Styles could pack all that into one week.





Source link

Continue Reading

Entertainment

Stephen Colbert signs off “The Late Show” one last time: “We were lucky enough to be here for the last 11 years”

Published

on

Stephen Colbert signs off “The Late Show” one last time: “We were lucky enough to be here for the last 11 years”


Stephen Colbert said goodbye to “The Late Show” Thursday night in the franchise’s finale following a 33-year run, saying he was “lucky enough to be here for the last 11 years” and never took the experience for granted.

“There is so much history here in the Ed Sullivan Theater, and we’ve been honored to have been just a small part of it,” Colbert said in his opening monologue. 

In the opening of the show, Colbert emphasized the “joy” the show brought him and cast members throughout the 11 years and over 1,800 episodes.

Stephen Colbert on the finale of “The Late Show with Stephen Colbert,” on May 21, 2026. 

Scott Kowalchyk/CBS via Getty Images


“We call it the joy machine, because to do this many shows, it has to be a machine. But the thing is, if you choose to do it with joy, it doesn’t hurt as much when your fingers get caught in the gears,” Colbert said. “And I cannot adequately explain to you what the people who work here have done for each other and how much we mean to each other.”

The final show, which ran 17 minutes longer than its usual hour, was packed with surprise cameos from celebrities such as The Daily Show” host Jon Stewart, comedian Tig Notaro, actors Ryan Reynolds, Paul Rudd, Bryan Cranston and Don Cheadle and astrophysicist Neil deGrasse Tyson.

“I didn’t think my show would end like this, but still grateful,” Colbert told Stewart.

Fellow late-night hosts Jimmy Kimmel, Jimmy Fallon, Seth Meyers and John Oliver also joined Colbert on Thursday. 

“We came to say we’re gonna miss you. Late night is not gonna be the same without you,” Kimmel said.

The Late Show with Stephen Colbert

Paul McCartney and Stephen Colbert on the final episode of “The Late Show” with Stephen Colbert. May 21, 2026. 

Scott Kowalchyk/CBS via Getty Images


In recognition of Colbert’s final show, Kimmel and Fallon both aired reruns on Thursday.

Before the show, it was speculated that Pope Leo XIV might be Colbert’s final guest, but Colbert jokingly tried to introduce him before a cast member said Leo refused to come out of his dressing room.

The show’s actual final guest was none other than Paul McCartney.  

He performed at the Ed Sullivan Theater with The Beatles during their American television debut on Feb. 9, 1964. McCartney was a guest on the show in 2019 and in 2009, when David Letterman was still the host. 

Singers Elvis Costello and Jon Batiste performed Costello’s “Jump Up” as the shows musical performance. Batiste’s return to the Ed Sullivan Theater as a musical guest comes after he was the bandleader and musical director for “The Late Show” from 2015 until 2022.

The Late Show with Stephen Colbert

Elvis Costello, Jon Batiste, Stephen Colbert and Louis Cato on the final episode of “The Late Show with Stephen Colbert.” May 21, 2026. 

Scott Kowalchyk/CBS via Getty Images


In the final moments of Thursday’s finale, McCartney closed out the show with a performance of “Hello, Goodbye,” as Colbert joined in and audience members flooded the stage.  

In the lead-up to the franchise finale, a stream of star guests had appeared on the show, such as actors Tom Hanks and Billy Crystal, director Steven Spielberg, Letterman, the show’s host when it debuted in 1993, Bruce Springsteen and Martha Stewart

CBS announced back in July that it would end “The Late Show with Stephen Colbert” and retire “The Late Show” franchise at the end of this season. The company said it was “purely a financial decision against a challenging backdrop in late night.”

That explanation was met with skepticism from some viewers and media critics, who questioned whether political motives were involved, given Colbert’s outspoken criticism of President Trump.

It didn’t take him long to weigh in. Shortly before 2 a.m. Eastern Time, Mr. Trump said on his Truth Social platform, “Colbert is finally finished at CBS. Amazing that he lasted so long! No talent, no ratings, no life. He was like a dead person. You could take any person off of the street and they would be better than this total jerk. Thank goodness he’s finally gone!”

Colbert took a jab at the network Thursday when his band played “Linus and Lucy,” the theme song from the “Peanuts” television special as part of a bit about a copyright infringement lawsuit.

“Is the band right now playing the same music I said people are being sued for, for using without permission?…Oh no, I hope this doesn’t cost CBS any money,” Colbert said.

Colbert, 62, took over as host of “The Late Show” in September 2015 after Letterman retired from the role he’d held for 22 years.

The entire set of “The Late Show” is being donated to the Museum of Broadcast Communications in Chicago, a city where Colbert has deep roots. Colbert attended Northwestern University and performed in Chicago with the famous Second City improv troupe at the beginning of his comedy career. 

“The Late Show with Stephen Colbert” had been the No. 1 late-night program for nine consecutive seasons, CBS said last year. In September, it won the Emmy for outstanding talk series and received a standing ovation from the Emmys crowd.

CBS announced last month that Byron Allen’s “Comics Unleashed” will replace Colbert’s show in the 11:35 p.m. ET time slot.



Source link

Continue Reading

Trending