Fashion
Topshop and Topman comeback hits the headlines with webstore return and landmark runway show

Published
August 17, 2025
Topshop and Topman have been making headlines for months as the team behind them teased their comeback plan. And at the weekend it all fell into place and was just about the best feelgood news story out there.
On Friday, the long awaited standalone website went live, then on Saturday, the two brands took over London’s best known landmark – Trafalgar Square – to stage a runway show with Cara Delevingne, Adwoa Aboah, Tolu Coker, and Mayor of London Sadiq Khan in attendance.

Open to the public, the show featured new, unsigned talent discovered through an open casting call launched earlier this summer in collaboration with Wilhelmina Models London. And there was a live DJ set from Norman Jay and Melvo Baptiste.
But the big focus was what was actually in the AW25 See Now, Buy Now collections (as well as a preview of styles set to drop later in the season).

For Topshop, the retailer delivered sharp tailoring, outerwear, dresses and denim with key looks including a patchwork shearling coat, strong-shouldered 1980s tailoring, drop-waist jackets, signature patterned knitwear and fluid, voluminous skirts. The palette mixed dark charcoal and deep navy with bold hints of dark red and rich chocolate. Denim was reworked into “clean modern silhouettes” and new washes, while also spotlighting the brand’s popular Jamie and Joni jeans.

Topman was all about “modern utility”, blending “refined” formalwear with “sharp new silhouettes and impeccably cut pieces that embodied the brand’s commitment to elevated quality and contemporary design”. Think check wool coats paired with handknits and pleated, wide-leg tailored trousers, utility trousers, unique prints and embroidered jersey pieces, all grounded in denim in deep indigos, grey, and black.

Topshop/Topman MD Michelle Wilson said the show was “a love letter to London – its energy, creativity, and global influence. The return of Topshop.com is more than a relaunch; it’s a reinvention. And this is just the beginning”.

As for the new webstore, offers next day and standard delivery options, as well as a super-quick option.
The runway show is on there, and the product focus in clearly on trend-led pieces, including Delevingne’s new ‘Cara Edit’. It looks strong enough to appeal to any Gen Z or Millennial with an eye on trends, as well the Gen X and even Boomers who loved it in its heyday.

But the big question remains whether the brand(s) will ever open physical stores. We know that it will return physically via wholesale and that Wilson has rejected the idea of it returning in exactly the same form of that heyday with a big chain of physical shops. Its former flagship is now occupied by Ikea, after all. But if the comeback is a big success, who knows?
Copyright © 2025 FashionNetwork.com All rights reserved.
Fashion
Indian apparel industry urges urgent govt support

The Apparel Export Promotion Council (AEPC) said the industry had reconciled to a 25 per cent reciprocal tariff but the further burden would make Indian exports uncompetitive. “The additional 25 per cent will close the US market for Indian apparel. Exporters will now face a tariff differential of 30–31 per cent against major competing nations,” AEPC Secretary General Mithileshwar Thakur told Fibre2Fashion. He urged immediate fiscal support until a bilateral trade agreement can be reached.
India’s apparel industry warns of an existential crisis as US tariffs on exports will soar to above 50 per cent from August 27, 2025.
Exporters face a tariff gap of over 30 per cent against competitors, risking three million jobs and 20,000 factories.
Industry leaders urge urgent fiscal support and stronger diplomatic engagement until a bilateral trade pact is secured.
Jasveen Kaur, Senior Director of Merchandising at New Times Group, described the tariff shock as “seismic,” saying nearly 25 per cent of Tiruppur’s US-bound knitwear orders have already been paused or cancelled. “This is not about two per cent of GDP—it is about millions of jobs and the survival of entire communities,” she said, adding that exporters are slashing prices to keep shipments moving as US buyers renegotiate or withdraw.
Industry estimates suggest around three million jobs and 20,000 factories are at risk. While some exporters are exploring joint ventures in Bangladesh, Sri Lanka, and Southeast Asia, Kaur noted that diversifying markets and securing new buyers could take more than a year. “We need decisive government action and stronger diplomatic engagement with the US,” she appealed.
Sanjay K Jain, Chairman of the ICC National Textiles Committee and MD of TT Ltd, echoed these concerns. “The industry is at a standstill, and 50 per cent of orders (for export to the US) will likely be cancelled. The rest can only be retained if exporters absorb losses. The impact of such super-high tariffs will be terrible and felt across the entire value chain,” he warned.
While the government’s recent move to waive the 11 per cent cotton import duty was welcomed, industry players said it offers little relief against the tariff shock. Exporters are focusing on cost optimisation, targeting a 15–20 per cent reset, but say sustained government support is vital to prevent large-scale disruption in India’s apparel sector.
Fibre2Fashion News Desk (KUL)
Fashion
NITMA urges GST council to fix inverted textile duty as US tariffs hit

NITMA president Sidharth Khanna warned that the current inverted duty structure—where polyester staple fibre (PSF) is taxed at 18 per cent and polyester spun yarn (PSY) at 12 per cent while fabric is at 5 per cent—is unworkable for spinners. He urged a cut in PSF and PSY rates to 5 per cent to align with fabric.
India’s textile sector is under strain as steep US tariffs take effect today.
The Northern India Textile Mills Association (NITMA) has urged the GST Council, meeting on September 3–4, 2025, to address the inverted duty structure in the man-made fibre value chain by reducing GST on polyester staple fibre (18 per cent) and polyester spun yarn (12 per cent) to 5 per cent, aligning with fabric.
According to Khanna, the present system burdens the industry with blocked working capital in GST refunds, unutilised input tax credits, administrative delays, loss of state SGST incentives, and unfair competition from imports.
“This is a critical moment for India’s textile sector. Decisive action to remove the inverted duty structure will not only counteract the impact of US tariffs but also unlock growth and investment across the MMF value chain, thereby making this event a blessing in disguise,” Khanna stressed.
Fibre2Fashion News Desk (KD)
Fashion
Nigerian designer pushes “Afro-lux” onto the global fashion scene

By
AFP
Published
August 28, 2025
Its striking architecture, framed by latticework inspired by traditional Yoruba textiles, makes Alara — west Africa’s first fashion and design “concept store” — an imposing landmark in Lagos, Nigeria’s bustling commercial capital.
Founded by Reni Folawiyo a decade ago, Alara embodies her vision of “Afro-lux,” a concept she defines as designs that balance tradition with modernity while positioning African fashion on the global stage.
Inside the store, upscale African labels share space with international brands, decorative art, and books — part of Folawiyo’s mission to place African creativity on equal footing with established global names. The building’s distinctive lattice is inspired by adire, a textile popular among the Yoruba people of southwest Nigeria.
“A lot of the beautiful things that people were making in different parts of Africa were not celebrated in the way that I thought they should be,” said the 60-year-old, explaining how rural craftsmanship often inspires Alara’s collections. “I felt very strongly in my belief that these objects and these people had value.”
Music stars become style ambassadors
West African design is experiencing a cultural moment, Folawiyo noted in an interview in Lagos, where she wore sunglasses with vivid pink lenses.
In May, Nigerian music stars Burna Boy, Tems, and Ayra Starr appeared at New York’s Met Gala, dressed by British-Ghanaian designer Ozwald Boateng.
But for Folawiyo, global recognition requires more than occasional runway appearances. “At the moment, the best way to platform designers outside Africa is to partner and collaborate with institutions that are of repute,” she said, citing her recent pop-up store and exhibition at the Brooklyn Museum and a collaboration with the Los Angeles County Museum of Art.
Drawing from her Yoruba heritage — with its intricate textiles, bold colors, and elaborate ceremonies — Folawiyo also finds inspiration in Senegal’s rugged aesthetics and the Ivory Coast’s refined sophistication. “Alara is my own idea of what a celebration of Africa looks like,” she said.
Culture through cuisine
Behind the boutique lies NOK, a restaurant led by executive chef Pierre Thiam, the Senegalese culinary pioneer who has brought west African food to U.S. diners.
While still high-end, NOK offers more accessible prices than Alara’s fashion and design pieces — a delicate balance in a country marked by extremes: wealthy elites in the oil and tech sectors, a shrinking middle class strained by inflation, and millions of informal workers.
Amid Alara’s stark interior of black walls and white concrete, luxury items stand out as bold statements. A green dress by Nigerian label Eki Kere carries a price tag of 325,000 naira (around $210), while a sculptural table from Senegalese-Nigerian studio Salu Iwadi can fetch up to ten times more, underscoring the store’s blend of accessible fashion and high-end design.
Folawiyo herself comes from Lagos’s elite, as the wife of businessman Tunde Folawiyo and daughter of the late attorney general of Nigeria’s former Western Region, Lateef Adegbite.
But building her vision of African luxury was not easy. Convincing investors and partners to believe in “Afro-lux” proved challenging. “I was very committed to it and I had great belief in myself and my idea,” she said.
Now firmly established in Nigeria, Folawiyo also organizes international fashion showcases, including at Barbados’s Carifesta XV this month. But for her, the industry’s long-term success depends on “passing on knowledge to future generations.”
Copyright © 2025 AFP. All rights reserved. All information displayed in this section (dispatches, photographs, logos) are protected by intellectual property rights owned by Agence France-Presse. As a consequence you may not copy, reproduce, modify, transmit, publish, display or in any way commercially exploit any of the contents of this section without the prior written consent of Agence France-Presses.
-
Business1 week ago
RSS Feed Generator, Create RSS feeds from URL
-
Tech1 week ago
Korea develops core radar components for stealth technology
-
Fashion1 week ago
Tariff pressure casts shadow on Gujarat’s textile landscape
-
Fashion1 week ago
Rent the Runway to swap debt for equity in revival effort
-
jobs1 week ago
Data Analyst at Easy Agile – Australia
-
Fashion1 week ago
US retailers split on holiday prospects amid consumer caution
-
Tech1 week ago
Qi2’s Magnetic Wireless Charging Finally Arrives on Android
-
Sports1 week ago
Dan Quinn says Terry McLaurin is healthy, ‘closer’ to Commanders return