Sports
Why the NFL stood by Bad Bunny for the Super Bowl halftime show
IN LATE SEPTEMBER, the NFL announced that Puerto Rican superstar rapper and singer Bad Bunny, who has openly criticized the Donald Trump administration for its immigration policies, would perform this year’s Super Bowl halftime show. Five days later, U.S. Secretary of Homeland Security Kristi Noem admonished the NFL for its decision.
“They suck, and we’ll win,” Noem told right-wing podcast host Benny Johnson, who had asked what message she wanted to send to the league. “They won’t be able to sleep at night because they don’t know what they believe. And they’re so weak, we’ll fix it.”
Department of Homeland Security adviser Corey Lewandowski said on the same podcast: “It’s so shameful that they’ve decided to pick somebody who just seems to hate America so much to represent them at the halftime game.”
Despite the almost immediate backlash from the Trump administration and its supporters, the NFL has stood by its decision to book Bad Bunny for the Feb. 8 game in Santa Clara, California. It’s a departure from how the league reacted to the president’s criticism nearly a decade ago when some players began kneeling during the national anthem. According to interviews with and public statements by several high-level club and league office executives, the NFL has remained steadfast despite the blowback because Bad Bunny, one of the most popular artists in the world, helps fulfill a top business objective: growing the NFL’s international and Latino audience.
One high-level club executive who regularly attends the NFL’s league meetings said that some owners at first were concerned about Bad Bunny’s fit because he sings primarily in Spanish and that many were unfamiliar with him.
“And then I think everybody was just kind of like, ‘OK, we’re going to get on board, because the goal is global reach,'” the executive said. “And this guy has a massive global reach.”
THE NFL HAS a long-standing goal of growing its international audience. This season, the NFL played a record seven games in five international cities: Sao Paulo, Dublin, London, Berlin and Madrid. The league will add Australia in 2026. In September, NFL commissioner Roger Goodell said he wants each team to play a game abroad every year.
More specifically, the league has been focused on growing its Latino audience, inside the U.S. and in Latin America. Marissa Solis, the NFL’s senior vice president of global brand and consumer marketing, told ESPN in November that the league first identified the U.S. Latino population as a “critical growth area” several years ago.
“It is a community of more than 70 million people here in the U.S. … so it was very important for us to ensure that we were relevant,” Solis said.
In 2020, the Super Bowl halftime show was headlined for the first time by two Latina pop stars, Jennifer Lopez and Shakira. (Bad Bunny also appeared in the show.) At the time, the NFL hired veteran entertainment and brand marketer Javier Farfan as a consultant to add authenticity to the performance.
“People don’t see it, but to the broader global and Latino community, they’re like, ‘Wow. The NFL gets me,'” Farfan, who still consults for the league, said in an interview with ESPN in December. “And then now, they’re seeing [Bad Bunny] and it’s like, ‘Wow, they really get me.'”
Since 2019, the NFL has partnered with rapper and business mogul Jay-Z and his entertainment company Roc Nation to advise on the selection of halftime performers and promote “culture- and cause-focused initiatives,” according to a statement at the time announcing the arrangement.
Exactly how Roc Nation chooses the Super Bowl artist and what role the NFL plays in that decision isn’t publicly defined. Roc Nation declined ESPN’s requests to comment for this story.
“Jay-Z understands the platform,” Goodell said at an October sports conference regarding his conversations with the rapper about Bad Bunny. “… And so, it doesn’t get real deep because he knows I’m not going to challenge him.”
Solis said that Roc Nation and the NFL’s halftime strategy is to book “the cultural artist of the year.”
This year, that artist is Bad Bunny, born Benito Antonio Martínez Ocasio, who was the top-streamed artist on Spotify in 2025. His sixth studio album “Debí Tirar Más Fotos” pivoted from straight reggaeton to a fusion of reggaeton, salsa and Puerto Rican genres. The lyrics discuss his love for Puerto Rican culture, the island’s struggle with gentrification that prices out locals and his desire for the island’s independence from the U.S. (Puerto Rico is a U.S. territory.) The album topped the Billboard charts for four weeks. He stayed in Puerto Rico for much of 2025 and performed a 31-show residency in San Juan.
Bad Bunny filmed the halftime show announcement and trailer in Puerto Rico, per his request, said Tor Myhren, vice president of marketing and communications for Apple Music, the performance’s presenting sponsor. When Myhren’s team asked Bad Bunny about his goals for the halftime show, Myhren said Bad Bunny responded, “This isn’t my halftime show, this is for everyone.” The Apple Music trailer shows Bad Bunny dancing to his song “Baile Inolvidable” with people of all races, ages and genders, with the tagline, “February 8 the world will dance.”
Multiple representatives for Bad Bunny did not respond to messages from ESPN seeking interviews with the artist.
Choosing Bad Bunny potentially exposed the NFL to Trump’s ire because the artist has been openly critical of the administration’s vow to remove millions of people from the U.S. via mass deportation programs.
In an interview published in September, Bad Bunny told i-D Magazine that he chose not to take his world tour to the U.S. because he was worried about potential raids by U.S. Immigration and Customs Enforcement.
“F—ing ICE could be outside [the concert],” he said. “And it’s something that we were talking about and very concerned about.”
Bad Bunny also appeared to mock Trump on the Fourth of July when he released the music video for his song “NUEVAYoL,” a salsa tribute to the Puerto Rican diaspora in New York. In the video, he sings from the crown of the Statue of Liberty, who wears the Puerto Rican flag on her forehead like a bandanna. In the final scenes, a Trump-sounding voice apologizes to immigrants over a radio broadcast.
“I want to say that this country is nothing without the immigrants,” the voice says. “This country is nothing without Mexicans, Dominicans, Puerto Ricans, Colombians, Venezuelans, Cubans.”
In 2024, Bad Bunny endorsed Kamala Harris for U.S. president, criticizing the Trump administration’s 2017 response to Hurricane Maria in Puerto Rico.
When the NFL announced Bad Bunny as the halftime performer, Noem said ICE agents would be “all over” the Super Bowl. “I think people should not be coming to the Super Bowl unless they’re law-abiding Americans who love this country,” she said.
The day after Noem’s comments, Bad Bunny hosted “Saturday Night Live” and addressed the backlash in his monologue. He said in English: “I’m very excited to be doing the Super Bowl, and I know people all around the world who love my music are also happy.” Then he switched to Spanish and said: “Especially all of the Latinos and Latinas in the world here in the United States who have worked to open doors. It’s more than a win for myself, it’s a win for all of us. Our footprints and our contribution in this country, no one will ever be able to take that away or erase it.”
“And if you didn’t understand what I just said,” he added, switching back to English, “you have four months to learn.”
Trump was first asked about Bad Bunny on Oct. 6. NewsMax’s Greg Kelly asked the president if people should boycott the NFL because of “Bad Bunny Rabbit or whatever-his-name.”
Trump said: “I’ve never heard of him. I don’t know who he is. I don’t know why they’re doing it.”
Speaker of the U.S. House of Representatives Mike Johnson, R-La., told a reporter in October that booking Bad Bunny was a “terrible decision.”
“There are so many eyes on the Super Bowl, a lot of young, impressionable children. And I think, in my view, you would have Lee Greenwood or role models doing that,” he said. Greenwood, who is 83, is famous for his song “God Bless the USA.”
Bad Bunny’s announcement prompted the conservative organization Turning Point USA to counterprogram with its own performance, called “The All-American Halftime Show.” On the show’s website, the group provided a survey for viewers to choose the music they want to hear. “Anything In English” was the first option. Turning Point USA has yet to update its website with any information about the performance, and a spokesperson said in early January that they will not be releasing any artist information ahead of time.
Last weekend, Trump told the New York Post he would not be attending the Super Bowl because it’s “too far away.”
He also shared his opinion about Bad Bunny and Green Day, who will perform before kickoff and whose music has been sharply political: “I’m anti-them. … All it does is sow hatred.”
Trump’s immigration crackdown escalated this month in Minneapolis, with government agents clashing with protestors and fatally shooting two people. The administration has since worked to ease tensions and shift its policy.
Regarding ICE’s presence at the Super Bowl, DHS assistant secretary Tricia McLaughlin said this week that the agency does not disclose operations or personnel plans.
“DHS is committed to working with our local and federal partners to ensure the Super Bowl is safe for everyone involved, as we do with every major sporting event,” McLaughlin said in an email. “Those who are here legally and are not breaking other laws have nothing to fear.”
A person with knowledge of the administration’s plans said that ICE agents will be assigned to the Super Bowl because the event requires coverage by multiple federal agencies.
“This is routine,” the person said. “DHS was there last year and in past years. Nothing about this is unusual.”
A source familiar with Super Bowl planning told ESPN that league security officials “have not been told there will be immigration enforcement actions.”
In a statement to ESPN, the NFL said fan safety is its “top priority.”
“We have the utmost confidence in our comprehensive security plans,” an NFL spokesperson said in the statement. “Our security team has worked with federal, state, local and private sector partners over the past two years to develop extensive plans to provide a safe and secure environment at our events and on gameday.”
WITHIN THE NFL, at least one owner met the decision to book Bad Bunny with skepticism, particularly considering the league’s pending agreement to sell the NFL Network and other assets to ESPN in exchange for a 10% stake in the media company.
Shortly after the Bad Bunny announcement, an NFL owner told Goodell that he feared the decision could threaten the government’s antitrust approval of the pending deal, a source with firsthand knowledge of the discussion told ESPN.
“I told Roger he should’ve thought through that better,” the owner said, according to the source.
At the October league meeting in midtown Manhattan, Goodell said the league had no intentions of changing the halftime performer.
“He’s one of the most popular entertainers in the world,” Goodell told reporters at a news conference. “… It’s carefully thought through. I’m not sure we’ve ever selected an artist where we didn’t have some blowback or criticism. … We’re confident it’s going to be a great show.
“I think it’s going to be exciting and a united moment.”
At a marketing conference in October, NFL chief marketing officer Tim Ellis also addressed the controversy: “Well, not everyone has to like everything we do. Bad Bunny is f—ing awesome.”
Two sources who have attended owners meetings since the Bad Bunny announcement told ESPN that the artist hasn’t come up in groupwide discussions.
“There’s not some great strife here,” the high-level club executive said. “The league is tasked with setting financial and brand goals, and that’s a lot of what we asked the league to do. … Of course, it is tricky, because you have a room of 32 people that are unfamiliar with the artist or may have political concerns.”
Three club executives told ESPN they think Bad Bunny helps achieve the league’s goal of growing globally.
Dallas Cowboys chief brand officer Charlotte Jones, whose father Jerry Jones owns the team and has donated millions to Trump and his political action committee, told “The Katie Miller Podcast” in November that she supported the Bad Bunny choice.
“I think it’s awesome, and I think our Latino fan base is amazing,” Jones told Miller. “We are on a global stage, and we can’t ever forget that. … We have a mixed culture and our whole society is based on immigrants who have come here and founded our country, and I think we can celebrate that.”
Miller, who was a communications director for former vice president Mike Pence and is married to Trump adviser Stephen Miller, pushed back on Jones: “You don’t think that a time when his comments were divisive as it relates to President Trump — when everyone is just seeking a political unification — that you would want somebody who maybe didn’t touch politics to be on that stage?”
“I don’t think our game is about politics,” Jones replied. “I don’t think people tune in to look at politics. We do everything we can to avoid politics. … This is about bringing people together.”
When Trump was first president in 2017, his criticism of NFL players who chose to kneel for the national anthem — an action started by former 49ers quarterback Colin Kaepernick — created a national political crisis that threatened the NFL’s brand and its business. Trump said NFL owners should fire any player who knelt and encouraged fans to walk out. In response, more players started kneeling, and they resisted the league’s attempts to stop the protest.
According to reporting from ESPN’s Don Van Natta Jr. and Seth Wickersham at the time, owners and Goodell met with players to discuss racial and social injustice. As a result, the NFL created the Inspire Change initiative, committing $89 million to support social causes, and partnered with Roc Nation to reshape the halftime show and help the league be more proactive in social justice work. Goodell ultimately acknowledged the league initially had been wrong in its approach with players.
One club executive and a source familiar with league business said the NFL learned lessons from its interactions with the first Trump administration. The club executive said the league isn’t being as “reactionary.”
“Those are probably just lessons learned,” the executive said. “Drawing the president’s ire, there’s so many things that happen on a daily basis. I think people just have a different opinion this time around.”
Another club executive said the NFL is trying to “double down 1769811008 on an apolitical stance.”
“I think maybe in the past, the league office got a little turned around with some of the owners, or some of the other influential people, saying you have to take a stand here,” the other executive said.
The NFL spokesperson declined to comment on the league’s strategy in dealing with the Trump administration.
Multiple sources said the tension with Trump is less this time around.
“Last time with Kaepernick, that was players and owners and the president. Bad Bunny doesn’t affect any of that,” a club executive said. “It doesn’t affect week-to-week games or television coverage. It’s just a halftime show. And I don’t mean that flippantly, but it’s just a halftime show.”
The league office is engaging with Trump for other upcoming events. In May, Goodell visited Trump at the White House with Commanders owner Josh Harris to announce that Washington, D.C., will host the NFL draft in 2027.
And in November, the NFL announced it would commemorate the United States’ 250th birthday in 2026 with commemorative game balls and on-field markings. The Athletic reported that Goodell is also expected to attend an upcoming America 250 unveiling event at the Oval Office, along with the four other major professional men’s sports commissioners.
“If the league has layups or an easy win, it’s like, take the layup,” the source familiar with league business said.
When asked in November whether the league office has faced any political pressure to change its Latino-focused marketing strategy, Solis told ESPN: “Our strategy has always been to reach every fan in their culture, in their language, to make this sport global, and to make this sport for everyone. So I don’t think that strategy will change regardless of language, country, artists, players. … We have a responsibility with this platform to ensure that we continue to reach everybody.”
Farfan said in December that he wasn’t surprised by the president’s criticism and the larger backlash to Bad Bunny because everyone has the right to express their opinion. “We have the right to do what we need to do for our business and stand tall against that, regardless of the noise happening outside.”
ESPN’s Don Van Natta Jr. and researcher John Mastroberardino contributed to this report, which also includes information from The Associated Press.
Sports
What it’s like to be Olivier Rioux — the tallest college basketball player ever
GAINESVILLE, Fla. — At an on-campus dining hall in September, a fork and knife looked like a toddler’s toy utensils in the massive hands of Olivier Rioux. Everything about Florida‘s 7-foot-9, 305-pound center, is supersized — just check the book of Guinness World Records, where he holds the official title for tallest teenager.
“I wear size 20 shoes,” Rioux told ESPN. “I eat 5,000 to 6,000 calories every day.”
It’s fuel for a body with proportions college basketball has never seen.
When he made his much-anticipated debut for the Gators in early November, Rioux (pronounced Ree-YOO) became the tallest player in college basketball history to check into a game. Two weeks after that, he became the tallest player to score a point after making a free throw. And in mid-December, he became the tallest player to record a field goal with a late-game dunk in a blowout win over Saint Francis.
Before he even entered that game — his third of five appearances so far this season — the crowd in Gainesville began to chant, “We want Ollie! We want Ollie!” The loudest cheers of the night erupted when he rose from his seat on the bench and walked to the scorer’s table to check in. Minutes later, that slam sent the fans into a frenzy. His teammates hopped on one another’s shoulders, his coaches high-fived and fans pointed to the ceiling and screamed.
“I knew it would be big, but I didn’t know it would be like that,” said Jean-Francois Rioux, Oliver’s father.
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7-foot-9 Olivier Rioux scores first bucket
Olivier Rioux, the world’s tallest teenager, scores his first bucket for Florida vs. Saint Francis.
Oliver has created a buzz on and off the court since he was a young player in Montreal. As a child, he towered over his peers, then his teachers and, well, eventually most of the globe. He was nearly 7 feet tall in elementary school. With his unique size and stature, he’s a walking selfie opportunity for passersby.
The redshirt freshman’s main focus is to eventually earn more playing time and enjoy the typical life of a college student. Florida considers him a promising project, though at this stage, he’s a long way from filling up the stat sheet in the SEC. Still, he’s the most popular player on the roster, as evidenced by the incessant requests for photos and autographs when he’s out with the team. But while Rioux sometimes basks in the fame and attention of a rock star, he yearns to be acknowledged for his other attributes.
“Whenever I’m out with the guys or the team, I’m like, ‘I don’t want any pictures,'” he said. “When I’m walking to class, I’ll do selfies while I’m walking. I’ve learned that technique. It works a lot because you don’t get stopped by anybody. And then anything that involves kids asking for pictures, I’ll do it because I don’t want to feel bad.”
Long before he caused a stir everywhere he went, Rioux was just a tall kid in Canada.
As a child, he was just the growing young man who would walk into a local restaurant with his 6-8 father, 6-2 mother Anne Gariepy (6-2) and 6-9 older brother, Emile, to order a half-dozen pizzas for the family.
That started to change in 2016.
Joel Anthony, a 6-10 former NBA forward who won two NBA titles with LeBron James and the Miami Heat, returned to Montreal to attend a kids basketball camp in town. Having faced some of the biggest athletes in the world, he wasn’t easily impressed. Then, a friend of his introduced him to a 9-year-old Rioux.
“I was like, ‘Where is the kid?'” Anthony said. “And he’s like, ‘This is the kid I was talking about.'”
Anthony had assumed Rioux was a camp counselor. They were the same height.
2 years ago #Olivierrioux with Joel Anthony ! Times fly ! pic.twitter.com/zmWV1tS4HE
— Jean-Francois Rioux (@TWJFRIOUX) September 12, 2018
When a photo of Rioux and Anthony was posted on social media, it drew attention — including from Canada Basketball officials, who contacted Rioux’s family. Joining his country’s official basketball development system helped him gain the training resources to facilitate his growth. Free clothes and shoes, too. And the games against top opposition on the grassroots circuit taught him to play with an edge.
“A 6-foot-10 kid tried to dunk on him and he missed, and he was chirping at Rioux,” said Joey McKitterick, director of Brookwood Elite basketball program in Canada. “And then Rioux comes down and dunks on him, and then he pats the kid on the top of his head. And I was like, ‘He just patted a kid who is 6-foot-10 on his head like he was his child.'”
As the legendary stories about the tallest kid anyone had ever seen — he was 7 feet tall by age 12 — circulated throughout Canada and beyond, Rioux’s coaches had to call event organizers at youth basketball events to verify his age when they threatened to demand his birth certificate. The crowds at his games quickly grew. People wanted to see the boy who seemed like a myth. That attention wasn’t always easy to handle for Rioux, according to those who were around him then.
“It is a little difficult when you’re young and people don’t know how to stare,” Anthony said. “You have this growth spurt and now everyone’s just staring at you and it’s just constantly, everyone is staring at you.”
Rioux’s AAU coaches had to turn his teammates into “bodyguards” on road trips to keep those seeking autographs and pictures at bay. They would still snap selfies from afar and post them. A simple stroll through a mall, an airport or any place with throngs of people would present the possibility of hysteria for Rioux.
But in basketball, Rioux found a home and an identity. At Florida, he’s just one of the guys, another player on a roster chasing a dream.
“The fans at Florida are crazy,” he said. “The feeling of being supported by people, it just helps you a lot mentally and I feel like that’s what I needed and that’s what I’ve been provided with.”
Whenever he gets to his hotel room on the road with the Gators, Rioux goes through his routine.
First, he backs his body into the room like a semi-truck backs into a loading dock because it’s more efficient than trying to dip beneath a standard door frame (6-8) while facing forward. Then if the room has two beds — preferably doubles or queens — he’ll pull one toward the other to make a T-shape, then sleep diagonally.
When a room has only one bed, well, then he really has to get creative.
“I just have a technique where I just pull the mattress back, put some pillows and cushions near the top of the bedframe so that the bed is long enough,” he said. “I don’t need the extra space in the room.”
Just preparing his body for the wear and tear of a basketball season is a feat in and of itself. His training program involves a lot of work on his lower body to create and sustain the base he’ll need to play long stretches if he’s called upon.
“I can lose five pounds in a single day,” Rioux said of his daily workout regimen. “I have to regain it with water and it’s you can’t just hold water. You’ve got to drink progressively and be worried about when you drink, how you drink and when you pee and all of that. There is a whole process.”
At 7-9, the human body works harder. Much harder. But the energy Rioux expends at Florida to stay in shape — he added 10 pounds of muscle over the offseason — is not only in service of his basketball future, but his overall quality of life.
For now, Rioux hasn’t had much of an opportunity to showcase the work he has done to prepare his body for play.
Florida’s pecking order is set with a frontcourt of Alex Condon, NBA prospect Thomas Haugh and Rueben Chinyelu — all of whom starred in last season’s national title run. Rioux’s efforts now are really about fighting for a role next season. His height is an X factor no opponents can match at this level. But he’ll have to become quicker and more agile to play substantial minutes, according to those who have helped him develop over the years.
“It’s a guard’s game, so in order for a big guy like [Rioux] to really, really thrive, you’d have to slow the game down, walk the ball up the court, let him get in position and then throw it into him,” said Michael Meeks, an assistant with the Canadian national team who has known Rioux for more than a decade. “There are not a lot of teams that walk the ball up in the SEC, so his head is under the water and he’s going to have to really, really work to get it above it to impact the game.”
Florida head coach Todd Golden said he won’t make any definitive projections about Rioux’s future at Florida, but he is impressed by his determination and work ethic.
“I know he’s sitting over there probably like, ‘Damn man, I didn’t know all these guys were coming back,'” Golden said. “So it’s going to be a tough one this year to play. It really will be. But … I do think he has some really good basketball ahead of him, whether it’s here at Florida or somewhere else.”
That’s a challenge Rioux has embraced because he wants to play. That’s his ultimate goal; it’s how he wants to be remembered with the Gators and the world. Whether an opportunity to make that a reality comes will depend on what happens this offseason. Although Rioux has played limited minutes this season (2.2 per game), Florida could lose its entire frontcourt to the NBA or graduation. That could open a lane for him — and he’s determined to stay until it does.
“I think a lot of people don’t really know what I’m committed to doing,” he said. “Obviously, you see a highlight here and there, but you don’t see what the person is capable of doing. I want to push myself to be able to do that.”
Added his father: “We are confident that [Rioux] will have his place at Florida and that he will be able to play.”
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Gators fans go wild for tallest player in CBB history checking into game
Florida fans are on their feet as 7-9 Olivier Rioux checks into the game against North Florida.
Rather than stuff himself into a car, Rioux prefers to ride around Florida’s campus on a bike. But it’s not an ordinary bike. The DirtySixer AllRoad Mark II retails at $5,000. When standing upright on its back wheel, the bike is almost as tall as Rioux. San Antonio Spurs star Victor Wembanyama is next on the company’s list to get one of the limited edition bikes. Shaquille O’Neal already has one.
“I haven’t figured out my driver’s license,” Rioux said. “I don’t fit into cars. I don’t fit into the driver’s seat. I would have to customize it and learn how to drive it. And that’s a lot. That’s a lot of money.”
Blending into a world made for the masses — the average Canadian man is 5-10 — but not a 7-9 man has always been the norm for Rioux. He has to “duckwalk” through the jet bridge at the airport and can sit only in exit rows unless he purchases extra seats for the legroom. And with his in-person classes in Gainesville, it’s rare that he ever finds a suitable seat.
“The auditoriums are not made for tall people, so I have to sit in the back where there is a seat,” he said. “You don’t really hear the teacher.”
The Florida athletic complex is one of the few places where he can relax without thinking about the next person to come up to him and ask him about his height or if he plays basketball or how tall he is. In the locker room, Rioux can be himself.
“He’s a great kid,” his teammate Boogie Fland said. “He’s just a cool dude to be around and he is always caring about us.”
Added Haugh: “People love him here. He loves it here, too. And he’s been grinding. He has been lifting a lot and getting better. I see him working out, working on ballhandling. And I think if he gets things rolling, gets a little quicker, he’s going to be good.”
Florida is where Rioux is attempting to mold himself into the player he wants to be — one with a future that will depend on how rapidly his skills develop and the way he conditions himself for the rigors of a season. In the meantime, the NIL and revenue sharing have helped him attain the 3XL gear — and the king-plus mattress — he needs. It also helps that clothing companies send him their stuff for free, hoping he can become their human billboard.
When he wants to turn it all off, though — the buzz, the selfie requests, the gawking, the questions — he connects with those who know him as “Ollie.”
Back home in Montreal, he challenges his dad to PC games, mostly “Civilization” and “Minecraft.” He enjoys reading manga and watching anime. He’s even an artist himself; his sketches are scattered around his family home.
When he wasn’t doodling as a kid, he was always close to a chessboard.
“He’s very good at chess,” his father said. “When he was young, he won the tournament at his school, but at some point, if you want to really be good at chess, you have to train, but basketball was taking too much of his time to do chess.”
He has a friend group that doesn’t care that he plays basketball or has a record-setting height. On a summer trip to New York City, they socialized at a food festival before they stopped at a club.
“We went downtown, we chilled. One of our friends is a DJ, so we went to support him,” Rioux said. “It was really nice. He was doing EDM. I am into that.”
He chooses to keep the names of those friends and their busy group chat private. For Rioux, cultivating a life outside basketball — and constant chatter about his height — has been a positive.
“It’s the freedom of not talking about basketball,” he said. “I feel like that helps me to just be more focused on basketball somehow. I don’t know the mentality behind it, but I have 100% in basketball and 100% with the liberty of recovery. I think that’s the balance.”
Sports
Elena Rybakina wins Australian Open for 2nd Grand Slam title
MELBOURNE, Australia — Elena Rybakina was crowned Australian Open champion after storming from behind in the deciding set of Saturday’s final to overcome top-ranked Aryna Sabalenka 6-4, 4-6, 6-4.
After splitting the first two sets at Rod Laver Arena, Sabalenka appeared to have made a decisive move in the third set when she broke Rybakina for just the second time in the match and raced to a 3-0 lead.
But Rybakina, the world No. 5, responded by winning five consecutive games to wrestle back control. She calmly served out the match with an ace to clinch her second Grand Slam title, avenging her losses to Sabalenka in the 2023 Australian Open and 2021 Wimbledon finals.
Following championship point, the pair shared an embrace at the net. Rybakina then clapped her left hand on the strings of her racket and held her arm up triumphantly to the packed grandstands roaring in delight.
“It’s amazing to hold this trophy,” said Rybakina, who was born in Russia but represents Kazakhstan. “I knew that today if I get a chance to lead that I will need to try some risky shots and just go for it … not wait for any mistakes or even get to the long rallies.
“It was tough to come back in the third. I’m happy that being down, I was able to calm myself down, not being frustrated anymore, and just focus on each point and stay close. I’m super happy.”
Saturday’s 2-hour, 18-minute final was a tale of razor-thin margins — as evidenced by both players finishing the night having won exactly 92 points — but in the key moments it was Rybakina who stepped up.
Rybakina won 64% of points with the score locked at either 30-30 or 40-40 and 75% when facing a break point. She made 72% of her third-set service returns land in play, a contrast to Sabalenka, who managed only 59%.
Another key to victory for Rybakina was her ability to successfully combat the four-time Grand Slam champion’s combination of power and aggression with her own brand of heavy ballstriking and fearless tennis.
She signaled that intent early on, breaking the first Sabalenka service game with high-risk, high-reward tennis, despite the world No. 1 landing seven of eight first serves.
It was an approach that carried her throughout the back-and-forth contest and to the Daphne Akhurst Memorial Cup, which was presented by 2001 and 2002 Australian Open champion Jennifer Capriati.
“I played great until [a] certain point, and then I couldn’t resist that aggression that she had on court today,” a defeated Sabalenka said. “I don’t know if I have any regrets. Maybe I should have tried to be more aggressive on my serve, knowing that I have a break, and put pressure on her, but she played incredible. Today she was a better player.”
The Australian Open title caps a monumental return to the top for Rybakina, who will be elevated to world No. 3 when the WTA’s latest rankings land Monday.
Rybakina, 26, ended last year with semifinal appearances in both the Toronto and Cincinnati WTA 1000 events before being crowned champion at the season-ending WTA Finals in Riyadh, Saudi Arabia.
Since Wimbledon last year, Rybakina has achieved a tour-best 37-6 record, while her latest triumph over Sabalenka extends her consecutive win streak over top-10 opponents to a career-best 10 matches.
“I always believed that I [could] come back to the level I was,” Rybakina said. “Of course, we all have ups and downs. I think everyone thought maybe I will never be again in the final or even get a trophy, but it’s all about the work.
“When you get some wins, big wins against top players, then you start to believe more. You get more confident. That was the kind of way.”
The loss is the second in succession for Sabalenka in an Australian Open final. Last year, she was upset by American Madison Keys, also in three sets. Each of the two years prior, she was crowned champion at Melbourne Park.
Sabalenka had entered the 2026 final against Rybakina having won 12 consecutive matches and 22 consecutive sets to begin the year.
“It’s tennis, you know. Today you’re a loser; tomorrow you’re a winner,” Sabalenka said. “Hopefully I’ll be more of a winner this season than a loser.”
Sports
Australia’s injured Cummins out of T20 World Cup
Star paceman Pat Cummins was ruled out of Australia’s Twenty20 World Cup campaign on Saturday, while batsman Matthew Renshaw has come into the squad at the expense of Matt Short.
Test skipper Cummins only played one of the five Ashes Tests against England over the Australian summer as he slowly recovers from a lower back injury.
He was hoping to be fit for the tournament in India and Sri Lanka beginning on February 7, but has run out of time and been replaced by Ben Dwarshuis.
“With Pat needing more time to recover from his back injury, Ben is a ready replacement who offers a left-arm pace option as well as dynamic fielding and late-order hitting,” selector Tony Dodemaide said.
“We believe his ability to swing the ball at good pace, along with clever variations, will be well-suited to the conditions we expect and overall structure of the squad.”
The only other change to the provisional squad named this month sees Renshaw come in for Short, who has paid the price for his ordinary performances in the Big Bash League.
“Matt (Renshaw) has impressed in all formats of late, including in multiple roles in white ball formats for Australia, the Queensland Bulls and the Brisbane Heat,” Dodemaide said.
“With the top order settled and spin-heavy conditions expected in the pool stages in Sri Lanka, we also feel Matt provides extra middle-order support, with Tim David completing his return to play programme in the early phase of the tournament.”
Big-hitter David is on the comeback trail from a hamstring injury.
The squad is spin-heavy in preparation for the sub-continent conditions, with left-armer Matt Kuhnemann and Cooper Connolly complementing chief tweaker Adam Zampa and part-timer Glenn Maxwell.
Australia’s group-stage matches are all being played in Sri Lanka. They open their account against Ireland in Colombo on February 11.
Squad: Mitchell Marsh (capt), Xavier Bartlett, Cooper Connolly, Tim David, Ben Dwarshuis, Cameron Green, Nathan Ellis, Josh Hazlewood, Travis Head, Josh Inglis, Matthew Kuhnemann, Glenn Maxwell, Matthew Renshaw, Marcus Stoinis, Adam Zampa.
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