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9 things Taylor Swift revealed about “The Life of a Showgirl” on “New Heights” podcast with Travis and Jason Kelce

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9 things Taylor Swift revealed about “The Life of a Showgirl” on “New Heights” podcast with Travis and Jason Kelce


Taylor Swift gave fans a lot to look forward to after she appeared on “New Heights,” the podcast hosted by her boyfriend and Kansas City Chiefs star, Travis Kelce, and his brother, former Philadelphia Eagles star Jason Kelce, Wednesday night. 

Swift used the podcast episode to announce her 12th studio album, “The Life of a Showgirl,” which she was working on during the European leg of her record-breaking Eras Tour in 2024.

“This is the record I’ve been wanting to make for a very long time,” Swift said. 

Here are more details Swift shared about the upcoming album:

“The Life of a Showgirl” release date

The album will be released on Friday, Oct. 3. Fans of Swift know the dates she chooses to announce and release music almost always have meaning and often have a 13, her lucky number, somewhere. 

“Never not annoying,” she said about herself on the podcast. “Always going to try to force a 13 into the situation and this one was right there.”

Swift, Max Martin and Shellback produced the album 

Swift made “The Life of a Showgirl” with Max Martin and Shellback, producers she has worked with in the past but never for the entirety of an album. 

“The three of us have made some of my favorite songs that I’ve ever done before,” Swift said. Those songs include “22,” “We Are Never Ever Getting Back Together,” “Blank Space,” “Style,” “Shake It Off,” “…Ready For It?” and “Delicate.”

The three hadn’t produced music together in seven or eight years, but returning to work with them “felt like catching lightning in a bottle,” Swift said.

“By the time we came back together, I feel like we had so much more dexterity to what we do,” she said. “This was the time where it felt like all three of us in the room were carrying the same weight as creators and it was really special.”

Martin and Shellback have also worked with pop artists like Britney Spears, Ariana Grande, P!nk and more.

“The best ideas we’ve ever had”

Swift said she approached Martin, who she described as her mentor, about doing an album at her Eras Tour show in Stockholm in May 2024.

“I essentially said to him, ‘I want to be as proud of an album as I am of the Eras Tour and for the same reasons,’ and he was like, ‘Do you understand what kind of pressure that is?'” Swift said. 

But Swift is confident in the outcome. 

“We knew that we had to bring the best ideas we’ve ever had, and I also know the pressure I’m putting on this record by saying that, but I don’t care because I love it that much, and I’m so proud of it, and it just comes from like the most infectiously joyful, wild, dramatic place I was in in my life, and so that effervescence has come through on this record,” she said. 

“The Life of a Showgirl” theme

Swift described the theme of “The Life of a Showgirl” as “everything that was going on behind the curtain” during the Eras Tour. 

Asked by Jason Kelce why she chose orange for the color scheme of the album, Swift said, “I’ve just always liked it, Jason.”

“It feels like kind of energetically how my life has felt, and this album is about what was going on behind the scenes in my inner life during this tour, which was so exuberant and electric and vibrant,” she said. 

There are 12 songs on the album

Swift shared the titles of the 12 tracks on the album: “The Fate of Ophelia,” “Elizabeth Taylor,” “Opalite,” “Father Figure,” “Eldest Daughter,” “Ruin The Friendship,” “Actually Romantic,” “Wi$h Li$t,” “Wood,” “Cancelled!,” “Honey” and “The Life of a Showgirl (Feat. Sabrina Carpenter).”

The pop star added that there are no additional songs, a departure from past albums. Her most recent release, “The Tortured Poets Department,” had 31 songs. 

“Every single song is on this album for hundreds of reasons. … It’s just right,” she said. “That focus and that kind of discipline with creating an album and keeping the bar really high is something I’ve been wanting to do for a very long time.

“I tend to love to write lots and lots of music, so it’s a temptation to release lots of music. I wanted to do an album that was so focused on quality and on the theme and everything fitting together like a perfect puzzle.”

Melodies and lyrics were key goals

Swift opened up about the primary objectives she had making “The Life of a Showgirl.”

“My main goals were melodies that were so infectious that you’re almost angry at it and lyrics that are just as vivid but crisp and focused and completely intentional,” she said

Martin had made a point to tell Swift he didn’t want her to leave behind the type of writing and storytelling she did on “folklore” (released in July 2020) even if the sound of this album was different. Swift said she replied, “I couldn’t if I tried.”

“So it was really amazing that we were able to, without doing too much overthinking, we were able to get in there and it was just ideas flying and all of these ideas were like, we’ve been waiting years to come back together and make this project.”

The album art 

The cover of “The Life of a Showgirl” is a layered picture of Swift submerged in water.

“This represents the end of my night,” she explained. “When I’m on tour, I have the same day every single day … and my day ends with me in a bathtub.”

Swift wanted the cover to show something offstage to represent the theme of the album.

“This album isn’t really about what happened to me on stage, it’s about what I was going through offstage,” she said. “It’s the life beyond the show.”

The images were captured by photographers Mert Alas and Marcus Piggott, who Swift previously worked with for the album art for her sixth studio album, “reputation,” released in 2017.

“I loved what they did with those photos, so I called them up for this one, and I’m so happy with the way that the photos came out for this one,” she said. 

The album was recorded in Sweden during the Eras Tour

Swift traveled to Sweden on her off days while touring Europe during the Eras Tour to work on the album.

“I would be playing shows, I’d do like three shows in a row. I’d have like three days off, I’d fly to Sweden,” she said. “I was physically exhausted at this point in the tour but I was so mentally stimulated and so excited to be creating.”

“This album is going to make you dance”

Some additional details about “The Life of a Showgirl” came from Travis Kelce, who revealed he has heard the whole album. 

“I know they’re all 12 bangers,” he said. “It’s a lot more upbeat, and it’s a lot more like fun pop like excitement. … I think it’s a complete 180 from a lot of the songs on ‘Tortured Poets’ for sure.”

Swift confirmed that was a good way to describe the album, adding, “Life is more upbeat.”

Travis later told Jason, “you are going to move.”

“This album is going to make you dance,” he said. 



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What’s keeping drivers from buying EVs? Key reasons at a glance

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What’s keeping drivers from buying EVs? Key reasons at a glance


What’s keeping drivers from buying EVs? Key reasons at a glance

The ongoing mobility evolution normalising electric vehicles (EVs) is commendable, and it is sufficient to compel drivers into buying one, for EVs are eco-friendly, fun to drive, and are widely believed to cut fuel/energy costs. Yet the adoption of EVs is not being preferred over combustion engine vehicles, meaning the transition may be stalled.

Let’s delve deeper into what is really impeding the reception of EVs despite countless automakers churning out a myriad of flashy electrified vehicles, equipped with high-end, sophisticated tech.

Affordability: The biggest roadblock

First things first, one must bear in mind that EVs definitely cost a fortune—courtesy of the tech underneath, its costs and the meticulous engineering behind. The pricey aspect of low EV reception is also backed by Ashley Nunes, a senior research associate at Harvard Law School, as she says: “We looked at 13 years’ worth of electric vehicle prices in the US, and in inflation-adjusted dollars, the average price of an EV is going up, not down.”

Despite a 25% drop in battery prices in 2024, EVs still have higher upfront costs than petrol vehicles, especially in markets with limited subsidies or high interest rates. As per the data, China is leading in EV affordability, with two-thirds of battery electric vehicles (BEVs) sold in 2024 priced lower than their internal-combustion counterparts. Emerging markets like Thailand, Brazil, and Indonesia are also benefiting from affordable Chinese models.

In contrast, European markets seem unfortunate as they registered a trivial change in EV pricing, with significant premiums for BEV SUVs. The US is facing similar challenges, with high prices limiting mass adoption.

Charging infrastructure

Across regions, charging availability is another grave bottleneck, because even in countries with rapidly expanding public networks, many drivers are worried about EV charging infrastructure. Urban dwellers of apartments and households without off-street parking face significant hurdles installing home chargers—an issue common from the US to Europe to parts of Asia.

Meanwhile, public charging is growing, but at an inconsistent pace. Some regions have established extensive, fast-charging systems, while others are relying on slow chargers or have networks prone to outages.

Even in areas with plenty of chargers, compatibility issues, queues during peak time, and variable pricing negatively affect consumer confidence.

Thus, for most people, the question isn’t just whether EVs are technologically capable—it’s whether they can be conveniently powered.

EV performance issues

Besides the limited range in EVs, another anxiety which continues to deter buyers is performance, a key factor when daily commuting is in question. While drivers in colder climates worry about range degradation in winter, rural and long-distance drivers question whether charging stops will extend their journeys.

And while modern EVs perform well for most urban travel conditions, options suitable for towing, large-family transport and heavy hauling are still not in abundance.

In many countries, EVs are often purchased as complements rather than replacements. Households buy an EV for short trips while keeping a separate petrol vehicle for long-distance or heavy-duty needs. This treatment signals not only uncertainty but also the limited availability of EVs that meet all use cases.

Limited availability

Another barrier to wider EV adoption worldwide is the mismatch between what consumers want and what’s available to them. Buyers chasing large SUVs, minivans, or low-cost compact models have limited EV options, and this is where China stands out for offering an incredible array, ranging from ultra-compact city cars to low-cost electric SUVs.

Notwithstanding these woes, projections by industry analysts suggest redressal, as new models planned through 2026 are expected to close many of these gaps. However, as of now, many shoppers struggle to find an EV that fits their lifestyle, budget or feature expectations.

Production challenges

EV manufacturers are adjusting expectations as adoption appears to have slowed, and some major automakers are restricting EV production plans, scaling back partnerships or delaying capacity expansions.

These shifts are equally driven by slower demand growth and partly by uncertainties in supply chains, charging network development and regulatory environments.

With automotive unions and policymakers worldwide bracing for an electric future, upcoming regulatory standards, especially in Europe, will compel manufacturers to expand affordable EV offerings.

EV sales trends

The surprising part of the picture is that global EV sales are climbing, with varied momentum. Markets such as the US and Europe have registered slow growth compared to previous rates, while China and emerging markets are accelerating, thanks to lower prices and broader model availability.

This trend was also observed in other regions, with affordability and infrastructure increasing adoption speed.

Global EV manufacturers’ total sales so far in 2025

Manufacturer Total EVs sold/delivered in 2025 so far  Key notes
Tesla 1,217,901 vehicles (Q1-Q3 2025)  Global total for first three quarters; full-year total pending
BYD (BEV only)  1.61 million (Jan-Sept 2025)  ~4.4 million vehicles (2025 estimate)
Rivian Full-year forecast: 41,500-43,500 vehicles
General Motors 144,700 EVs sold in the U.S. as of Q3 2025 US-only figure, global 2025 total not yet released
BMW (BEV only) 247,025 fully electric vehicles sold worldwide (Jan-Sept 2025) Strong global BEV growth; excludes PHEVs
Hyundai Motor Group ~481,000 EVs (BEVs + PHEVs) worldwide (Jan-Sept 2025) Hyundai + Kia combined performance
Volkswagen(BEV only) 717,500 BEVs worldwide (Jan-Sept 2025) Up 41.7% YoY compared to 2024
Ford 108,185 EVs worldwide (Jan-Sept 2025) Based on regional reporting, no single global release
Zeekr 165,346 EVs sold worldwide (Jan-Oct 2025) Rapid global expansion, strong performance in premium EV segment
Xiaomi  ~257,171 EVs (Q1-Q3 2025) Fastest-growing new entrant in 2025, driven by SU7 series
Geely (NEV only) 725,000+ NEVs (Jan-June 2025) Annual target: 3 million

What’s the future of EVs?

Despite setbacks like unbearable prices, insufficient charging infrastructure, and performance limitations, the global EV transition is nevertheless moving forward, and more affordable models are on the horizon.

Competition in battery technology is also intensifying, and infrastructure networks are expanding with each passing year. With these elements combined, the barriers holding EV drivers back will gradually diminish, most likely.

For now, the EV landscape is one of uneven progress, not fully ready to cater to all kinds of drivers worldwide.





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What if Sun goes dark? Experts examine deadly reality behind upcoming sci-fi film

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What if Sun goes dark? Experts examine deadly reality behind upcoming sci-fi film


What if Sun goes dark? Experts examine deadly reality behind upcoming sci-fi film

Scientists have presented a real-world picture of an upcoming science fiction movie, Project Hail Mary’s, plot – dimming of the sun.

The film, set to release in March 2026, revolves around a lone scientist trying to uncover the secret behind the sun’s brightness decreasing by one percent in a year and five percent in two decades.

Experts say this scenario is only hypothetical as if it happens in reality, humanity would be wiped out.

A planetary scientist from California Institute of Technology, Professor David Stevenson, said that such a change would wipe out humans from Earth, adding, “Extinguishing life on Earth could take a long time as there are many creatures that live underground.”

Currently, Earth absorbs much of the energy from the Sun and reflects only 30 per cent back into space, thus keeping the planet warm.

Using scientific calculations, experts reveal that if the sun’s brightness drops, Earth will cool rapidly.

Project Hail Mary trailer

Only 0.22 per cent less energy from the sun, while it was going through a 70-year quiet period known as Maunder Minimum, resulted in the Little Ice Age on Earth. The temperatures in northern Europe dropped by 2°C between 1645 and 1715.

Though humans are facing the worsening impacts of global warming, global cooling would prove even catastrophic.

A recent report reveals that only a 1.8°C drop in global temperature would disrupt food chains by cutting the production of maize, wheat, soybeans, and rice by 11 percent that’ll result in a mass famine.

A total of 5.3 billion people could die in just two years if crop production fails due to low sunlight. 





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Here’s what Elon Musk thinks about H-1B visa: ‘Stop the gaming’

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Here’s what Elon Musk thinks about H-1B visa: ‘Stop the gaming’


Here’s what Elon Musk thinks about H-1B visas

Tech billionaire and the world’s richest man, Elon Musk, has expressed concerns about the H-1B visa programme, stating that it is being “gamed” by select outsourcing firms in the US.

The tech tycoon emphasised that authorities should address the misuse of the H-1B visa system rather than dismantling it entirely.

What is H-1B visa?

H-1B visas allow U.S. companies to hire skilled foreign workers, and are mostly used by Indian citizens, particularly in the technology and healthcare sectors.

During a recent podcast with Indian entrepreneur Nikhil Kamath, Musk highlighted that America has “long benefitted” from the contributions of talented Indian migrant workers, while acknowledging the issues around the “misuse” of the H-1B programme.

Manipulation in H-1B visa lottery system 

Outsourcing firms have faced backlash for manipulating the lottery system, including submitting multiple applications for the same worker and hiring low-cost contract employees instead of filling speciality roles, BBC reported.

Musk firmly stated, “We need to stop the gaming of the system,” but he disagreed with those advocating for the complete shutdown of the H-1B system, arguing that such a move would be detrimental to the U.S. economy.

Recent data from the National Foundation for American Policy (NFAP) indicates that approvals for H-1B visas from Indian outsourcing companies have dropped to their lowest level in a decade, with a significant decline in initial employment petitions.

Besides H-1B visas, Musk also commented on former President Trump’s tariff policies, which he believes distort markets, noting that negotiations for a trade deal between the U.S. and India are ongoing, with an agreement expected by year-end.





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